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154:, and Motherboard. She has been an active member of the networked performance group aether9, and the feminist tech network Genderchangers. Samson is also known by the pseudonym ideacritik, and is part of the duo FRAUD, where she collaborates with the artist Fran Gallardo.
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is a
Canadian multidisciplinary artist and researcher whose work points to the materiality of data and its consequences. She is largely known for her exploration of erasure as a means of knowledge production through digital data funerals.
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National
Canadian Media (Radio Canada) in French ("Josée Brouillard : faire le deuil de notre mémoire virtuelle. Que faire avec nos souvenirs en format numérique ? L’artiste Audrey Samson embaume les clés USB et disques
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project was proposed to memorialise a deceased person by encoding their personal data as DNA that would be synthesised and grafted into the DNA of a seedling, so a tree would grow embodying the deceased person's data.
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Sabra, Jakob
Borrits; Troyer, John (2018). "The Right to Be Dead: Designing Future Cemeteries".
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174:'When I go' in This is not a piece of me. Interview by Lisa Matzi. (print)
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Please help to demonstrate the notability of the topic by citing
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221:"Die Referentin;Die schmutzigen Seiten unserer High Tech Welt"
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196:"Putting Data to Rest | Fringe Arts – The Link"
171:'Digital Data Funerals' in Behind The Smart World.
388:The Routledge handbook of death and the afterlife
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348:: CS1 maint: numeric names: authors list (
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363:Somerset House Studios (6 March 2017).
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177:'Hackin' some coils into wearables'.
141:, where she obtained a MFA in 2007.
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137:Samson studied Media Design at the
508:Motherboard (online Vice magazine)
449:"Hackin some coils into wearables"
424:Kronman, Linda; Zingerl, Andreas;
365:"Somerset House Studios residents"
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391:. Candi K. Cann. Abingdon, Oxon:
296:"NRK Nett-TV - hastighetsmĂĄling"
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273:(in German). Archived from
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