Knowledge (XXG)

Odia literature

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1473:. The name Achyuta literally means "created from Lord Vishnu". He is also referred to as "Achyuti", i.e. "He who has no fall" in Odia. He was born to Dinabandhu Khuntia & Padma Devi in Tilakona, Nemal around 1485 AD. He established spiritual energetic centers called "gadis" across east India (in the former states of Anga, Banga, Kalinga, Magadha) and Nepal. Gadis such as Nemal, Kakatpur, Garoi, and Jobra Ghat were places for spiritual action, discourse and penance. He was learned in 6499: 6600: 149: 2205: 24: 2163:. Gopabandhu was a large part of this idealistic movement, founding a school in Satyabadi and influencing many writers. Other famous writers included Godabarisha Mishra, Nilakantha Dash, Harihara Acharya, and Krupasinshu. They are known as 'Panchasakhas' for their similarities with the historical Age of Panchasakhas. Their principle genres were criticism, essays and poetry. 7346: 618: 2957:, who pioneered an experimental theater movement. Bijay Mishra, Biswajit Das, Kartik Rath, Ramesh Prasad Panigrahi, Ratnakar Chaini, Prasanna Das, Pramod Kumar Tripathy, Sankar Tripathy, Ranjit Patnaik, Dr. Pradip Bhowmic, Hemendra Mahapatra, Dr. Panchanana Patra and Purna Chandra Mallick continued the tradition. Tripathy's contribution to the growth and development of 2360: 1022:, (a warrior of Odisha) was engraved in the temple, Laxminarayana of Simhanchalam by Mukunda Deva. In the beginning, these inscriptions had a dynamic journey from Pali to Sanskrit. Odia language, literature, script and culture are based on the discussions of these inscriptions. The words written in the Hatigumpha Inscription are still used. 2640:(Last Letter to Sulata) was published in 1965. The ten stories included in this book are "Sulataku Sesa Chitthi", "Kapilas", "Janeika Kulapati-nka Mrutyu", "Tandril Ru Tornoto", "Mystic Realistic", "Prasanta Samudra: Asanta Lahari", "Nalakula Matha, Nepala Babu O Narana", "Daudana Bada Khara", "Duragata" and "Sandipani-ra Symphony". 2152:
develop education in the name of a social service vision. He lost his wife at age twenty-eight, after losing all three of his sons. He left his two daughters and his property in the village with his elder brother, rejecting worldly life. For this social service mission he is regarded by Odias as the Utkalmani.
2296:. The founders of the Progressive Movement in Odisha were Nabakrushna Choudhury, Bhagabati Panigrahi and Ananta Patnaik. At the inaugural session of Nabajuga Sahitya Sansad, freedom fighter Malati Choudhury sang "Nabeena Jugara Taruna Jagare" written by Ananta Patnaik. Nabajuga Sahity Sansad published 1403:
Gita Abakasa, Bhava samudra, Gupta Gita, Vedanta Sara, Mriguni Stuti, Saptanga Yogasara Tika, Vedanta Sara or Brahma Tika, Baula Gai gita, Kamala Lochana Chotisa, Kanta Koili, Bedha Parikrama, Brahma Gita, Brahmanda Bhugola, Vajra Kavacha, Jnana Chudamani, Virata Gita, Ganesha Vibhuti, and Amarakosha
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in Cuttack, challenged these authors' approaches. The title of the magazine was made up of three unused Odia alphabets. Writers associated with the magazine included Annada Prasad Ray, Guru Mohanty, Kailash Lenka, and Akshyay Mohanty. These writers began a revolution in Odia fiction. They introduced
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believes that Surendra Mohanty's "Ruti O Chandra" should be considered the first story of the individualistic approach, rather than Gopinath's story "Dan". The major difference between the two is that Gopinath is more optimistic while Surendra is nihilistic. This nihilism prepared the ground for an
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The creativity and development of the Odia language and literature can be seen in its spoken forms, such as folk tales, and in written forms, such as rock edicts and manuscripts. Songs sung to memorialize birth, death, work, and festivals helped to preserve the language in its oral form, passing it
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touches on many aspects of Odia and Odisha, as well as many topics of general interest. Its author was a lawyer by profession and was ridiculed and reviled during production. Many printed copies were destroyed unbound and unsold. Many copies sat in libraries of princes who had patronised the work.
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It lists some 185,000 words and their meanings in four languages – Odia, English, Hindi and Bengali. It includes quotations from classical works illustrating the usage of various words. It includes information such as botanical names of local plants, information on astronomy and long articles on
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Black Eagle Books, a non-profit publishing initiative was started in April 2019 to propagate Odia literature globally through publication and translation projects. To encourage new writers, Black Eagle Books started "Black Eagle Books First Book Award". The award for 2019 was given to Niharika
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to take on social, economic and political problems and become responsible citizens. While leading a team to serve flood victims, Gopabandhu heard that his son was seriously ill. He preferred, however, to save the "sons of the soil" rather than his own son. His mission was to reform society and
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into five main stages: Old Odia (800 AD to 1300 AD), Early Medieval Odia (1300 AD to 1500 AD), Medieval Odia (1500 AD to 1700 AD), Late Medieval Odia (1700 AD to 1850 AD) and Modern Odia (1870 AD to present). Further subdivisions, as seen below, more precisely chart the language's development.
1206:, was acclaimed as the "Adikabi" or first poet. The reign of the Gajapatis is considered to be the golden period for Odisha art and literature. Kapilendra Deva patronized Odia language and literature along with Sanskrit, unlike his predecessors who used only Sanskrit. A short Odia poem 2676:
sexuality in their work and created a new prose style. In the late 1960s many "groups" of writers emerged from different parts of Odisha. Anamas from Puri, Abadhutas from Balugaon, Panchamukhi from Balangir, Abujha from Berhampur and Akshara group from Sambalpur created a sensation.
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we realized that a sense of alienation is the main ingredient of modern poetry." Before independence Odia poetry was mostly written with Sanskritic or "literary" idiom, but after independence poets freely used of Western concepts, idioms, images and adaptation of Western myths.
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into Odia. He also written chandi purana .This was not an exact translation from the Sanskrit original, but rather an imitation. It can be seen as an original work. Sarala Das was given the title Shudramuni(Peasant-sage). He had no formal education and did not know Sanskrit.
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are landmarks. He was conferred the title "Kabi Samrat" of Odia literature for his poetic sense and skill with words. He wrote 52 books, of which only 25–26 survive. He contributed more than 35,000 words to Odia literature and is considered the greatest poet of Riti Juga.
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Gupta Bhagavat, Tula vina, Sola Chapadi, Chari Chapadi, Tola Bena, Daru Brahma Gita, Diksa Samyad, Artha Koili, Muguni Stuti, Annamaya Kundali, Goloka Sarodhara, Bhakti Chandrika, Kali Malika, Indra Malika, Niladri Vilasa, Nitya Gupta Chintamani, Sri Krishna Bhakti Kalpa
2121:(1877–1928) was a great balancer and realized that a nation, as well as its literature, lives by its traditions. He believed that a modern national superstructure could only endure if based on solid historical foundations. He wrote a satirical poem in 1326:
The Panchasakhas were significant because of their poetry and their spiritual legacy. In the holy land of Kalinga (Odisha) saints, mystics, and devotional souls were born, fortifying its culture and spiritualism. The area uniquely includes temples of
1018:(Prayaga inscription 365 AD), Kumargupta (Mandasore inscription 473 AD), who created their own works in a poetic style on many rocks, in Sanskrit. The writing trend was not obstructed after Kharavela. The Asanapata inscription in Keonjhar created by 3235:
An initiative, Pratishruti, was started to connect literary minded people in North America with their Indian peers. The goal is to expose Indian-Americans to the best writings of Odia writers as well as to cultivate new Odia writers in America.
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Chintamani Das is particularly renowned. He was born in 1903 in Sriramachandrapur village near Sakhigopal. He was bestowed with the Sahitya Akademi Samman in 1970 for his contributions. Some of his well-known literary works are
2897:, Suniti Mund and Mamatamay. Chowdhry. Giribala Mohanty (1947–) is noted for her deep sensitiveness for women's issues. Her poems depict the binary of women's social apathy and self-confidence. Her collections of poems include 2450:
The early 1980s introduced poets with new thoughts and styles. They mixed Odia heritage and culture with the feelings of common people. They were somehow nearer to the readers as they avoided ambiguity in their expression.
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had created rock edicts and inscriptions before Kharavela, his instructions for administration were written in a rude and choked style. However, the Hatigumpha inscription shows the language's flexibility and flow.
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This translation provided subsequent poets with the necessary foundation for a national literature, providing a fairly accurate idea of the Odia culture at the time. Dasa, born in 15th century Odisha under
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and progressive Marxist movements. Kalindi Charan Panigrahi (the brother of Bhagabati Charan Panigrahi who founded Marxism in Odisha) formed a group called "Sabuja Samiti" with two of his writer friends
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Harivamsa, Tattva bodhini, Sunya samhita, Jyoti samhita, Gopala Ujjvala, Baranasi Gita, Anakara Brahma Samhita, Abhayada Kavacha, Astagujari, Sarana panjara stotra, Vipra chalaka, Manamahima, Maalika.
2050:, he took to creative writing late in life. He did translations from Sanskrit, wrote poetry and attempted many forms of literature, but is now known as the father of modern Odia prose fiction. His 5704: 6631: 3139:(ଆରିଷ୍ଟୋଟଲଙ୍କ କାବ୍ୟ ତତ୍ତ୍ୱ) published in the late 1960s was only the second translation of this classic in any Indian language. Classics including children's literature were translated by 2535:
explores all aspects of Odishan life, including the plains and the hills. He uses a lyrical prose style, adopting the day-to-day speech of ordinary men and women. Gopinath's first novel,
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and be known as Ananta, Acyutananda, Jagannatha, Balarama and Yasovanta, respectively. Thus, believers in the Panchasakha consider them to be the most intimate friends of Lord Krishna in
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Changes that started in the 1960s were confirmed in the next decade by authors such as Jagadish Mohanty, Kanheilal Das, Satya Mishra, Ramchandra Behera, Tarun Kanti Mishra, Padmaja Pal,
2913:. Sahoo had a significant influence on these women. Sahoo claims that women are an "Other" from the masculine perspective, but that they are entitled to equal human rights according to 1382:
to serve him. They are instrumental in performing the crucial and much-awaited Yuga-Karma, where they destroy the sinners and save the saints, according to Sanatana-Hindu beliefs.
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was leaving his mortal body, Nilakantheswara Mahadeva appeared and revealed to him that the Lord's companions Dama, Sudama, Srivatsa, Subala, and Subahu would reincarnate in the
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This poet used images and symbols from the social milieu/collective psychology so that deep realization could be grasped by readers. This kind of poetry, full of the mystery of
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Several Chautishas (a form of Odia poetry where 34 stanzas from "ka" to "Khsya" are placed at the start of each composition) were composed during this time. The best known are
2766:( A Thousand Autumns), – a novel dealing with resettlement and rehabilitation of displaced persons from East Pakistan, now Bangladesh—and anthologies of short stories such as 1085:, spread throughout northeastern India from the 10th to the 14th centuries, and its style of expression was revived by the Odia poets of the 16th to the 19th centuries. 2551:(1947). He published 24 novels, 10 collections of short stories, three plays, two biographies, two volumes of critical essays and five books on the languages of Kandh, 2683:
and Sarojini Sahoo. Kanheilal Das and Jagadish Mohanty began creating a style popular among a general audience as well as intellectuals. Jagadish Mohanty introduced
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or founding poet of the Odia language. Senapati was born in the coastal town of Balasore, and worked as a government administrator. Enraged by the attempts of the
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later modified Eliot's ideas in his own work. According to Rath: "After the publication of Kalapurusha Guru Prasad's poetry collection influenced by T.S. Eliot's
2476:(1934–2021 ). These authors pioneered the trend of developing or projecting the "individual as protagonist" in Odia fiction. Eminent feminist writer and critic 1312:. Chaitanya's path of devotion was known as Raganuga Bhakti Marga. He introduced chanting as a way to form a spiritual connection and taught the importance of 5101: 2865:, Ajay Swain, Mrinal Chatterjee, Radhu Mishra, Dr Laxmikant Tripathy, Nisith Bose, Suniti Mund, Anjan Chand and Dr. Kulangara contributed to popular writing. 1532:
or Madhavi Dasi is considered as the first Odia woman poet who was a contemporary of Prataprudra Deva and wrote several devotional poems for Lord Jagannatha.
2953:, which flourishes in rural Odisha. Modern theater is not commercially viable, although in the 1960s experimental theatre made a mark through the works of 2060:
is the story of a young girl whose desire for education is placed in the context of a conservative society in a backward Odisha village, which is hit by a
885: 2380: 5465: 1416:, which had a great influence on the Odia people as a day-to-day philosophical guide, as well as a lasting one in Odia culture. His other works include 5778: 2825:. Kanaklata Hati, another women fiction writer whose writing featured psychoanalysis of the female mind. To date she published two story collections, 2762:. Tarun Kanti Mishra emerged during the 1970s as a powerful storyteller with an elegant style, full of poise and vigor. His outstanding works include 2346:
Most of these copies were sold cheaply when the princes met financial straits. Few copies survive, and those that exist are fragile and worm-damaged.
1998:, to propagate the Brahmo faith. In the last three and a half decades of the 19th century, more Odia newspapers launched. Prominent examples included 646: 5498: 1556:
were composed during this period that formed the foundation for Riti Juga. The major works of this era (other than those by the Panchasakhas) are
2991:(by Aristophanes). Sukla's translations were staged in various colleges and universities. He wrote two historical plays on Odia freedom fighters 1634:
by Purushotama Das. In the 16th century three poets translated Jayadeva's Gita Govinda into Odia. They were Dharanidhara Mishra, Brindavan Das (
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campaigned to bring all Odia-speaking areas under one administration, to develop Odia language and literature and to protect Odia interests.
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Translation of Odia literature into other world languages is mostly into English. The most well known translations are Fakir Mohan's novels
5255:. (Arbeiten des Seminars für Allgemeine Sprachwissenschaft; 17). Zürich: Seminar für Allgemeine Sprachwissenschaft der Universität Zürich. 2374: 180: 1884:
which is extensively used in Odissi Music. Brajanath Badjena started a tradition of prose fiction, though he was not a great talent. His
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During the Panchasakha era another seer, Raghu Arakhsita, who was not part of the Panchasakhas but was a revered saint, composed several
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and Jayee Rajguru that were widely staged. Amateur theater groups and drama competitions operate there. Opera is commercially viable.
2068:. This was the first Indian novel to deal with the exploitation of landless peasants by a feudal lord. It was written well before the 324: 1185:, who had no access to education.Sarala dasa is also known as ଆଦି କବି. The first great poet of Odisha with widespread readership was 6621: 5425: 5397: 5303: 5281: 5260: 4946: 4919: 4892: 4850: 4809: 4782: 4755: 4714: 4687: 4657: 4630: 4603: 4542: 4515: 4462: 4376: 4290: 4263: 4233: 3975: 3929: 3887: 3799: 3622: 3595: 3455: 3399: 3372: 3328: 2252: 170: 107: 2464:
In the post-independence era Odia fiction took a new direction. The trend that Fakir Mohan started grew after independence, led by
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serves as evidence of past Odia cultural, political, ritual, and social status, and is the first poetic stake inscription. Though
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Orissa Under the Mughals: From Akbar to Alivardi : a Fascinating Study of the Socio-economic and Cultural History of Orissa
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is the most prolific writer of the Panchasakhas. He is believed to have been born through special divine intervention from Lord
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Sahoo, Dr. Basanta Kishore Sahoo (1995) Who's who in Oriya Children's – Literature, Vol. I&II Mayur Publication and RIOCL,
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Nabajuga Sahitya Sansad, formed in 1935, was one of India's first progressive literary organizations, contemporaneous to other
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of Karttika Das. A new form of novels in verse evolved at the beginning of the 17th century when Ramachandra Pattanayaka wrote
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various topics of local interest. It also includes biographies of personalities connected with Odisha's history and culture.
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As the successors of Sachi Routray, the father of modern Odia poetry, Guruprasad Mohanty and Bhanuji Rao were influenced by
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is the first such creation, containing 84 pictorial poems. Poets in this tradition include Sadananda Kabisurya Bramha (
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epidemic. His other stories are "Patent Medicine", "Dak Munshi", and "Adharma Bitta". Senapati is known for his novel
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is a 7-volume Odia dictionary/encyclopedia of about 9,500 pages published between 1930 and 1940. It was compiled by
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is considered the first manifesto of women's liberation or feminism in Indian literature. His other major works are
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is a landmark, that gained international recognition for its feminist and liberal ideas. Her other works include
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and Baikuntha Patnaik. This was a short period in Odia literature, later folded into Gandhian and Marxist work.
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from Deogarh. These periodicals encouraged modern literature and offered a broad audience for Odia writers.
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in 1861. Its goal was to promote Odia literature and critique government policy. The first Odia newspaper
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When the Hatigumpha Inscription was created, its principles had been traced before. They were followed by
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through the generations. Stories depicted in cave paintings preserved the language in the written form.
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During the age of Radhanath the literary world was divided between the classicists, led by the magazine
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describes the pain of separation of Yasoda from her son Krishna. He is known to have composed the epic
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In the pre-Sarala period, Natha and Siddha literature flourished. The main works of this period are
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was composed by Vaishya Sadashiva and Ananga Narendra. Bhima Bhoi, the blind poet born in a tribal
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poets. This literature was written from the "Sandhya Bhasha" metaphor. Some of its poets such as
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Sarojini Sahoo, who became known as a feminist writer, contributed to Odia fiction. Her novel
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The Panchasakha's individual characteristics are described as follows (in Odia and English):
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Shishu Ananta Das was born in Balipatana near Bhubaneswar in the late 15th century. He wrote
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in Odia. The Panchasakha and Arakhshita together are known as the Sada-Goswami (six Lords).
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Starting his literary career as a communist and later becoming an Aurobindian philosopher,
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of Biswanaath Khuntia was composed in the early 18th century. Pitambar Das wrote the epic
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Das, Harish Chandra; Samsad, State Level Vyasakabi Fakir Mohan Smruti (1 January 2003).
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Other significant pre-1970s fiction writers are Bama Charan Mitra, Chandrasekhar Rath,
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while she dictated it. Though he wrote many poems and epics, he is best remembered for
1203: 939: 937:. Its earliest written texts date from around 1000 CE. The earliest Odia newspaper was 708: 398: 373: 208: 7363: 7290: 6946: 6794: 6643: 6565: 6431: 6033: 5973: 5882: 5745: 5652: 5640: 5610: 5577: 5507: 3417: 3264: 3071: 3067: 3008: 2894: 2047: 1945: 1266: 1219: 1174: 906: 498: 292: 190: 2125:, which led to punishment by the Inspector of Schools, but he refused to apologise. 7350: 7310: 7064: 6799: 6789: 6741: 6696: 6574: 6363: 6288: 5935: 5808: 5740: 5657: 5549: 5521: 4018: 3279: 3240:
Mallick for her translation anthology of contemporary Hindi short stories in Odia,
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As freedom movements began, a new era in literary thought emerged influenced by
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is considered the first work of Odia prose, written by Abhadutta Narayan Swami.
1019: 591: 586: 541: 319: 297: 23: 1900:(mixture of poetry and paintings) was at its best in the 18th century. Several 1265:
Five notable Odia poets emerged during the late 15th and early 16th centuries:
7270: 7109: 7094: 5950: 5854: 2407: 1865: 1359: 1186: 1110: 1031: 1011: 902: 5184: 5143: 3049:(Awarded by Odisha Bigyan Academy 2011) are written for children and adults. 7139: 7114: 7084: 7074: 6222: 3254: 2988: 2590: 2473: 2265:
During the 1930s Odia literature was Influenced by the romantic thoughts of
2032:
included Chandrabhaga, Nandikeshwari, Usha, Mahajatra, Darbar, and Chilika.
1677: 1470: 1368: 1039: 1035: 963: 1817:
or frame of a picture. Upendra Bhanja pioneered this pictorial poetry. His
3507: 2853:. The best selling writers are Bhagirathi Das, Kanduri Das, Bhagwana Das, 1053:
came from present-day Odisha. The language of Charya was considered to be
7227: 7134: 7124: 7054: 7039: 7034: 5831: 5678: 5067:"CHECK: Odia Poet (Odia Love Shayari and Odia Sad Shayari Images Online)" 4826:"Chitra Pothi : Illustrated Palm Leaf Manuscripts from ..., Gurgaon" 3104: 2092: 2038:(1843–1918) became the best known Odia fiction writer. He was called the 1973: 1673: 1474: 1344: 1170: 1042: 979: 918: 914: 606: 7197: 7144: 7119: 7099: 7079: 7059: 7049: 6589: 2572: 2061: 1704:. The prominent poets, however, are Dhananjaya Bhanja (born 1611. AD), 1549: 1363: 1054: 688: 571: 5004:. Madras District Gazetteers (in French). Orient Longman. p. 86. 1804:
Sulakhshyana, Prema Chintaamani, Prema Kala, Rasaabati, Prematarangini
7089: 7044: 6506: 5813: 5361:. Cambridge Language Surveys. Cambridge: Cambridge University Press. 3668:
A History of Indian Literature, 500-1399: From Courtly to the Popular
3284: 2849:
A popular Odia literature emerged in the 1970s, particularly read by
2552: 2389:
by removing items or incorporating them into the text of the article.
2052: 1927: 1802:
of 52 cantos. Other prominent works of Abhimanyu Samanta Simhara are
1340: 1336: 1328: 1316: 1305: 1178: 1149:(an ode to a cuckoo) in Odia just before Sarala Das. His composition 1081: 971: 934: 910: 331: 138: 5333:
An ethnolinguistic profile of Eastern India: a case of South Orissa
1856:
Towards the end of Riti Yuga, four major poets emerged. These were
1676:
was a devotional poet who composed several poems dedicated to Lord
1512:
Balarama Dasa is fluent in tatwa (the ultimate meaning of anything)
1304:
came to Odisha carrying his Vaishnava message of love. Before him,
7029: 5803: 5756: 3063: 2914: 2556: 1332: 1182: 1046: 4400:"History of Oriya Literature (Odia Literature) - Important India" 3323:(1st ed.). Bhubaneswar: Odisha Sahitya Akademi. p. 94. 7129: 7104: 5476: 1354:
The origin of the Panchasakhas were described in Achyutananda's
1253:, which is a significant long poem in Odia. He is the author of 6470: 5760: 5480: 5206:"Translation of World Literature - Alice in Wonderland in Odia" 5173:
Indian Journal of Comparative Literature & Language Studies
5166:"Translation of World Literature - Alice in Wonderland in Odia" 1030:
The beginnings of Odia poetry coincide with the development of
978:
The main feature of this inscription is based on principles of
5066: 4560:"Biography of Kavi Samrat Upendra Bhanja – A great Oriya Poet" 2484:
Surendra Mohanty's short story collections and novels include
2353: 2198: 1798:
in Odia literature with 96 cantos exceeding Upendra's longest
17: 2746:. Padmaj Pal is known for short story collections, including 1751:
Anangarekha, Ichaavati, Raghunatha Bilasa, and Madana Manjari
5335:. Burdwan: Dept. of Bengali (D.S.A.), University of Burdwan. 3560:
Social status of Hindu women in northern India, 1206–1707 AD
2893:, Chirashree Indra Singh, Sairindhree Sahoo, Supriya Panda, 2304:
was conceived, initiated, edited, published and nurtured by
1075:
Upon that the maid will climb with this poor self and dance.
2056:(1898) is widely recognized as the first Odia short story. 1960:), Haribandhu, Gaurahari, Gauracharana, and Krishna Simha. 3062:
The first foreign book to be translated into Odia was the
5035:
Modern Indian Literature, an Anthology: Surveys and poems
4774:
Modern Indian Literature, an Anthology: Surveys and poems
2075:
Other eminent Odia writers and poets of the time include
1113:
and the later 16th century poets. It is written in Dandi
998:
Chatwarastasya bargahâ syusteshwekam cha phalam bhavet II
3319:
Prusty, Subrat Kumar; Pattanayak, Debi Prasanna (2015).
2623:
Farewell to a ghost : short stories and a novelette
1994:
In 1869 Bhagavati Charan Das started another newspaper,
921:(Tatsama) influences, along with loanwords from Desaja, 2726:
Ramchandra Behera is known for short story collections
2386: 2308:
and Ananta Patnaik. Many writers of that time wrote in
1395:, upon which subsequent Odia literature was built. His 1121:(ଭାବବତୀ). Other important works of this period include 3027:, Himansu Sekhar Fatesingh and Bibhuprasad Mohapatra. 2659:
is a classic of this period. Shantanu Acharya's novel
1218:. Sarala Dasa's poetic gift was believed to come from 4394: 4392: 4390: 4388: 3813: 3811: 2967:
translated four classic Greek dramas. His 1974 book,
2593:
wrote in Odia and English. His major Odia works are:
2135:
in Cuttack to pursue graduation after this incident.
1741:
Poet Dhananjaya Bhanja (1611–1701), was also king of
1688:
After the Panchasakhas, prominent works included the
1516:
Ultimate feelings of devotion are known to Jagannatha
986:
Sadvanshah kshyatriya bâ pi dhiirodâttah gunanwitâh I
3943: 3941: 2651:, Akhil Mohan Patnaik, Gobind Das, Rabi Patnaik and 1308:
had prepared the ground for Vaishnavism through his
1300:
The Panchasakhas were Vaishnavas by faith. In 1509,
7241: 7153: 7020: 6955: 6894: 6833: 6818: 6770: 6667: 6607: 6525: 6419: 6403: 6377: 6341: 6261: 6200: 6191: 6140: 6131: 6108: 6075: 6042: 5959: 5906: 5863: 5845: 5822: 5794: 5733: 5692: 5666: 5628: 5593: 5537: 5530: 5514: 4247: 4245: 4171:
Encyclopaedia of Indian Literature: Devraj to Jyoti
2949:The traditional Odia theater is the folk opera, or 2615:
The crocodile's lady : a collection of stories
2300:, the first progressive literary magazine in Odia. 48:. Unsourced material may be challenged and removed. 4938:Medieval Indian Literature: Surveys and selections 4911:Medieval Indian Literature: Surveys and selections 4671: 4669: 4649:A Dictionary of Indian Literature: Beginnings–1850 4622:A Dictionary of Indian Literature: Beginnings–1850 4341:Medieval Indian Literature: Surveys and selections 4312:. State Level Vyasakabi Fakir Mohan Smruti Samsad. 4198:Medieval Indian Literature: Surveys and selections 4110:Medieval Indian Literature: Surveys and selections 3746:St-Pierre, Paul; Kar, Prafulla C. (January 2007). 3447:Medieval Indian Literature: Surveys and selections 3416: 2958: 1026:Age of Charya literature (7th to 8th centuries CE) 994:Angâni sarbe<pi rasâha sarbe nâtakasandhyâhâ II 3695:These My Words: The Penguin Book of Indian Poetry 3440: 3438: 3436: 3434: 3432: 3430: 3193:into English. Other notable translations include 3153:translated by Subhendu Mohan Srichandan Singh as 2586:(1959), documented social change in the country. 1745:and grandfather of Upendra Bhanja, wrote several 1477:, sciences and social regulations. His works are 1249:Arjuna Dasa, a contemporary of Sarala-Das, wrote 1002:Kwacinnindâ khalâdinâm satâm cha gunakirttinam II 913:. The modern Odia language is mostly formed from 4038: 4036: 4034: 4032: 3135:'s translation (with commentary) of Aristotle's 996:Itihâsodvabam bruttamânânyad bâ sajjanâshrayam I 5296:Women in Literature: Criticism of the Seventies 4963:"BHAKTACHARAN DAS (1729 - 1813) ~ ଆମଓଡିଶାର.com" 1813:started, where the poem was written within the 1502: 1485: 1117:. Raja Balabhadra Bhanja wrote the love story, 1059: 984: 3879:Colonialism and South Asia: Cuttack, 1803–1947 3161:Translation of Odia works into world languages 2636:Ananta Charan Sukla's short story collection, 2570:) in three volumes (tr. 1985–86) and Tagore's 1506:Yantras uses lines and figures known to Ananta 1000:Aâdyu namaskriyashribâ bastunirddesha eba bâ I 6482: 5772: 5492: 3834:"Sidelights on History and Culture of Orissa" 3345:The History of medieval Vaishnavism in Odisha 3035:Sampratikatara Anuchintare Bigyan O Baigyanik 1896:, but often verges on nonsense. The style of 1680:during Jahangir's reign in the 17th century. 1564:authored by Narasingha Sena, contemporary of 1408:The most influential work of this period was 1391:provided one pillar, along with Sarala-Das's 879: 640: 8: 3477:. Concept Publishing Company. pp. 77–. 2481:existentialist movement in Odia literature. 5373:The History of: History of Oriya Literature 5341:Odia Landscape & Literary Efflorescence 5251:Neukom, Lukas and Manideepa Patnaik. 2003. 5125:"Translation in Odia - A Historical Survey" 5001:Situating Social History: Orissa, 1800-1997 4839:Williams, Joanna Gottfried (January 1996). 4798:Mohanty, Janaki Ballabha (1 January 1993). 4222:Mohanty, Janaki Ballabha (1 January 1993). 3498: 3496: 3494: 3070:in 1809. It was followed by translation of 2233:. Unsourced material may be challenged and 1508:Achyuta speaks the past, present and future 1222:(Saraswati), and that Sarala Das wrote the 992:Shrungarabirashantânâmekoangirasa ishyate I 990:Ekabanshodva bhupâhâ kulajâ bahabo pi Jâ II 6830: 6489: 6475: 6467: 6197: 6137: 5779: 5765: 5757: 5534: 5499: 5485: 5477: 4083:Encyclopaedia of Indian Literature: A-Devo 3967:Encyclopaedia of Indian Literature: A-Devo 3415:Shipley, Joseph Twadell (1 January 1946). 3361:Mohanty, Jatindra Mohan (1 January 2006). 3143:under their "Vishwa Sahitya Granthamala" ( 2582:'s sequence of novels, in particular, her 2113:, and the modernists, led by the magazine 1944:. The other major poets at this time were 1067:Oh, my maid, I would make you my companion 886: 872: 658: 647: 633: 119: 5466:Unicode Entity Codes for the Oriya Script 5461:Romanised to Unicode Oriya transliterator 3991:Abraham, J.K.; Misrahi-Barak, J. (2015). 3773:Yadava, J. S.; Gautam, Vinayshil (1980). 3300:Dalit literature#Dalit literature in Odia 2253:Learn how and when to remove this message 1358:As per his narration, towards the end of 1177:was often considered the language of the 1065:The bald Brahmin passes sneaking close by 108:Learn how and when to remove this message 3959: 3957: 3955: 3876:Mohanty, Pramod Kumar (1 January 2007). 3848:"The Orissa Historical Research Journal" 3388:Patnaik, Durga Prasad (1 January 1989). 3321:Classical Odia in Historical Perspective 3003:Popular science fiction writers include 2410:and published a co-authored poetry book 1518:These five friends are my five mahantas. 5846: 5375:(Oriya Sahityara Adya Aitihasika Gana). 4325:"Orissa District Gazetteers: Kalahandi" 4139:. Prabhat Prakashan. 1988. p. 449. 3614:Medieval Orissa: A Socio-economic Study 3611:Panda, Shishir Kumar (1 January 1991). 3587:Medieval Orissa: A Socio-economic Study 3584:Panda, Shishir Kumar (1 January 1991). 3540:B. C. Ray; Bhabānī Caraṇa Rāẏa (1981). 3311: 1753:. Besides Tribikrama Bhanja (author of 1642:). Brundabati Dasi, a woman poet wrote 1592:by Chaitanya Dash (born in Kalahandi), 1504:Yasovanta knows the things beyond reach 1089:Pre-Sarala Age (12th to 14th centuries) 1073:There is a lotus with sixty-four petals 754: 716: 668: 661: 526: 359: 198: 155: 137: 5435:Dutta Gupta, Upendra Narayan (1975) . 5032:George, K.M.; Sahitya Akademi (1992). 3698:. Penguin Books Limited. p. 345. 2971:has translations (with commentary) of 2687:to Odia literature. His works include 2619:The submerged valley and other stories 2613:(1992). Notable English works include 1536:Riti Juga (16th to mid 17th centuries) 1057:. In one of his poems, Kanhupa wrote: 5864: 5276:Orissa Sahitya Academy, Bhubaneswar, 5090:Istahar-92, (26th Volume, 2nd Issue), 3997:. Taylor & Francis. p. 146. 3918:Panda, Shishir Kumar (January 1991). 3099:. Other notable translations include 2539:, was published in 1940, followed by 1930:family is known for his compositions 1646:towards the end of the 17th century. 1173:was the language of literature while 943:, first published on August 4, 1866. 7: 5102:"Furore over award to Kalpanakumari" 4440:. Prabhat Prakashan. 1 January 1988. 3863:"Orissa District Gazetteers: Ganjam" 3644:. Abhinav Publications. p. 11. 2447:and Goutam Jena are the best known. 2231:adding citations to reliable sources 1006:(Sâhitya darpan- Biswanâth kabirâj) 46:adding citations to reliable sources 5823: 4365:Das, Sisir Kumar (1 January 2000). 3450:. Sahitya Akademi. 1 January 1997. 3037:became popular. Sashibhusan Rath's 2909:(The sorrow of being a mother) and 1451:Yashobanta Das was the composer of 6043: 5960: 4884:Encyclopaedia of Indian Literature 4845:. University of California Press. 4747:Encyclopaedia of Indian Literature 4706:Encyclopaedia of Indian Literature 4679:Encyclopaedia of Indian Literature 4595:Encyclopaedia of Indian Literature 4534:Encyclopaedia of Indian Literature 4454:Encyclopaedia of Indian Literature 4285:. Motilal Banarsidass Publishers. 4282:Women Pioneers in Oriya Literature 4255:Encyclopaedia of Indian Literature 4055:"Odia Poets & their creations" 3791:Encyclopaedia of Indian Literature 2143:and Lokanath Patnaik, started the 1876:(mixture of prose and poetry) and 909:, mostly from the Indian state of 14: 5705:Sahitya Akademi Translation Prize 5228:"Eight Odia Books in Translation" 5208:. The Telegraph. 7 September 2016 5100:Namita Panda (31 December 2011). 4868:"An Approach to Oriya Literature" 4866:Mohanty, Janaki Ballabha (1988). 4579:"The Greatness of Upendra Bhanja" 4279:Rout, Savitiri (1 January 1972). 4252:Datta, Amaresh (1 January 1988). 4174:. Sahitya Akademi. p. 1420. 3964:Datta, Amaresh (1 January 1987). 3213:by Bikram Das, Spark of Light by 3181:. Madhusudan Pati has translated 2195:Age of Romanticism or Sabuja Yuga 1983:, launched in 1866 under editors 1566:Gajapati emperor Prataprudra Deva 7344: 6598: 6497: 6109: 5471:Free/Open Source Oriya Computing 5392:(in German). Walter de Gruyter. 5390:Volksmärchen aus dem Jeyporeland 5371:Mohanty, Prasanna Kumar (2007). 5298:Scarecrow Press, Inc. Metuchen, 5123:Aditya Panda (1 November 2015). 5038:. Sahitya Akademi. p. 307. 4344:. Sahitya Akademi. p. 406. 4201:. Sahitya Akademi. p. 412. 4113:. Sahitya Akademi. p. 401. 4086:. Sahitya Akademi. p. 351. 3671:. Sahitya Akademi. p. 216. 3474:Encyclopaedia of the Hindu World 3231:Odia in United States of America 2717:Kanishka Kanishka, Uttaradhikar, 2358: 2203: 1918:then. Maguni Pattanaik composed 1864:, Gopalakrushna Pattanayaka and 1782:and Abhimanyu Samanta Simhara's 1210:was found in the Sanskrit Drama 1145:Markanda Das composed the first 1061:Your hut stands outside the city 616: 147: 22: 7173:Dhalapathar Parda & Fabrics 6132: 5795: 4558:S.manoharan (15 January 2012). 4309:The cultural heritage of Khurda 3719:Jatindra Mohan Mohanty (2006). 3131:by Govinda Tripathy etc. Prof. 2941:also present a feminist voice. 547:Dhalapathar Parda & Fabrics 33:needs additional citations for 6076: 5907: 5294:Myers, Carol Fairbanks (1976) 2671:In the 1960s a small magazine 2655:. Chandra Sekhar Rath's novel 2294:progressive writers' movements 2046:to marginalize or replace the 1952:, Bhaktacharan Das (author of 1757:) and Ghana Bhanja (author of 1696:of Deva-durlabha Dasa and the 1495:Bhaktira bhâba jâne Jagannâtha 1232:. His other notable works are 1071:He is naked and has no disgust 1014:(Girinar inscription 150 AD), 1: 7390:Indian literature by language 5339:Mahapatra, Khageswar (2010). 5272:Sahoo, Krushna Charan (2004) 4478:Rāẏa, Bhabānī Caraṇa (1981). 3905:"History of Oriya literature" 3638:Durga Prasad Patnaik (1989). 3504:"History of Oriya Literature" 3093:Solitude of Alexander Selkirk 2701:Dipahara Dekhinathiba Lokotie 2343:Purnachandra Odia Bhashakosha 2329:Purnachandra Odia Bhashakosha 2322:Purnachandra Odia Bhashakosha 2278:later wrote his famous novel 1880:styles. His greatest work is 1578:Premalochana, Bada Shakuntala 1489:Gâra katâ Yantra jânee Ananta 1455:(a ballad or Gatha- Sangeeta) 1448:and several bhajan poetries. 1125:(କଳସା ଚଉତିଶା) (By Baccha Das) 1109:is mentioned in the works of 567:Habaspuri Saree & Fabrics 5720:Odisha Sahitya Akademi Award 4935:Ayyappa Paniker, K. (1997). 4908:Ayyappa Paniker, K. (1997). 4577:Brahma, Gouri Kumar (2006). 4368:History of Indian Literature 3775:"The Communication of Ideas" 3641:Palm Leaf Etchings of Orissa 3563:. Inter-India Publications. 3391:Palm Leaf Etchings of Orissa 3058:Odia translation of classics 2905:(The Dark complexion Girl), 2599:Manoj Dasanka Katha O Kahani 2518:Sabuja Patra-O-Dhusara Golap 2147:(Duty Awakening Society) in 1904:can be traced to this time. 1833:), Kesabaraja Harichandana ( 1809:A new form of poetry called 1487:Agamya bhâba jânee Yasovanta 1289:school of thought. The word 1107:Gorakha Samhita. Shishu veda 5725:Atibadi Jagannath Das Award 5444:Dash, Kunja Behari (1979). 5267:History of Oriya literature 5265:Mansingha, Mayadhar (1962) 4987:BKP SBCD Monobodha Chautisa 4731:"ABHIMNYU SAMANTA SINGHARA" 4338:K. Ayyappa Paniker (1997). 4195:K. Ayyappa Paniker (1997). 4107:K. Ayyappa Paniker (1997). 3903:Mansinha, Mayadhar (1962). 3722:History of Oriya Literature 3364:History of Oriya Literature 2959: 2917:. Suniti Mund's story book 1644:Purnatama Chandrodaya Kavya 1596:by Raghunatha Harichandan, 1493:Balarâma Dâsa tatwa bakhâne 1293:means five, while the word 982:poetic structure, such as: 7406: 6762:Maritime history of Odisha 6118:Bhagabati Charan Panigrahi 5416:Mohanti, Prafulla (1975). 5269:Sahitya Akademi, New Delhi 5164:Ganguly S. (1 June 2019). 4504:Das, Suryanarayan (2010). 4480:"Orissa Under the Mughals" 3994:Dalit Literatures in India 3832:Das, Manmath Nath (1977). 3419:Encyclopedia of literature 3349:The Sidhacharyas in Odisha 3107:'s classics translated by 2709:Mephestophelesera Pruthibi 2431:, Soubhagya Kumar Mishra, 2306:Bhagabati Charan Panigrahi 2139:, along with his friends, 2102: 1882:Kishore Chandranana Champu 1794:is considered the longest 1710:Kabi Samrat Upendra Bhanja 1614:by Ramachandra Chottaray, 1491:Âgata Nâgata Achyuta bhane 1244:Lakshmi-Narayana Bachanika 7341: 6596: 6513: 6411:Krishna Chandra Panigrahi 5448:. Orissa Sahitya Akademi. 5388:Tauscher, Rudolf (1959). 5230:. Huff Post. 1 March 2020 4646:Mukherjee, Sujit (1998). 4619:Mukherjee, Sujit (1998). 3141:Grantha Mandir Publishers 3115:, besides translation of 3053:Odia and world literature 3017:Dr. Nikhilanand Panigrahy 2611:Tuma Gam O Anyanya Kabita 1968:The first Odia magazine, 1692:of Sisu Sankara Das, the 1069:Kanha is a kapali, a yogi 6238:Mohapatra Nilamani Sahoo 6095:Kalindi Charan Panigrahi 5926:Gopalakrusna Pattanayaka 5916:Abhimanyu Samantasinhara 5439:. Bhubaneswar: G. Gupta. 5407:Mohanty, Shanti (1960). 5359:The Indo-Aryan Languages 4323:(India), Orissa (1966). 3861:(India), Orissa (1966). 3692:Eunice de Souza (2012). 3665:Sisir Kumar Das (2005). 3423:. Philosophical Library. 3394:. Abhinav Publications. 3242:Adhunika Hindi Galpamala 3169:by Rabi Shankar Mishra, 3157:(ବିଚିତ୍ର ଦେଶରେ ଆଲିସ୍ ). 3147:) initiative, including 3074:by J. Carey in 1814 and 3021:Dr.Ramesh Chandra Parida 3019:, Dr. Debakanta Mishra, 2833:. Her story collections 2649:Mohapatra Nilamani Sahoo 2276:Kalindi Charan Panigrahi 1835:Rasa Sindhu Sulakhshyana 1714:Abhimanyu Samantasinhara 1467:Mahapurusha Achyutananda 1038:, literature started by 946:Historians have divided 756:Medieval to early Modern 125:This article is part of 7208:Kotpad Handloom fabrics 7188:Gopalpur Tussar Fabrics 6805:Deomali (Highest point) 6747:Orissa Tributary States 6687:Mahameghavahana dynasty 6659:Human Rights Commission 6004:Gopala Chandra Praharaj 5343:. Bhubaneswar: Trupti. 4881:Datta, Amaresh (1988). 4744:Datta, Amaresh (1987). 4703:Datta, Amaresh (1987). 4676:Datta, Amaresh (1987). 4592:Datta, Amaresh (1987). 4531:Datta, Amaresh (1987). 4493:Orissa Review June 2007 4451:Datta, Amaresh (1988). 4043:Orissa Review July 2014 3924:. Mittal Publications. 3788:Datta, Amaresh (1988). 3617:. Mittal Publications. 3590:. Mittal Publications. 3471:Gaṅgā Rām Garg (1992). 3145:World Literature Series 2877:was founded in 1975 by 2595:Shesha Basantara Chithi 2145:Kartavya Bodhini Samiti 1858:Kabi Surya Baladeb Rath 1659:Barshabharana Chautisha 1600:by Shishu Shankar Das, 917:words with significant 582:Kotpad Handloom fabrics 562:Gopalpur Tussar Fabrics 7380:Literature by language 6233:Shantanu Kumar Acharya 6178:Rajendra Kishore Panda 5715:Odisha Sahitya Akademi 5411:. Sterling Publishers. 5357:Masica, Colin (1991). 5274:Oriya Lekhaka Paricaya 4771:George, K. M. (1992). 4424:Orissa Review May 2007 4168:Amaresh Datta (1988). 4080:Amaresh Datta (1987). 3155:Vichitra Deshare Alice 3084:by A. Sutton in 1820. 3081:The Pilgrim's Progress 2663:was also influential. 2645:Shantanu Kumar Acharya 2576:(tr. 1965) into Odia. 2559:tribes. He translated 2433:Rajendra Kishore Panda 2333:Gopal Chandra Praharaj 2083:, Chintamani Mohanty, 2066:Chha Maana Atha Guntha 1914:in seven parts called 1829:), Tribikrama Bhanja ( 1819:Chitrakavya Bandhodaya 1731:Koti Brahmanda Sundari 1520: 1501: 1426:Bhakti mukti daya gita 1251:Rama-Bibaha(ରାମ ବିବାହ) 1077: 1008: 968:Hatigumpha inscription 6732:Eastern Ganga dynasty 6447:Nikhilanand Panigrahy 6437:Ramesh Chandra Parida 6427:Gokulananda Mahapatra 6395:Ramesh Chandra Bhanja 6378:Children's literature 6369:Karttika Chandra Rath 6173:Soubhagya Kumar Misra 6090:Baikunthnath Pattnaik 5700:Sahitya Akademi Award 4510:. Sanbun Publishers. 3882:. R.N. Bhattacharya. 3557:Kamala Gupta (1987). 3290:Six Acres and a Third 3199:Greatest Odia Stories 3123:Radha Mohan Gadanayak 3031:Nikhilanand Panigrahy 3013:Gokulananda Mohapatra 2752:Sabuthu Sundar Pakshi 2638:Sulataku Sesa Chitthi 2185:Byasakabi Fakiramohan 1684:Age of Upendra Bhanja 1638:) and Trilochan Das ( 1410:Atibadi Jagannath Das 1343:rituals for Shakti), 1271:Atibadi Jagannath Das 1189:, who translated the 1169:In the 15th century, 7223:Pipili appliqué work 7203:Konark stone carving 6712:Shailodbhava dynasty 6627:Legislative Assembly 6442:Prana Krushna Parija 6248:Jagannath Prasad Das 6213:Kanhu Charan Mohanty 6148:Sachidananda Routray 6123:Sachidananda Routray 6029:Kuntala Kumari Sabat 6024:Laxmikanta Mohapatra 5969:Fakir Mohan Senapati 5437:Folk Tales of Orissa 5418:Indian Village Tales 5409:Folk Tales Of Orissa 5380:Folklore collections 4652:. Orient Blackswan. 4625:. Orient Blackswan. 3948:Prachina_Odia_Kabita 3343:Mukherjee, Prabhat. 3047:Gapare Gapare Bigyan 3005:Prana Krushna Parija 2911:Kati Katia Katyayani 2791:Amrutara Pratikshare 2740:Bhagnangshara Swapna 2705:Nian O Anyanya Galpo 2693:Dakshina Duari Ghara 2653:Jagannath Prasad Das 2227:improve this section 2036:Fakir Mohan Senapati 1938:Bramha Nirupana Gita 1892:, predominantly the 1712:(born 1670. AD) and 1610:by Devadurlava Das, 1499:mora pancha mahanta. 1378:, who came again in 1097:(an anthology of 24 1063:Oh, untouchable maid 597:Pipili applique work 577:Konark stone carving 176:Legislative Assembly 42:improve this article 7178:Ganjam Kewda Flower 6717:Bhauma-Kara dynasty 6548:Bande Utkala Janani 6269:Guru Prasad Mohanty 6228:Chandra Sekhar Rath 6158:Sitakanta Mahapatra 6009:Kalicharan Pattnaik 5837:Viswanatha Kaviraja 4967:www.amoodishara.com 4842:The Two-headed Deer 4804:. Sahitya Akademi. 4777:. Sahitya Akademi. 4750:. Sahitya Akademi. 4709:. Sahitya Akademi. 4682:. Sahitya Akademi. 4598:. Sahitya Akademi. 4537:. Sahitya Akademi. 4457:. Sahitya Akademi. 4371:. Sahitya Akademi. 4258:. Sahitya Akademi. 4228:. Sahitya Akademi. 4061:on 23 November 2015 3970:. Sahitya Akademi. 3819:"Indian Literature" 3794:. 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(2001). 4437:Indian Literature 4351:978-81-260-0365-5 4208:978-81-260-0365-5 4181:978-81-260-1194-0 4157:. 11 August 2013. 4136:Indian Literature 4120:978-81-260-0365-5 4093:978-81-260-1803-1 4004:978-1-317-40880-2 3732:978-81-903438-0-0 3705:978-81-8475-793-4 3678:978-81-260-2171-0 3651:978-81-7017-248-2 3570:978-81-210-0179-3 3484:978-81-7022-374-0 3260:Indian literature 3118:Sohrab and Rustum 3109:Godabarish Mishra 2935:Matrimony dot com 2891:Hiranmayee Mishra 2887:Paramita Satpathy 2873:Women's magazine 2841:were translated. 2732:Abashishta Ayusha 2728:Dwitiya Shmashana 2681:Yashodhara Mishra 2607:Manojpancabimsati 2584:Srushti o pralaya 2537:Mana Gahtra Chasa 2490:Mahanagarira Rati 2437:Pratibha Satpathy 2404: 2403: 2263: 2262: 2255: 2149:Ravenshaw College 2133:Ravenshaw College 2085:Nanda Kishore Bal 1972:was published in 1912:Narasingha Purana 1908:Bichitra Ramayana 1771:Sarbanga Sundari. 1727:Baidehisha Bilasa 1708:(born 1650. 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1216:Kapilendra Deva 1204:Kapilendra Deva 1167: 1140:Rudrasudhanidhi 1091: 1074: 1072: 1070: 1068: 1066: 1064: 1062: 1028: 1003: 1001: 999: 997: 995: 993: 991: 987: 957: 948:Odia literature 905:written in the 892: 731:Extinct Kannada 653: 617: 615: 537:Berhampur Patta 363: 256:Flora and fauna 171:Chief Ministers 139: 127: 124: 114: 103: 97: 94: 51: 49: 39: 27: 12: 11: 5: 7403: 7401: 7393: 7392: 7387: 7382: 7377: 7372: 7362: 7361: 7355: 7354: 7342: 7339: 7338: 7336: 7335: 7330: 7325: 7320: 7315: 7314: 7313: 7308: 7303: 7298: 7288: 7283: 7278: 7273: 7268: 7263: 7258: 7253: 7247: 7245: 7239: 7238: 7236: 7235: 7230: 7225: 7220: 7215: 7210: 7205: 7200: 7195: 7193:Habaspuri sari 7190: 7185: 7180: 7175: 7170: 7165: 7159: 7157: 7151: 7150: 7148: 7147: 7142: 7137: 7132: 7127: 7122: 7117: 7112: 7107: 7102: 7097: 7092: 7087: 7082: 7077: 7072: 7067: 7062: 7057: 7052: 7047: 7042: 7037: 7032: 7026: 7024: 7018: 7017: 7014: 7013: 7011: 7010: 7005: 7000: 6995: 6990: 6985: 6980: 6975: 6970: 6965: 6959: 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2870: 2867: 2846: 2843: 2819:Gambhiri Ghara 2815:Dukha Apramita 2787:Gambhiri Ghara 2760:Uttara Purusha 2721:Adrushya Sakal 2685:existentialism 2668: 2665: 2568:Yuddh O Shanti 2494:Ruti O Chandra 2478:Sarojini Sahoo 2461: 2458: 2456: 2453: 2445:Haraprasad Das 2425:Ramakanta Rath 2420:The Waste Land 2416:Ramakanta Rath 2402: 2401: 2381:embedded lists 2375:indiscriminate 2366: 2364: 2357: 2351: 2348: 2324: 2319: 2317: 2314: 2289: 2286: 2281:Matira Manisha 2261: 2260: 2211: 2209: 2202: 2196: 2193: 2157:Mahatma Gandhi 2123:The Indradhanu 2119:Gopabandhu Das 2111:The Indradhanu 2105:Gopabandhu Das 2103:Main article: 2100: 2097: 2081:Madhusudan Rao 2016:Sambada Vahika 2010:from Cuttack, 1980:Utkala Deepika 1965: 1962: 1933:Stuticintamani 1842: 1841:Late Riti Juga 1839: 1823:Lalita Lochana 1790:of this time. 1786:are prominent 1720:Upendra Bhanja 1685: 1682: 1624:Rukmini Vivaha 1537: 1534: 1497:Panchasakhaa e 1430:Sisu Deva gita 1398:Lakshmi Purana 1385:Balaram Das's 1302:Shri Chaitanya 1297:means friend. 1283:Jasobanta Dasa 1262: 1259: 1242:. He composed 1166: 1163: 1090: 1087: 1027: 1024: 956: 955:4th century BC 953: 940:Utkala Deepika 929:(Hindi/Urdu), 894: 893: 891: 890: 883: 876: 868: 865: 864: 863: 862: 857: 852: 847: 842: 837: 832: 827: 822: 817: 812: 807: 802: 797: 792: 787: 782: 777: 772: 767: 759: 758: 752: 751: 750: 749: 744: 739: 734: 721: 720: 718:Early Medieval 714: 713: 712: 711: 709:Vedic Sanskrit 706: 701: 696: 691: 686: 681: 679:Ancient Meitei 673: 672: 666: 665: 655: 654: 652: 651: 644: 637: 629: 626: 625: 612: 611: 610: 609: 604: 599: 594: 589: 584: 579: 574: 569: 564: 559: 554: 549: 544: 539: 531: 530: 524: 523: 522: 521: 516: 511: 506: 501: 496: 491: 486: 481: 476: 471: 466: 461: 456: 451: 446: 441: 436: 431: 426: 421: 416: 411: 406: 401: 396: 391: 386: 381: 376: 368: 367: 357: 356: 355: 354: 349: 344: 339: 334: 332:Odissi (dance) 329: 328: 327: 317: 316: 315: 310: 305: 300: 290: 289: 288: 283: 278: 276:Historic sites 268: 263: 258: 253: 248: 243: 238: 233: 232: 231: 221: 216: 211: 203: 202: 196: 195: 194: 193: 188: 183: 178: 173: 168: 160: 159: 153: 152: 144: 143: 135: 134: 116: 115: 30: 28: 21: 13: 10: 9: 6: 4: 3: 2: 7402: 7391: 7388: 7386: 7383: 7381: 7378: 7376: 7375:Odia language 7373: 7371: 7368: 7367: 7365: 7352: 7340: 7334: 7331: 7329: 7326: 7324: 7321: 7319: 7316: 7312: 7309: 7307: 7304: 7302: 7299: 7297: 7294: 7293: 7292: 7289: 7287: 7284: 7282: 7279: 7277: 7274: 7272: 7269: 7267: 7264: 7262: 7259: 7257: 7254: 7252: 7249: 7248: 7246: 7244: 7240: 7234: 7231: 7229: 7226: 7224: 7221: 7219: 7216: 7214: 7211: 7209: 7206: 7204: 7201: 7199: 7196: 7194: 7191: 7189: 7186: 7184: 7181: 7179: 7176: 7174: 7171: 7169: 7166: 7164: 7161: 7160: 7158: 7156: 7152: 7146: 7143: 7141: 7138: 7136: 7133: 7131: 7128: 7126: 7123: 7121: 7118: 7116: 7113: 7111: 7108: 7106: 7103: 7101: 7098: 7096: 7093: 7091: 7088: 7086: 7083: 7081: 7078: 7076: 7073: 7071: 7068: 7066: 7063: 7061: 7058: 7056: 7053: 7051: 7048: 7046: 7043: 7041: 7038: 7036: 7033: 7031: 7028: 7027: 7025: 7023: 7019: 7009: 7006: 7004: 7001: 6999: 6996: 6994: 6991: 6989: 6986: 6984: 6981: 6979: 6976: 6974: 6971: 6969: 6966: 6964: 6961: 6960: 6958: 6954: 6948: 6945: 6943: 6940: 6938: 6935: 6933: 6930: 6928: 6925: 6923: 6920: 6918: 6917:Jagatsinghpur 6915: 6913: 6910: 6908: 6905: 6903: 6900: 6899: 6897: 6893: 6887: 6884: 6882: 6879: 6877: 6874: 6872: 6869: 6867: 6864: 6862: 6859: 6857: 6854: 6852: 6849: 6847: 6844: 6842: 6839: 6838: 6836: 6832: 6829: 6827: 6821: 6817: 6811: 6808: 6806: 6803: 6801: 6798: 6796: 6795:Garhjat Hills 6793: 6791: 6788: 6786: 6783: 6781: 6778: 6777: 6775: 6773: 6769: 6763: 6760: 6758: 6755: 6753: 6750: 6748: 6745: 6743: 6740: 6738: 6735: 6733: 6730: 6728: 6725: 6723: 6720: 6718: 6715: 6713: 6710: 6708: 6705: 6703: 6700: 6698: 6695: 6693: 6690: 6688: 6685: 6683: 6680: 6678: 6675: 6674: 6672: 6670: 6666: 6660: 6657: 6655: 6652: 6650: 6647: 6645: 6642: 6640: 6637: 6633: 6630: 6629: 6628: 6625: 6623: 6620: 6618: 6615: 6614: 6612: 6610: 6606: 6601: 6591: 6587: 6585: 6581: 6578: 6576: 6572: 6569: 6567: 6566:Indian roller 6563: 6560: 6558: 6554: 6551: 6549: 6545: 6542: 6540: 6536: 6533: 6532: 6530: 6528: 6527:State symbols 6524: 6520: 6519: 6512: 6508: 6504: 6500: 6492: 6487: 6485: 6480: 6478: 6473: 6472: 6469: 6453: 6450: 6448: 6445: 6443: 6440: 6438: 6435: 6433: 6432:Binod Kanungo 6430: 6428: 6425: 6424: 6422: 6418: 6412: 6409: 6408: 6406: 6402: 6396: 6393: 6391: 6388: 6386: 6383: 6382: 6380: 6376: 6370: 6367: 6365: 6362: 6360: 6357: 6355: 6352: 6350: 6347: 6346: 6344: 6340: 6330: 6327: 6325: 6322: 6320: 6317: 6315: 6312: 6310: 6307: 6305: 6302: 6300: 6297: 6295: 6292: 6290: 6287: 6285: 6282: 6280: 6277: 6275: 6274:Kailash Lenka 6272: 6270: 6267: 6266: 6264: 6260: 6254: 6251: 6249: 6246: 6244: 6243:Rabi Pattnaik 6241: 6239: 6236: 6234: 6231: 6229: 6226: 6224: 6221: 6219: 6216: 6214: 6211: 6209: 6206: 6205: 6203: 6199: 6196: 6190: 6184: 6181: 6179: 6176: 6174: 6171: 6169: 6166: 6164: 6161: 6159: 6156: 6154: 6151: 6149: 6146: 6145: 6143: 6139: 6136: 6134: 6130: 6124: 6121: 6119: 6116: 6115: 6113: 6111: 6107: 6101: 6098: 6096: 6093: 6091: 6088: 6086: 6083: 6082: 6080: 6078: 6074: 6068: 6065: 6063: 6060: 6058: 6055: 6053: 6050: 6049: 6047: 6045: 6044:Satyabadi era 6041: 6035: 6034:Manohar Meher 6032: 6030: 6027: 6025: 6022: 6020: 6017: 6015: 6012: 6010: 6007: 6005: 6002: 6000: 5997: 5995: 5992: 5990: 5987: 5985: 5982: 5980: 5977: 5975: 5974:Radhanath Ray 5972: 5970: 5967: 5966: 5964: 5962: 5961:Radhanath era 5958: 5952: 5949: 5947: 5944: 5942: 5939: 5937: 5934: 5932: 5929: 5927: 5924: 5922: 5919: 5917: 5914: 5913: 5911: 5909: 5905: 5899: 5896: 5894: 5891: 5889: 5886: 5884: 5883:Balarama Dasa 5881: 5879: 5876: 5874: 5871: 5870: 5868: 5866: 5862: 5856: 5853: 5852: 5850: 5848: 5844: 5838: 5835: 5833: 5830: 5829: 5827: 5825: 5821: 5815: 5812: 5810: 5807: 5805: 5802: 5801: 5799: 5797: 5793: 5789: 5782: 5777: 5775: 5770: 5768: 5763: 5762: 5759: 5747: 5746:Odia calendar 5744: 5742: 5739: 5738: 5736: 5732: 5726: 5723: 5721: 5718: 5716: 5713: 5711: 5710:Yuva Puraskar 5708: 5706: 5703: 5701: 5698: 5697: 5695: 5691: 5685: 5682: 5680: 5677: 5675: 5672: 5671: 5669: 5665: 5659: 5656: 5654: 5651: 5649: 5646: 5642: 5639: 5638: 5637: 5634: 5633: 5631: 5627: 5617: 5614: 5612: 5609: 5607: 5604: 5602: 5599: 5598: 5596: 5592: 5584: 5581: 5579: 5576: 5574: 5571: 5570: 5568: 5566: 5563: 5561: 5558: 5556: 5553: 5551: 5548: 5546: 5543: 5542: 5540: 5536: 5533: 5529: 5523: 5520: 5519: 5517: 5513: 5509: 5508:Odia language 5502: 5497: 5495: 5490: 5488: 5483: 5482: 5479: 5472: 5469: 5467: 5464: 5462: 5459: 5458: 5454: 5447: 5442: 5438: 5433: 5429: 5427:9780706701838 5423: 5419: 5414: 5410: 5405: 5401: 5399:9783111763804 5395: 5391: 5386: 5385: 5382: 5379: 5378: 5374: 5370: 5368: 5364: 5360: 5356: 5352: 5346: 5342: 5337: 5334: 5330: 5329: 5324: 5320: 5316: 5312: 5310: 5307: 5305: 5304:0-8108-0885-4 5301: 5297: 5293: 5291: 5287: 5283: 5282:81-7586-097-9 5279: 5275: 5271: 5268: 5264: 5262: 5261:3-9521010-9-5 5258: 5254: 5250: 5249: 5245: 5229: 5223: 5220: 5207: 5201: 5198: 5186: 5182: 5178: 5174: 5167: 5160: 5157: 5145: 5141: 5137: 5133: 5126: 5119: 5116: 5111: 5107: 5106:The Telegraph 5103: 5096: 5093: 5087: 5084: 5072: 5068: 5062: 5059: 5047: 5041: 5037: 5036: 5028: 5025: 5013: 5007: 5003: 5002: 4994: 4991: 4988: 4983: 4980: 4968: 4964: 4958: 4955: 4950: 4948:9788126003655 4944: 4940: 4939: 4931: 4928: 4923: 4921:9788126003655 4917: 4913: 4912: 4904: 4901: 4896: 4894:9788126011940 4890: 4886: 4885: 4877: 4874: 4869: 4862: 4859: 4854: 4852:9780520080652 4848: 4844: 4843: 4835: 4832: 4827: 4821: 4818: 4813: 4811:9788172014490 4807: 4803: 4802: 4794: 4791: 4786: 4784:9788172013240 4780: 4776: 4775: 4767: 4764: 4759: 4757:9788126018031 4753: 4749: 4748: 4740: 4737: 4732: 4726: 4723: 4718: 4716:9788126018031 4712: 4708: 4707: 4699: 4696: 4691: 4689:9788126018031 4685: 4681: 4680: 4672: 4670: 4666: 4661: 4659:9788125014539 4655: 4651: 4650: 4642: 4639: 4634: 4632:9788125014539 4628: 4624: 4623: 4615: 4612: 4607: 4605:9788126018031 4601: 4597: 4596: 4588: 4585: 4580: 4573: 4570: 4565: 4561: 4554: 4551: 4546: 4544:9788126018031 4540: 4536: 4535: 4527: 4524: 4519: 4517:9789380213224 4513: 4509: 4508: 4500: 4497: 4494: 4489: 4486: 4481: 4474: 4471: 4466: 4464:9788126011940 4460: 4456: 4455: 4447: 4444: 4439: 4438: 4431: 4428: 4425: 4420: 4417: 4405: 4401: 4395: 4393: 4391: 4389: 4385: 4380: 4378:9788172010065 4374: 4370: 4369: 4361: 4358: 4353: 4347: 4343: 4342: 4334: 4331: 4326: 4319: 4316: 4311: 4310: 4302: 4299: 4294: 4292:9788120825468 4288: 4284: 4283: 4275: 4272: 4267: 4265:9788126011940 4261: 4257: 4256: 4248: 4246: 4242: 4237: 4235:9788172014490 4231: 4227: 4226: 4218: 4215: 4210: 4204: 4200: 4199: 4191: 4188: 4183: 4177: 4173: 4172: 4164: 4161: 4156: 4152: 4146: 4143: 4138: 4137: 4130: 4127: 4122: 4116: 4112: 4111: 4103: 4100: 4095: 4089: 4085: 4084: 4076: 4073: 4060: 4056: 4050: 4047: 4044: 4039: 4037: 4035: 4033: 4029: 4024: 4020: 4014: 4011: 4006: 4000: 3996: 3995: 3987: 3984: 3979: 3977:9788126018031 3973: 3969: 3968: 3960: 3958: 3956: 3952: 3949: 3944: 3942: 3938: 3933: 3931:9788170992615 3927: 3923: 3922: 3914: 3911: 3906: 3899: 3896: 3891: 3889:9788187661528 3885: 3881: 3880: 3872: 3869: 3864: 3857: 3854: 3849: 3843: 3840: 3835: 3828: 3825: 3820: 3814: 3812: 3808: 3803: 3801:9788126011940 3797: 3793: 3792: 3784: 3781: 3776: 3769: 3766: 3761: 3755: 3751: 3750: 3742: 3739: 3734: 3728: 3724: 3723: 3715: 3712: 3707: 3701: 3697: 3696: 3688: 3685: 3680: 3674: 3670: 3669: 3661: 3658: 3653: 3647: 3643: 3642: 3634: 3631: 3626: 3624:9788170992615 3620: 3616: 3615: 3607: 3604: 3599: 3597:9788170992615 3593: 3589: 3588: 3580: 3577: 3572: 3566: 3562: 3561: 3553: 3550: 3545: 3544: 3536: 3533: 3530: 3529:Orissa Review 3525: 3522: 3509: 3505: 3499: 3497: 3495: 3491: 3486: 3480: 3476: 3475: 3467: 3464: 3459: 3457:9788126003655 3453: 3449: 3448: 3441: 3439: 3437: 3435: 3433: 3431: 3427: 3421: 3420: 3411: 3408: 3403: 3401:9788170172482 3397: 3393: 3392: 3384: 3381: 3376: 3374:9788190343800 3370: 3366: 3365: 3357: 3354: 3350: 3346: 3340: 3337: 3332: 3330:9788175861985 3326: 3322: 3315: 3312: 3306: 3301: 3298: 3296: 3293: 3291: 3288: 3286: 3283: 3281: 3278: 3276: 3273: 3271: 3268: 3266: 3265:Indian poetry 3263: 3261: 3258: 3256: 3253: 3252: 3247: 3245: 3243: 3237: 3230: 3228: 3226: 3222: 3221: 3216: 3212: 3208: 3204: 3200: 3196: 3192: 3188: 3184: 3180: 3176: 3172: 3168: 3160: 3158: 3156: 3152: 3151: 3146: 3142: 3138: 3134: 3130: 3129: 3124: 3120: 3119: 3114: 3110: 3106: 3102: 3098: 3094: 3091: 3087: 3083: 3082: 3077: 3076:John Bunyan's 3073: 3069: 3068:New Testament 3065: 3057: 3052: 3050: 3048: 3044: 3040: 3039:Vigyan Chinta 3036: 3032: 3028: 3026: 3022: 3018: 3014: 3010: 3009:Binod Kanungo 3007:, Padmashree 3006: 2998: 2996: 2994: 2990: 2986: 2982: 2981: 2976: 2975: 2970: 2966: 2961: 2956: 2952: 2944: 2942: 2940: 2936: 2932: 2928: 2924: 2920: 2916: 2912: 2908: 2904: 2900: 2896: 2895:Gayatri Saraf 2892: 2888: 2884: 2880: 2876: 2869:Women writers 2868: 2866: 2864: 2860: 2856: 2852: 2844: 2842: 2840: 2836: 2832: 2828: 2827:Nirbak Pahada 2824: 2820: 2816: 2812: 2808: 2804: 2800: 2796: 2792: 2788: 2783: 2781: 2777: 2773: 2769: 2768:Komal Gandhar 2765: 2761: 2757: 2753: 2749: 2745: 2741: 2737: 2736:Omkara Dhwani 2733: 2729: 2724: 2722: 2718: 2714: 2710: 2706: 2702: 2698: 2694: 2690: 2686: 2682: 2677: 2674: 2666: 2664: 2662: 2658: 2654: 2650: 2646: 2641: 2639: 2634: 2632: 2628: 2624: 2620: 2616: 2612: 2608: 2604: 2600: 2596: 2592: 2587: 2585: 2581: 2577: 2575: 2574: 2569: 2565: 2564:War and Peace 2562: 2558: 2554: 2550: 2546: 2542: 2538: 2534: 2529: 2527: 2526:Andha Diganta 2523: 2519: 2515: 2511: 2507: 2503: 2502:Shesha Kabita 2499: 2495: 2491: 2487: 2486:Krushna Chuda 2482: 2479: 2475: 2471: 2468:(1914–1991), 2467: 2459: 2454: 2452: 2448: 2446: 2442: 2438: 2434: 2430: 2426: 2421: 2417: 2413: 2409: 2398: 2388: 2382: 2378: 2376: 2372: 2367:This section 2365: 2356: 2355: 2349: 2347: 2344: 2340: 2336: 2334: 2330: 2323: 2320: 2315: 2313: 2311: 2307: 2303: 2299: 2295: 2287: 2285: 2283: 2282: 2277: 2273: 2268: 2257: 2254: 2246: 2236: 2232: 2228: 2222: 2221: 2217: 2212:This section 2210: 2206: 2201: 2200: 2194: 2192: 2190: 2186: 2182: 2178: 2174: 2170: 2164: 2162: 2158: 2153: 2150: 2146: 2142: 2138: 2134: 2130: 2126: 2124: 2120: 2116: 2112: 2106: 2098: 2096: 2095:(1876-1957). 2094: 2090: 2086: 2082: 2079:(1862–1924), 2078: 2073: 2071: 2067: 2063: 2059: 2055: 2054: 2049: 2048:Odia language 2045: 2041: 2037: 2033: 2031: 2027: 2026:Radhanath Ray 2023: 2021: 2017: 2013: 2009: 2005: 2001: 2000:Utkal Deepika 1997: 1992: 1990: 1989:Utkal Deepika 1986: 1982: 1981: 1975: 1971: 1963: 1961: 1959: 1955: 1951: 1947: 1946:Banamali Dasa 1943: 1939: 1935: 1934: 1929: 1925: 1921: 1917: 1913: 1909: 1905: 1903: 1902:chitra pothis 1899: 1895: 1894:bibhatsa rasa 1891: 1887: 1886:Chatur Binoda 1883: 1879: 1875: 1871: 1867: 1863: 1859: 1849: 1840: 1838: 1836: 1832: 1828: 1824: 1820: 1816: 1812: 1811:Bandha kabita 1807: 1805: 1801: 1797: 1793: 1789: 1785: 1781: 1777: 1773: 1772: 1768: 1764: 1760: 1756: 1752: 1748: 1744: 1739: 1736: 1732: 1728: 1721: 1717: 1715: 1711: 1707: 1703: 1699: 1698:Rukmini-bibha 1695: 1691: 1683: 1681: 1679: 1675: 1670: 1668: 1664: 1660: 1656: 1652: 1647: 1645: 1641: 1637: 1633: 1632:Kanchi Kaveri 1629: 1625: 1621: 1617: 1613: 1609: 1605: 1604: 1599: 1595: 1591: 1587: 1583: 1579: 1575: 1571: 1567: 1563: 1559: 1555: 1551: 1547: 1543: 1535: 1533: 1531: 1527: 1525: 1519: 1514: 1510: 1500: 1484: 1481: 1480: 1476: 1472: 1468: 1464: 1462: 1458: 1454: 1449: 1447: 1443: 1439: 1435: 1431: 1427: 1422: 1420: 1415: 1411: 1406: 1405: 1400: 1399: 1394: 1390: 1389: 1383: 1381: 1377: 1376: 1371: 1370: 1365: 1361: 1357: 1352: 1350: 1346: 1342: 1338: 1334: 1330: 1324: 1322: 1318: 1315: 1311: 1307: 1303: 1298: 1296: 1292: 1288: 1284: 1280: 1276: 1272: 1268: 1267:Balarama Dasa 1260: 1258: 1256: 1252: 1247: 1245: 1241: 1240: 1235: 1234:Chandi Purana 1231: 1227: 1226: 1221: 1217: 1213: 1209: 1205: 1201: 1195: 1192: 1188: 1184: 1180: 1176: 1172: 1164: 1162: 1160: 1156: 1152: 1148: 1143: 1141: 1137: 1136: 1132: 1128: 1124: 1120: 1116: 1112: 1108: 1104: 1100: 1096: 1088: 1086: 1084: 1083: 1076: 1058: 1056: 1052: 1048: 1044: 1041: 1037: 1033: 1025: 1023: 1021: 1017: 1013: 1007: 1004: 988: 983: 981: 976: 973: 969: 965: 961: 954: 952: 949: 944: 942: 941: 936: 932: 928: 924: 920: 916: 912: 908: 907:Odia language 904: 900: 889: 884: 882: 877: 875: 870: 869: 867: 866: 861: 858: 856: 853: 851: 848: 846: 843: 841: 838: 836: 833: 831: 828: 826: 823: 821: 818: 816: 813: 811: 808: 806: 803: 801: 798: 796: 793: 791: 788: 786: 783: 781: 778: 776: 773: 771: 768: 766: 763: 762: 761: 760: 757: 753: 748: 745: 743: 740: 738: 735: 732: 728: 725: 724: 723: 722: 719: 715: 710: 707: 705: 702: 700: 697: 695: 692: 690: 687: 685: 682: 680: 677: 676: 675: 674: 671: 667: 664: 660: 650: 645: 643: 638: 636: 631: 630: 628: 627: 624: 614: 613: 608: 605: 603: 600: 598: 595: 593: 590: 588: 585: 583: 580: 578: 575: 573: 570: 568: 565: 563: 560: 558: 555: 553: 550: 548: 545: 543: 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