Knowledge (XXG)

Opus 40

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673: 269: 439: 71: 96: 1179: 1199: 1189: 680: 304:, which had occupied the central pedestal, had become too small for the scale to which his work had grown, and he replaced it with a 9.5-ton bluestone pillar he had found in a nearby streambed, intent on carving it in place as his tallest bluestone sculpture to date. Fite erected the focal monolith in 1964, 25 years after he had begun work on his quarry gallery. 103: 78: 57: 328:, has observed, “Opus 40 is as complete as it ever would have been. It was the product of Fite’s ceaseless vision, and could only have been stopped by his death.” The following year, his widow, Barbara Fite, a close aesthetic collaborator with Fite throughout his labors, created a nonprofit group to administer 296:, he began creating a space to display the large carved statues he was beginning to create out of native bluestone. Using the rubble that had been left behind as the area was quarried, he built terraces, ramps and walkways to lead to the individual works, doing all the work by hand, and using the traditional 319:
on the grounds, a collection of folk tools and artifacts of the quarrying era. It was around this same time that he finally succumbed to the pressure to give his masterwork a name. Stating tongue-in-cheek that “Classical composers don’t have to name things; they can just number them, Opus One, Opus
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in his indoor studio), once the stone was up, he realized that what he had originally conceived as a setting for sculpture had become a coherent sculpture in its own right, and a new kind of sculpture, in which carved representational work was out of place. Fite removed his other sculptures and
1223: 332:, and opened the grounds to public access to help support its preservation, including maintenance of the framing grounds that her husband had also landscaped. Barbara Fite died on October 22, 1987, and members of her family continue to advise the directors of the organization. 1001: 996: 1084: 1079: 1149: 941: 1089: 991: 921: 716: 1074: 981: 901: 836: 821: 726: 926: 806: 966: 956: 931: 916: 911: 861: 801: 796: 776: 761: 756: 751: 746: 736: 701: 610: 1008: 951: 946: 876: 866: 851: 826: 786: 741: 731: 1238: 1103: 976: 971: 936: 891: 886: 881: 871: 856: 841: 831: 791: 781: 721: 711: 696: 1113: 1041: 1013: 986: 961: 816: 771: 766: 1094: 1123: 1118: 1108: 504: 1128: 1133: 1036: 1182: 1059: 1031: 896: 288:, Annandale-on-Hudson, New York, purchased the disused quarry site in 1938, expecting to use it as a source of raw stone for his representational sculpture. Instead, inspired by a season of work restoring 323:
Fite died on May 9, 1976, in the 37th year of his creation, in an accidental fall while working on the ongoing project. Work stopped that day, leaving some areas unfinished—but, as his stepson, the writer
1233: 361:"one of the largest and most beguiling works of art on the entire continent," and he has also called it “the greatest earthwork sculpture I have ever seen.” Though Harvey Fite was not associated with the 1064: 906: 603: 320:
Two, and so on,” Fite eventually arrived at what he felt was an apropos name. Opus is the Latin word for work, and 40 refers to the number of years he expected he would need to complete the work.
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that had been used by the local quarrymen before him. As the rampwork of his open-air gallery expanded, Fite realized that the 1.5-ton (1.36 metric ton) statue,
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Though Fite's original plan was to carve the monumental river-stone in place, as his tallest bluestone sculpture to date (he had sculpted
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relocated them on the surrounding grounds, and continued to work on this new sculptural concept for the remainder of his life.
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sculptural movement of the 1970s, he came to be known as a pioneer of that movement, and was recognized in 1977 by the
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In the early 1970s, after he had retired in 1969 from 35 years as a professor at Bard College, Fite built the
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remains a popular tourist attraction, as well as a wedding and concert venue. In 2001 it was added to the
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Buildings and structures on the National Register of Historic Places in New York (state)
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New York State Office of Parks, Recreation and Historic Preservation
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National Register of Historic Places in Ulster County, New York
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recorded "Opus 40", a song about the site, on their 1998 album
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Sculpture gardens, trails and parks in New York (state)
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concert at Opus 40 on August 16, 1986 was filmed for
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History of the National Register of Historic Places
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Bonafide (October 2000). 1197: 1187: 1178: 1177: 678: 671: 437: 426:" was filmed at Opus 40 in 2017. 101: 94: 76: 69: 351:, in the March 1989 edition of 102: 77: 564:Wallis, David (June 2, 2006). 195: 1: 110:Show map of the United States 1154:National Historic Landmarks 25:United States historic place 1280: 276:Fite, then a professor of 15: 1173: 669: 194:NRHP reference  63: 54: 50: 41: 34: 30: 907:Richmond (Staten Island) 548:Accompanying photographs 171:14.1 acres (5.7 ha) 375:Smithsonian Institution 223:environmental sculpture 152:42.050212°N 74.031544°W 643:Keeper of the Register 418:'s interpretation of 273: 1163:Outside New York City 658:National Park Service 638:Contributing property 512:(Searchable database) 474:National Park Service 271: 157:42.050212; -74.031544 1244:Saugerties, New York 847:New York (Manhattan) 445:Hudson Valley portal 414:The music video for 354:Architectural Digest 272:View of the monolith 85:Show map of New York 1150:Bridges and tunnels 148: /  570:The New York Times 396:Saxophone Colossus 317:Quarryman's Museum 274: 16:For the song, see 1211: 1210: 648:Historic district 326:Jonathan Richards 214: 213: 1271: 1201: 1191: 1190: 1181: 1180: 812:Kings (Brooklyn) 682: 675: 674: 613: 606: 599: 590: 573: 551: 544: 542: 540: 535: 523: 521: 519: 513: 507:. 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Retrieved 524: 516:. 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Index

Opus 40 (song)
U.S. National Register of Historic Places

Opus 40 is located in New York
Opus 40 is located in the United States
Saugerties, NY
42°03′01″N 74°01′54″W / 42.050212°N 74.031544°W / 42.050212; -74.031544
Harvey Fite
01000238
environmental sculpture
Saugerties
New York
sculptor
Harvey Fite
dry-stone
acres
ha
bluestone
quarry

sculpture
theater
Bard College
Mayan
Honduras
hand tools
Jonathan Richards
National Register of Historic Places
Brendan Gill
Architectural Digest

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