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industry, or its widespread decline in the 19th century, encouraged the emergence of supplementary and replacement income, depending on local conditions. The motifs of this Ore
Mountain wood art have a close connection to mining and the working and living environment of the miners, thus the logo of the craftsmen is a miner on a
41:) is a well-known form of highly artistic wood carving from East Germany. It encompasses the diverse forms of expression of the creative work beyond the classical or the modern arts, and in particular the production of figures, sculptures and paintings. In a broader sense, the people's poetry, literature, and the
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The wordmark only protects from a misuse of the term "Ore
Mountain folk art" by manufacturers or salesmen selling products which are not made in the Ore Mountains area or by order of companies located in this region. However, it does not protect from foreign manufacturers who produce articles in an
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In these times, where mining declined and became even extinct, the search for additional jobs or replacement income became more important. Physiographic circumstances left little scope for agricultural work. Thus it seemed natural to intensify woodworking. Therefore, new branches of wood processing
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In the middle of the 17th century, the professions of a faceplate turner (a lathe operator working with plates) and a spindle turner (a lathe operator working with spindles) were created, who initially mainly produced items of daily use. Over time, the production of toys and wooden figures such as
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The development of this branch can not only be seen in the geographical distribution of products in "Ore
Mountain Style", but also in the increasing diversity of motives for traditional objects. This diversity is clearly shown in the nutcracker museum in Neuhausen. Even in the Ore Mountains, new
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and covered large parts of the mountains in the following centuries, was constrained to the use of pitwood. Wood was also the most important material for the construction of buildings and for the production of everyday objects (dishware, furniture, tools etc.). For the 15th and 16th century, the
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One of the more important aspects of the Ore
Mountain folk art is the production of material products. The art's historical origin is closely linked to mining, which has been significant in shaping the development of the Ore Mountains since the 12th century. The economic downturn of the mining
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produced in China but also sold these articles cheaply in a store in
Seiffen. Apparently, his customers could not determine significant differences between the articles sold by the above named salesman and original products manufactured by craftsmen in Seiffen. This statement though fuels the
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offers a
Christmas Pyramid which costs more than €10,000. It is controversial whether the products manufactured in the Ore Mountains area can still be marked as "handcrafted" even though more and more work steps in the production are carried out by machines.
180:(1756–1783), mining was almost brought to a standstill. On the one hand, additional problems occurred when the mining industry had to penetrate into lower layers of the mountains after the mining of the ore-rich strata near the surface, the so-called
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creations, which have little to do with products of the early days, are being developed. One of those products is an extremely slim, dark-skinned figure of an angel. In the meantime, the trend is towards high-priced products. For example: a shop in
184:, were exploited. As a consequence, the decreasing ratio of costs and benefits led to a standstill in some places, as it was no longer economically viable. On the other hand, some of the deposits were simply demineralised after centuries of mining.
275:"Ore Mountains style", but do not claim that these products are made traditionally solely in the Ore Mountains area. In 2006, a person from the Northwest of Germany made headlines because he not only had angels in the "Ore Mountains style" and
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Nevertheless, the majority of the population, especially in mining villages, were working in the mining industry or in mining-related jobs. Mining was, however, subject to economic fluctuations. In times of war, like the
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suspicion that these articles were forbidden counterfeits which were primarily made for unsuspecting customers to mistake them for products which were actually manufactured in the Ore
Mountains area.
267:"Ore Mountain folk art" ist not only a generic term for products which are associated with the typical "Ore Mountain style" (and are also manufactured in the Ore Mountains area), but also a registered
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electoral wood regulations for the area around
Lauterstein (1560) and the Purschenstein wood ruling (1588) verified the activities of woodworkers who made wooden vessels and tools. In another village,
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The above-named salesman was unable to remain permanently active in
Seiffen either as a product developer or as a trader; however, he still sells "Ore Mountains style" goods over the internet.
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57:. In addition to straw weaving and lace making, this included in particular the artistic woodworking that characterises and dominates the concept of Ore Mountain folk art.
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issued two stamps with motives of Ore
Mountain folk art. One of the stamps with a denomination value of 10 Pfennig, showed a nutcracker and two
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Johannes Schulte stört die deutsche Weihnachtsordnung. Er verkauft im Erzgebirge Engel und Räuchermännchen aus Schanghai. Der China-Kracher
231:. The other, with a denomination value of 20 Pfennig, showed angels of light and miners. The stamps were designed by Dietrich Dorfstecher.
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is the first nutcracker museum in Europe, which houses more than 5,000 examples, the largest collection of nutcrackers in the world.
168:, nowadays a centre for wooden toy production in the Ore Mountains, a merchant for wooden products was mentioned as early as 1578.
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and Seiffen, the woodturning technique was professionally operated from the outset, in contrast to the woodcarving occupation.
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has always been an important industry in the well-forested Ore Mountains. Ore mining, which started in the 12th century in
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Nussknacker und Räuchermann aufgebaut. Weihnachtliche Riesenfiguren aus Fehrenkamp stehen am Centro
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The centre for the manufacture of Ore Mountain folk art lies in the region around the village of
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miners, angels and Christmas pyramids developed, which were also produced in large sizes.
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In pre-Christmas season, the face of villages in the Ore Mountains is characterized by
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of the association of craftsmen and toy manufacturers from the Ore Mountains area.
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Zur geschichtlichen Entwicklung der bergmännischen Holzschnitzerei im Erzgebirge
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Das Saturnfest zur FĂĽrstenhochzeit von 1719 und die erzgebirgische Volkskunst.
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Typical creations include Christmas decorations and products such as wooden
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Reihe Kulturlandschaften Sachsens Bd. 3, Dresden/Leipzig 2010, S. 149
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Verband Erzgebirgischer Kunsthandwerker und Spielzeughersteller
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Wirtschaftsregion Erzgebirge – Räuchermännchen in schwerer Not
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Association of Ore Mountain Artist-Craftsmen and Toymakers (
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Mitteilungen des Landesvereins Sächsischer Heimatschutz e.V.
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The Process of Making Wooden Folk Art in the Ore Mountains
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403:. In: Sächsische Heimatblätter Heft 1/1972, P. 5–11
263:Protection of folk art from foreign competition
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30:Exhibits in the Nutcracker Museum in Neuhausen
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324:Christmas pyramids from the House of Tilgner
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572:, Verlag der Kunst, Dresden 1984, S. 16f.
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619:. berliner-zeitung.de, 23. Dezember 2006
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469:Museum Manufactory of Dreams, Annaberg
461:Museum of miners' folk art, Schneeberg
414:Wooden toymaking in the Ore Mountains
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355:wood-turned animals (Seiffen, 1929)
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497:. You can help Knowledge (XXG) by
137:Ore Mountain Toy Museum in Seiffen
22:Ore Mountain Toy Museum in Seiffen
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139:. In the neighbouring village of
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550:Martina Schattkowsky
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638:. 13. Dezember 2009
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590:. 14. November 2017
248:Neuenkirchen-Vörden
176:(1618–1648) or the
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464:(in German)
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353:Reifentiere
306:Schwibbogen
157:Woodworking
118:music boxes
114:nutcrackers
110:Schwibbogen
88:Räuchermann
648:Categories
538:References
376:Literature
369:Bornkinnel
244:Oberhausen
219:and large
202:Marienberg
194:Schneeberg
206:Pobershau
196:area and
192:. In the
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37:(German:
408:See also
269:wordmark
198:Annaberg
182:Iron Hat
161:Freiberg
47:folk art
552:(Hg.):
292:Gallery
256:Seiffen
133:Dregeno
125:Seiffen
96:e) and
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