Knowledge (XXG)

Opus (classical record magazine)

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During the planning stage, Warren Bertram Syer, its publisher, designed a five-year business strategy, projecting non-profitability in years one through three, breakeven in year four, and profit in year five. It turned out that Opus became profitable in its fourth year.
215:, who had been informed by the parent that the classical music section was going to be reduced to eight pages by January 1984, and further reduced to one or two pages by December 1984. In 1983, the average issue devoted 18 pages to classical music. 211:, Peter G. Davis (born 1936), Kenneth (A.) Furie (born 1949), David Peter Hamilton (born 1935), Robert P. Morgan (born 1934), and Conrad L. Osborne (born 1934) — resigned in protest over a reduction of autonomy for their music editor, 696: 218:
On behalf of the parent company, ABC Leisure Magazines of ABC Publishing, William (Bill) Tynan explained that they were going to "blend lengthy classical features into its highly acclaimed
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of the company's magazines, it "didn't fit strategically with the rest of our publications." Historical Times had been printing mostly history and outdoor magazines. In December 1987,
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was its owner. Warren Bertram Syer (1923–2007), who had published High Fidelity for 30 years, was then the president of Historical Times.
711: 17: 312:(born 1946), who was appointed president of Cowles Media in 1987, made the decision to put Opus up for sale. He said that, while 418: 240:
average reader "no longer prefers the lengthy classical music articles that have appeared as part of the previous format."
196: 224:," a slim magazine sewn into the centerfold of selected issues of High Fidelity and available only by subscription. 437:
was founded by classical music journalists, it was a cause as much as it was a magazine. Besides shorter reviews,
385:, debuting in its July 1988 issue. Theodore (Ted) W. Libbey, Jr. (born 1951), then the classical music editor of 251:
A year later (1984), many of those critics became the core review staff for a start-up classical record magazine
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was an American magazine that featured critical reviews of classical music recordings. Based in
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had a circulation of 25,000, one-fourth of corporation's next smallest magazine,
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as editor. Historical Times, Inc., of Harrisburg, Pennsylvania, was the parent.
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The 21st issue (March/April 1988) was the final free-standing publication of
425:, somewhat misleading, given the resignation of its core staff and editors. 527: 509: 500: 484:"The classical music magazine" – cover, December 1985 to April 1988 518: 491: 155:
from November/December 1984 to March/April 1988, publishing 21 issues.
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freely wrote as many as 60 pages on Beethoven symphony recordings, and
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In December 1987, Historical Times – the company that published
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Critic's Notebook; Classical Music Magazine As Endangered Species
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First publication: Volume 1, No. 1 – November/December 1984
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and Conrad Osborne published a running debate about vocal style.
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section. Patricia Reilly, who formerly edited Musical America's
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wrote 82 pages on the state of the classical record business.
230:, at the time, had a circulation of about 20,000 subscribers. 309: 478:
Final publication: Volume 4, No. 3 – March/April 1988
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to ABC Publishing — critical staff resigns, again
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had a circulation of nearly 400,000. Tynan said that
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Despite being marginally profitable, Cowles regarded
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was its editor-in-chief. Historical Times, Inc., of
128: 120: 110: 100: 92: 84: 76: 66: 44: 34: 697:Bimonthly magazines published in the United States 707:Defunct magazines published in the United States 195:(1935-2014), (Stanley) Dale Harris (1928–1996), 702:Music magazines published in the United States 616: 614: 612: 610: 179:In 1983, most of the senior music critics at 8: 405:(1929–2005) continued as editor-in-chief of 27: 645:The Tempo Is Changing for Music Magazines, 562:– Volume 108, No. 3 – July 1988 26: 414:The words "incorporating Opus" added to 367:Cessation as a free-standing publication 578: 576: 572: 397:became the associate editor of the new 22:Opus (University of Newcastle magazine) 16:For Opus, the student newspaper of the 692:1988 disestablishments in Pennsylvania 339:— which was still the parent of 288:– was acquired by larger firm, 7: 727:Magazines published in Pennsylvania 687:1984 establishments in Pennsylvania 466:publisher: Historical Times, Inc., 359:, all of whom had broken away from 429:Purpose: classical music advocacy 389:, became senior editor of the new 18:University of Newcastle, Australia 14: 722:Magazines disestablished in 1988 331:In June 1988, Cowles Media sold 80:Warren Bertram Syer (1923–2007) 583:Enjoy a Tuesday Musical Bonus, 351:. The critics and editors of 308:as too marginal to maintain. 1: 717:Magazines established in 1984 664:Musical Chairs in Publishing 588:, pg. D 13, November 1, 1984 375:Following the acquisition, 280:is acquired by Cowles Media 743: 172:Music critics depart from 15: 712:Classical music magazines 363:in 1983, resigned again. 318:probably the best-written 149:Harrisburg, Pennsylvania 115:Harrisburg, Pennsylvania 598:Music Editor Dismissed 395:Recordings in Review, 290:Cowles Media Company 650:, December 20, 1987 586:Seattle Daily Times 310:James Gordon Keough 296:Cowles Media sells 151:, the magazine ran 31: 648:The New York Times 629:The New York Times 602:The New York Times 421:was, according to 337:Capital Cities/ABC 191:— including 157:James R. Oestreich 39:James R. Oestreich 641:Michael Kimmelman 604:, October 5, 1984 416:Musical America's 140: 139: 734: 671: 657: 651: 638: 632: 631:, April 15, 1991 618: 605: 595: 589: 580: 567:Inline citations 458:Library holdings 447:Will Crutchfield 439:Richard Taruskin 379:was absorbed by 326:British Heritage 201:Will Crutchfield 193:Harris Goldsmith 53:Music journalism 32: 742: 741: 737: 736: 735: 733: 732: 731: 677: 676: 675: 674: 670:, June 12, 1988 668:Chicago Tribune 658: 654: 639: 635: 619: 608: 596: 592: 581: 574: 559:Musical America 455: 431: 408:Musical America 403:Shirley Fleming 382:Musical America 357:James Oestreich 348:Musical America 238:High Fidelity's 227:Musical America 221:Musical America 213:James Oestreich 205:Paul Henry Lang 188:Musical America 169: 61:Music criticism 59: 57:Classical music 55: 51: 25: 12: 11: 5: 740: 738: 730: 729: 724: 719: 714: 709: 704: 699: 694: 689: 679: 678: 673: 672: 652: 633: 606: 590: 571: 570: 564: 563: 553: 552: 551: 550: 549: 548: 539: 530: 521: 512: 503: 494: 482: 476: 472: 471: 454: 451: 430: 427: 168: 165: 138: 137: 132: 126: 125: 122: 118: 117: 112: 108: 107: 102: 98: 97: 94: 90: 89: 86: 82: 81: 78: 74: 73: 68: 64: 63: 46: 42: 41: 36: 13: 10: 9: 6: 4: 3: 2: 739: 728: 725: 723: 720: 718: 715: 713: 710: 708: 705: 703: 700: 698: 695: 693: 690: 688: 685: 684: 682: 669: 665: 661: 656: 653: 649: 646: 642: 637: 634: 630: 626: 622: 617: 615: 613: 611: 607: 603: 599: 594: 591: 587: 584: 579: 577: 573: 569: 568: 561: 560: 555: 554: 547: 543: 540: 538: 534: 531: 529: 525: 522: 520: 516: 513: 511: 507: 504: 502: 498: 495: 493: 489: 486: 485: 483: 480: 479: 477: 474: 473: 469: 465: 462: 461: 460: 459: 452: 450: 448: 444: 440: 436: 428: 426: 424: 420: 417: 412: 410: 409: 404: 400: 396: 392: 388: 387:High Fidelity 384: 383: 378: 374: 369: 368: 364: 362: 361:High Fidelity 358: 354: 350: 349: 344: 343: 342:High Fidelity 338: 334: 329: 327: 323: 319: 315: 311: 307: 302: 301: 299: 293: 291: 287: 282: 281: 279: 274: 270: 269: 268: 262: 260: 259: 258:Jim Oestreich 254: 249: 248: 247: 241: 239: 235: 234: 233:High Fidelity 229: 228: 223: 222: 216: 214: 210: 206: 202: 198: 197:Andrew Porter 194: 190: 189: 184: 183: 182:High Fidelity 177: 176: 175: 174:High Fidelity 166: 164: 162: 158: 154: 150: 146: 145: 136: 133: 131: 127: 123: 119: 116: 113: 109: 106: 105:United States 103: 99: 95: 91: 87: 83: 79: 75: 72: 69: 65: 62: 58: 54: 50: 47: 43: 40: 37: 33: 30: 23: 19: 663: 660:Howard Reich 655: 644: 636: 624: 621:Allan Kozinn 597: 593: 582: 566: 565: 557: 556:Absorbed by 463: 457: 456: 443:Allan Kozinn 434: 432: 423:Allan Kozinn 413: 406: 398: 394: 390: 386: 380: 376: 372: 370: 366: 365: 360: 355:, including 352: 346: 340: 332: 330: 325: 321: 317: 313: 305: 303: 297: 295: 294: 285: 283: 277: 276: 275: 271: 266: 264: 263: 256: 252: 250: 245: 244:Founding of 243: 242: 237: 231: 225: 219: 217: 209:Allan Kozinn 186: 180: 178: 173: 171: 170: 143: 142: 141: 28: 470:(1984–1988) 345:as well as 265:Success of 93:Final issue 49:Discography 681:Categories 468:Harrisburg 453:References 401:section. 161:Harrisburg 45:Categories 546:86-641375 537:8750-488X 528:486822373 510:313042519 501:755157251 153:bimonthly 135:8750-488X 77:Publisher 71:Bimonthly 67:Frequency 519:18995836 492:11434581 433:Because 419:masthead 121:Language 111:Based in 255:, with 167:History 124:English 101:Country 85:Founded 544:  535:  526:  517:  508:  499:  490:  35:Editor 20:, see 464:Opus, 373:Opus. 542:LCCN 533:ISSN 524:OCLC 515:OCLC 506:OCLC 497:OCLC 488:OCLC 435:Opus 399:Opus 391:Opus 377:Opus 353:Opus 333:Opus 322:Opus 316:was 314:Opus 306:Opus 298:Opus 286:Opus 278:Opus 267:Opus 253:Opus 246:Opus 185:and 144:Opus 130:ISSN 96:1988 88:1984 29:Opus 335:to 683:: 666:, 662:, 643:, 627:, 623:, 609:^ 600:, 575:^ 411:. 328:. 292:. 207:, 203:, 199:, 24:.

Index

University of Newcastle, Australia
Opus (University of Newcastle magazine)
James R. Oestreich
Discography
Music journalism
Classical music
Music criticism
Bimonthly
United States
Harrisburg, Pennsylvania
ISSN
8750-488X
Harrisburg, Pennsylvania
bimonthly
James R. Oestreich
Harrisburg
High Fidelity
Musical America
Harris Goldsmith
Andrew Porter
Will Crutchfield
Paul Henry Lang
Allan Kozinn
James Oestreich
Musical America
Musical America
High Fidelity
Jim Oestreich
Cowles Media Company
James Gordon Keough

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