322:, in which two identical samples are repeated at slightly different speeds. The brothers enjoy aural puns, and the use of this sample again, as well as the muffled intro on "Planet of the Shapes" with intentional addition of record static and crackles, followed by the sound of a needle skipping grooves then scratching across the record, was meant to trick fans who bought the vinyl edition into thinking their copy was less than perfect.
622:
584:
546:
508:
446:
617:
612:
607:
602:
579:
574:
569:
564:
541:
536:
531:
526:
503:
498:
493:
488:
441:
436:
431:
426:
408:
403:
398:
393:
388:
661:
praised the record, saying, "The techno album is a doughty brute to master. Only a few have managed it successfully but Phil and Paul
Hartnoll have done it twice... The expression 'intelligent ambience' is bandied around to describe spacey dance music with undue regularity, but
337:
were an influence on the album, after
Orbital toured with the group in the United States ahead of recording it. The breakbeat on "Impact" was provided by Jack Dangers and "Remind" is an instrumental re-recording of Orbital's "Mind the Bend the Mind" remix of "Mindstream" by
1009:"Orbital on Twitter: "Another MBM connection, this is an instrumental version of a remix we did for them . the original track was called mindstream. we basically did a re write but with the vocals on the remix, then re mixed the remix for our own album." / Twitter"
672:
also recognised that the duo had made a second successful album, saying, "Like their first album, Orbital's current effort is a finely balanced combination of muso trickery and astute dance tracks... Again, like the latter, it benefits from repeated listening."
288:
the duo aimed to make more atmospheric music than the dance raves of their first album. They used more complex rhythms and denser arrangements on the appropriately named pieces entitled "Lush" but still proving themselves capable of making quality pop music on
49:
1034:"Orbital on Twitter: "I think it has a little bit of influence from Fabio Paras I know your gonna like this react to rhythm remix. sort of prog trance. if you have to label things that is! its all house music to me!" / Twitter"
710:
observed that "this collection sees Paul and Phil
Hartnoll drifting still further into the heart of the machine, touching upon the sometimes fragile soul of Techno", before declaring that "Orbital are still leading the field".
679:
stated that "the marvel is that they create such vastness in your ear from micro-minimalist ingredients", and described the record as "infinitely inventive, unique in its conception and electronically sexy".
331:("even a stopped clock gives the right time twice a day"). "Impact" samples a line from "a French film dubbed into English" with a "conspiracy, alien plot" that the band no longer remembers the name of.
314:(Time squared - season 2 episode 13, Worf - 20'30 : "There is the theory of the MΓΆbius. A twist in the fabric of space where time becomes a loop") which opened their first album. The piece uses
747:
ranked the album at number nine in its list of the "50 Best Dance Albums of All Time". In 1999, Ned
Raggett ranked the album at number 21 on his list of "The Top 136 or So Albums of the Nineties".
795:
On cassette, "Planet of the Shapes" was re-titled "Planet of the Tapes" and placed as the first song on side two, before "Walk Now..." in the track listing; the track is identical.
688:
claimed that "This new album (untitled, like the first) puts them firmly back in the firmament". In a reference to the most talked about band at the time of the album's release,
959:"Orbital on Twitter: "We moved in after going on our first proper tour, supporting Meat beat Manifesto in the USA, what a trip! Id hardly left Kent at the point ." / Twitter"
342:, which removed all elements of "Mindstream" from the piece. The remix and final work was inspired by the Fabio Paras remix of React 2 Rhythm's "I Know You Like It".
1058:
884:"Orbital on Twitter: "the survival vocal in a minute is also from the same film. it was a french film dubbed into English which is why it was so clear." / Twitter"
1686:
721:
704:, the review concluded, "As warm as plasma and as eerie as ectoplasm, Orbital's (out-of-)body-music is the true sound of Androgyny-in-the-UK."
1633:
1416:
1133:
871:
Arguably it was
Orbital, and this album in particular, that cemented the idea of a dance long-player as a cohesive artistic statement...
1559:
1259:
28:
1481:
1922:
310:
848:
1838:
1242:
1120:
517:
417:
1917:
1732:
1647:
1704:
814:
1432:
1824:
1810:
1764:
785:
290:
209:
1552:
1115:
1526:
1912:
1845:
1602:
1162:
455:
353:, which were both recorded after a trip to Australia to perform at an illegal rave named Welcome 92.
156:
1880:
1869:
1852:
1796:
1247:
697:
339:
334:
1711:
800:
1803:
1718:
1442:
1412:
1340:
1300:
1284:
1255:
1251:
1167:
1129:
675:
631:
555:
1033:
1008:
983:
958:
933:
908:
883:
1891:
1750:
1668:
1545:
1331:
258:
1886:
853:
315:
298:
294:
273:
133:
327:
1771:
1661:
1640:
1568:
1387:
1372:
1309:
1084:
820:
706:
693:
643:
593:
346:
325:
The second song on the album, "Planet of the Shapes", contains a sample from the movie
262:
192:
143:
61:
1906:
1654:
1619:
1580:
1485:
1149:
1125:
727:
304:
The album begins with "Time
Becomes", which uses the same speech sample by the actor
174:
984:"Orbital on Twitter: "thats a break beat we got from Jack Dangers of MBM" / Twitter"
1789:
1757:
1467:
1437:
1392:
1335:
689:
684:
479:
305:
266:
114:
48:
1532:
858:
701:
319:
89:
77:
1153:
1831:
1725:
1240:
Randall, Mac (2004). "Orbital". In
Brackett, Nathan; Hoard, Christian (eds.).
1225:
826:
668:
350:
1446:
1171:
934:"Orbital on Twitter: "It was some kind of conspiracy, alien plot" / Twitter"
909:"Orbital on Twitter: "If you know the film PLEASE let me know!" / Twitter"
1626:
1093:
733:
380:
17:
1520:
1514:
1511:
798:
The title "Planet of the Shapes" is also a reference to the 1968 film
1817:
1409:
1001 Albums You Must Hear Before You Die: Revised and
Updated Edition
763:
743:
222:
84:
812:"Halcyon + On + On" and parts of "Lush 3-2" were used in the 1995
56:
824:
also used the track "Halcyon + On + On". The ending of the movie
269:. Like the duo's debut album, the album was officially untitled.
1874:
124:
1541:
1201:
666:
actually satisfies the description. Scientific and terrific."
657:
467:
1537:
1376:. No. 33. London, England: IPC Media. p. 87.
830:
uses the song "Halcyon + On + On" in the final scene.
1862:
1781:
1742:
1696:
1678:
1595:
741:magazine's "90 Best Albums of the 1990s". In 1996,
191:
142:
132:
113:
97:
76:
68:
55:
41:
655:The album received widespread acclaim. In the UK,
1407:Dimery, Robert; Lydon, Michael (23 March 2010).
1059:"Walk Now - Sampled Aussie pedestrian crossing?"
1468:"Mixmag - Best dance albums of all time (1996)"
1190:
1188:
1553:
8:
599:
561:
523:
485:
423:
385:
345:"Walk Now..." samples the sound of a Sydney
1361:
1359:
1560:
1546:
1538:
1390:(22 May 1993). "Ever Increasing Circles".
360:
265:, released on 24 May 1993 by Internal and
47:
38:
1273:
1271:
1214:
1212:
1278:Harrison, Andrew (June 1993). "Orbital:
722:1001 Albums You Must Hear Before You Die
257:) is the second studio album by English
839:
772:"Impact (The Earth Is Burning)" β 10:27
1687:Orbital: Live at Glastonbury 1994β2004
1195:Kessler, Ted (22 May 1993). "Orbital:
692:and their sexually ambiguous frontman
1482:"The Top 136 or So Albums of the 90s"
1366:Chong, Davydd (June 1993). "Orbital:
366:
272:The album peaked at number 28 on the
7:
1299:Cinquemani, Sal (2 November 2002).
849:"Top 101β200 Favourite Albums Ever"
719:This album is included in the book
25:
1243:The New Rolling Stone Album Guide
1219:King, Sam (July 1993). "Orbital:
1121:The Encyclopedia of Popular Music
601:
563:
525:
487:
425:
387:
818:film soundtrack. The 1995 movie
620:
615:
610:
605:
600:
582:
577:
572:
567:
562:
544:
539:
534:
529:
524:
506:
501:
496:
491:
486:
444:
439:
434:
429:
424:
406:
401:
396:
391:
386:
36:1993 studio album by Orbital
29:The Brown Album (disambiguation)
847:Stylus Staff (22 March 2004).
311:Star Trek: The Next Generation
1:
1433:"90 Best albums of the 1990s"
759:"Planet of the Shapes" β 9:36
518:The Rolling Stone Album Guide
418:Encyclopedia of Popular Music
318:, a technique popularised by
700:", the debut single by the
1939:
1229:. No. 82. p. 99.
737:, it was also included in
696:, and including a pun on "
26:
1575:
374:
371:
236:
202:
187:
150:
46:
1124:(5th concise ed.).
725:alongside their 1994 LP
215:Released: September 1992
1515:Orbital 2 (Brown Album)
1923:Orbital (band) albums
1634:The Middle of Nowhere
1152:(24 September 1993).
756:"Time Becomes" β 1:43
228:Released: August 1993
1334:(23 November 1993).
1248:Simon & Schuster
1163:Entertainment Weekly
778:"Walk Now..." β 6:48
731:. Along with 1996's
456:Entertainment Weekly
362:Professional ratings
293:", with vocals from
27:For other uses, see
1918:FFRR Records albums
1881:The Ideal Condition
861:on 16 February 2022
698:Anarchy in the U.K.
363:
340:Meat Beat Manifesto
335:Meat Beat Manifesto
1853:Where Is It Going?
1697:Compilation albums
1523:(list of releases)
1488:on 20 January 2000
808:Use in other media
801:Planet of the Apes
791:"Input Out" β 2:11
361:
357:Critical reception
1900:
1899:
1804:Midnight / Choice
1719:Halcyon (Best Of)
1418:978-0-7893-2074-2
1341:The Village Voice
1332:Christgau, Robert
1135:978-0-85712-595-8
786:Halcyon + On + On
769:"Lush 3-2" β 4:40
653:
652:
632:The Village Voice
291:Halcyon + On + On
240:
239:
183:
182:
16:(Redirected from
1930:
1892:Alison Goldfrapp
1669:Optical Delusion
1562:
1555:
1548:
1539:
1498:
1497:
1495:
1493:
1484:. Archived from
1478:
1472:
1471:
1464:
1458:
1457:
1455:
1453:
1429:
1423:
1422:
1404:
1398:
1397:
1384:
1378:
1377:
1363:
1354:
1353:
1351:
1349:
1328:
1322:
1321:
1319:
1317:
1296:
1290:
1289:
1275:
1266:
1265:
1246:(4th ed.).
1237:
1231:
1230:
1216:
1207:
1206:
1192:
1183:
1182:
1180:
1178:
1166:. No. 189.
1158:(1993): Orbital"
1146:
1140:
1139:
1112:
1106:
1105:
1103:
1101:
1080:
1074:
1073:
1071:
1069:
1055:
1049:
1048:
1046:
1044:
1030:
1024:
1023:
1021:
1019:
1005:
999:
998:
996:
994:
980:
974:
973:
971:
969:
955:
949:
948:
946:
944:
930:
924:
923:
921:
919:
905:
899:
898:
896:
894:
880:
874:
873:
868:
866:
857:. Archived from
844:
625:
624:
623:
619:
618:
614:
613:
609:
608:
604:
603:
587:
586:
585:
581:
580:
576:
575:
571:
570:
566:
565:
549:
548:
547:
543:
542:
538:
537:
533:
532:
528:
527:
511:
510:
509:
505:
504:
500:
499:
495:
494:
490:
489:
449:
448:
447:
443:
442:
438:
437:
433:
432:
428:
427:
411:
410:
409:
405:
404:
400:
399:
395:
394:
390:
389:
364:
328:Withnail & I
259:electronic music
229:
226:
216:
213:
152:
151:
109:
108:
104:
51:
39:
21:
1938:
1937:
1933:
1932:
1931:
1929:
1928:
1927:
1903:
1902:
1901:
1896:
1858:
1777:
1738:
1692:
1674:
1591:
1571:
1566:
1507:
1502:
1501:
1491:
1489:
1480:
1479:
1475:
1466:
1465:
1461:
1451:
1449:
1431:
1430:
1426:
1419:
1406:
1405:
1401:
1388:Reynolds, Simon
1386:
1385:
1381:
1365:
1364:
1357:
1347:
1345:
1330:
1329:
1325:
1315:
1313:
1298:
1297:
1293:
1277:
1276:
1269:
1262:
1239:
1238:
1234:
1218:
1217:
1210:
1194:
1193:
1186:
1176:
1174:
1148:
1147:
1143:
1136:
1114:
1113:
1109:
1099:
1097:
1082:
1081:
1077:
1067:
1065:
1057:
1056:
1052:
1042:
1040:
1032:
1031:
1027:
1017:
1015:
1007:
1006:
1002:
992:
990:
982:
981:
977:
967:
965:
957:
956:
952:
942:
940:
932:
931:
927:
917:
915:
907:
906:
902:
892:
890:
882:
881:
877:
864:
862:
854:Stylus Magazine
846:
845:
841:
836:
810:
781:"Monday" β 7:05
775:"Remind" β 7:57
753:
717:
621:
616:
611:
606:
583:
578:
573:
568:
545:
540:
535:
530:
507:
502:
497:
492:
445:
440:
435:
430:
407:
402:
397:
392:
359:
295:Kirsty Hawkshaw
282:
274:UK Albums Chart
247:(also known as
232:
227:
220:
219:
214:
207:
206:
178:
169:
160:
106:
102:
101:
64:
37:
32:
23:
22:
15:
12:
11:
5:
1936:
1934:
1926:
1925:
1920:
1915:
1905:
1904:
1898:
1897:
1895:
1894:
1889:
1884:
1877:
1872:
1866:
1864:
1860:
1859:
1857:
1856:
1849:
1842:
1835:
1828:
1821:
1814:
1807:
1800:
1793:
1785:
1783:
1779:
1778:
1776:
1775:
1768:
1761:
1754:
1746:
1744:
1740:
1739:
1737:
1736:
1729:
1722:
1715:
1712:Work 1989β2002
1708:
1700:
1698:
1694:
1693:
1691:
1690:
1682:
1680:
1676:
1675:
1673:
1672:
1665:
1662:Monsters Exist
1658:
1651:
1644:
1641:The Altogether
1637:
1630:
1623:
1616:
1608:
1599:
1597:
1593:
1592:
1590:
1589:
1584:
1576:
1573:
1572:
1567:
1565:
1564:
1557:
1550:
1542:
1536:
1535:
1524:
1506:
1505:External links
1503:
1500:
1499:
1473:
1459:
1424:
1417:
1399:
1379:
1355:
1336:"Turkey Shoot"
1323:
1310:Slant Magazine
1291:
1267:
1260:
1232:
1208:
1184:
1150:Aaron, Charles
1141:
1134:
1107:
1075:
1050:
1025:
1000:
975:
950:
925:
900:
875:
838:
837:
835:
832:
809:
806:
793:
792:
789:
782:
779:
776:
773:
770:
767:
760:
757:
752:
749:
716:
713:
694:Brett Anderson
651:
650:
647:
639:
638:
635:
627:
626:
597:
594:Slant Magazine
589:
588:
559:
551:
550:
521:
513:
512:
483:
475:
474:
471:
463:
462:
459:
451:
450:
421:
413:
412:
383:
377:
376:
373:
369:
368:
358:
355:
347:zebra crossing
281:
278:
238:
237:
234:
233:
231:
230:
217:
203:
200:
199:
189:
188:
185:
184:
181:
180:
171:
162:
148:
147:
140:
139:
136:
130:
129:
128:
127:
122:
117:
111:
110:
99:
95:
94:
93:
92:
87:
80:
74:
73:
70:
66:
65:
60:
53:
52:
44:
43:
35:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1935:
1924:
1921:
1919:
1916:
1914:
1911:
1910:
1908:
1893:
1890:
1888:
1885:
1883:
1882:
1878:
1876:
1873:
1871:
1868:
1867:
1865:
1861:
1854:
1850:
1847:
1843:
1840:
1836:
1833:
1829:
1826:
1822:
1819:
1815:
1812:
1808:
1805:
1801:
1798:
1794:
1791:
1787:
1786:
1784:
1780:
1774:
1773:
1769:
1767:
1766:
1762:
1760:
1759:
1755:
1753:
1752:
1748:
1747:
1745:
1741:
1735:
1734:
1730:
1728:
1727:
1723:
1721:
1720:
1716:
1714:
1713:
1709:
1707:
1706:
1702:
1701:
1699:
1695:
1689:
1688:
1684:
1683:
1681:
1677:
1671:
1670:
1666:
1664:
1663:
1659:
1657:
1656:
1652:
1650:
1649:
1645:
1643:
1642:
1638:
1636:
1635:
1631:
1629:
1628:
1624:
1622:
1621:
1620:Snivilisation
1617:
1615:
1613:
1609:
1607:
1605:
1601:
1600:
1598:
1596:Studio albums
1594:
1588:
1587:Phil Hartnoll
1585:
1583:
1582:
1581:Paul Hartnoll
1578:
1577:
1574:
1570:
1563:
1558:
1556:
1551:
1549:
1544:
1543:
1540:
1534:
1530:
1529:
1525:
1522:
1518:
1517:
1513:
1512:
1509:
1508:
1504:
1487:
1483:
1477:
1474:
1469:
1463:
1460:
1448:
1444:
1440:
1439:
1434:
1428:
1425:
1420:
1414:
1410:
1403:
1400:
1396:. p. 29.
1395:
1394:
1389:
1383:
1380:
1375:
1374:
1369:
1362:
1360:
1356:
1343:
1342:
1337:
1333:
1327:
1324:
1312:
1311:
1306:
1304:
1295:
1292:
1288:. p. 83.
1287:
1286:
1281:
1274:
1272:
1268:
1263:
1261:0-7432-0169-8
1257:
1253:
1249:
1245:
1244:
1236:
1233:
1228:
1227:
1222:
1215:
1213:
1209:
1205:. p. 31.
1204:
1203:
1198:
1191:
1189:
1185:
1173:
1169:
1165:
1164:
1159:
1157:
1151:
1145:
1142:
1137:
1131:
1127:
1126:Omnibus Press
1123:
1122:
1117:
1116:Larkin, Colin
1111:
1108:
1096:
1095:
1090:
1088:
1079:
1076:
1064:
1060:
1054:
1051:
1039:
1035:
1029:
1026:
1014:
1010:
1004:
1001:
989:
985:
979:
976:
964:
960:
954:
951:
939:
935:
929:
926:
914:
910:
904:
901:
889:
885:
879:
876:
872:
860:
856:
855:
850:
843:
840:
833:
831:
829:
828:
823:
822:
817:
816:
815:Mortal Kombat
807:
805:
803:
802:
796:
790:
787:
783:
780:
777:
774:
771:
768:
765:
761:
758:
755:
754:
751:Track listing
750:
748:
746:
745:
740:
736:
735:
730:
729:
728:Snivilisation
724:
723:
714:
712:
709:
708:
703:
699:
695:
691:
687:
686:
681:
678:
677:
671:
670:
665:
660:
659:
648:
646:
645:
641:
640:
636:
634:
633:
629:
628:
598:
596:
595:
591:
590:
560:
558:
557:
553:
552:
522:
520:
519:
515:
514:
484:
482:
481:
477:
476:
472:
470:
469:
465:
464:
460:
458:
457:
453:
452:
422:
420:
419:
415:
414:
384:
382:
379:
378:
370:
367:Review scores
365:
356:
354:
352:
348:
343:
341:
336:
332:
330:
329:
323:
321:
317:
313:
312:
307:
302:
300:
296:
292:
287:
279:
277:
275:
270:
268:
264:
260:
256:
252:
251:
246:
245:
235:
224:
218:
211:
205:
204:
201:
198:
194:
190:
186:
177:
176:
175:Snivilisation
172:
168:
167:
163:
159:
158:
154:
153:
149:
145:
141:
137:
135:
131:
126:
123:
120:
119:
118:
116:
112:
100:
96:
91:
88:
86:
83:
82:
81:
79:
75:
71:
67:
63:
58:
54:
50:
45:
40:
34:
30:
19:
1879:
1770:
1763:
1758:Mutations EP
1756:
1749:
1733:30 Something
1731:
1724:
1717:
1710:
1705:Peel Session
1703:
1685:
1667:
1660:
1653:
1646:
1639:
1632:
1625:
1618:
1611:
1610:
1603:
1586:
1579:
1527:
1516:
1510:
1492:28 September
1490:. Retrieved
1486:the original
1476:
1462:
1450:. Retrieved
1436:
1427:
1411:. Universe.
1408:
1402:
1393:Melody Maker
1391:
1382:
1371:
1367:
1346:. Retrieved
1339:
1326:
1314:. Retrieved
1308:
1302:
1294:
1283:
1279:
1241:
1235:
1224:
1220:
1200:
1196:
1175:. Retrieved
1161:
1155:
1144:
1119:
1110:
1098:. Retrieved
1092:
1086:
1083:Bush, John.
1078:
1066:. Retrieved
1062:
1053:
1041:. Retrieved
1037:
1028:
1016:. Retrieved
1012:
1003:
991:. Retrieved
987:
978:
966:. Retrieved
962:
953:
941:. Retrieved
937:
928:
916:. Retrieved
912:
903:
891:. Retrieved
887:
878:
870:
863:. Retrieved
859:the original
852:
842:
825:
819:
813:
811:
799:
797:
794:
742:
738:
732:
726:
720:
718:
705:
685:Melody Maker
683:
682:
674:
667:
663:
656:
654:
642:
630:
592:
554:
516:
478:
466:
454:
416:
349:alert and a
344:
333:
326:
324:
309:
306:Michael Dorn
303:
285:
283:
271:
267:FFRR Records
254:
249:
248:
243:
242:
241:
196:
173:
165:
164:
155:
57:Studio album
33:
1913:1993 albums
1870:Discography
1765:Radiccio EP
1679:Live albums
1533:MusicBrainz
702:Sex Pistols
320:Steve Reich
255:Brown Album
72:24 May 1993
1907:Categories
1832:Satan Live
1726:Orbital 20
1648:Blue Album
1452:18 October
1368:(Untitled)
1344:. New York
1301:"Orbital:
1250:. p.
1089:β Orbital"
834:References
827:Mean Girls
351:didgeridoo
146:chronology
1839:The Saint
1772:Times Fly
1447:0955-4955
1303:Orbital 2
1172:1049-0434
1156:Orbital 2
1087:Orbital 2
1063:Gearslutz
715:Accolades
250:Orbital 2
18:Orbital 2
1887:Opus III
1627:In Sides
1280:Untitled
1197:Untitled
1118:(2011).
1094:AllMusic
865:27 April
788:" β 9:28
766:" β 5:39
764:Lush 3-1
734:In Sides
664:Untitled
381:AllMusic
299:Opus III
197:Orbital
134:Producer
121:Internal
69:Released
59: by
1863:Related
1825:The Box
1811:Halcyon
1782:Singles
1612:Orbital
1604:Orbital
1569:Orbital
1528:Orbital
1521:Discogs
1221:Orbital
1038:Twitter
1013:Twitter
988:Twitter
963:Twitter
938:Twitter
913:Twitter
888:Twitter
821:Hackers
316:phasing
286:Orbital
263:Orbital
253:or the
244:Orbital
210:Halcyon
193:Singles
179:(1994)
170:(1993)
166:Orbital
161:(1991)
157:Orbital
144:Orbital
138:Orbital
62:Orbital
42:Orbital
1818:Lush 3
1614:(1993)
1606:(1991)
1445:
1415:
1348:5 July
1316:22 May
1285:Select
1258:
1177:22 May
1170:
1132:
1100:22 May
1068:13 May
1043:15 May
1018:15 May
993:15 May
968:15 May
943:15 May
918:15 May
893:15 May
744:Mixmag
676:Select
556:Select
375:Rating
372:Source
223:Lush 3
98:Length
85:Techno
1846:Style
1790:Chime
1655:Wonky
690:Suede
280:Album
195:from
115:Label
90:dance
78:Genre
1875:8:58
1797:Omen
1494:2011
1454:2011
1443:ISSN
1413:ISBN
1350:2013
1318:2009
1256:ISBN
1179:2009
1168:ISSN
1130:ISBN
1102:2009
1070:2020
1045:2020
1020:2020
995:2020
970:2020
945:2020
920:2020
895:2020
867:2023
649:8/10
473:9/10
261:duo
125:FFRR
1751:III
1743:EPs
1531:at
1519:at
1373:Vox
1370:".
1282:".
1252:607
1223:".
1202:NME
1199:".
707:Vox
658:NME
644:Vox
468:NME
308:in
297:of
284:On
1909::
1441:.
1435:.
1358:^
1338:.
1307:.
1270:^
1254:.
1211:^
1187:^
1160:.
1128:.
1091:.
1061:.
1036:.
1011:.
986:.
961:.
936:.
911:.
886:.
869:.
851:.
804:.
637:C+
301:.
276:.
107:44
103:65
1855:"
1851:"
1848:"
1844:"
1841:"
1837:"
1834:"
1830:"
1827:"
1823:"
1820:"
1816:"
1813:"
1809:"
1806:"
1802:"
1799:"
1795:"
1792:"
1788:"
1561:e
1554:t
1547:v
1496:.
1470:.
1456:.
1438:Q
1421:.
1352:.
1320:.
1305:"
1264:.
1226:Q
1181:.
1154:"
1138:.
1104:.
1085:"
1072:.
1047:.
1022:.
997:.
972:.
947:.
922:.
897:.
784:"
762:"
739:Q
669:Q
480:Q
461:A
289:"
225:"
221:"
212:"
208:"
105::
31:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.