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as early as 1934, when she showed signs of mental illness in Sydney and needed hospitalisation. In 1937 she left the stage due to a nervous breakdown. She did some teaching, then briefly returned to performing, making her farewell appearance at the Teatro Colón in 1939. That same year, she moved to
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She was one of the finest prima ballerinas of the twentieth century. She had the excellent classical technique, immaculate style and scenic spirituality which are considered the embodiment of the romantic ballerina.
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in 1923. With the aid of her ex-husband Boris Kaplun, a
Bolshevik functionary and lover of the arts, she left Russia for the last time in 1924. She had accepted an invitation to dance as an
279:. From 1932 to 1937, she toured with a number of companies throughout the world, performing roles from both the classical repertoire and contemporary ballets by choreographers such as
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Kisselgoff, Anna. "A Doomed
Russian Ballerina Swept Up by the Revolution." The New York Times. The New York Times, 31 Jan. 1999. Web. 04 June 2017.
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company, where she was promoted to soloist in 1916. An exquisite romantic dancer with perfect technique, ideally suited for roles such as
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Kisselgoff, Anna. "A Doomed
Russian Ballerina Swept Up by the Revolution." The New York Times. The New York Times, 31 January 1999.
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417:"The Tragic Downfall of Olga Spessivtseva: From Great Ballerina to Electric Shock Therapy – We Heart Vintage blog"
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A postcard of Olga
Spessivtzeva, circa 1920, striking a dance pose, as depicted on a poster by Boris Lipnitzki
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513:(1998). Bournemouth, England: Parkstone Publisher; The Great Encyclopedia of Russia Publishing House.
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She continued to perform with the
Ballets Russes abroad, dancing "Aurora" in Diaghilev's renowned
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the United States, where she taught and served as an advisor to the Ballet
Theatre Foundation in
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449:. Written of her engagement for the premiere of the Sleeping Princess in 1921. p. 193
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399:"Olga Spessivtseva; Ballerina Called One of Century's Greatest 'Giselles'".
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The Daily
Telegraph - Third Book of Obituaries (Entertainers). Edited by
265:. In 1932 she made another historic guest appearance in London, dancing
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6 July] 1895 – 16 September 1991) was a
Russian
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at this period", and "The supreme classical ballerina of the century".
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produced a short programme about her life in 1964, and two years later
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in 1906, where she was a student of
Klavdia Kulichevskaya and later of
318:. Expert dance writers have described her as "the greatest of Russian
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189:, she quickly became one of the most admired dancers in the company.
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287:. When dancing abroad, she was frequently inaccurately billed as
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The Great History of Russian Ballet: Its Art and Choreography
593:. Translated by Gerard Hopkins. London: Cassell & Co.
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BBC. Television documentary, including archival footage.
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Russian page describing Kaplun's help in her emigration
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Les trois graces du XX° siècle—Légends et vérités
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The Sleeping Ballerina: The Story of Olga Spessivtzeva
543:. Second Edition. New York: Oxford University Press.
388:Ольга Спесивцева в Мегаэнциклопедии Кирилла и Мефодия
222:. In 1918 she returned to the Mariinsky, renamed the
158:, a center of culture. She entered St. Petersburg's
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528:. Paris: Editions Hazan, Bibliothèque Nationale.
591:, Olga Spessivtzeva: The Legends and the Truth
314:wrote a book about her. Both works are titled
125:whose stage career spanned from 1913 to 1939.
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676:White Russian emigrants to the United States
200:in the United States, where she danced with
524:Kahane, Martine and Wild, Nicole (1992).
484:Craine, Debra and Mackrell, Judith (2000).
563:. Paris: Larousse, Librairie de la Danse.
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173:After graduating in 1913, she joined the
458:Clarke, Mary and Clement Crisp. (1981),
294:Spessivtseva had experienced periods of
541:The Concise Oxford Dictionary of Ballet
366:Surname also transcribed in English as
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671:People from Rockland County, New York
488:. New York: Oxford University Press.
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329:made her the heroine of his ballet,
216:and the "Bluebird pas de deux" from
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423:. 10 February 2015. Archived from
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561:Larousse Dictionnaire de la Danse
40:Olga Spessivtseva in Sydney, 1934
16:Russian ballet dancer (1895-1991)
115:Ольга Алекса́ндровна Спеси́вцева
29:Ольга Алекса́ндровна Спеси́вцева
578:. Paris: Corréa-Buchet Chastel.
325:In 1998, Russian choreographer
100:, choreographer, ballet teacher
486:The Oxford Dictionary of Dance
447:The Diaghilev Ballet in London
343:List of Russian ballet dancers
150:Olga Spessivtseva was born in
107:Olga Alexandrovna Spessivtseva
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196:invited her to tour with the
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141:Spessivtseva in costume for
462:. Orbit, London, UK. p. 174
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596:Kennedy, Ludovic (1959).
559:LeMoal, Philippe (1999).
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460:The History of the Dance
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539:Koegler, Horst (1982).
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598:The Sleeping Ballerina
445:Beaumont, Cyril 1940.
316:The Sleeping Ballerina
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581:Lifar, Serge (1959).
574:Lifar, Serge (1957).
499:Dolin, Anton (1966).
235:The Sleeping Princess
207:Le Spectre de la Rose
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405:. 19 September 1991.
241:in 1921, and at the
183:and Odette-Odile in
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296:clinical depression
285:Bronislava Nijinska
219:The Sleeping Beauty
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505:Dame Marie Rambert
259:Paris Opera Ballet
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78:September 16, 1991
632:Olga Spessivtseva
507:. Muller, London.
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402:Los Angeles Times
175:Mariinsky Theatre
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368:Spesivtseva
331:Red Giselle
312:Anton Dolin
273:Anton Dolin
645:Categories
354:References
57:1895-07-18
431:31 August
320:ballerine
257:) at the
224:Petrograd
192:In 1916,
186:Swan Lake
144:Swan Lake
133:Biography
123:ballerina
337:See also
479:Sources
275:of the
268:Giselle
180:Giselle
111:Russian
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