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design that would become the artwork of the first Señor
Coconut album, appeared to him. Even though Schmidt tried to complete the album in Frankfurt, the preparations for his move to Chile prevented this. In March 1997, Schmidt, together with his colleague Dandy Jack, moved to Santiago de Chile, where they shared a rented house and installed their studios. During March and April, he finished the
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691:. Because of the stagnation and inherent ignorance of the techno movement that surrounded Schmidt's work, he soon began to distance from this musical format and scene. He also felt that the DJ and the dance floor were limiting targets for his musical output and that many of his musical ideas would not be compatible with it. As a consequence he founded his own record label
741:(first re-release) and the 12-inch "Overflow" were released by the Belgian KK Records, a label that would officially declare bankruptcy in 2000. Right after the release and re-release of the Lassigue Bendthaus albums, Schmidt began to work on the last album to be released under that project name called
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production, the terrible news of Pete
Namlook's sudden death reach Schmidt. Months later, as a practical consequence of Namlook's passing away, the Rather Interesting label, which both Pete and Atom ran together since 1994, was shut down forever. Early 2013 sees Atom™ playing various live shows, such
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Two more +N and
Datacide albums were produced between 1993 and 1996 as well as one album each month on Rather Interesting, all of them under different names that Schmidt later refers to as working titles, headlines, or simply "words that label a musical idea" rather than being aliases or projects in
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Señor
Coconut's first European tour started on 19 August 2000 in Germany. A US headlining tour was scheduled, but had to be canceled because of visa problems of one of the 7 Chilean musicians that accompanied Schmidt. In parallel to Señor Coconut project, Schmidt continued working on rather obscure
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1996 finally saw
Schmidt's Señor Coconut idea come to realization. After a couple of unsuccessful attempts during 1993–1995, still living in Frankfurt, he recorded eight tracks in the later declared electrolatino style. In a fever dream, the name Señor Coconut, placed on top of a coconut texture, a
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whom Uwe
Schmidt first met at the POD office in Frankfurt. Due to his releases on Parade Amoureuse and POD Communication and his successful production works, Schmidt had quickly obtained a reputation that let him play live concerts all around the world. Together with Tobias Freund, who by then used
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movement. His activities as a music producer continued with the
Austrian multimedia artists Station Rose whom had just moved from Vienna to Frankfurt in 1992. The 12-inch "Digit Eyes" was produced by Schmidt and Station Rose the same year. During the production of "Digit Eyes" he was introduced to
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as well as its related singles and maxi-singles were recorded and mixed by Tobias Freund (Pink Elln). That same year, he released his debut dancefloor track, 'Whitehouse'. More releases followed on labels like
Cyclotron, Rising High, and Pod Communications, for which (as Atom Heart) he co-created
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Uwe
Schmidt's Rather Interesting label remains his largest unified body of work. To date, R.I. alone has over 46 full-length releases under numerous aliases and styles, of which most of them are written, recorded, mixed and mastered by Schmidt himself. Additionally, Schmidt handles all the label
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Due to open payments by those labels, lack of a recording studio and unresolved recording contracts, Schmidt decided to take some months off and lived for half a year in Costa Rica (end of 1992 until early 1993). On the way back from Costa Rica, he stopped over in New York City, where he visited
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Out of the N.G. Medien nucleus the record label POD Communication was founded in 1992. After the bankruptcy of Parade
Amoureuse and its sub-labels in 1992, Schmidt moved his activities to POD Communication on which he released a series of 12-inches and albums under the guises of Atom Heart, Lisa
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arrangement and decided to make this the second Señor Coconut album. Entertained by the result of the first programmings, he produced a total of 4 songs which he sent to some record companies. One of those companies, Tōwa Tei's Akashic Records, immediately licensed the album, entitled
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In 1992, he was in charge of producing a series of tracks for the yet to be widely known DJs Pascal F.E.O.S. (Resistance D), Ata and Heiko M/S/O (Ongaku). Uwe Schmidt produced and co-wrote titles such as "Ongaku" and "Cosmic Love", which became successful prototypes for the appearing
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During 1998, Tetsu Inoue and Haruomi Hosono visited Uwe in Santiago. The second HAT album was recorded. Toward the end of 1998, on his way back from Australia to Germany, Bernd Friedmann stopped over in Santiago and together with Uwe Schmidt they recorded their first
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album, which was released on Schmidt's Rather Interesting label and Haruomi Hosono's Daisy World Discs. In an effort to escape the German winter, Schmidt spent the ends of 1994 and 1995 in Australia. A man with the same idea was the German music producer
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ideas, some for Rather Interesting, some that were released on other labels, such as the Geeez 'n' Gosh (2000 and 2002) albums which musically merge abstract electronic programmings and gospel vocals. Geeez 'n' Gosh was released on the German
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which he adopted as his main artist name from then on. The early 1990s saw a series of 12-inch vinyl productions, mainly aimed at the dance floor, which were released under a variety of different project titles such as Atom Heart, Slot, etc.
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A vast amount of productions were released worldwide due to the licensing activities of POD Communication, Ongaku Music and a variety of other Frankfurt-based record companies. After Parade Amoureuse closed down in 1992, his first album
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for the territory of Japan. TĹŤwa Tei further requested a remix by Uwe Schmidt. By the end of 1997 Uwe Schmidt and Dandy Jack's ways split and Uwe moved out of the shared house (while Dandy Jack moved back to Germany one year later).
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in 1994 and Sonar Barcelona in 1994, as well as the stagnation to be felt in his European surroundings, Schmidt prepared for his departure from the old continent. Together with Dandy Jack, with whom he formed the project
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may have been the fact that it did not quite fit the category and already incorporated musical elements of the 1990s. Uwe Schmidt played his first live show as Lassigue Bendthaus as the opening act for the British group
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Uwe Schmidt continued releasing one album per month on his Rather Interesting label, although due to the difficulties of adaptation in Chile, decided to reduce his output. Akashic Records, a Tokyo-based label owned by
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stylistically may be considered as being one of the first productions that merged song structures with sounds coming from a '90s techno background. Many refer to it as an initial point for the development of the
1190:. He argued that the criticism was a "smear campaign" against him. Ukrainian activist Maya Baklanova countered that "All western artists who perform there are normalising the war and the Russian regime".
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moniker can be located somewhere around that time. Even though Lassigue Bendthaus had not brought him much luck until then, he decided to start recording his third album during 1993 entitled
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was released in 2006. The album contained cover versions of Yellow Magic Orchestra songs and became a very successful release in Japan. Amongst the YMO members themselves (Haruomi Hosono,
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in March and October 1996. Schmidt and the Chilean Dandy Jack, who lived all his life in Germany and Spain, on their way back from Chile, decided to try to relocate to Santiago in 1997.
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parties ever in Finland in 1992. The live concert was recorded and released on Ongaku Music in 1992, known as "Elektronikkaa – Atom Heart & Pink Elln live in Montreux and Helsinki".
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ambient set created, which was then again performed, opening the Labyrinth festival in September the same year. An initially abandoned album, which in 2005 carried the working title
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Atom™, in collaboration with Japanese musician Toshiyuki Yasuda produces a cover version of the Brazilian Bossa Nova classic "Aguas de Março", pre-released on the compilation
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soundtrack was released in May 2012 through Raster-Noton. atom-tm.com was launched in July 2012 and serves as Atom™'s official news platform and archive. As a result of the
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had caused in Japan. Soon a European, North American, Mexican, Hong Kong and a Russian release followed and the title "Showroom Dummies" was featured in the Mexican movie
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in a yet-to-be-defined style and as a different production. Meant to be rough sketches, Uwe Schmidt started to program a couple of Kraftwerk cover versions in traditional
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label, which went bankrupt in 2004, leaving Schmidt as well as many fellow musicians, unpaid. The Flanger project was also continued, Friedman and Schmidt recording the
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Sound Tokyo the same year, with both Haruomi Hosono and Yukihiro Takahashi performing each one song with the full orchestra on stage. The Señor Coconut album
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761:, which was recorded at Laswell's studio in Brooklyn. Toward the end of 1995, another collaboration was concretized in Tokyo where Schmidt, Inoue, and
889:, though had to remove his version of "Radioactivity". European and North American record companies remained uninterested until triggered by the hype
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Tetsu Inoue to record the first Datacide album. Back home in Frankfurt, his interest in Latin Music started to grow and in fact the birth of the
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on the radio. In 1986, he co-founded the cassette label N.G. Medien, on which various tapes of international artists, including the Canadian
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was released in 2005 on Bernd Friedmann's label Nonplace and the HEADZ label for the Japanese territory. A couple of years later songs from
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caused quite a media reaction worldwide, due to the fact that the album contained electronic cover versions of famous pop and rock songs.
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festival at the Roundhouse in London, Labyrinth Festival in Japan plus many others. Exclusive contributions to Ryuichi Sakamoto's
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Uwe Schmidt, apart from his monthly release on Rather Interesting, continued recording with Tetsu Inoue (Datacide), Pete Namlook (
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Still living in Frankfurt, Uwe Schmidt was directly influenced by the emerging "pre-techno" movement of the late 1980s known as
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began in 1986 and took almost four years, until the album finally came out in 1991 on the German Parade Amoureuse label.
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and many others. An exclusive track entitled "White Car" was produced for and released on the Japanese anime movie,
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Soon after, he started to work on what would become his first official Lassigue Bendthaus record release, the album
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1051:. Surtek Collective mainly tours Latin America, playing shows in Mexico, Venezuela, Brasil, Argentina and Chile.
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and others. Schmidt collaborated with Namlook under the names Millenium (for Pod) and as Subsequence (for FAX).
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Lassigue Bendthaus, until that point, was musically categorized as EBM, even though part of the success of
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the traditional sense. Logically all works of Uwe Schmidt would later be summarized under just one name:
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Apart from his own productions and various collaborations he was solicited to remix artists such as
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In July 2024, he was criticised for headlining the Outline festival in Russia during the country's
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From 2007 until 2010, collaborating with Japanese composer Masaki Sakamoto, he produces the album
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to play an ambient set at his club in Ibiza. The invitation was accepted and the then entitled
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which contained the sounds used on the original album. Contempo Records went bankrupt in 1993.
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with colleague Marc Behrens, and later on, together with Material Object, plays a three-hour
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which was released in 2010. The same year sees Atom™ acting a mini-role in the Mexican movie
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in June 2011. The vocals on this song are performed by Fernanda Takai and Moreno Veloso.
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Carbon and Atomu Shinzo. Also releasing on POD Communication was the German artist
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1146:(as a self-reference to the 1997 Atom™ title with the same name), resurfaced as
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was produced and licensed to Contempo Records together with a sample CD titled
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have been continuing to garner attention for Uwe Schmidt. The collaboration
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was re-released by the Italian record label Contempo Records from Florence.
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as the double opening feature at Berlin's CTM.13, where he first performs
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exhibition was held in Frankfurt (Germany) in October 2011 as well as the
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and developed part of his career there, adopting the alias Señor Coconut.
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This article is about the German musician. For the German politician, see
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album, which would be the first work bearing the name of Señor Coconut.
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the Pink Elln pseudonym, Schmidt played a live show at one of the first
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live sets keep Atom™ busy during the first couple of months of 2013.
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release. Atom™ performances at the Lincoln Center in New York City,
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with Vicente Sanfuentes, invented yet another musical style called
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from the article and its talk page, especially if potentially
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37:"Atom Heart" redirects here. For the album by Pink Floyd, see
967:) a large number of musicians appeared on this album such as
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album in Santiago de Chile, which was then released in 2001.
725:) during 1994. That same year, the Lassigue Bendthaus albums
872:, the idea was born to cover the German electronic pioneers
44:"Atom TM" redirects here. For trademarks called "Atom", see
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label and a new scene of musical styles appeared, such as
2026:(1 ed.). London: Rough Guides, Ltd. pp. 20–22.
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management and most all of the album artwork and design.
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was then scheduled for March 2013. In the middle of the
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Interview about the recording of "Yellow Fever" album.
1545:(1994; with Victor Sol and Niko Heyduck, credited as
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was unveiled in Tokyo in May 2011, accompanied by a
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Atom™, Atom Heart, Señor Coconut, Lassigue Bendthaus
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2182:(389). Great Neck, NY: College Media, Inc.: 38.
1073:and the modified (online) version of it, called
2090:(666). New York, NY: College Media, Inc.: 19.
1399:With Victor Sol & Alain "Stocha" Baumann.
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1134:release, Atom™ received an invitation from
698:By this time, Pete Namlook had founded his
92:Learn how and when to remove these messages
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1912:(2014) (with Material Object, credited as
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1167:set. Extensive promotional activities for
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136:about living persons that is unsourced or
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269:Learn how and when to remove this message
207:Learn how and when to remove this message
51:"VSVN" redirects here. For the meme, see
232:This article includes a list of general
1962:
753:In 1995, Uwe Schmidt collaborated with
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2015:
2013:
2011:
1987:The Virgin Encyclopedia of Dance Music
27:German composer, musician and producer
1529:(1994) (with Victor Sol, credited as
1175:magazine and the preparation for the
1062:got licensed for the Hungarian movie
508:(born 27 August 1968), also known as
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778:, whom he met in Melbourne in 1995.
572:. The recordings and production for
317:Schmidt at MUTEK10, Montreal in 2009
1868:Around the World with Señor Coconut
757:and Tetsu Inoue on the Fax release
2167:McLaughlin, Megan (25 July 1994).
1924:(2014) (tribute of the remix from
238:it lacks sufficient corresponding
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2262:Atom Heart unofficial discography
868:During the production process of
581:with Ata and Heiko the 12" vinyl
73:This article has multiple issues.
844:Lassigue Bendthaus' last album,
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1786:14 Footballers in Milkchocolate
1679:(1996; Victor Sol, credited as
1573:Masters of Psychedelic Ambience
81:or discuss these issues on the
1346:Experimental Post Techno Swing
1:
2116:Sauer, Pjotr (28 July 2024).
2073:Comer, M. Tye (15 May 2000).
1951:List of ambient music artists
1599:Binary Amplified Super Stereo
731:Render Audible (U.S. Remixes)
2247:Atom™ official press archive
1836:Speed-Merengue Mega-Mix 2005
1637:Tokyo – Frankfurt – New York
114:biography of a living person
2326:Intelligent dance musicians
2321:German electronic musicians
2311:German expatriates in Chile
2257:Senor Coconut official site
1364:Atom Heart & Pink Elln
999:) and the Austrian crooner
141:must be removed immediately
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2331:Metropolis Records artists
2252:Atom™ official discography
1906:(2014) (with Marc Behrens)
1886:Music Is Better Than Pussy
1448:Orange (Monochrome Stills)
1091:A photo exhibition called
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2336:Nacional Records artists
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2242:Atom™ official biography
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32:Uwe Schmidt (politician)
2276:Atom Heart RBMA lecture
1341:Lisa Carbon and Friends
1115:project and TĹŤwa Tei's
1031:and Japanese superstar
909:Inner Space/Outer Space
253:more precise citations.
2024:Techno:The Rough Guide
1344:Released in the US as
983:was performed live at
763:Yellow Magic Orchestra
667:: Lassigue Bendthaus'
419:, musician, producer,
323:Background information
128:Please help by adding
2316:German male musicians
1743:Real Intelligence III
1693:Digital Superimposing
1521:Render (U.S. Remixes)
737:(second re-release),
551:electronic body music
46:Atom (disambiguation)
2176:CMJ New Music Report
2083:CMJ New Music Report
1842:Re-invents the Wheel
1792:Real Intelligence IV
1671:Real Intelligence II
937:Juan GarcĂa Esquivel
134:Contentious material
2237:Atom™ official site
1862:The Birth of AcitĂłn
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1194:Partial discography
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1101:Communikey Festival
1064:Bibliotheque Pascal
769:recorded the first
595:Meat Beat Manifesto
563:The Engineer's Love
2209:"Atom Discography"
2022:Barr, Tim (2000).
1990:(First ed.).
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1054:The Flanger album
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153:
152:Find sources:
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2216:. Retrieved
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2150:. Retrieved
2146:
2137:
2125:. Retrieved
2122:The Observer
2121:
2111:
2099:. Retrieved
2087:
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2068:
2058:13 September
2056:. Retrieved
2051:
2042:
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1992:Virgin Books
1985:
1982:Colin Larkin
1940:(2016) (No.)
1937:
1934:(2015) (No.)
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1817:Fiesta Songs
1815:
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1798:Nobody knows
1797:
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1767:Stoffwechsel
1766:
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1727:(1998; with
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1593:Silver Sound
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1511:Bill Laswell
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1105:Raster-Noton
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1036:
1025:Jamie Lidell
1015:Remixes for
1014:
1010:
1007:2009–present
1001:Louie Austen
988:
980:
979:and others.
956:
952:
943:, TĹŤwa Tei,
921:Depeche Mode
918:
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447:Raster-Noton
432:1990–present
428:Years active
402:experimental
368:West Germany
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123:verification
116:
89:
82:
76:
75:Please help
72:
2296:1968 births
2218:23 December
2213:Atom-tm.com
2152:23 December
2147:Atom-tm.com
2052:discogs.com
1938:Texturen II
1892:Winterreise
1733:Tetsu Inoue
1725:DSP-Holiday
1645:Tetsu Inoue
1553:DATacide II
1507:Tetsu Inoue
1468:Atom Heart
1452:Atom Heart
1422:RPM Charts
1261:Atom Heart
1181:Ground Loop
1132:Winterreise
1128:Winterreise
1124:Winterreise
1113:Kizunaworld
1093:Winterreise
1021:PĂ©rez Prado
941:Sketch Show
878:cha-cha-cha
815:, licensed
788:Love Parade
719:Jet Chamber
633:Tetsu Inoue
561:, entitled
394:Latin dance
305:Uwe Schmidt
259:August 2010
251:introducing
2290:Categories
2193:6 November
2101:15 January
1957:References
1932:Texturen I
1621:Flowerhead
1492:1996-04-08
1476:1994-10-15
1444:1994-02-07
1433:"Overflow"
1372:1993-10-10
1333:1993-06-10
1317:1993-03-21
1305:Datacide I
1301:1993-02-20
1257:Whitehouse
1237:1991-01-15
1097:Playbutton
1060:Spirituals
1056:Spirituals
834:Ninja Tune
619:Atom Heart
615:acid house
599:Batschkapp
514:Atom Heart
417:programmer
415:Composer,
354:1968-08-27
329:Birth name
234:references
167:newspapers
78:improve it
18:Atom Heart
2188:0890-0795
2096:0890-0795
2054:. Discogs
1926:Daft Punk
1810:Standards
1615:Polyester
1309:Datacide
1165:Alpha txt
1140:Alpha txt
1122:A second
1086:Red Hot 2
1049:reggaeton
1033:Kumi Koda
953:Appleseed
915:2004–2008
874:Kraftwerk
840:1999–2003
830:Templates
749:1995–1998
695:in 1994.
605:1991–1994
601:in 1989.
547:Linn Drum
543:Frankfurt
537:1983–1990
532:Biography
457:Fax Label
119:citations
84:talk page
53:NASA logo
1945:See also
1914:No. Inc.
1904:Bauteile
1537:Softcore
1161:Bauteile
813:TĹŤwa Tei
765:founder
637:Datacide
482:.atom-tm
462:Contempo
145:libelous
2271:Discogs
2127:28 July
1874:Liedgut
1418:#15 on
1207:Release
949:Merzbow
865:genre.
836:label.
826:Flanger
704:ambient
475:Website
247:improve
181:scholar
2186:
2143:"Atom"
2094:
2030:
1998:
1900:(2013)
1894:(2012)
1888:(2010)
1882:(2009)
1880:Muster
1876:(2009)
1870:(2008)
1864:(2007)
1858:(2007)
1852:(2006)
1844:(2006)
1838:(2005)
1832:(2005)
1826:(2005)
1820:(2003)
1812:(2003)
1806:(2002)
1800:(2002)
1794:(2002)
1788:(2001)
1782:(2001)
1777:(2000)
1769:(2000)
1763:(2000)
1745:(1998)
1711:(1997)
1705:(1997)
1689:(1996)
1677:built.
1673:(1996)
1667:(1996)
1623:(1995)
1617:(1995)
1611:(1995)
1555:(1994)
1539:(1994)
1523:(1994)
1509:&
1411:Render
1273:Cloned
1241:Matter
1213:Notes
1173:De:bug
1041:aciton
973:Akufen
863:glitch
739:Cloned
735:Matter
727:Render
708:jungle
689:Render
673:Cloned
669:Cloned
665:Matter
658:Matter
628:trance
590:Matter
578:Matter
574:Matter
570:Matter
437:Labels
398:techno
386:glitch
374:Genres
236:, but
183:
176:
169:
162:
154:
2267:Atom™
2172:(PDF)
2169:"RPM"
2078:(PDF)
1687:Ondas
1665:Apart
1659:Brown
1655:Brown
1527:plane
1505:With
1484:Dots
1029:Plaid
985:SĂłnar
784:Atom™
611:house
583:Mihon
526:Chile
516:, or
510:Atom™
188:JSTOR
174:books
112:This
2220:2019
2195:2021
2184:ISSN
2154:2019
2129:2024
2103:2022
2092:ISSN
2060:2020
2028:ISBN
1996:ISBN
1830:iMix
1824:CMYK
1731:and
1643:and
1603:BASS
1563:VSVN
1559:VSVN
1480:Dots
1460:1994
1430:1994
1407:1994
1392:EX.S
1388:1993
1356:1993
1285:1992
1269:1992
1253:1991
1221:1988
1204:Date
1179:and
1117:Mach
1109:Mute
1079:Orol
1047:and
1045:acid
997:Trio
963:and
650:rave
613:and
553:act
494:.com
484:.com
348:Born
160:news
121:for
1737:HAT
1649:HAT
1489:055
1473:038
1457:027
1441:026
1427:047
1420:CMJ
1404:035
1385:025
1369:021
1353:n/a
1330:013
1321:Act
1314:014
1298:n/a
1282:n/a
1266:008
1250:002
1234:001
1218:n/a
1201:AAA
1017:Les
929:Air
793:Gon
771:HAT
712:IDM
490:www
480:www
390:IDM
2292::
2211:.
2180:39
2178:.
2174:.
2145:.
2120:.
2088:62
2086:.
2080:.
2050:.
2010:^
1965:^
1898:HD
1804::)
1755:LB
1681:+N
1569:Mu
1531:+N
1513:.
1396:+N
1348:.
1177:HD
1169:HD
1156:HD
1152:HD
1148:HD
1066:.
1027:,
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1019:,
1003:.
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852:.
850:LB
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