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The School of
Architecture, Design and Planning was always a supporter of the workshop, but it was not until 1989 that Tin Sheds officially became part of the university, presenting art workshop classes. In 2004 Tin Sheds moved into new purpose-built workshops and a gallery in the school, at 148 City
191:(1971) was described by Brook thus: "One Monday morning I was delighted to find my own room transformed with chicken feathers... set with their quills in an obsessively regular grid, as if the room had sprouted them, to its own astonishment, out of its own naturally tidy follicles".
147:
A few medical and engineering students began to use their expertise with computer graphics, and to experiment with electronics and movement; Brook encouraged them to push the boundaries, and
Flugelman introduced them to sculpture. This experimentation gave rise to the
57:
100:, the founding artists and other tutors encouraged students of the arts, architecture, and engineering students (and anyone else) to dream and create all manner of artworks; it was a "nursery for
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The
Earthworks Poster Collective was based at Tin Sheds for the whole of its existence, from 1972 to 1979. During this time, Tin Sheds was officially known as the Sydney University Art Workshop.
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students David Smith (b.1945) and Jim McDonnell (b.1948). Along with
Flugelman, the students created "conceptually ambitious and humorous works" such as
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377:(Interview). Art Gallery of New South Wales Archive: Balnaves Foundation Australian Sculpture Archive Project. Interviewed by Edwards, Deborah.
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The Tin Sheds
Gallery hosts exhibitions and issues publications relating to national and international architecture, art, design and urbanism.
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This article was published in hardcopy in
Australian Dictionary of Biography, Volume 18, (Melbourne University Press), 2012.
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880:. Original: Jonathan Jones in 'Tradition today: Indigenous art in Australia’, Art Gallery of New South Wales, Sydney, 2014
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sheds in the university grounds. Officially designated as a place for students to study and practise the methods of the
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was coordinator of Tin Sheds from the beginning until 1973. He became a lifelong friend of Brook.
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695:"Flight from the Object: Donald Brook and the Emergence of Post-Studio Art in Early 1970s Sydney"
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was involved with the workshop, and wanted to change the name to Fine Arts
University Workshop.
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known as
Optronic Kinetics in 1970, which used science and technology to experiment with art.
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Under a hot tin roof : art, passion, and politics at the Tin Sheds Art
Workshop
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108:. There was a radical element that intimidated some of the other students.
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104:. They tried to understand and define the notion of art, and stayed open
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and other forms, leading to the emergence of
Optronic Kinetics in 1970.
268:, architect, tutor (later appointed professor of architecture at the
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Art workshop and later gallery at the University of Sydney, Australia
259:, researcher of the history of women's needlework, tutor in women's
226:, grew out of it, and soon other alternative venues proliferated.
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University of Sydney School of Architecture, Design and Planning
241:, tutor in painting and drawing at Tin Sheds in the late 1980s
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Tin Sheds was the only experimental art workshop at the time;
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Others involved with the organisation of Tin Sheds include:
92:. The name was given because the workshop occupied some old
198:(FUMA) by Brook, as Emeritus Professor at the university.
640:"Chips Mackinolty - 1978 Sydney University art workshop"
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Britton, Stephanie; Maughan, Janet (22 January 2019).
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A collection of Optronic Kinetics' work was gifted to
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as an autonomous and informal venue on the grounds of
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This is an edited transcript of a recorded interview.
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student, later a well-known writer and curator), and
783:. Sydney: State Library of New South Wales Press.
461:"The Hothouse: art and politics at the Tin Sheds"
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280:Artists who took courses at Tin Sheds include:
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274:International Council on Monuments and Sites
52:, founded in 1969. Its name lives on in the
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76:Tin Sheds was founded in 1969 by artists
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272:in 1977; second president of Australia
155:The group's founding members included
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933:Art museums and galleries in Sydney
502:Australian Broadcasting Corporation
819:Australian Dictionary of Biography
812:Brine, Judith (11 December 2012).
724:"Vivienne Binns :: biography"
532:"Take 5: Optronic Kinetics - FUMA"
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442:Design & Art Australia Online
196:Flinders University Museum of Art
938:1969 establishments in Australia
437:"Donald Brook b. 8 January 1927"
948:20th-century Australian artists
729:Design and Art Australia Online
616:Australian Prints + Printmaking
591:Australian Prints + Printmaking
500:, Jan Fieldsend, Roger Butler.
370:Grounds, Marr (30 March 2015).
297:(1960–2004), photography course
38:Sydney University Art Workshop,
612:"Earthworks Poster Collective"
587:"Optronic Kinetics Collective"
459:Allam, Lorena (24 June 2007).
253:(Earthworks Poster Collective)
247:(Earthworks Poster Collective)
1:
814:"David Arthur Lewis Saunders"
680:National Library of Australia
645:National Gallery of Australia
372:"Interview with Marr Grounds"
313:Australian poster collectives
472:. Hindsight. Guests include
435:Mendelssohn, Joanna (2018).
66:Earthworks Poster Collective
670:Australian National Gallery
68:operated out of Tin Sheds.
36:was the common name of the
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779:Therese., Kenyon (1995).
678:. p. 72 – via
870:Jones, Jonathan (2014).
464:(audio (55 mins) + text)
408:"Donald Brook 1927-2018"
342:The University of Sydney
722:Peckham, Penny (2011).
181:Electronic colour organ
179:. Other works included
124:Some experimented with
912:Tin Sheds Art Workshop
708:10.38030/emaj.2009.4.2
270:University of Adelaide
165:electrical engineering
943:Studios in Australia
150:sculpture collective
557:"Herbert Flugelman"
536:Flinders University
379:Balnaves Foundation
338:"About the gallery"
111:Renowned sculptor
877:Art Gallery of NSW
757:. 26 February 2021
562:Art Gallery of NSW
469:ABC Radio National
383:Art Gallery of NSW
490:Michael Callaghan
344:. 17 January 2023
202:Tin Sheds Gallery
189:Feathered office'
143:Optronic Kinetics
126:computer graphics
90:Sydney University
62:Optronic Kinetics
60:. Groups such as
54:Tin Sheds Gallery
18:Optronic Kinetics
16:(Redirected from
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177:Flashing boob
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119:Bernard Smith
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882:. Retrieved
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849:The Guardian
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566:. Retrieved
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539:. Retrieved
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505:. Retrieved
486:Joan Grounds
474:Donald Brook
467:
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415:. Retrieved
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375:(transcript)
346:. Retrieved
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291:course, 1987
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86:Joan Grounds
82:Marr Grounds
78:Donald Brook
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42:art workshop
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216:Inhibodress
98:old masters
927:Categories
825:28 January
761:28 January
735:20 January
651:28 January
621:28 January
596:29 January
568:19 January
541:29 January
507:28 January
482:Guy Warren
417:28 January
348:28 January
319:References
276:from 1978)
261:needlework
169:Cubed tree
137:Darlington
220:Mike Parr
185:Reflector
161:fine arts
34:Tin Sheds
916:WorldCat
884:8 August
799:36180987
701:(4): 8.
672:(1980).
302:See also
159:(then a
64:and the
855:1 April
289:Super 8
72:History
56:at the
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230:People
210:Legacy
175:, and
135:Road,
46:Sydney
886:2022
857:2020
827:2023
795:OCLC
785:ISBN
763:2023
737:2023
653:2023
623:2023
598:2023
570:2023
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509:2023
419:2023
350:2023
222:and
183:and
106:24/7
32:The
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703:doi
94:CSR
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