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164:, Ogimachi Sanetoyo. She was also the younger sister of a notable Shinto scholar, Ogimachi Kimmichi. She received the highest education as an aristocrat of the privileged class. She learned the arts considered essential for the nobles of the Imperial court, including the arts of calligraphy,
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Machiko was also famed for her analysis of
Japanese and Chinese poetry, and her own compositions. Some of her works were lauded by the emperor Reigen (ruled 1663â1687), who was considered a skilled poet himself and who asked for them to be placed in the royal archives.
220:, Machiko's diary gives a detailed account of Yoshiyasu's glory during this period. The characteristic of the work is the typically female power of observation. More than 36 hand-copied manuscripts survive to the present day. An English translation appeared in 2021.
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Acta
Orientalia Neerlandica: Proceedings of the Congress of the Dutch Oriental Society Held in Leiden on the Occasion of Its 50th Anniversary, 8th-9th May 1970
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208:), a record of the period of 1685â1709, after her husband retired from the shogun's service. Consisting of four kan, it is modelled on the
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Kornicki, P. F.; Patessio, Mara; Rowley, G. G. (8 January 2010).
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The Female as
Subject: Reading and Writing in Early Modern Japan
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At the age of sixteen, Machiko became the second concubine of
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216:gives an account of the magnificence of
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364:17th-century births
186:Tokugawa Tsunayoshi
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279:"Envy and enemies"
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