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461:" ("all is lost"), the outcome is not clear to Henry until Montjoy reappears and declares that the "day is yours". Henry soon discovers it was a deeply lop-sided victory: the French suffered 10,000 casualties, while the English lost only a Duke, an Earl, a knight, a squire, and "of all other, but five and twenty". (In
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after crossing the
English Channel. The French king, says the Chorus, "doth offer him / Katharine his daughter, and with her, to dowry, / Some petty and unprofitable dukedoms", but Henry is not satisfied. At the siege of Harfleur, the English are beaten back at first, but Henry urges them on with one
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The Chorus reappears at the beginning of each act to advance the story. In Act II, he describes the country's dedication to the war effort: "Now all the youth of
England are on fire... / Now thrive the armorers, and honor’s thought / Reigns solely in the breast of every man". Act II focuses on a plot
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Readers and audiences have interpreted the play's attitude to warfare in several different ways. On the one hand, it seems to celebrate Henry's invasion of France and military prowess. Alternatively, it can be read as a commentary on the moral and personal cost of war. Gathered, Shakespeare presents
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Union, who had instigated the tribunal, then attempted to sue in civil court. The judge concluded that he was bound by the GWCT's conclusions of law and also ruled in favour of the
English. The Court of Appeals affirmed without opinion, thus leaving the matter for the Supreme Court's determination.
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The
American critic Norman Rabkin described the play as a picture with two simultaneous meanings. Rabkin argues that the play never settles on one viewpoint towards warfare, Henry himself switching his style of speech constantly, talking of "rape and pillage" during Harfleur, but of patriotic glory
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In a rhetorical display intended to intimidate the
Governor of Harfleur into surrendering the city to the English, Henry denies personal responsibility for his soldiers' actions if battle is resumed – "What rein can hold licentious wickedness / When down the hill he holds his fierce
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In Act IV, the full power of the French army has surrounded Henry at the small town of
Agincourt. The night before the battle, knowing he is outnumbered, Henry wanders around the English camp in disguise, trying to comfort his soldiers and determine what they really think of him. He agonizes about
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after applying "the evolving standards of the maturing society". Previously, the fictional Global War Crimes
Tribunal ruled that Henry's war was legal, no noncombatant was killed unlawfully, and Henry bore no criminal responsibility for the death of the POWs. The fictional French Civil Liberties
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On the other hand, Henry is portrayed as a great leader, as he keeps his temper when insulted: "we are glad the
Dauphin is so pleasant with us". He also admits to his past mistakes: "did give ourselves to barbarous licence" and is shown to have great confidence: "I will rise there with so full a
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glorification of warfare with contemporary military ventures in Spain and
Ireland. The Chorus directly refers to the looked-for military triumphs of the Earl of Essex, in the fifth act. Henry V himself is sometimes seen as an ambivalent representation of the stage machiavel, combining apparent
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could inspire the audience's imagination, real royals could be the actors, and the stage could be as large as a kingdom, to do justice to the story of King Henry V (or "Harry"). The Chorus encourages the audience to use their "imaginary forces" to overcome these limitations: "Piece out our
450:: "we ... shall be remember’d; / We few, we happy few, we band of brothers". The messenger Montjoy returns to ask if Henry will avoid certain defeat by paying the French a ransom for his men's survival. Henry requests that Montjoy "bear my former answer back", thus refusing to surrender.
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when the work was first performed, and that
Shakespeare himself probably acted the Chorus. In 1600, the first printed text states that the play had been played "sundry times". The earliest performance for which an exact date is known, however, occurred on 7 January 1605, at Court at
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itself, to show how early modern thinkers (including Shakespeare) were themselves using juridical approaches to engage with the past. As a result, Warren argues, the question of whether Henry V was a war criminal is not only legitimate, but also "historically appropriate".
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in March 2015. The work is scored for full orchestra, with vocal soloist. The vocal part incorporates selected lines from the text, and the vocal range is adaptable to different voice types. The soloist for the premiere performances with the New Jersey Symphony was former
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As in many of Shakespeare's history and tragedy plays, a number of minor comic characters appear, contrasting with and sometimes commenting on the main plot. In this case, they are mostly common soldiers in Henry's army, and they include Pistol, Nym, and Bardolph from the
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The Chorus refers to Essex's 1599 campaign in Ireland without any sense that it would end in disaster. The campaign began in late March and was scuttled by late June, strongly suggesting that the play was first performed during that three-month period.
511:, "whose state so many had the managing, that they lost France, and made his England bleed, which oft our stage hath shown". (Shakespeare here is referring to the fact that he had previously staged the trilogy of plays that focus on these later events:
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of the French king Charles, delivers a message of Charles's taunts and threats, scorning Henry. Henry tells Montjoy that his forces have been so weakened that he will not yet attack Paris directly, but will instead march up the coast to Calais.
780:, arguing that contemporary legal terminology cannot be applied to historical events or figures like those depicted in the play. However, other scholars have supported the proposed viewpoint. For instance, Christopher N. Warren looks to
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Other commentators see the play as looking critically at the reason for Henry's violent cause. The noble words of the Chorus and Henry are consistently undermined by the actions of Pistol, Bardolph, and Nym. Pistol talks in a bombastic
845:. The outcome was originally to be determined by an audience vote, but due to a draw, it came down to a judges' decision. The court was divided on Henry's justification for war, but unanimously found him guilty on the killing of the
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Olivier's movie paradoxically attempts to create patriotic fervour in a war against Germany where the French were Britain's allies by celebrating a past heroic English victory over those very allies.
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of Shakespeare's best-known speeches: "Once more unto the breach, dear friends, once more; / Or close the wall up with our English dead". After a hard-won battle, the English take Harfleur. Montjoy,
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shows. London-trained Australian actor Chris Huntly-Turner took on the role of Henry, Irish actor Michael Mahony as Chorus, and UK–New Zealand actor Edward Newborn as Pistol/King of France.
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soldier. In one scene of extended French dialogue, Princess Katharine tries to learn some basic English words for body parts from her maid. The play also deals briefly with the death of
469:, this line is modified to "of all other men, but five and twenty score", since historians believe the English toll was approximately 600). Henry praises God for his shocking victory.
1411:, directed by and starring Laurence Olivier, is a colourful and highly stylised version which begins in the Globe Theatre and then gradually shifts to a realistic evocation of the
1591:. It was first performed at the Royal Festival Hall in London, in May 1990. Performers for this premiere were Christopher Plummer (narrator), the Academy Chorus, Choristers of
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Appears in the Folio, but not the Quarto, version of the play. Taylor conjectures that Shakespeare replaced the "cold and distasteful" John of Lancaster, who had appeared in
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is a 50-minute work for narrator, SATB chorus, boys' choir (optional), and full orchestra. The musical content is taken from Walton's score for the Olivier film, edited by
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The concern of productions in the contemporary era…is bringing the darker, more sceptical passages into a living relation with the more heroically straightforward.
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Act I deals largely with the Henry and his decision to invade France, persuaded that, through ancestry, he is the rightful heir to the French throne. The French
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421:. Henry's clever uncovering of the plot and his ruthless treatment of the conspirators show that he has changed from the earlier plays in which he appeared.
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that seems to parody Henry's own style of speech. Pistol and his friends, thus, show up the actions of their rulers. Indeed, the presence of the
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A Chorus (a lone speaker addressing the audience) delivers the Prologue, apologizing for the limitations of the theatre and wishing that: a
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the moral burden of being king, asking God to "steel my soldiers' hearts". Daylight comes, and Henry rallies his nobles with the famous
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career?" – and describes in graphic detail the violence they will do to the townsfolk if his demands are not met:
696:, was published in 1602 by Pavier; another reprint was issued as Q3 in 1619, with a false date of 1608—part of William Jaggard's
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is a 1963 orchestral arrangement of music that composer William Walton wrote for the 1944 Olivier film. The arrangement is by
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plays. In a grim note, Bardolph is executed for looting. The army also includes a Scot, an Irishman, and an Englishman, and
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Condren, Conal. "Understanding Shakespeare's Perfect Prince: Henry V, the Ethics of Office and the French Prisoners" in
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A mock trial of for the crimes associated with the legality of the invasion and the slaughter of prisoners was held in
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The play's ambiguity has led to diverse interpretations in performance. Laurence Olivier's 1944 film, made during the
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692:", a shortened version of the play that might be an infringing copy or reported text. A second quarto, a reprint of
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imperfections with your thoughts ... turning the accomplishment of many years / Into an hour-glass".
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appears also to have been consulted, and scholars have supposed that Shakespeare was familiar with
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In recent years, there has been scholarly debate about whether or not Henry V can be labeled a
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2061:. New Cambridge Shakespeare. Cambridge, England: Cambridge University Press. pp. 48–49.
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in the spring of 1599—the Globe would have been the "wooden O" mentioned in the Prologue—but
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Spenser, Janet M. "Princes, Pirates, and Pigs: Criminalizing Wars of Conquest in Henry V".
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The longest-running production of the play in Broadway history was the staging starring
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has been said to emphasise the element of adventurer in Henry's character as monarch.
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1864:, ed. Graham Bradshaw, Tom Bishop, and Laurence Wright, Ashgate, 2009, pp. 195–213.
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in March 2010, drawing from both historical record and Shakespeare's play. Titled
2367:(2, Part One. Criticism: Shakespeare and Islam. Guest edited by Mark Hutchings).
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2086:"Reverberations: Three Shakespeares, Each With a Purpose, Each Hoping to Thrill"
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1508:. The BBC scheduled the screening of Shakespeare's history plays as part of the
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series. It was part of a tetralogy that televised the entirety of Shakespeare's
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2463:, Anachronism, and the History of International Law". In Hutson, Lorna (ed.).
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are written originally in the French language; Act 5, Scene 2 is an example.
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Katharine learns English from her gentlewoman Alice in an 1888 lithograph by
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comes to a brief interval of peace, as the English and French negotiate the
1603:. A CD of the work with these performers was released by Chandos in 1990.
1500:
as Henry V, who had played Prince Hal in The Hollow Crown's adaptations of
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in 1900 which ran for 54 performances. Other notable stage performances of
1736:
Greer, Clayton A. "Shakespeare's Use of The Famous Victories of Henry V",
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was the UK entry, one of 37 and the only one performed in spoken English.
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the death of Henry (within two years) and the tumultuous reign of his son
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is a symphonic overture for full orchestra and vocal soloist, written by
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sincerity with a willingness to use deceit and force to attain his ends.
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A print of Act III, Scene i: "Once more unto the breach, dear friends!"
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1952:"High Court Justices, Legal Luminaries Debate Shakespeare's 'Henry V'"
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2153:. William Walton Edition. Oxford University Press. 6 September 1990.
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Major revivals in London during the 20th and 21st centuries include:
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1376:. Statements consisting only of original research should be removed.
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The Supreme Court of the Amalgamated Kingdom of England and France
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production featured Henry as a modern war general, ridiculing the
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700:. The superior text was first printed in the First Folio in 1623.
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63:, believed to have been written near 1599. It tells the story of
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in New York, where it was compared favorably to a production of
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and was intended as a patriotic rallying cry at the time of the
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The Union of the Two Illustrious Families of Lancaster and York
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is also generally believed to have been a model for the work.
2150:
Henry V – A Shakespeare Scenario – Vocal and orchestral parts
2465:
The Oxford Handbook of English Law and Literature, 1500–1700
1896:
The Oxford Handbook to English Law and Literature, 1500–1625
1879:
The Oxford Handbook to English Law and Literature, 1500–1625
1544:, and commentary written by Gordon. The piece premiered at
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as his understudy who substituted for him in one performance
432:
In Act III, Henry and his troops besiege the French port of
597:; the publication of the second edition in 1587 provides a
2239:"Kubian, Rachmaninoff & Tchaikovsky NJSO at BergenPAC"
1892:
Henry V, Anachronism, and the History of International Law
1875:
Henry V, Anachronism, and the History of International Law
1613:. The work is 12 minutes long, and was premiered by the
1404:
Three major film adaptations have been made. The first,
1512:, a celebration of British culture coinciding with the
1365:
1210:
On British television, the play has been performed as:
2408:
Rabkin, Norman (1977). "Rabbits, Ducks, and Henry V".
248:– hostess of the Boar's Head tavern, and Pistol's wife
67:, focusing on events immediately before and after the
2265:"The NJSO plays Rachmaninoff, Tchaikovsky and Kubian"
1849:
Henry V, War Criminal?: And Other Shakespeare Puzzles
1823:
Henry V, War Criminal?: And Other Shakespeare Puzzles
813:
Your fresh, fair virgins and your flowering infants.
717:
The Battle of Agincourt from a contemporary miniature
2103:"FY 2010 Grant Awards: American Masterpieces: Dance"
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2213:"Chandos release of Henry V A Shakespeare Scenario"
1812:. Cambridge: Cambridge University Press, 2003: 105.
673:was published before the end of the year—though by
2124:"Walton – Suite: "Henry V" notes by Paul Serotsky"
1709:
823:glory that I will dazzle all the eyes of France".
804:And the flesh'd soldier, rough and hard of heart,
1781:. Chicago: University of Chicago Press, 1981: 62.
1450:as Henry V, was adapted from Shakespeare's plays
2522:, both original-spelling and modernised, at the
1683:Shakespeare, William (2008). Gary Taylor (ed.).
810:With conscience wide as hell, mowing like grass
457:. Though the French in one scene complain that "
1987:1599, a year in the life of William Shakespeare
653:, the play is thought to date from early 1599.
2112:on the National Endowment for the Arts website
1650:, with the "decidedly more likeable Clarence".
885:A tradition, impossible to verify, holds that
589:, as for most of his chronicle histories, was
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641:, printed in the Second Folio edition of 1632
573:plays, whom Henry had rejected at the end of
120:plays as a wild, undisciplined young man. In
8:
1754:. Abingdon, England: Routledge. p. 67.
1678:
1676:
2291:Baldo, Jonathan (1996). "Wars of Memory in
1825:. Oxford: Oxford University Press, 200: 117
453:Shakespeare does not directly describe the
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1937:"High Court Rules for French at Agincourt"
4294:Cultural depictions of Henry V of England
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2047:
1392:Learn how and when to remove this message
801:The gates of mercy shall be all shut up,
375:Soldiers, servants, attendants, and lords
236:– soldiers, former followers of Sir John
4309:Biographical plays about English royalty
1862:The Shakespearean International Yearbook
1851:. Oxford: Oxford University Press, 2000.
889:was the first play performed at the new
655:The Chronicle History of Henry the fifth
645:On the basis of an apparent allusion to
242:Boy – formerly Sir John Falstaff's page
1911:. C-SPAN. 16 March 2010. Archived from
1672:
1639:
484:Act V opens some years later, when the
1779:Shakespeare and the Problem of Meaning
1560:American Masterpieces in Dance Award.
807:In liberty of bloody hand shall range
334:(depending on the edition of the play)
81:The Cronicle History of Henry the fift
3823:The Life and Death of King Richard II
3334:Complete Works of William Shakespeare
2477:10.1093/oxfordhb/9780199660889.013.41
1415:. Olivier's film was made during the
1125:), also in 1974 in Roundhouse Theatre
7:
1712:Three Studies in the Text of Henry V
1360:Relevant discussion may be found on
1143:as Henry (Royal Shakespeare Company)
1132:as Henry (Royal Shakespeare Company)
1114:as Henry (Royal Shakespeare Company)
761:stresses the horrors of war. A 2003
665:on 14 August 1600 by the bookseller
569:, Henry's estranged friend from the
3694:
2017:. London: Macmillan. p. 1031.
1847:Watts, Cedric and John Sutherland,
1821:Watts, Cedric and John Sutherland,
1524:In 2004, post-modern choreographer
1165:as Henry (Michael Grandage Company)
677:and John Busby rather than Pavier.
503:The play concludes with the Chorus
3509:Shakespeare's influence on Tolkien
2015:William Shakespeare Complete Works
1972:"SCENE II. France. A royal palace"
1597:Academy of St Martin-in-the-Fields
304:, the dauphin – their son and the
25:
2183:"Henry V: A Shakespeare Scenario"
2039:A Shakespeare Companion 1564–1964
729:Some scholars have connected the
585:Shakespeare's primary source for
4289:British plays adapted into films
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1750:Berry, Ralph (2005). "Henry V".
1581:Henry V – A Shakespeare Scenario
1342:
776:. Some denounce the question as
726:in his St Crispin's Day Speech.
639:The Life of King Henry the Fifth
419:assassinate Henry at Southampton
360:Monsieur le Fer – French soldier
215:John Bates, Alexander Court and
4171:The Famous Victories of Henry V
2459:Warren, Cristopher N. (2017). "
2263:Reich, Ronnie (24 March 2015).
1740:. n. s. 1 (June 1954): 238–241.
1716:. Oxford: The Clarendon Press.
1558:National Endowment for the Arts
922:Roger Boyle, 1st Earl of Orrery
920:in 1664, but it was written by
722:warfare in all its complexity.
3514:Works titled after Shakespeare
1935:Treanor, Tim (18 March 2010).
1752:Changing Styles in Shakespeare
1079:Stratford Shakespeare Festival
94:The play is the final part of
1:
4319:Plays set in the 15th century
4304:Hundred Years' War in fiction
3674:Shakespeare and other authors
2524:Internet Shakespeare Editions
2237:Cohen, Adam (23 March 2015).
1989:. London: Faber. p. 99.
1615:New Jersey Symphony Orchestra
1207:performed the role of Henry.
209:Capt. Macmorris – an Irishman
3556:Shakespeare Birthplace Trust
2467:. Oxford Handbooks. Oxford:
1950:Jones, Andy (8 March 2010).
1577:, and is in five movements.
991:, Murray Carrington as Henry
834:, participating judges were
3362:English Renaissance theatre
3205:The Second Maiden's Tragedy
3184:The Merry Devil of Edmonton
2716:The Two Gentlemen of Verona
2553:public domain audiobook at
2041:, Baltimore, Penguin, 1964.
1687:. Oxford University Press.
1532:version of the play called
1433:, directed by and starring
1372:the claims made and adding
622:Famous Victories of Henry V
199:Capt. Gower – an Englishman
85:The Life of Henry the Fifth
46:The Life of Henry the Fifth
4340:
4206:The Merry Wives of Windsor
3530:Folger Shakespeare Library
3076:The Phoenix and the Turtle
2666:The Merry Wives of Windsor
2420:Folger Shakespeare Library
2307:Folger Shakespeare Library
2187:Toronto Symphony Orchestra
2013:; Rasmussen, Eric (2007).
1289:BBC Television Shakespeare
1096:, William Peacock as Henry
1013:as Henry (Old Vic Company)
561:, a comically stereotyped
4299:English Renaissance plays
3949:Henry the Fourth, Part II
3753:
3668:
3549:Royal Shakespeare Theatre
3544:Royal Shakespeare Company
3035:
2673:A Midsummer Night's Dream
2617:All's Well That Ends Well
2377:10.1080/17450910802083492
945:Charles Alexander Calvert
18:Once More Unto the Breach
2687:Pericles, Prince of Tyre
2352:and the "War on Terror""
1810:Shakespeare and Violence
1622:lead singer (and former
1599:. The conductor was Sir
1123:Prospect Theatre Company
984:, Martin Harvey as Henry
252:Archbishop of Canterbury
36:Title page of the first
3890:Henry the Fouth, Part I
3831:King Richard the Second
2695:The Taming of the Shrew
2469:Oxford University Press
2346:Coleman, David (2008).
2108:12 October 2011 at the
1985:Shapiro, James (2005).
1909:"Judgment at Agincourt"
1793:. "Invisible Bullets".
1478:of the play as part of
1426:The second major film,
1286:as Pistol, part of the
858:Very brief snippets of
619:. An earlier play, the
448:St Crispin's Day Speech
65:King Henry V of England
4164:Holinshed's Chronicles
3377:Lord Chamberlain's Men
3288:The Passionate Pilgrim
3061:comparison to Petrarch
2680:Much Ado About Nothing
2659:The Merchant of Venice
2516:Fully edited texts of
2128:MusicWeb International
1890:Warren, Christopher. "
1873:Warren, Christopher. "
1510:2012 Cultural Olympiad
1440:The third major film,
1148:Royal National Theatre
1128:1976 Aldwych Theatre,
1117:1972 Aldwych Theatre,
1099:1960 Old Vic Theatre,
1070:1955 Old Vic Theatre,
1063:1951 Old Vic Theatre,
1045:1937 Old Vic Theatre,
1016:1931 Old Vic Theatre,
878:
820:
763:Royal National Theatre
718:
704:Criticism and analysis
642:
549:
481:
429:
385:
302:Louis, Duke of Guyenne
41:
3567:Shakespeare Institute
3536:Shakespeare Quarterly
3055:Shakespeare's sonnets
2723:The Two Noble Kinsmen
2411:Shakespeare Quarterly
2298:Shakespeare Quarterly
1836:Shakespeare Quarterly
1708:Taylor, Gary (1979).
1593:Westminster Cathedral
1476:television adaptation
982:His Majesty's Theatre
873:
799:
716:
657:was entered into the
636:
540:
496:the French princess,
492:, and Henry tries to
475:
427:
383:
49:, often shortened to
35:
4314:Plays set in England
3423:Spelling of his name
3263:Vortigern and Rowena
3241:Thomas Lord Cromwell
2821:Troilus and Cressida
2751:Antony and Cleopatra
2645:Love's Labour's Lost
2631:The Comedy of Errors
2471:. pp. 709–727.
2369:Taylor & Francis
2348:"Ireland and Islam:
1957:National Law Journal
1607:O For a Muse of Fire
1514:2012 Summer Olympics
1421:invasion of Normandy
817:—Act III, Scene iii.
649:'s mission to quell
541:The 1587 edition of
480:. Act III, Scene iv.
417:and two comrades to
369:Governor of Harfleur
316:Alice – Katharine's
195:Sir Thomas Erpingham
79:text, it was titled
4183:Thomas of Woodstock
3741:William Shakespeare
3647:Richard Shakespeare
3629:Gilbert Shakespeare
3561:Shakespeare's Globe
3466:Authorship question
3461:Attribution studies
3428:Stratford-upon-Avon
3270:A Yorkshire Tragedy
3248:Thomas of Woodstock
3234:The Spanish Tragedy
3175:Love's Labour's Won
3167:The London Prodigal
3124:The Birth of Merlin
3083:The Rape of Lucrece
3069:A Lover's Complaint
2949:Quarto publications
2652:Measure for Measure
2591:William Shakespeare
1939:. DC Theater Scene.
1791:Greenblatt, Stephen
1738:Notes & Queries
1552:(parts 1 and 2) at
1542:Christopher Plummer
1413:Battle of Agincourt
1362:Talk:Henry V (play)
1307:as Pistol, part of
1193:Shakespeare's Globe
1159:Noël Coward Theatre
1083:Christopher Plummer
971:Shaftesbury Theatre
866:Performance history
843:Ruth Bader Ginsburg
509:Henry VI of England
455:Battle of Agincourt
323:Constable of France
212:Capt. Jamy – a Scot
185:Earl of Westmorland
69:Battle of Agincourt
61:William Shakespeare
27:Play by Shakespeare
4261:Suite from Henry V
4253:At the Boar's Head
4226:Falstaff's Wedding
4218:Sir John Oldcastle
4008:Chimes at Midnight
3941:Chimes at Midnight
3882:Chimes at Midnight
3839:Richard the Second
3641:Edmund Shakespeare
3599:Hamnet Shakespeare
3496:Screen adaptations
3219:Sir John Oldcastle
3117:Arden of Faversham
1915:on 17 October 2012
1589:Christopher Palmer
1570:Suite from Henry V
1534:Dancing Henry Five
1353:possibly contains
1172:and The Barbican,
1054:Drury Lane Theatre
879:
719:
681:did the printing.
663:Stationers Company
651:Tyrone's Rebellion
643:
637:The first page of
600:terminus post quem
550:
482:
430:
386:
372:French Ambassadors
150:Duke of Gloucester
73:Hundred Years' War
71:(1415) during the
42:
4271:
4270:
4056:
4055:
3707:
3706:
3611:Elizabeth Barnard
3575:
3574:
3304:
3303:
3033:
3032:
2731:The Winter's Tale
2538:Project Gutenberg
2267:. The Star Ledger
2160:978-0-19-338532-0
2093:(16 January 2004)
2024:978-0-230-00350-7
1694:978-0-19-953651-1
1634:Explanatory notes
1585:David Lloyd-Jones
1506:Henry IV, Part II
1448:Timothée Chalamet
1402:
1401:
1394:
1355:original research
1036:Ring, Blackfriars
933:Richard Mansfield
899:Chamberlain's Men
675:Thomas Millington
647:the Earl of Essex
591:Raphael Holinshed
567:Sir John Falstaff
478:Laura Alma-Tadema
415:Earl of Cambridge
363:Montjoy – French
306:Dauphin of France
269:Earl of Cambridge
180:Earl of Salisbury
164:– Henry's brother
158:– Henry's brother
152:– Henry's brother
16:(Redirected from
4331:
4032:The Hollow Crown
3963:Henry IV, Part 2
3957:The Hollow Crown
3924:Henry IV, Part 2
3904:Henry IV, Part 1
3898:The Hollow Crown
3865:Henry IV, Part 1
3847:The Hollow Crown
3794:
3773:Henry IV, Part 2
3766:Henry IV, Part 1
3734:
3727:
3720:
3711:
3697:
3696:
3687:
3686:
3635:Joan Shakespeare
3617:John Shakespeare
3520:
3501:Shakespeare and
3212:Sejanus His Fall
3179:
3139:Double Falsehood
3106:
3090:Venus and Adonis
3041:
2814:Titus Andronicus
2800:Romeo and Juliet
2604:
2584:
2577:
2570:
2561:
2547:
2546:
2540:
2494:
2491:Oxford Handbooks
2455:
2404:
2356:
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2209:
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2200:
2198:
2193:on 14 April 2015
2189:. Archived from
2178:
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2122:Serotsky, Paul.
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1797:8 (1981): 40–61.
1788:
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1777:Rabkin, Norman.
1775:
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1644:
1601:Neville Marriner
1587:and arranged by
1546:Danspace Project
1502:Henry IV, Part I
1492:and directed by
1481:The Hollow Crown
1456:Henry IV Part II
1417:Second World War
1397:
1390:
1386:
1383:
1377:
1374:inline citations
1346:
1345:
1338:
1310:The Hollow Crown
1269:George A. Cooper
1254:Geoffrey Bayldon
1216:Clement McCallin
1181:Donmar Warehouse
1137:Barbican Theatre
1047:Laurence Olivier
1025:Alhambra Theatre
1018:Ralph Richardson
908:Whitehall Palace
897:argues that the
877:as Henry V, 1900
786:De armis Romanis
782:Alberico Gentili
755:Second World War
746:characters from
709:Views on warfare
575:Henry IV, Part 2
490:Treaty of Troyes
463:Laurence Olivier
348:Duke of Burgundy
332:Duke of Brittany
313:– their daughter
271:– Henry's cousin
246:Mistress Quickly
217:Michael Williams
176:– Henry's cousin
162:Duke of Clarence
113:Henry IV, Part 2
107:Henry IV, Part 1
21:
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4016:Henry the Fifth
4000:An Age of Kings
3977:
3933:An Age of Kings
3918:
3874:An Age of Kings
3859:
3815:An Age of Kings
3807:King Richard II
3785:
3749:
3738:
3708:
3703:
3664:
3613:(granddaughter)
3571:
3518:
3447:
3413:Religious views
3391:Curtain Theatre
3312:
3300:
3275:
3226:Sir Thomas More
3172:
3146:Edmund Ironside
3095:
3042:
3029:
3003:Ghost character
2963:
2935:
2826:
2807:Timon of Athens
2736:
2593:
2588:
2544:
2530:
2512:Standard Ebooks
2502:
2497:
2487:
2458:
2428:10.2307/2869079
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2315:10.2307/2871099
2290:
2286:
2284:Further reading
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2181:Anderson, Don.
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2110:Wayback Machine
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1620:October Project
1566:
1522:
1474:commissioned a
1468:
1452:Henry IV Part I
1443:The King (2019)
1435:Kenneth Branagh
1398:
1387:
1381:
1378:
1359:
1347:
1343:
1336:
1331:
1224:Willoughby Gray
1141:Kenneth Branagh
1108:Aldwych Theatre
1094:Mermaid Theatre
1087:William Shatner
1085:as Henry, with
1009:, Hammersmith,
1000:Baliol Holloway
996:Old Vic Theatre
868:
856:
854:French language
711:
706:
631:
615:'s poem on the
583:
535:
526:Henry VI Part 3
520:Henry VI Part 2
514:Henry VI Part 1
467:film adaptation
407:King Charles VI
391:
378:
338:Duke of Orléans
328:Duke of Bourbon
318:lady-in-waiting
280:Sir Thomas Grey
190:Earl of Warwick
170:– Henry's uncle
156:Duke of Bedford
130:
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4147:Robert Shallow
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4127:
4125:Owen Glendower
4117:
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4115:
4105:
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4095:
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4088:Doll Tearsheet
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4080:
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4068:Ancient Pistol
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3352:Collaborations
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3325:
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3305:
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2943:
2941:Early editions
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2090:New York Times
2082:Rockwell, John
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2011:Bate, Jonathan
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1575:Muir Mathieson
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1554:Lincoln Center
1538:William Walton
1536:, which mixed
1521:
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1498:Tom Hiddleston
1488:. Produced by
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1382:September 2024
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1297:Tom Hiddleston
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1235:Toby Robertson
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1197:Globe to Globe
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960:Lyceum Theatre
949:Walter Hampden
901:were still at
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828:Washington, DC
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603:for the play.
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459:Tout est perdu
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140:
136:
135:
131:
129:
126:
98:, preceded by
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4336:
4325:
4322:
4320:
4317:
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4307:
4305:
4302:
4300:
4297:
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4279:
4263:
4262:
4258:
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4250:
4247:
4246:
4242:
4241:
4239:
4237:Related music
4235:
4228:
4227:
4223:
4220:
4219:
4215:
4212:
4208:
4207:
4203:
4202:
4200:
4198:Related plays
4196:
4189:
4185:
4184:
4180:
4177:
4173:
4172:
4168:
4166:
4165:
4161:
4160:
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4148:
4145:
4143:
4140:
4138:
4135:
4133:
4130:
4126:
4123:
4122:
4121:
4120:Owain Glyndŵr
4118:
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4111:
4110:
4109:
4106:
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4091:
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4059:
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4026:
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4021:
4018:
4017:
4013:
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4009:
4005:
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4001:
3997:
3994:
3993:
3989:
3988:
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3712:
3700:
3692:
3690:
3682:
3681:
3677:
3675:
3671:
3670:
3667:
3660:
3659:Thomas Quiney
3657:
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3649:(grandfather)
3648:
3645:
3642:
3639:
3636:
3633:
3630:
3627:
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3609:
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3605:Judith Quiney
3603:
3600:
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3587:Anne Hathaway
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3409:
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3404:
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3399:
3396:
3392:
3389:
3387:
3384:
3383:
3382:
3378:
3375:
3373:
3370:
3368:
3367:Globe Theatre
3365:
3363:
3360:
3358:
3355:
3353:
3350:
3348:
3345:
3341:
3338:
3336:
3335:
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3329:
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3307:
3297:
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3257:
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3200:
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3141:
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3119:
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3008:
3004:
3001:
2999:
2996:
2994:
2991:
2990:
2988:
2986:
2983:
2981:
2980:Late romances
2978:
2976:
2975:Problem plays
2973:
2972:
2970:
2966:
2960:
2957:
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2809:
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2801:
2797:
2795:
2794:
2790:
2788:
2787:
2783:
2781:
2780:
2776:
2774:
2773:
2772:Julius Caesar
2769:
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2766:
2762:
2760:
2759:
2755:
2753:
2752:
2748:
2747:
2745:
2743:
2739:
2733:
2732:
2728:
2725:
2724:
2720:
2718:
2717:
2713:
2711:
2710:
2709:Twelfth Night
2706:
2704:
2703:
2699:
2697:
2696:
2692:
2689:
2688:
2684:
2682:
2681:
2677:
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2670:
2668:
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2649:
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2642:
2640:
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2529:
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2521:
2520:
2515:
2513:
2509:
2508:
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2499:
2492:
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2486:9780199660889
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2111:
2107:
2104:
2099:
2096:
2092:
2091:
2087:
2083:
2078:
2075:
2070:
2068:0-521-84792-3
2064:
2060:
2056:
2050:
2048:
2044:
2040:
2034:
2031:
2026:
2020:
2016:
2012:
2006:
2003:
1998:
1996:0-571-21480-0
1992:
1988:
1981:
1978:
1973:
1967:
1964:
1959:
1958:
1953:
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1938:
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1850:
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1841:
1837:
1831:
1828:
1824:
1818:
1815:
1811:
1808:
1807:Foakes, R. A.
1803:
1800:
1796:
1792:
1787:
1784:
1780:
1774:
1771:
1767:
1763:
1761:0-415-35316-5
1757:
1753:
1746:
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1733:
1730:
1725:
1723:0-19-812913-0
1719:
1714:
1713:
1704:
1701:
1696:
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1686:
1679:
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1673:
1666:
1656:
1653:
1649:
1643:
1640:
1633:
1631:
1629:
1625:
1621:
1616:
1612:
1611:Darryl Kubian
1608:
1604:
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1598:
1594:
1590:
1586:
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1578:
1576:
1572:
1571:
1563:
1561:
1559:
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1551:
1547:
1543:
1539:
1535:
1531:
1530:dance-theatre
1527:
1519:
1517:
1515:
1511:
1507:
1503:
1499:
1496:, it starred
1495:
1494:Thea Sharrock
1491:
1487:
1483:
1482:
1477:
1473:
1470:In 2012, the
1465:
1463:
1461:
1457:
1453:
1449:
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1414:
1410:
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1396:
1393:
1385:
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1371:
1367:
1363:
1357:
1356:
1351:This section
1349:
1340:
1339:
1333:
1328:
1326:
1324:
1320:
1317:In 2017, the
1312:
1311:
1306:
1302:
1298:
1294:
1291:
1290:
1285:
1284:Bryan Pringle
1281:
1277:
1276:David Gwillim
1273:
1270:
1266:
1262:
1258:
1255:
1251:
1247:
1243:
1240:
1239:Frank Windsor
1236:
1232:
1228:
1225:
1221:
1220:Marius Goring
1217:
1213:
1212:
1211:
1208:
1206:
1202:
1198:
1194:
1186:
1185:Kit Harington
1182:
1178:
1175:
1171:
1167:
1164:
1160:
1156:
1153:
1152:Adrian Lester
1149:
1145:
1142:
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938:
934:
929:
927:
923:
919:
915:
911:
909:
904:
900:
896:
892:
891:Globe Theatre
888:
883:
876:
872:
865:
863:
861:
853:
851:
848:
844:
840:
837:
833:
829:
824:
816:
815:
814:
811:
808:
805:
802:
798:
794:
791:
788:, along with
787:
783:
779:
778:anachronistic
775:
770:
768:
767:Iraq invasion
764:
760:
756:
751:
749:
745:
741:
735:
732:
731:nationalistic
727:
723:
715:
708:
703:
701:
699:
695:
691:
687:
682:
680:
679:Thomas Creede
676:
672:
668:
667:Thomas Pavier
664:
660:
656:
652:
648:
640:
635:
629:Date and text
628:
626:
624:
623:
618:
614:
613:Samuel Daniel
610:
606:
602:
601:
596:
592:
588:
580:
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576:
572:
568:
564:
560:
556:
548:
544:
539:
532:
530:
528:
527:
522:
521:
516:
515:
510:
506:
505:foreshadowing
501:
499:
495:
491:
487:
479:
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449:
443:
440:
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420:
416:
410:
408:
404:
399:
396:
388:
382:
374:
371:
368:
366:
362:
359:
357:Lord Grandpré
356:
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353:Lord Rambures
351:
349:
346:
344:
343:Duke of Berry
341:
339:
336:
333:
329:
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257:Bishop of Ely
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102:
97:
92:
90:
86:
82:
78:
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70:
66:
62:
58:
54:
53:
48:
47:
39:
34:
30:
19:
4259:
4251:
4243:
4224:
4216:
4210:
4204:
4187:
4181:
4175:
4169:
4162:
4137:Nell Quickly
4083:Corporal Nym
4044:
4036:
4030:
4022:
4014:
4006:
3998:
3990:
3982:
3969:
3961:
3955:
3947:
3939:
3931:
3923:
3910:
3902:
3896:
3888:
3880:
3872:
3864:
3851:
3845:
3837:
3829:
3821:
3813:
3805:
3797:
3779:
3778:
3771:
3764:
3757:
3744:
3661:(son-in-law)
3655:(son-in-law)
3593:Susanna Hall
3534:
3523:Institutions
3502:
3347:Coat of arms
3340:Translations
3332:
3328:Bibliography
3295:To the Queen
3293:
3286:
3268:
3261:
3253:
3246:
3239:
3232:
3224:
3217:
3210:
3203:
3196:
3189:
3182:
3173:
3165:
3158:
3151:
3144:
3137:
3129:
3122:
3115:
3088:
3081:
3074:
3067:
3053:
3015:Performances
2959:Second Folio
2927:
2920:
2911:
2904:
2896:
2889:
2883:
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2873:
2866:
2861:
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2664:
2657:
2650:
2643:
2636:
2629:
2622:
2615:
2549:
2531:
2518:
2505:
2489:– via
2464:
2460:
2415:
2409:
2364:
2358:
2349:
2302:
2296:
2292:
2269:. Retrieved
2258:
2246:. Retrieved
2242:
2232:
2220:. Retrieved
2216:
2207:
2195:. Retrieved
2191:the original
2186:
2176:
2164:. Retrieved
2149:
2143:
2131:. Retrieved
2127:
2117:
2098:
2088:
2077:
2059:King Henry V
2058:
2055:Gurr, Andrew
2038:
2033:
2014:
2005:
1986:
1980:
1966:
1955:
1945:
1930:
1917:. Retrieved
1913:the original
1903:
1895:
1886:
1878:
1869:
1861:
1856:
1848:
1843:
1835:
1830:
1822:
1817:
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1711:
1703:
1684:
1655:
1647:
1642:
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1605:
1580:
1579:
1568:
1567:
1549:
1533:
1526:David Gordon
1523:
1505:
1501:
1480:
1469:
1459:
1455:
1451:
1441:
1439:
1428:
1425:
1406:
1403:
1388:
1379:
1352:
1322:
1319:Pop-up Globe
1316:
1308:
1287:
1280:Alec McCowen
1261:Robert Hardy
1246:John Neville
1231:Colin George
1209:
1205:Jamie Parker
1200:
1190:
1174:Alex Hassell
1058:Ivor Novello
1040:Hubert Gregg
1011:Lewis Casson
975:F. R. Benson
964:Lewis Waller
953:
947:(1872), and
941:Charles Kean
936:
930:
917:
914:Samuel Pepys
912:
886:
884:
880:
875:Lewis Waller
859:
857:
839:Samuel Alito
831:
825:
821:
812:
809:
806:
803:
800:
795:
789:
785:
774:war criminal
771:
752:
747:
736:
728:
724:
720:
685:
683:
669:; the first
654:
644:
638:
620:
608:
598:
594:
586:
584:
574:
570:
554:
551:
546:
524:
518:
512:
502:
483:
458:
452:
444:
431:
411:
400:
392:
384:King Henry V
297:Queen Isabel
263:The traitors
206:– a Welshman
174:Duke of York
145:King Henry V
121:
117:
111:
105:
99:
93:
84:
80:
77:First Quarto
57:history play
51:
50:
45:
44:
43:
29:
3699:WikiProject
3386:The Theatre
3372:Handwriting
3198:The Puritan
2989:Characters
2954:First Folio
2922:Richard III
2702:The Tempest
2422:: 279–296.
2371:: 169–180.
2360:Shakespeare
2309:: 132–159.
1446:, starring
1329:Adaptations
1305:Paul Ritter
1303:as Chorus,
1282:as Chorus,
1267:as Chorus,
1252:as Chorus,
1237:as Chorus,
1222:as Chorus,
1130:Alan Howard
1065:Alec Clunes
903:The Curtain
740:blank verse
698:False Folio
605:Edward Hall
275:Lord Scrope
139:The English
96:a tetralogy
89:First Folio
4284:1599 plays
4278:Categories
4142:Richard II
4113:Prince Hal
4078:Charles VI
4061:Characters
4019:(1979; TV)
4003:(1960; TV)
3952:(1979; TV)
3936:(1960; TV)
3907:(2012; TV)
3893:(1979; TV)
3877:(1960; TV)
3856:(2012; TV)
3853:Richard II
3834:(1979; TV)
3826:(1960; TV)
3818:(1960; TV)
3810:(1954; TV)
3798:Richard II
3759:Richard II
3623:Mary Arden
3607:(daughter)
3595:(daughter)
3471:Bardolatry
3381:King's Men
3323:Birthplace
3010:Chronology
2929:Henry VIII
2856:Richard II
2848:Edward III
2758:Coriolanus
1667:References
1528:created a
1490:Sam Mendes
1466:Television
1366:improve it
1313:TV series.
1299:as Henry,
1278:as Henry,
1263:as Henry,
1248:as Henry,
1233:as Henry,
1218:as Henry,
1199:festival,
1121:as Henry (
926:Aaron Hill
690:bad quarto
617:civil wars
595:Chronicles
547:Chronicles
286:The French
219:– soldiers
128:Characters
101:Richard II
3790:On screen
3653:John Hall
3643:(brother)
3631:(brother)
3563:(replica)
3503:Star Trek
3491:Memorials
3486:Influence
3476:Festivals
3418:Sexuality
3408:Portraits
3403:New Place
3255:Ur-Hamlet
3191:Mucedorus
3101:Apocrypha
2841:King John
2832:Histories
2779:King Lear
2742:Tragedies
2638:Cymbeline
2444:0037-3222
2436:1538-3555
2401:159678955
2393:1745-0918
2385:1745-0926
2331:0037-3222
2323:1538-3555
1628:Mary Fahl
1370:verifying
1364:. Please
1301:John Hurt
1271:as Pistol
1256:as Pistol
1241:as Pistol
1226:as Pistol
847:prisoners
759:1989 film
744:Eastcheap
543:Holinshed
498:Katharine
405:, son of
311:Katharine
75:. In the
4245:Falstaff
4103:Henry IV
4098:Fluellen
4093:Falstaff
4073:Bardolph
4046:The King
3971:The King
3912:The King
3689:Category
3637:(sister)
3625:(mother)
3619:(father)
3131:Cardenio
3020:Settings
2968:See also
2891:Henry VI
2862:Henry IV
2608:Comedies
2555:LibriVox
2271:31 March
2248:31 March
2222:31 March
2217:AllMusic
2197:31 March
2166:31 March
2133:31 March
2106:Archived
2057:(2005).
1898:. p. 27.
1648:Henry IV
1626:artist)
1550:Henry IV
1195:'s 2012
1187:as Henry
1176:as Henry
1163:Jude Law
1154:as Henry
1112:Ian Holm
1103:as Henry
1074:as Henry
1067:as Henry
1060:as Henry
1049:as Henry
1042:as Henry
1031:as Henry
1020:as Henry
1002:as Henry
977:as Henry
966:as Henry
951:(1928).
943:(1859),
939:include
836:Justices
748:Henry IV
659:Register
571:Henry IV
559:Fluellen
555:Henry IV
533:Subplots
465:'s 1944
434:Harfleur
389:Synopsis
238:Falstaff
234:Bardolph
204:Fluellen
118:Henry IV
4324:Henriad
4156:Sources
4108:Henry V
4038:Henry V
4024:Henry V
3992:Henry V
3983:Henry V
3780:Henry V
3746:Henriad
3481:Gardens
3357:Editors
3160:Locrine
3153:Fair Em
2985:Henriad
2884:Henry V
2793:Othello
2786:Macbeth
2550:Henry V
2533:Henry V
2519:Henry V
2507:Henry V
2461:Henry V
2452:2869079
2350:Henry V
2339:2871099
2293:Henry V
1919:10 July
1685:Henry V
1486:Henriad
1460:Henry V
1429:Henry V
1407:Henry V
1323:Henry V
1201:Henry V
1191:In the
937:Henry V
918:Henry V
895:Shapiro
887:Henry V
860:Henry V
790:Henry V
686:Henry V
661:of the
587:Henry V
581:Sources
486:the war
413:by the
403:Dauphin
122:Henry V
87:in the
55:, is a
52:Henry V
4264:(1963)
4256:(1925)
4248:(1913)
4229:(1760)
4221:(1599)
4049:(2019)
4041:(2012)
4027:(1989)
4011:(1966)
3995:(1944)
3974:(2019)
3966:(2012)
3944:(1966)
3915:(2019)
3885:(1966)
3842:(2001)
3678:† Lost
3589:(wife)
3580:Family
3453:Legacy
3025:Scenes
2765:Hamlet
2483:
2450:
2442:
2434:
2399:
2391:
2383:
2337:
2329:
2321:
2157:
2065:
2021:
1993:
1758:
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1691:
1595:, and
1458:, and
1431:(1989)
1409:(1944)
1292:series
916:saw a
688:is a "
684:Q1 of
671:quarto
523:, and
439:herald
365:herald
232:, and
226:Pistol
222:Herald
202:Capt.
134:Chorus
110:, and
91:text.
83:, and
40:(1600)
38:quarto
4213:1597)
4190:1593)
4178:1585)
4132:Poins
3601:(son)
3443:Grave
3433:Style
3398:Music
3315:works
3280:Poems
3109:Plays
3047:Poems
2599:Plays
2448:JSTOR
2432:eISSN
2418:(3).
2397:S2CID
2381:eISSN
2355:(PDF)
2335:JSTOR
2319:eISSN
2305:(2).
1894:" in
1877:" in
1795:Glyph
1564:Music
1520:Dance
1295:2012
1274:1979
1259:1960
1244:1957
1229:1953
1214:1951
1179:2022
1168:2015
1157:2013
1146:2003
1135:1985
1106:1965
1092:1960
1077:1956
1052:1938
1034:1936
1023:1934
1007:Lyric
1005:1928
994:1926
987:1920
980:1916
969:1914
958:1900
563:Welsh
3438:Will
3313:and
3310:Life
2481:ISBN
2440:ISSN
2389:ISSN
2327:ISSN
2273:2015
2250:2015
2224:2015
2199:2015
2168:2015
2155:ISBN
2135:2015
2063:ISBN
2019:ISBN
1991:ISBN
1921:2010
1756:ISBN
1718:ISBN
1689:ISBN
1504:and
1334:Film
841:and
395:muse
3743:'s
2998:L–Z
2993:A–K
2536:at
2510:at
2473:doi
2424:doi
2373:doi
2311:doi
2295:".
1472:BBC
1368:by
1170:RSC
784:'s
607:'s
593:'s
545:'s
529:.)
494:woo
230:Nym
59:by
4280::
4211:c.
4188:c.
4176:c.
4035::
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3672:✻
3134:✻†
2479:.
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2301:.
2241:.
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2084:.
2046:^
1954:.
1764:.
1675:^
1630:.
1516:.
1462:.
1454:,
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1183:,
1161:,
1150:,
1139:,
1110:,
1081:,
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1038:,
1027:,
998:,
973:,
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928:.
910:.
769:.
694:Q1
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517:,
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2137:.
2071:.
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1999:.
1974:.
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