519:âThe exact reason why Osvaldo Pugliese was imprisoned the first time was never known, a fact that did not occur during the PerĂłn government but before, in 1939, when he was preparing to debut with his orchestra at the inauguration of the new headquarters of the Communist Partyâ..."They wanted to punish the rebellion by imprisoning a prestigious figure on the left." according to the writer Enrique Medina. It is known: at the police station he was treated with respect, invited to drink mate in the officer's office and they went to look for âtortitas negrasâ, which he liked. After a few days, freedom, the expected debut now at the National Theater and the confession of the police that they had "felt honored to be with such an artist."
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641:"Protect us from all those who do not listen. Protect us from the mufa of those who insist with the national chicken leg. Help us to enter into harmony and enlighten us so that misfortune is not the only cooperative action. Take us with your mystery towards a passion don't break bones and don't leave us in silence looking at a bandoneon on a chair. In the name of Osvaldo Pugliese ".
637:"ProtĂ©genos de todo aquel que no escucha. AmpĂĄranos de la mufa de los que insisten con la patita de pollo nacional. AyĂșdanos a entrar en la armonĂa e ilumĂnanos para que no sea la desgracia la Ășnica acciĂłn cooperativa. LlĂ©vanos con tu misterio hacia una pasiĂłn que no parta los huesos y no nos dejes en silencio mirando un bandoneĂłn sobre una silla. En el nombre de Osvaldo Pugliese".
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to appear on Radio
Splendid, and they appeared without their conductor, and with a red carnation on the piano as a protest. The imprisonment of Rodolfo Ghioldi and Oreste Castronuovo, among other anonymous militants, in a Pugliese's ship, and the rumors that it was going to be sunk, generated so much commotion that they had to be released.
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The idea of the red carnation on the piano was born: if
Pugliese was in prison, the orchestra played the same, without a pianist. It has been said that it was proposed by Negro Mella, then presenter and reciter and later replaced by Eduardo Moreno, the author of the lyrics of Recuerdo. However, other
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At age 80, he was allowed on 26 December 1985 to give a concert at the Teatro ColĂłn, in Buenos Aires. He received 5 standing ovations. With characteristic humility he said: âThe truth is... itâs a night of the people, of the masses, lovers of our genre, our beloved genre, tango.â The ceremony was led
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musician. He developed dramatic arrangements that retained strong elements of the walking beat of salon tango but also heralded the development of concert-style tango music. Some of his music, mostly since the 1950s, is used for theatrical dance performances. In Buenos Aires, Pugliese is often played
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recital a series of situations and technical problems were triggered that delayed the start of the show. The sound was not working well, until someone from the team tried to do a test with a record of
Maestro Pugliese. Everything began to improve and Charly gave the show. Hence the myth of good luck
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Pugliese had composed the immortal
Recuerdo in 1924 â âa tango for the year 3000â, according to Julio De Caro, who premiered it in 1927â and performed with Paquita Bernardo, Alfredo Gobbi (h) and Elvino Vardaro: he was not a stranger, but a popular musician who put together that initial orchestra as
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In 1956, he was imprisoned by the dictatorship of the
RevoluciĂłn Libertadora in the so-called "Operation Cardenal", together with the entire Central Committee of the Communist Party. They were locked up in the ship "ParĂs", which was to be sunk with them inside. That night, Pugliese's orchestra had
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The orchestra toured the former Soviet Union in 1959 (eighty cities in three months â sometimes playing two or three shows a day) and also China (twenty-eight cities in another month), Chile (1990), Mexico, Columbia (1980), Peru, Cuba (1984, 1988, 1992), Japan (1965, 135 shows in five months; 1979,
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Pugliese was a man of integrity and humility. He spent years in jail due to his beliefs. The government also restricted his recordings to 10 per year. As a communist, he organised his orchestra as a cooperative and paid his members by their contribution, earning their loyalty. Quite rare, his core
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The most famous tango composition of
Osvaldo Pugliese are: Recuerdo (1924), Ausencia (Tango mĂo) (1931), El frenopĂĄtico, Primera categorĂa, El encopao (1942), ReciĂ©n (1943), AdiĂłs Bardi (1944), Una vez (1946), Igual que una sombra (1946), La yumba, Negracha (1948), Malandraca (1949), Milonga para
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The first recording of "Recuerdo" was by the Julio De Caro orchestra, on
December 9, 1926, in instrumental form. In 1927 the female singer Rosita Montemar recorded it sung for the first time, with the accompaniment of musicians from the VĂctor label. The Bianco-Bachicha orchestra recorded it
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368:. The orchestra's members that night were: Roberto Ălvarez, Alejandro Previgniano, Fabio Lapinta (bandoneons), Osvaldo Montermi, Fernando RodrĂguez, Diego Lerendegui, Gabriel Rivas (violins), Merei Brain (Viola), AmĂlcar Tolosa (double bass) and Osvaldo Pugliese (piano).
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instrumentally in Paris in 1928. And in 1930, the
Orquesta TĂpica Victor, with the voice of Roberto DĂaz. All labels feature A. Pugliese. And even more, it still appears like this on the RCA-VĂctor 39776 album, from Ricardo Tanturi's version of 1942.
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in an imposing mausoleum, the work of Juan Carlos
Ferraro (1997), which was made thanks to the generous contribution of his fans. His funeral received great attention with an impressive caravan that marched in reverse along
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Don
Osvaldo was never an agitator, but a man with convictions who never confused art with ideology. It happened that in certain political stages of Argentina, due to his popularity, they considered him a "war booty".
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were violinists. He was married two times, to MarĂa ConcepciĂłn Florio and to Lydia Elman. His first wife died in 1971, and he had one daughter, Lucela Delma "Beba" Pugliese (b. 1939), a pianist in her own right.
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testimonies âPetit de Murat, GarcĂa JimĂ©nez, Jauretche- pierced that story: yes, the carnation was placed on the piano, but many times Don Osvaldo appeared later, gave the flower to some lady in the audience.
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orchestra members (Osvaldo Ruggiero 1st bandoneon, Enrique Camerano 1st violin, Julio Carrasco and Oscar Herrero 2nd violins, Alcides Rossi on double bass) stayed with him nearly 30 years (1939â1968).
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to show his support for the Cuban revolution. When he was in jail, he still wrote arrangements and the orchestra still performed, and placed a red carnation on the keyboard of the piano in his honor.
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The famous tango "Recuerdo â a los amigos" was composed by Puglise in the honor of his friends: Torcuato Di Giorgio, Amadeo Pioriello, Alfredo Bianchi, Jose Tonareeli & Rogelio Boisselier.
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In 1955 Pugliese was imprisoned in Devoto from January to July, and in that prison he was seen, with a mop and bucket, cleaning corridors, refusing to let other detainees take away that work.
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In 1918 he left primary school to work as a print graphic artist. His father finally convinced him to take classes with the teacher Antonio D'Agostino, at the Conservatorio Odeon.
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He was a member of the Communist Party starting in 1936. He also managed to help create "Sociedad de MĂșsicos y Artistas Afines" to increase job stability and wages for musicians.
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In the image of "Saint Pugliese" the artist and the man committed to society are synthesized, without his name being at the mercy of the negative connotations of politics.
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His father, Don Adolfo Pugliese (1877â1945), pushed him to work harder; his mother, Aurelia Terragno (1880â1947), often whispered to her son while he was practicing,
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1989), the U.S. (stopping in Chicago in 1979), the Middle East, France (1984), Portugal, Spain (1985; 1988 playing in Madrid, at Teatro Albéniz with the singer
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In 1939 he formed his orchestra as a cooperative and made his debut at CafĂ© El Nacional (980 Corrientes Avenue â "Cathedral of Tango") on 11 August 1939.
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At the end of 1973, a few months before Peron died, the founder of Justicialismo organized an artistic show to which he invited figures such as
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in Montevideo). For his work the maestro received high cultural distinctions, including from the Argentine, French and Cuban governments.
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and Osvaldo Pugliese. The next noon there was a lunch in Olivos, and there PerĂłn got up, went to Pugliese and extended his hand:
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In 1992, on 11 November he was awarded with the Alejo Carpentier medal, the most important cultural distinction by the
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in Amsterdam, 29 June 1989), Finland and almost all South and Central American countries: Uruguay (1987,
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later in the evening when the dancers want to dance more slowly, impressionistically and intimately.
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in 1924, when he was 19. Two years later, when it was finally recorded, it became a classic. '
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He died after a short illness on 25 July 1995 at 89 years old. His remains are in
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332:' (1946) is another famous and most popular Pugliese's tangos compositions.
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In 2000, five years after Pugliese's death, the musician
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In 1988 he was awarded with the title of Commander of
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Pugliese was outspoken in his political opinions. His
443:âLa yumbaâ was played with his old orchestra members:
420:âMilonga para Gardelâ (AdriĂĄn Guida, Abel Cordoba).
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56:. Unsourced material may be challenged and removed.
622:wrote a prayer to pray to the tango patron saint.
343:, and Barcelona), Belgium, The Netherlands (with
1025:Commandeurs of the Ordre des Arts et des Lettres
579:"Don't worry. Everything is already forgotten."
576:The musician accepted the greeting and replied:
878:Osvaldo Pugliese Discography (El Recodo Tango)
582:PerĂłn looked him in the eye raised his voice:
16:Argentine tango composer, pianist and arranger
615:that the invocation of the musician brought.
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873:Osvaldo Pugliese Biography (El Recodo Tango)
585:"Only greats like you know how to forgive."
408:âLa canciĂłn de Buenos Airesâ (Abel Cordoba).
758:Simon Collier (2001). "Pugliese, Osvaldo".
669:He participated as an actor in the films:
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540:The 1960s government of the late General
116:Learn how and when to remove this message
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477:Osvaldo Ruggiero, bandoneon (1939â1968).
468:Ismael Spitalnik, bandoneon (1956â1971).
465:Oscar Castagnaro, bandoneon (1943â1951).
774:10.1093/gmo/9781561592630.article.52564
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480:Victor LavallĂ©n, bandoneon (1959â1968).
459:Norberto Bernasconi, viola (1954â1978).
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802:"Osvaldo Pugliese; Tango Composer, 89"
483:Daniel Binelli, bandoneon (1968â1982).
462:Alcides Rossi, contrabass (1970â1978).
456:Silvio Pucci, violocelist (1973â1983).
411:âContame una historiaâ (AdriĂĄn Guida).
300:), referring to Buenos Aires' famous
19:For other people named Pugliese, see
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706:In 1986, during the tenure of Mayor
474:JuliĂĄn Plaza, bandoneon (1959â1968).
471:Arturo PenĂłn, bandoneon (1961â1984).
393:âMelodĂa de arrabalâ (Abel Cordoba).
275:, December 2, 1905 â July 25, 1995,
54:adding citations to reliable sources
990:Argentine people of Italian descent
493:Fidel (1961), Para Eduardo Arolas.
453:Kike Lano, violocelist (1963â1973).
450:Jorge Bruschi, violin (1980â1983).
447:Oscar Herrero, violin (1943â1978).
144:Osvaldo Pugliese playing the piano
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1005:Argentine male conductors (music)
888:Todo TangoTango.com â Discography
714:declared him "Ciudadano Ilustre".
1035:Burials at La Chacarita Cemetery
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371:List of songs that were played:
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696:(1993), unfinished documentary.
41:needs additional citations for
847:Memorial to Osvaldo Pugliese,
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719:Ordre des Arts et des Lettres
1000:Argentine conductors (music)
384:âQuinto añoâ (Adrian Guida).
229:Musician, composer, arranger
985:Musicians from Buenos Aires
355:Teatro ColĂłn concert (1985)
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710:, the Municipality of the
324:He wrote his first tango,
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1030:Orquesta Osvaldo Pugliese
1010:Argentine tango musicians
883:TodoTango.com â Biography
647:Other artists, including
610:It is said that during a
396:âAlmagroâ (AdriĂĄn Guida).
381:âDespuĂ©sâ (Abel Cordoba).
317:Orquesta Osvaldo Pugliese
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21:Pugliese (disambiguation)
1020:Argentine male pianists
766:Oxford University Press
1045:20th-century composers
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694:Muchas gracias maestro
390:âA Evaristo Carriegoâ.
269:Osvaldo Pedro Pugliese
160:Osvaldo Pedro Pugliese
150:Background information
1040:20th-century pianists
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712:City of Buenos Aires
50:improve this article
995:Argentine composers
723:Ministry of Culture
708:Julio CĂ©sar Saguier
542:Juan Carlos OnganĂa
279:) was an Argentine
1015:Argentine pianists
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826:has generic name (
807:The New York Times
761:Grove Music Online
595:Chacarita Cemetery
535:Milonga Para Fidel
533:In 1961, he wrote
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341:Joan Manuel Serrat
65:"Osvaldo Pugliese"
800:(July 27, 1995).
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43:verification
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399:âRecuerdoâ.
969:Categories
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649:LeĂłn Gieco
375:âArrabalâ.
294:ÂĄAl ColĂłn!
234:Instrument
171:1905-12-02
156:Birth name
76:newspapers
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514:communist
402:âChiquĂ©â.
326:Recuerdo,
258:EMI Odeon
249:1924â1995
202:Argentina
182:Argentina
106:June 2021
960:AllMusic
913:Facebook
631:English
428:La yumba
330:La yumba
950:archive
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701:Awards
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