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Olivier Zahm

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652:“It’s been years now that younger generations don’t use magazines to express themselves — at least not the way we did back in 1992. Social media now generally satisfy the need for images, contacts, and creativity. Publishing a magazine has become so expensive… An actual print object like Purple is a luxury item, which is why new alternative magazines don’t last more than a few years, are often bought, or simply disappear. Doing a luxury magazine today is one of the paradoxes of the Instagram era, when such things cost nothing… A magazine is not an ego trip… It’s a collective work by a group of creative people who believe in the artistic value of the print media and share a similar vision. (Thanks to all of them!) Every image, every single text, the choice of paper, the layout, even the choice of typefaces matters. Everything matters… Purple is made to last. Purple is made to capture a moment every season… In this period of global Internet obsession and digital amnesia, I think that means something" 538:
Purple Fiction and Purple Fashion. Zahm aimed at fusing together his two worlds, fashion and art, in creating Purple Fashion. A typical issue featured interviews, articles and presentations covering a wide range of topics and disciplines which include; film and video, politics, fashion, architecture, sexuality, science, photography and music. Each issue was built around a loose theme which serves to create a link between subjects-past examples have been: Indian Summer, Violet Violence, Post-Sex. With its international correspondents and cutting-edge design, Purple Prose had the distinctive feel of a truly global art zine. The texts were written in roughly equal parts French and English, without translations.
423: 443:, Elien Fleiss, then a young gallery curator received a phone call from Zahm. She was looking for an art critic to write a manifesto against a journalist from a daily newspaper who she felt was writing insanities about contemporary art in general. Zahm agreed to do it, and that was the beginning of the encounter, which then became a love story. Their romance was short-lived, but their professional relationship was fruitful. In 1994, they curated "The Winter of Love," a hit show for the 153: 27: 755:"He (Lagerfeld) was buying these little digital cameras at the time, Sony Cyber-shots, a little pocket-size, flat, digital camera. He had a pile of them on his table and said: “Take this, if you’ll use it.” We had this long discussion about photography and I said, “Karl how can you want to be a photographer when you were friends with 435:"Freedom for me came from the art world because it was a place where I could meet the artists. I wanted to be a social critic. I was more interested in the category of intellectual, involving art and politics and writing sometimes. But I didn't want to be a writer necessarily, I just wanted to be part of an intellectual world." 279:, and unfettered by the constraints of the mainstream publishing world. His online activity served as an early electronic precursor to popular social media platforms like Facebook and Instagram. His magazine remains one of the only independent and privately owned publications of its kind. Created in the beginning of the 537:
an American artist suggested the title Purple Prose in reference to the literary term in which a prose text is so extravagant, ornate, or flowery that it breaks the flow and draws excessive attention to itself. Soon after the birth of Purple Prose, Zahm created spin-off publications like Purple Sexe,
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In May 2017, Zahm published a book in collaboration with Donation Grau titled,' Une avant-garde sans avant-garde'. The book is a collection of Zahm's most significant texts written during the last 30 years. It is above all a radical reading of art from the 1990s to the present. The anthology tries to
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Many of the new and radical ideas surrounding Zahm, immersing his youth in tumultuous generational discord, stayed with him, shaping his views on art, philosophical ideas and lifestyle choices. He leveraged his profound formative experience using it as a tool to build aspects and themes that remain
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In 2009, he began documenting his late-night partying escapades in high-contrast black-and-white photographs which appeared on Purple Diary, a notorious photo blog that would become the seed for a full Purple website. He has had shows of his photographic work at Half Gallery in New York, Colette in
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Before entering the world of fashion, Zahm worked as an art critic with widespread recognition for his work as a curator as well as his participation in over 150 exhibitions featuring international contemporary art. In responding to the superficial glamour of the 1980s, Zahm co-founded Purple Prose
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Zahm's love of magazines began when he was a teenager in the Paris suburbs. "We used to steal porn magazines in the bookstores and shops and look at them during school," he says. "It was fun and secret. This is where my obsession for magazines comes from. Magazines used to reveal and give us access
380:"We launched Purple Prose in the early 1990s without any means, and without any experience, because we wanted to make a magazine that was radically different. We wanted to support the artists around us that no one else supported, much less talked about. It would be a form of opposition of our own". 532:
Zahm gravitated towards the idea of working with magazines from the conception of his career in art. In 1992 Zahm and his partner Elien Fleiss printed the first issue of Purple Prose, a Parisian literary art zine. Their goal was to create a new kind of space for artists to present their work and
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During the beginning of the 80s Zahm started to observe and take an interest in the art world. He liked the notion of "being everywhere and on the move", following art fairs, meeting artists, educating himself in the universe of contemporary art while immersing himself into its social landscape.
271:. His early blogs garnered notoriety, and featured highly stylized photographs taken by him, that took his audience on daily tours of his fantasyland populated by the artists, intellectuals, designers, filmmakers, socialites, models and celebrities who regularly appeared in his magazine. His 515:
decipher this chaotic, contradictory, oppressive, and ultra-creative period. The introductions that precede each chapter contextualize the selected texts, and develop the idea that the 1990s invented an avant-garde without an avant-garde, the issues of which are increasing and intensifying.
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express their ideas; and to design a network through which people working in different disciplines, could easily access new information and each other and contributing to the early 90s alternative indie culture. Zahm liked the idea of a color sharing the title with an art magazine.
648:, and more. It was the first time the magazine printed multiple covers for one issue. 25 different covers showed 25 Purple icons. It was also the first time purple distributed hard-cover magazines instead of the traditional soft-cover print. He described in the editions Edito: 763:
in my generation and I haven't been able to do photography since I’ve known him, because he's the best." And he said: “Olivier, shut up. You don’t understand, photography is not about getting the right picture, it’s about documenting your everyday life. Remember
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Olivier Zahm was born and raised in Paris, France. He was the eldest of three children born to two university professors. His parents, who were both students at the time of his birth, raised Zahm and his other siblings in student quarters that were designed by
565:, for example.) From an artistic standpoint, the artists from the early 1990s were raising up against art as a capitalist fetish; they were aligning themselves with the artistic social and political practices of the 1970s—those of performance, 350:
relationships. "My parents had a lot of lovers, they had a lot of affairs. At the time, my parents were really part of this alternative movement in Paris but quite bourgeois too. It wasn't San Francisco or New York. It was the French way."
366:. His father, Claude, taught philosophy, and Zahm was on track to do the same, before realizing, at 25, that he preferred life outside "la tour d’ ivoire." Zahm's youngest sister committed suicide in 1994 at the age of 20. 455:
in Paris,"BEIGE" in 1996 at Saga Basement in Copenhagen and "La Voie Lactée" in 1998 at Alleged Gallery in New York City. These housed the likes of many renowned creatives across disciplines, including
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Zahm's gift of being a charismatic intellectual and having an eye for contemporary art made itself apparent early on. He found himself penning for the three leading art titles at the time
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in 2010 that he, "remembers summers spent vacationing in the South of France with his parents in a community of like minded free spirits" – who he labeled hippies. It was the
1787: 511:. His countless exhibitions have embodied the same vision as the rest of his creative pursuits, comprehending art in a radically cultural, counter-institutional context. 2428: 2253: 807:
published O.Z. Diary, a cosmopolitan 500-page photo diary exposing the lifestyles of the creative elite through a series of intimate, autobiographical photographs.
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For its 25th anniversary issue, Purple celebrated the artists and models who incarnated the spirit of the magazine through their style, attitude, and personality:
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The protests reached such a point that political leaders feared civil war or revolution. The unrest began with a series of student occupation protests against
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Zahm has a son, Balthus, with designer Natacha Ramsay-Levi, and a daughter, Asia, with writer Anna Dubosc. He splits his time between Los Angeles and Paris.
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to the European art world. He started traveling to the United States and Japan, realizing he could set up his own operation and work agenda, 24/7. He told
308:. Much of his early childhood was spent in academic settings, particularly- during the volatile period of civil unrest in France that broke out in May 1968 2603: 2528:"A new issue of Le Palace's fanzine celebrating Gucci Spring Summer 2019 show by Alessandro Michele, with Purple's Olivier Zahm and photos by Martin Parr" 499:, and "To Paint is to Love Again" at Los Angeles gallery Nino Mier, addressing the state of art in the digital age with works from prominent artists like 2855: 2336: 2226: 55: 35: 776:
In addition to documenting his personal life on social media platform he continues to shoot many editorials and campaigns for various brands including
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Zahm credited Lagerfeld for reigniting his sentiment for taking photos in 2005. Zahm told WWD in an interview dedicated to Purple's 25th Anniversary:
2527: 1896: 768:, do you think he was a good photographer? He always had a camera on him. Do like Warhol, do like me: Don’t let a day go by without taking a picture.” 672:
hired Olivier Zahm to launch Liberation Style, an occasional Saturday supplement to the main paper. 15 issues were published every season until 2005.
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delegated the artistic direction of the magazine which was not available to the public, but instead only the private cliental of Chanel to Zahm
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For many years the magazine was associated with a realist esthetic, that of the new photography of the early 1990s- of photographers like
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In addition to his innovative print publishing, he is a recognized pioneering cultural influence at the dawn of the electronic era during
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in New York City. Over the next decade they continued to curate several shows together around the world, including "June" in 1993 at the
3013: 1788:"Olivier Zahm's new book "Une avant-garde sans avant-garde" co-edited with Donatien Grau is available now to pre-order! – Purple Diary" 257:, curator, writer, and photographer He is the co-founder, owner, and current editor-in-chief of the bi-annual art and fashion magazine 1720: 1470: 128: 2578: 2126: 3023: 2552: 2914: 1558: 1226: 1175: 1016: 2501: 301: 2172: 1926: 862: 1284: 109: 3018: 2362: 81: 59: 51: 1736: 793: 355:
to sex, fashion, music and art. TV never did that, and books are mostly academic. Magazines were a symbol of freedom."
3028: 2147: 2449: 586: 40: 88: 777: 2960: 2026: 1633: 1306: 1255: 44: 1761: 492:— artists that have continued to collaborate with Zahm in exhibitions and within Purple's magazine publications. 577:. The magazine was an integral part of this burgeoning context, which included the deconstruction of fashion by 476:
in Paris and printed a subsequent catalogue publication under the same name, displaying works from the likes of
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launched its very first magazine: 31 Rue Cambon. Chanel's goal was to combine sales and information.
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magazine. In the introduction of Purple Anthology, Zahm shares why he chose to create Purple Prose:
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In 2017 Purple moved their US based headquarters and offices from New York City to Los Angeles.
66: 1813: 1762:"Une avant-garde sans avant-garde Essai sur l'art – broché – Olivier Zahm – Achat Livre | fnac" 1411: 2889: 2700: 1716: 1466: 1441: 804: 645: 625: 590: 550: 465: 461: 457: 259: 2076: 808: 629: 594: 546: 504: 2553:"Gucci Caps Off Its Paris Takeover by Releasing a New Issue of the Cult Fanzine, Le Palace" 2051: 2101: 641: 578: 473: 452: 396: 102: 1202: 840: 2429:"The Sisterhood | Photography Anette Aurell | i-D Magazine | December 2001/January 2002" 785: 760: 729: 633: 602: 598: 558: 554: 542: 481: 477: 297: 276: 2675: 1661: 1042: 2997: 2401: 756: 669: 637: 621: 557:. From a visual standpoint, the magazine represented a break from 80s imagery (like 508: 489: 469: 2856:"OZ Diary. A photographic diary of Fashion, Art and Sex by Olivier Zahm – Onetshirt" 2284: 152: 1094:"Purple's Editor-In-Chief Olivier Zahm accuses Muse Magazine of Shameless Copying!" 496: 485: 254: 472:. Notably in 2000, Zahm and Fleiss curated the exposition "Elysian Fields" at the 2802: 1511: 1486: 1386: 1583: 765: 606: 574: 412: 317: 1975: 2828: 1662:"Olivier Zahm: Une avant-garde sans avant-garde – Les presses du réel (livre)" 665: 534: 404: 313: 272: 207: 2893: 1927:"A French Fashion Editor on the Difference Between Paris, New York, and L.A." 863:"A French Fashion Editor on the Difference Between Paris, New York, and L.A." 2376: 2173:"Purple Magazine Celebrates Its 25th Anniversary With Ralph Lauren in Paris" 740: 566: 400: 359: 347: 337: 283:– it still remains a major reference for other alternative magazines today. 328:
prevalent in his personal and professional life in adulthood. He told The
1840:"Purple Prose Magazine Issue No. 1 1992 Olivier Zahm, Elein Fleiss *Rare*" 1356: 1148:"Olivier Zahmis One of the 500 People Shaping the Global Fashion Industry" 2777: 2127:"Photos: Purple Magazine's 25th Anniversary Party at Top of The Standard" 448: 440: 392: 343: 2961:"Riding Around Paris With Olivier Zahm, Fashion's Most Libidinal Editor" 1307:"Riding Around Paris With Olivier Zahm, Fashion's Most Libidinal Editor" 1256:"Riding Around Paris With Olivier Zahm, Fashion's Most Libidinal Editor" 562: 1950: 1331: 1687:"sans dieu ni maitre, petite leçon d'avant-gardisme par olivier zahm" 789: 781: 725: 570: 2476:"The New Chanel Magazine, 31 Rue Cambon, issue No. 3 – Purple Diary" 336:, the decade of sex revolution and Zahm's parents were committed to 2227:"Purple 25th anniversary party with Zadig & Voltaire, New York" 736: 421: 253:(born 25 September 1963) is a French magazine editor, art critic, 2254:"Purple Magazine Celebrates 25th Anniversary, Founder's Birthday" 743:
in Paris. The magazine was the 14th issue of Le Palace Magazine.
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Paris, Leadapron in Los Angeles and The Last Gallery in Tokyo.
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from the article and its talk page, especially if potentially
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Purple Anthology: Art Prose Fashion Music Architecture Sex
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More recent shows included "La Force de L'Art" in 2006 at
2988: 2604:"Purple's Olivier Zahm Launches A Photo Exhibit in L.A." 2027:"Retrospective Maison Martin Margiela – Purple Magazine" 426:
Jan Van Osst, Sans Titre, 1993 at L'Hiver De L'amour in
1227:"purple reign: #tbt to 2010, when i-D met olivier zahm" 1176:"purple reign: #tbt to 2010, when i-D met olivier zahm" 1017:"purple reign: #tbt to 2010, when i-D met olivier zahm" 1120:"Olivier Zahm Accuses Muse Magazine of Copying Purple" 2337:"Milk Los Angeles – The Purple Magazine Party | Milk" 1715:. Dijon; Zurich: Les Presses du rĂ©el. 1 March 2017. 937: 886: 585:; the return of subtle political art, with that of 239: 234: 226: 218: 202: 192: 184: 162: 143: 2625:"Olivier Zahm 'Purple Diary' Exhibition @ colette" 1864: 1461:Zahm, Olivier; Fleiss, Elein, eds. (27 May 2008). 324:, and traditional institutions, values and order. 2579:"Fashion's Naughtiest Photographer, Olivier Zahm" 2343:. Archived from the original on 24 September 2018 1920: 1918: 1737:"Olivier Zahm - Une avant-garde sans avant-garde" 1656: 1654: 1440:. New York City: Rizzoli. pp. introduction. 1278: 1276: 1250: 1248: 1221: 1219: 1170: 1168: 1142: 1140: 230:Editor-in-chief and co-founder of Purple Magazine 2502:"Olivier Zahm Made A 'Corporate Mag' for Chanel" 1512:"The Winter of Love (L'Hiver de l'Amour) | MoMA" 834: 832: 2148:"Purple 25 Years 25 covers – Purple Magazine" 8: 2701:"Olivier Zahm Archives – Portraits Of Girls" 1814:"Les Chroniques Purple – Ravelin Magazine" 151: 140: 58:about living persons that is unsourced or 1487:"The Winter of Love (L'Hiver de l'Amour)" 800:, Vogue Russia, and Kadewe among others. 129:Learn how and when to remove this message 811:contributed various texts for the book. 828: 2354: 2278: 2276: 2274: 2195: 2193: 2837:from the original on 15 December 2021 2252:Templeton, Lily (26 September 2017). 2002:"Fine Print | 'The Purple Anthology'" 1436:Zahm, Olivier; Fleiss, Elein (2008). 1381: 1379: 1377: 523: 428:MusĂ©e d'Art Moderne de la Ville Paris 214:Creator of “la communautĂ© des amants” 7: 1412:"Purple Anthology – Purple Magazine" 1011: 1009: 735:In 2018 Zahm designed a fanzine for 573:, and the conceptual and minimalist 275:has been described as anti-fashion, 2283:Foreman, Katya (5 September 2017). 2880:Leaper, Caroline (10 March 2017). 2577:Jones, Justin (9 September 2014). 2077:"Harmony Korine – Purple Magazine" 1357:"Purple Prose magazine on Magpile" 739:’s FW2019 collection presented at 386:Art critic and curator (1985–1994) 14: 2309:Foreman, Katya (30 August 2018). 2726:"Olivier Zahm, l'art du prĂ©sent" 2052:"Rei Kawakubo – Purple Magazine" 1877:from the original on 23 May 2022 1713:Une avant-garde sans avant-garde 358:He studied philosophy, history, 302:RĂ©sidence Universitaire Jean-Zay 25: 2827:Marc Jacobs (17 October 2014), 2676:"Olivier Zahm | Semi Permanent" 2102:"Larry Clark – Purple Magazine" 1043:"Olivier Zahm | Semi Permanent" 597:, among others; photography of 206:Magazine editor, photographer, 2758:(in French). 21 September 2015 1537:"Olivier Zahm retour critique" 1203:"Publisher in the Warhol Mold" 1068:"Olivier Zahm: Le Provocateur" 841:"Publisher in the Warhol Mold" 679:Issue 2: PersonnalitĂ© Multiple 403:and introduced a then unknown 1: 2778:"Olivier Zahm – Photographer" 912:"Olivier Zahm, dandy Ă  louer" 803:In 2014, Zahm partnered with 445:Museum of Modern Art in Paris 2752:"Hedy vue par… Olivier Zahm" 712:Issue 13: Best of L’ete 2005 709:Issue 12: Les AnnĂ©es Fatales 685:Issue 4: L’empire des Signes 197:PanthĂ©on-Sorbonne University 36:biography of a living person 2803:"O.Z.: Olivier Zahm: Diary" 1285:"Olivier Zahm, l'anar chic" 609:’s independent filmmaking. 63:must be removed immediately 3055: 3014:French fashion journalists 1693:(in French). 25 April 2017 796:, and magazines including 439:In 1989, while working at 2830:O.Z.: Olivier Zahm: Diary 2732:(in French). 3 March 2017 2361:: CS1 maint: unfit URL ( 694:Issue 7: L’autre AmĂ©rique 691:Issue 6: Special Creation 150: 16:French fashion journalist 1547:– via PressReader. 715:Issue 14: Special Hommes 676:Issue 1: Le Retour Paris 497:Le Grand Palais in Paris 447:that they later took to 287:Early life and education 3024:French magazine editors 1901:The Business of Fashion 1152:The Business of Fashion 453:Galerie Thaddaeus Ropac 2427:annaka (11 May 2016). 1609:"Perrotin.com/artists" 770: 718:Issue 15: Mystere Karl 654: 587:Felix Gonzalez- Torres 437: 431: 383: 362:and literature at the 50:Please help by adding 2454:Tendances-de-mode.com 2335:Jon (28 March 2013). 2311:"Purple's L.A. Times" 2231:Zadig-et-voltaire.com 1465:. New York: Rizzoli. 753: 682:Issue 3: Plein Soleil 650: 433: 425: 377: 3019:French male bloggers 2915:"The New ChloĂ© Girl" 2705:Portraitsofgirls.com 1980:Adaweb.walkerart.org 1666:Lespressesdureel.com 1098:by Styling Amsterdam 759:because, me, I have 322:American imperialism 157:Zahm in Paris (1979) 56:Contentious material 1951:"Purple Prose , #1" 1866:"The colour purple" 1559:"dashwoodbooks.com" 1332:"Purple Prose , #2" 561:’s photography for 419:magazine in 2010: 409:Martin Kippenberger 3029:French art critics 2508:. 23 February 2011 2377:"Liberation Style" 2315:Women's Wear Daily 2289:Women's Wear Daily 2258:Women's Wear Daily 2207:. 5 September 2017 1794:. 23 February 2017 1074:. 7 September 2014 778:Yves Saint Laurent 664:In the year 2000, 583:Comme des Garçsons 432: 294:Charlotte Perriand 268:Digital Revolution 212:fashion journalist 2680:Semipermanent.com 2482:. 5 February 2011 1563:Dashwoodbooks.com 1447:978-0-8478-3020-6 1201:Morgan, Spencer. 839:Morgan, Spencer. 794:Agent 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