98:. This quarter-truth, known as Ohm's Other Law, has served to increase the distrust with which perceptive musicians regard scientists, since it is readily apparent to them that the ear acts in this way only under very restricted conditions.
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elaborated the law into what is often today known as Ohm's acoustic law, by adding that the quality of a tone depends solely on the number and relative strength of its partial simple tones, and not on their relative phases.
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These laws are true to the extent that the ear is sensitive to the frequency and amplitude of the acoustic waves, and further, is able to resolve the differences in their
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The law has also been interpreted as "a pitch corresponding to a certain frequency can only be heard if the acoustical wave contains power at that frequency."
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For years musicians have been told that the ear is able to separate any complex signal into a series of sinusoidal signals – that it acts as a
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to the phase of tone components has been extensively investigated. Controversy has led to this characterization:
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Law according to which a sound is perceived by the ear as a number of pure harmonic tones
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Lessons in
Elementary Practical Physics, Vol. III, Part 1: Practical Acoustics
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W. Dixon Ward (1970). "Musical
Perception". In Jerry V. Tobias (ed.).
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championed the law in opposition to contrary evidence expounded by
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Combination Tones and Other
Related Auditory Phenomena
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147:. Philadelphia: P. Blakiston's Son & Co.
86:. In modern times, the sensitivity of human
290:. Vol. 1. Academic Press. p. 438.
232:David M. Howard, Jamie A. S. Angus (2006).
52:as a set of a number of constituent pure
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288:Foundations of Modern Auditory Theory
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262:Loudspeaker and Headphone Handbook
59:The law was proposed by physicist
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198:Charles Lightfoot Barnes (1897).
343:1843 in the German Confederation
204:. London: Macmillan and Co. Ltd.
171:Dayton Clarence Miller (1916).
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235:Acoustics and psychoacoustics
174:The Science of Musical Sounds
238:. Focal Press. p. 123.
141:A. Wilmer Duff, ed. (1912).
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177:. The Macmillan Company.
128:Oxford English Dictionary
221:. University of Chicago.
215:Joseph Peterson (1908).
19:Not to be confused with
33:, sometimes called the
144:A Text-book of Physics
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259:John Borwick (2001).
65:Hermann von Helmholtz
103:W. Dixon Ward (1970)
48:is perceived by the
159:Annalen der Physik
35:acoustic phase law
31:Ohm's acoustic law
333:German inventions
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25:Acoustic ohm
121:Ohm's law,
302:Categories
109:References
37:or simply
328:Georg Ohm
157:Ohm, G.,
131:, 2nd ed.
84:frequency
70:Helmholtz
63:in 1843.
61:Georg Ohm
39:Ohm's law
21:Ohm's law
101:—
54:harmonic
318:Eponyms
308:Hearing
88:hearing
56:tones.
43:musical
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46:sound
267:ISBN
240:ISBN
179:ISBN
125:.2,
50:ear
23:or
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123:n
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