574:
730:
110:
757:, Stölzel's immediate successor at the court in Gotha, restaged church music of his predecessor, sometimes with score revisions, until 1768: Passion settings and many cantatas such as the 1728–29 double cantata cycle (restaged in the liturgical years 1752–53, 1763–64 and 1765–66) were included in such repeat performances. Stölzel's legacy was however disintegrating through sales of manuscripts, which court musicians had continued after the composer's death. In 1778 Benda wrote: "... Only the best works of my predecessor, which could be used even today for church music, are saved, because already a long time ago I separated them from useless junk and kept them in my own house."
83:
33:
437:
589:
429:
99:
938:, several compositions of the baroque era in an arrangement for trumpet, including, by Stölzel, the D major oboe concerto (1972), the F major double concerto (in 1975 with a piano reduction of the orchestral material and in 1976 with the orchestral score), a sonata in D major after the "Sonata V" for two violins (1976), a concertino in E minor (1976), a concerto in C (1976), and a concerto in B-flat (1976).
802:(early 1790s) contain biographies of Stölzel. Hiller describes part of Stölzel's music production as "heard today and forgotten tomorrow": over-all light in spirit and, according to the standards of the time when these pieces originated, with pleasurable singing lines over a sparse instrumental accompaniment. Hiller qualifies Stölzel's choral music as full in texture and rich in harmony, and names the
529:
Before he settled in Gotha for the last thirty years of his life Stölzel had already seen his music performed from
Germany to Italy. His operas had been staged in several major cities in the 1710s. His sacred music was performed from Catholic Prague to the Protestant German principalities. Even after
1975:"Nur die besten Arbeiten meines Vorgängers, von welchen man noch izt beÿ den Kirchen-Musiken einigen Gebrauch machen könnte, sind gerettet, weil ich solche schon vor langer Zeit von dem unbrauchbaren Wuste abgesondert und eigends in meinem Hause verwahrt habe.", quoted in Hennenberg 1976, p. 22
806:
and the German Te Deum as examples of Stölzel's accomplished style, fully mastering the composition of canons and fugues. Gerber largely repeats Hiller's biographical notes and judgement about Stölzel's music, adding descriptions of Stölzel's 1736 double cantata cycle and vocal chamber music, where
685:
1735 to
Trinity Sunday the next year Bach probably performed Stölzel's entire String-Music cantata cycle in Leipzig's churches. Text booklets containing Schmolck's librettos and the chorales Stölzel had added to his settings of these librettos, were printed for the Leipzig church services in that
396:
The last two years of his life Stölzel suffered from ill health, becoming feeble-minded ("im Haupte schwach"). Some of Stölzel's manuscripts were sold to cover expenses. He died 27 November 1749 in Gotha, less than 60 years old. Mizler printed Stölzel's obituary as second of three (of which
876:
was first published, as a composition by Johann
Sebastian Bach, in 1935. The trio sonata in F minor for 2 violins or oboes and basso continuo was published in 1937. In 1938 Wolfgang Schmidt-Weiss wrote a thesis about Stölzel's instrumental music, which was published as a book in 1939.
507:
Half of Stölzel's output, never engraved, is lost. Out of what had to have been thousands of compositions in Gotha, only twelve manuscripts survive there today. The archive at
Schloss Sondershausen retains many of his manuscripts, found in a box behind the organ in 1870.
520:
rated him slightly above Bach in his list of prominent composers of the 18th century. By the 19th century he was largely forgotten. From the second half of the 20th century there was an increase of musicological research about the composer, and recordings of his work.
2108:
Passion according to St. John : (1772) / Carl
Philipp Emanuel Bach ; based on a setting by Georg Philipp Telemann ; incorporating music by Gottfried Heinrich Stölzel, Gottfried August Homilius, and Johann Sebastian Bach ; edited by Paul
957:
was published in 1989. Two sonatas, Nos. 3 and 4 of the eight sonatas à quattro for oboe, violin, horn and basso continuo collection, were published in 1993. Hofmeister published the fifth Sonata à Quattro for oboe, violin, horn and basso continuo in 2001.
1388:
The first decade of the 21st century saw new recordings, and reissues of older recordings, of the
Concerto grosso a quatro chori and of the Trumpet Concerto in D major. Lajos Lencsés recorded Stölzel's oboe concerto in G minor in 2008.
190:, who had left Leipzig in 1705. Perfecting his art under Hoffmann, Stölzel also acted as his copyist, and started composing: initially Hoffmann performed these compositions as his own, Stölzel gradually coming to the open as their composer.
807:
the singing voice is treated as an instrumental part, in some passages rather an accompaniment than the leading voice. Gerber praises Stölzel for his art of composing recitatives and summarizes the content of the then still unpublished
530:
his music production became concentrated on Gotha and
Sondershausen, his music was still performed outside these places. One of his operas was performed in Altenburg in 1722, the Saitenspiel cantata cycle was performed under
451:
Stölzel composed twelve complete annual cycles of sacred cantatas, which amounts to 1,358 cantatas. 1,215 of these are at least partially extant, 605 surviving with music. Additionally, Stölzel set cantatas to secular texts.
367:(where he was appointed in 1731). Until Günther's death in 1740 Stölzel provided music for the Sondershausen court, which included four cycles of church cantatas, other sacred music, and secular music such as serenatas.
933:
republished the three Bach-related pieces in the second half of the 20th century. The
Concerto for Oboe and Violin in F major was published in 1963. In the 1970s Jean Thilde published, in a series named after
1845:
1633:
Practischer Beweiß wie aus einem nach dem wahren
Fundamente solcher Noten-Künsteleyen gesetzten Canone perpetuo in hypo dia pente quatuor vocum viel und mancherley ... Canones perpetui à 4 zu machen seyn
2357:
Aria 'Bekennen will ich seinen Namen' für eine Alt-Stimme, zwei
Violinen und Basso Continuo / Johann Sebastian Bach: Nach dem Autograph herausgegeben und eingerichtet – Erste Ausgabe im Bach-Jahr 1935.
167:. Some of his educators took a dim view of music, and tried to divert his attention from it: apart from engaging in poetry and oratory, Stölzel nonetheless continued to develop his interest in music.
573:
2163:
Missa canonica. Kyrie und Gloria für dreyzehn reelle Stimmen: Acht Singstimmen zwey Violinen, zwey Bratschen und Bass von Gottfried Heinrich Stölzel, vormals Capellmeister in Gotha. Partitur.
729:
992:
In the 21st century facsimiles of large portions of Stölzel's work became available on websites such as those of the Berlin State Library and the Saxon State and University Library Dresden.
4541:
2086:
Passion according to St. John (1772) based on a setting by Georg Philipp Telemann: incorporating music by Gottfried Heinrich Stölzel, Gottfried August Homilius, and Johann Sebastian Bach
1392:
The nine Quadros (Sonatas à 4) for oboe, horn, violin and continuo were recorded in 2008. A recording of the version for two trumpets of the F major concerto was released in 2015.
300:
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109:
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was premiered in 1718 in Bayreuth. Stölzel married Christiana Dorothea Knauer on 25 May 1719. They had nine sons and one daughter. Three sons died at a young age.
2464:
Gottfried Heinrich Stölzel, composer; H. Töttcher, editor; G. Müller, piano reduction. Concerto for Oboe, strings & continuo, in D major. Sikorski, 1953.
310:
In Prague Stölzel premiered three more operas, several oratorios, masses, and many instrumental compositions. Stölzel was for a short time court Kapellmeister in
4733:
4692:
174:. The city had a lot to offer from a musical point of view: its opera had been reopened shortly before, which Stölzel liked to visit. He became acquainted with
3274:
760:
Through Benda's neglect manuscripts of Stölzel's works in Gotha were lost. In Sondershausen Stölzel's works were copied, performed and conserved. Surprisingly
473:, in German, set for four-part choir, strings and basso continuo. Extant instrumental works include four concerti grossi, many sinfonias, and a concerto for
4763:
4647:
4400:
334:
41:
4097:
Siegmund, Bert (2007). "Zu Chronologie und Textgrundlagen der Kantatenjahrgänge von Gottfried Heinrich Stölzel". In Kämper, Dietrich; et al. (eds.).
4304:
330:
46:
4472:
3223:
4753:
4243:
4170:: Authentizität, Bestimmung und Kontext der Arie BWV 200. Anmerkungen zu Johann Sebastian Bachs Rezeption von Werken Gottfried Heinrich Stölzels"
3901:
2088:, Vol. 7.1 in Series IV: Oratorios and passions of Carl Philipp Emanuel Bach's complete works. Los Altos, CA: The Packard Humanities Institute, 2007.
941:
In 1965 Fritz Hennenberg wrote a two-volume thesis about Stölzel's cantatas. In 1976 an updated version of that thesis was published in one volume as
4481:
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1005:
639:
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1275:
Two CDs recorded by the Handel's Company conducted by Rainer Johannes Homburg contained the Epistle cantatas and the Gospel cantatas of the 1728
607:
304:
3908:
Pp. 102–103: "Hartig (ex liter. Stölzel.)" (biographical notes on Freiherr von Hartig, whom Stölzel knew during his stay in Prague 1715–17)
3654:
4758:
841:. In 1832 Pölchau published a selection of Stölzel's choral music. In the first half of the 19th century one of Stölzel's masses was copied by
344:
Stölzel wrote several theoretical works about music, but only one of these was published during his lifetime: a treatise on the composition of
307:, the court organist, to Kapellmeister in 1716. Court musicians such as Johann Christoph Rödiger felt disappointed with their master's choice.
717:
reckoned Stölzel among "the level-headed, learned, and great music masters" of his century. Lorenz Christoph Mizler rated Stölzel as great as
4215:
4030:
3815:
2830:
2738:
Ich bin beide: Kantate für Alt, Bass, vierstimmigen Chor, zwei Violinen, Viola und Basso continuo (Fagott, Violoncello, Kontrabass und Orgel)
4728:
4643:
1699:
985:
pasticcio which included four movements by Stölzel was published as Vol. 7.1 in Series IV of C. P. E. Bach's complete works. The
135:
on 13 January 1690. His father, organist in Grünstädtel, gave him his first music education. When he was thirteen, he was sent to study in
2947:
1071:
534:
in Zerbst in 1724–25, and the first Passion he had composed for Gotha, and reworked around 1730, was taken up in several German cities:
4738:
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918:
Around the mid-1950s Josef Bachmair edited two trio sonatas for two violins and continuo: the Sonata V and the Sonata in B-flat major.
598:
516:
Stölzel enjoyed an outstanding reputation in his lifetime. Shortly after his death some of his compositions were still performed, and
3675:
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für Sopran, Alt, vierstimmigen gemischten Chor, Oboe, zwei Violinen, Viola und Basso continuo. Lippstadt: Kistner & Siegel, 1953
2093:
1537:
761:
4579:
4239:
3520:
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82:
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690:
91:
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André Bernard's recording of the D major trumpet concerto appeared in 1973. The Ricercar Consort recorded and released the
4723:
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2176:
1730:
581:, written by J. S. Bach, containing the end of Stölzel's Partia and Bach's complement to its last movement (BWV 929).
32:
4284:
2488:
Lob und Dank: Choral und Arie A-dur, für Tenor, Sopran, vierstimmigen Chor, Oboe d'amore, 2 Violinen, Viola und Basso continuo
4506:
4409:
4062:
2166:
2nd volume of Musikalisch classische Kunstwerke der Deutschen alter und neuer Zeit. Vienna: Steiner (later: Haslinger), 1820.
3776:[Is there another cantata cycle by Gottfried Heinrich Stölzel that belonged to Bach’s performance repertoire?]. In
3586:
4570:
4497:
4454:
3927:
P. 382: "Umlaufft (ex lit. Stölzel.)" (Stölzel's short biographical note on Christian Umlaufft, a former teacher of his)
829:
collected manuscripts of Stölzel's music, many of these ending up in the Berlin State Library. Pölchau edited Stölzel's
175:
87:
3918:
Pp. 171–172:"Logi (ex liter. Stölzel.)" (biographical recollections on Duke von Logi, whom Stölzel knew in Prague)
1058:
performed the D major Oboe Concerto as a trumpet concerto, and recorded it several times, for example in the 1960s for
4351:
4199:
4088:
4014:
3856:
3799:
1631:
745:
17:
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Das Saiten-Spiel des Hertzens, Am Tage des Herrn, Oder Sonn- und Fest-tägliche Cantaten: Nebst einigen andern Liedern
465:
4331:
4320:
4255:
3275:
Kobow / Mertens / Remy / Schwarz / Stolzel / Voss - Gottfried Heinrich Stolzel: Christmas Oratorio; Cantatas 1-5 CD
3027:
634:
Bach didn't only perform the work: around 1742–43 he reworked the aria "Dein Kreuz, o Bräutgam meiner Seelen" from
2736:
Gottfried Heinrich Stölzel, composer; Wolfram-Theo Freudenthal, editor; Siegfried Pritsche, continuo realisation.
3947:"VI. Denkmal dreyer verstorbenen Mitglieder der Societät der musikalischen Wissenschafften; B.", pp. 143–157
2529:
Gottfried Heinrich Stölzel, composer; Josef Bachmair, editor. Triosonate B-Dur: Für 2 Violinen mit Continuo. 1956
1842:
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925:
published the trio sonatas in D major for flute, violin and continuo, and in G major for two flutes and continuo.
517:
296:
1574:
375:
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1021:
842:
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3991:[An unknown Leipzig cantata text publication from the year 1735: News regarding Bach and Stölzel]. In
2340:
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432:
Court chapel of Friedenstein Palace, where, from late 1719, most of Stölzel's sacred music was first performed
359:. He too regretted his father's choice for the court Kapellmeister. He asked Stölzel to provide music for the
3955:
3633:
3220:
1090:. In 1980 André recorded the Sonata in D major, reconstructed and orchestrated by Thilde after Stölzel.
403:
4137:
3950:
3942:
3295:
2161:
838:
791:. After C. P. E. Bach's death in 1788 three of Stölzel's cantata cycles were found in his legacy.
738:
710:, in her notebook. For a long time the music of this aria was misattributed to her husband Johann Sebastian.
664:
371:
269:
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Zu Gotha ist eine gute Kapelle ...: Aus dem Innenleben einer thüringischen Hofkapelle des 18. Jahrhunderts
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1952:
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128:
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Rémy also recorded ten (half) cantatas from the Christmas season 1736–37 in Sondershausen, released as
408:
4267:
4180:. Annotations regarding Johann Sebastian Bach's reception of Gottfried Heinrich Stölzel's works].
94:(BWV Anh. 21, formerly attributed to Bach): this copy was likely written by a young Stölzel.
4748:
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Aus der Tiefe rufe ich Herr zu dir: Solokantate für Bass, zwei Violinen, Viola, Violoncello und Orgel
2249:
338:
179:
102:
3922:
Pp. 342–347: "Stöltzel (ex autogr.)" and "fortsetzung, in form eines Briefes, vom 7. Dec. 1739"
2795:
Gottfried Heinrich Stölzel, composer; Alejandro Garri, editor; Kent Carlson, keyboard realizations.
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962:
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257:
114:
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2191:
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555:
Geistliche Und Heilige Betrachtungen der Gläubigen Seele über Ihren Leidenden und Sterbenden Jesum
4622:
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4388:
3848:
3611:
3361:
3199:
2845:
Gottfried Heinrich Stölzel, composer; Axel Weidenfeld, Manfred Fechner and Ludger Rémy, editors.
2411:
2107:
922:
795:
614:
265:
152:
136:
4132:
3989:"Ein unbekanntes Leipziger Kantatentextheft aus dem Jahr 1735: Neues zum Thema Bach und Stölzel"
3542:
3452:
3407:
1888:"Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach’s Cantatas"
1696:
852:
The pieces from the Anna Magdalena and Wilhelm Friedemann Bach notebooks, "Bist du bei mir" and
648:
Before that, Bach and his family had shown their interest in various genres of Stölzel's music:
398:
3386:
3315:
3311:
1425:
has been recorded, with inclusion of Bach's Trio BWV 929, on harpsichord, piano and organ. The
4301:
Gottfried Heinrich Stölzel - Brockes Passion, openingsdeel (broadcast 18 April 2014, fragment)
4221:
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4151:
4106:
4080:
4058:
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4026:
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2973:
2866:
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2293:
2285:
2277:
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2218:
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2145:
2129:
2089:
2065:
2057:
2020:
2000:
1984:
1964:
1906:
1838:
1743:
1652:
1587:
1533:
1447:
1087:
1067:
857:
765:
678:
Possibly in the period 1732–35 Bach performed cantatas of Stölzel's Namebook cycle in Leipzig.
183:
4165:
3988:
3773:
3696:
363:. However, Stölzel did not comply to this request until 1730, when Freißlich was leaving for
4203:
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3912:
3896:
3876:
3803:
3073:
2669:
2654:
2639:
2624:
2609:
2344:
1521:
1078:. In 1971 he recorded Stölzel's Concerto Grosso a Quatri Chori with five other trumpetists,
1075:
1055:
1037:
935:
930:
714:
428:
98:
3774:"Ein weiterer Kantatenjahrgang Gottfried Heinrich Stölzels in Bachs Aufführungsrepertoire?"
3077:
3069:
4534:
4379:
4288:
4271:
4181:
3996:
3866:
3781:
3227:
2988:
2372:
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1703:
1101:
1001:
898:
865:
699:
663:
by Mr. Stölzel) as 48th piece in the Klavierbüchlein (keyboard-booklet) of his eldest son
456:
249:
2902:
2566:
Gottfried Heinrich Stölzel: Konzert F-Dur: für Oboe, Violine, Streicher u. Basso continuo
504:
alone (none survive), as well as 90 serenatas (vocal pieces performed as "table music").
474:
3759:
2725:
Concerto g-moll für Oboe mit Begleitung von Streichorchester (und Continuo) oder Klavier
2673:
2658:
2643:
2628:
2613:
706: 508, based on the aria "Bist du bei mir geh ich mit Freuden" from Stölzel's opera
4119:
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3498:
3429:
3006:
2359:
1891:
1105:
1079:
1045:
1041:
1033:
946:
897:
The Concerto for Oboe, strings & continuo in D major was published in 1953, with a
682:
3098:
2693:
2689:
1010:
The vocal music that was published as part of the Bach legacy is frequently recorded:
764:
did not list any church cantatas by Stölzel in his catalogues of 1761, 1764 and 1770.
4712:
4634:
4191:
4006:
3791:
3700:
2903:
Part 2, Recordings of the aria "Bist du bei mir", BWV 508, and other individual songs
2767:
Two sonatas à quattro: Nos. 3-4 in F major, for oboe, violin, horn and basso continuo
2309:
2239:
1937:
1723:
849:, performed in Leipzig. Becker also arranged some of Stölzel's music for organ solo.
824:
773:
501:
445:
356:
345:
292:
214:
206:
160:
148:
71:
4099:
Alte Musik und Auffürungspraxis: Festschrift für Dieter Gutknecht zum 65. Geburtstag
3842:
Volume 8 of Beiträge zur musikwissenschaftlichen Forschung in der DDR. Leipzig, 1976
3253:
2898:
4613:
4280:
4161:
3992:
3777:
3712:
2504:
2045:
1949:
1872:
1797:
668:
360:
326:
164:
140:
4507:
Minuets in G major and G minor, BWV Anh. III 114–115
3232:
325:
On 24 November 1719 Stölzel assumed the position of Kapellmeister at the court in
4051:
3970:
3870:
3836:
2859:
1887:
1548:
1525:
768:
considered Stölzel to be one of the greatest contrapuntists, and illustrated his
605:
754:
566:
385:. As a member of this Society he composed a cantata and wrote a treatise on the
3616:
2723:
Gottfried Heinrich Stölzel, composer; Richard Lauschmann, editor and arranger.
2473:
Gottfried Heinrich Stölzel, composer; Hans Albrecht, editor. Weihnachtskantate
1926:
645:. The music of this work had originally been believed to have been Bach's own.
4325:
4314:
4249:
4102:
3299:
2949:
Dietrich Fischer-Dieskau Sings Baroque Arias: Historical Recordings 1952/53/54
2428:
626:
558:
386:
194:
4225:
4040:
3911:
Pp. 117–119: "Melch. Hofmann (ex lit. Stölzel.)" (biographical notes on
3825:
444:
According to an 18th-century source Stölzel would have composed eight double
2966:
J. S. Bach: Kreuzstab-Kantate BWV 56 - Stölzel – Purcell – Gibbons
788:
500:, have not survived. Stölzel is reputed to have composed over 18 orchestral
277:
2503:. Heidelberg: Willy Müller, Süddeutscher Musikverlag, 1955 (distributed by
737:(enharmonic keyboard sonata) in the second volume (13th instalment) of his
4155:
3565:
Gottfried Heinrich Stolzel: Quadri di Dresden and Brussels / Epoca Barocca
3007:
Gottfried Heinrich Stölzel: Recordings of Cantatas & Other Vocal Works
2923:
2847:
Brockes-Passion: Der für die Sünde der Welt gemarterte und sterbende Jesus
2440:
2021:"2. Freie Aufsätze: Herausgabe klassischer Kirchenmusik", pp. 317–319
1861:
1827:
4697:
3858:
Lebensbeschreibungen berühmter Musikgelehrten und Tonkünstler neurer Zeit
2977:
1014:"Bist du bei mir" is by far Stölzel's most often recorded piece of music.
311:
261:
218:
67:
3543:
Gottfried Heinrich STÖLZEL (1690 - 1749): "Quadri di Dresda e Bruxelles"
3345:
3174:
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2289:
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2222:
2214:
2206:
2149:
2133:
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2004:
1988:
1910:
1747:
1451:
1395:
Chamber music for string instruments and continuo was recorded in 2009:
4207:
4177:
4022:
3905:. Hamburg: 1740, with following contributions by and/or about Stölzel:
3807:
2770:
1402:
Sonata a 4 in G major for violin, viola, violoncello and basso continuo
1221:
pasticcio, containing some movements by Stölzel, was recorded in 2003.
1059:
894:
A Sonata for oboe, horn, violin and continuo was published around 1952.
873:
660:
547:
198:
171:
4123:
3408:
Stölzel: Christmas Oratorio Vol 2 - Gospel Cantatas / Handel's Company
2377:
Triosonate F moll: Für 2 Violinen oder Oboen, Violoncello und Continuo
915:
A trio sonata for Flute, Violin and Harpsichord was published in 1955.
2416:
Sonata a 3 für Flöte (Violine, Oboe), Violine, Violoncell und Cembalo
981:
was also published in the first decade of the 21st century. The 1772
672:
364:
285:
253:
132:
2765:
Gottfried Heinrich Stölzel, composer; Charles-David Lehrer, editor.
3717:
3103:
884:
In 1942 a trio sonata for flute, violin and continuo was published.
833:
for publication in 1818. Pölchau offered a copy of this edition to
4307:
website: introduction (in Dutch) and a few movements of Stölzel's
4291: (archived 16 June 2016)) – Biography, Ruhr-Universität Bochum
3931:
3547:
3162:
2885:
2753:
2597:
2581:
2551:
Gottfried Heinrich Stölzel, composer; Gotthold Frotscher, editor.
2538:
Gottfried Heinrich Stölzel, composer; Gotthold Frotscher, editor.
2390:
Gottfried Heinrich Stölzel (1690 - 1749) als Instrumentalkomponist
2292:
Stölzel, Gottfried Heinrich: Masses (Excerpts. Arr) in a-Moll and
2248:, first volume of Siona: Auswahl classischer Chorgesänge. Zürich:
1991:
Stölzel, Gottfried Heinrich: Passions – Passion in 6 Betrachtungen
778:
Sechs geistlichen Betrachtungen des leidenden und sterbenden Jesus
728:
572:
435:
427:
241:
108:
97:
81:
52:
31:
3142:
2113:
1417:
Quadro in G major for two violins, violoncello and basso continuo
1408:
Quadro in E minor for two violins, violoncello and basso continuo
563:
Der Glaubigen Seele geistliche Betrachtungen Ihres leidenden Jesu
3258:
3158:
3099:
Maurice André Edition Volume 1 - Concertos 1 (Erato: 2564695722)
2749:
2593:
2577:
2499:
Gottfried Heinrich Stölzel, composer; Günter Hausswald, editor.
2451:
Gottfried Heinrich Stölzel, composer; Günter Hausswald, editor.
1553:
1279:
respectively, along with a selection of other works by Stölzel:
949:
of the G minor Oboe Concerto was published in 1979. The cantata
315:
281:
273:
226:
156:
4340:
3972:
Music at German Courts, 1715-1760: Changing Artistic Priorities
3204:
3011:
2931:
2907:
2858:
Gottfried Heinrich Stölzel, composer; Melvin P. Unger, editor.
2814:
Sind wir denn Kinder: SATB, oboe d'amore, strings, and continuo
2284:
Stölzel, Gottfried Heinrich: Masses (Excerpts. Arr) in a-Moll,
860:
in the second half of the 19th century. Stölzel's solo cantata
229:. In 1713 he composed two further operas on his own librettos,
3434:
2516:
Gottfried Heinrich Stölzel, composer; Josef Bachmair, editor.
703:
4053:
Deutschsprachige Oratorienlibretti: von den Anfängen bis 1730
3966:, Volume IV Part 1. Leipzig, Mizlerischer Bücherverlag, 1754.
3369:
2578:
Concerto en ré majeur pour trompette & orchestre à cordes
2486:
Gottfried Heinrich Stölzel, composer; Hans Albrecht, editor.
2300:
Stölzel, Gottfried Heinrich: Masses (Excerpts. Arr) in a-Moll
655:: in the 1720s Bach copied a four-movement harpsichord suite
86:
Early 18th-century manuscript copy of the "Traversa" part of
3676:
Edition Bachakademie Vol 137 - Klavierbüchlein for W.F. Bach
3457:
3412:
3391:
3320:
3316:
Stölzel: German Chamber Cantatas Vol 2 / Rémy, Mields, Et Al
3312:
Stölzel: German Chamber Cantatas Vol 1 / Rémy, Mields, Kobow
3279:
2339:
Vol. 29 and 30 in Denkmäler deutscher Tonkunst Erste Folge.
587:
4263:
3697:
BACH, J.S.: From the W.F. Bach Notebook / 5 Little Preludes
3453:
Stölzel: Two Serenatas / Rémy, Mields, Abele, Schoch, Et Al
3182:
2829:
Gottfried Heinrich Stölzel, composer; Brian Clark, editor.
2007:
Stölzel, Gottfried Heinrich: Masses (Excerpts) – Only Kyrie
205:, on his own libretto, was performed in 1711. Returning to
4670:
Kyrie–Gloria Mass for double choir, BWV Anh. 167
3680:
3591:
3569:
3525:
3503:
3482:
3126:
3053:
3032:
1913:
Diomedes (Excerpts): "Bist du bei mir geh ich mit Freuden"
276:. Returning after more than a year, he spent some time in
3915:, whom Stölzel knew when he studied in Leipzig from 1707)
3474:
Concerto grosso voor orkest in D gr.t., "A quattro chori"
2540:
Triosonate in D-dur für Flöte, Violine und Basso continuo
1750:
Nur in dir wohnt mein Ergötzen schöne Gegend stilles Land
1405:
Sonata in B flat major for two violins and basso continuo
1214:
were released on two CDs, in 2002 and 2004 respectively.
1006:
Bekennen will ich seinen Namen, BWV 200 § Recordings
908:
for publication in 1953, and edited the chorale and aria
3638:
3159:
Concertos et sonate pour trompette et orchestre à cordes
2861:
German Te Deum: a setting of Martin Luther's translation
2818:
Ehre sei Gott: SATB, oboe d'amore, strings, and continuo
1528:
German Te Deum: a setting of Martin Luther's translation
1443:
1441:
1313:
Concerto for Oboe, Strings and Basso Continuo in D major
1232:
Three double cantatas for the Pentecost season of 1737:
880:
The 1940s and 1950s saw a number of score publications:
733:
In 1761 Friedrich Wilhelm Birnstiel published Stölzel's
209:
after over two years in Silesia, he composed the operas
1781:
1779:
1777:
1775:
1773:
1771:
1470:
1468:
1466:
1464:
1462:
1460:
671:(BWV 929) of his own hand to its last movement, a
3930:
P. 406: Stölzel mentioned by Georg Gebel as living in
3082:
1044:
recorded the Concerto grosso a quattro chori in 1956.
977:
were published in 2003. Stölzel's 1725 setting of the
845:, and, with the orchestral part arranged for organ by
18:
Aus der Tiefen rufe ich Herr höre meine Stimme, H. 419
4274: (archived 19 September 2016)) = www.stoelzel.net
3387:
Stölzel: Cantatas For Pentecost / Rémy, Mields, Et Al
4072:
Gottfried Heinrich Stölzel als Instrumentalkomponist
3969:
Samantha Owens, Barbara M. Reul, Janice B. Stockigt
3659:
2064:
Bach, Carl Philipp Emanuel: Lukas-Passion 1771] and
1577:
review of the 2002 recording by Johan van Veen, 2005
1414:
Sonata in E minor for two violins and basso continuo
1411:
Sonata in D major for two violins and basso continuo
1399:
Sonata in C minor for two violins and basso continuo
4661:
4632:
4611:
4559:
4523:
4495:
4452:
4441:
Denn du wirst meine Seele nicht in der Hölle lassen
4427:
4398:
4377:
4251:
Gottfried Heinrich Stölzel - Brockes Passion (1725)
4126:
Das Kantatenschaffen von Gottfried Heinrich Stölzel
3838:
Das Kantatenschaffen von Gottfried Heinrich Stölzel
2784:
Sonata Nr. 5 à 4 für Oboe, Violine, Corno und Basso
2686:
Das Kantatenschaffen von Gottfried Heinrich Stölzel
1758:
1756:
1017:
BWV 200 has been recorded over 20 times since 1951.
943:
Das Kantatenschaffen von Gottfried Heinrich Stölzel
4644:Liebster Gott, wenn werd ich sterben, BWV 8/6
4539:Aria "Dein Kreuz, o Bräutgam meiner Seelen", from
3296:Oratorio De Navidad (Cantatas 6-10) Audiolibro, CD
2316:in Cantaten des 17. und 18. Jahrhunderts, Vol. 1.
424:List of compositions by Gottfried Heinrich Stölzel
288:where he worked for nearly three years (1715–17).
66:(13 January 1690 – 27 November 1749) was a German
4623:Magnificat in C major, BWV Anh. 30
3761:Historisch-biographisches Lexikon der Tonkünstler
2849:. Leipzig: Friedrich Hofmeister Musikverlag, 2010
2564:Friedrich Buck and Helmut Winschermann, editors.
2246:Fugetten und Fugen von Gottfried Heinrich Stölzel
1494:
1492:
1490:
1488:
1486:
1484:
1482:
1480:
1176:Das Ende eines Dinges ist besser denn sein Anfang
4176:: authenticity, purpose and context of the aria
3853:"Stölzel (Gottfried Heinrich)", pp. 256–266
3756:"Stoelzel (Gottfried Heinrich)", columns 585–593
3713:Broekert, Leen De 3 Historical Organs In Zeeland
2797:Ave Regina: motet for soprano, strings and organ
2594:Concerto en Fa pour deux trompettes et orchestre
2209:Stölzel, Gottfried Heinrich: Masses in C major,
1647:
1645:
1643:
1516:
1514:
1512:
1510:
1508:
1506:
1504:
414:, the organ of the Society of Musical Sciences.
3478:Concert voor trompet en strijkorkest in D gr.t.
2740:. Leipzig: VEB deutscher Verlag für Musik, 1981
1692:
1690:
2899:Part 1, Complete (or near Complete) Recordings
2225:Stölzel, Gottfried Heinrich: Masses in C major
2072:Telemann, Georg Philipp: Johannes-Passion 1772
1697:Stölzel: Christmas Oratorio - Epistle Cantatas
955:O wie ist die Barmherzigkeit des Herrn so groß
636:Die leidende und am Kreuz sterbende Liebe Jesu
4693:List of compositions by Johann Sebastian Bach
4352:
3629:
3627:
2453:Sonate für Oboe, Horn, Violine u. Generalbaß.
2103:
2101:
1714:
1712:
1671:
1669:
1210:Rémy's recordings of the 16 chamber cantatas
1126:Ach, dass die Hülfe aus Zion über Israel käme
1028:, H. 442, in the early 1950s, and again, for
904:Hans Albrecht prepared the Christmas cantata
8:
3521:Concert voor hobo en strijkorkest in g kl.t.
2080:
2078:
1706:on ArkivMusik, review of David Vernier, 2005
1617:
1615:
1613:
1611:
1601:
1599:
1597:
1595:
471:Lutheran Mass consisting of Kyrie and Gloria
401:was the third), in the fourth volume of his
348:, of which 400 copies were printed in 1725.
3976:Boydell & Brewer, 2011 (reprint 2015).
3200:Gottfried Heinrich Stölzel: Brockes-Passion
2475:Kündlich gross ist das gottselige Geheimnis
1156:Kündlich gross ist das gottselige Geheimnis
906:Kündlich gross ist das gottselige Geheimnis
653:Klavierbüchlein für Wilhelm Friedemann Bach
579:Klavierbüchlein für Wilhelm Friedemann Bach
477:. He also wrote for organ and harpsichord.
299:became vacant. Stölzel applied, but Prince
170:In 1707 he became a student of theology in
151:. A few years later he was admitted to the
4359:
4345:
4337:
3002:
3000:
2897:Anna Magdalena Notenbüchlein BWV 508-523:
2832:Kündlich groß ist das gottselige Geheimnis
2553:Triosonate für 2 Flöten und Basso continuo
1570:
1568:
1566:
1323:Kündlich groß ist das gottselige Geheimnis
975:Kündlich groß ist das gottselige Geheimnis
887:In 1948 Merseburger published the cantata
4327:Selected Cantatas from the first Jahrgang
4244:International Music Score Library Project
4240:Free scores by Gottfried Heinrich Stölzel
3078:Maurice Andre spielt 29 Trompetenkonzerte
2015:
2013:
1186:Alles, was ihr tut mit Worten oder Werken
159:, where he further practiced music under
4148:G.H. Stölzels "Abhandlung vom Recitativ"
4087:. Breßlau/Leipzig, 1720 (reprints 1725,
3177:Sonate e concerti per il corno da caccia
2136:Stölzel, Gottfried Heinrich: 16 Cantatas
1785:
1454:Hoffmann, Melchior: Magnificat in a-Moll
1271:for Quasimodogeniti Sunday 20 April 1732
973:, and a new edition of the 1725 cantata
815:Manuscript conservation and publications
147:Christian Umlaufft, a former student of
4268:Gottfried Heinrich Stoelzel (1690–1749)
4264:Gottfried Heinrich Stoelzel (1690–1749)
3655:Gottfried Heinrich Stölzel: Kammermusik
3634:Gottfried Heinrich Stölzel: Kammermusik
3337:Carl Philipp Emanuel BACH (1714-1788):
2518:Sonata V: Trio a 2 Violini con Continuo
2490:. Lippstadt: Kistner & Siegel, 1954
2025:Berliner Allgemeine Musikalishe Zeitung
1437:
1310:Other works included in the recording:
1261:Lehre mich tun nach deinem Wohlgefallen
1201:Wir haben ein festes prophetisches Wort
831:Missa canonica for thirteen real voices
776:adopted several movements of Stölzel's
139:, where he was taught music, including
4542:Ein Lämmlein geht und trägt die Schuld
4367:Compositions spuriously attributed to
2808:Gottfried Heinrich Stölzel, composer;
2427:Gottfried Heinrich Stölzel, composer;
2410:Gottfried Heinrich Stölzel, composer;
2371:Gottfried Heinrich Stölzel, composer;
2335:Instrumentalkonzerte deutscher Meister
1811:
1097:of the Brussels Conservatory in 1988.
624:
540:Ein Lämmlein geht und trägt die Schuld
4650:Liebster Gott, wenn werd ich sterben?
4535:Aria "Bist du bei mir" (BWV 508)
4389:Sanctus in D minor, BWV 239
3230: (archived 17 September 2016) at
3143:Maurice André plays trumpet concertos
3074:Trompetenkonzerte – Trumpet Concertos
2727:. Frankfurt am Main: Zimmermann, 1979
2501:Sonate für Flöte, Violine und Cembalo
2455:Leipzig: Breitkopf & Härtel, 1952
1350:Denen zu Zion wird ein Erlöser kommen
1283:Epistle Cantatas CD (released 2005):
1228:CD was released in 2004, containing:
553:In 1736 the Passion was performed as
7:
4734:People from the Electorate of Saxony
2882:Category:Stölzel, Gottfried Heinrich
1762:
1331:Gospel Cantatas CD (released 2007):
1026:Aus der Tiefe rufe ich, Herr, zu Dir
804:Canonic Mass in thirteen real voices
455:Among his extant compositions are a
440:Court chapel of Sondershausen Palace
305:Johann Balthasar Christian Freißlich
178:, at the time music director of the
4074:. Würzburg-Aumühle: Triltsch, 1939.
3224:Abstracts von Aufsätzen zu Stoelzel
3221:Abstracts von Aufsätzen zu Stoelzel
2696:). Leipzig University Thesis, 1965.
2268:Stölzel, Gottfried Heinrich: Masses
1072:Academy of St. Martin-in-the-Fields
370:In 1739 Stölzel became a member of
4764:18th-century German male musicians
3924:(Stölzel's autobiographical notes)
3499:Oboe Cosmopolitano / Lajos Lencsés
3070:Maurice André - König der Trompete
2314:Die Rose bleibt der Blumen Königin
2027:, 4th year, No. 40, 3 October 1827
1429:has been recorded on harpsichord.
1345:Euch ist heute der Heiland geboren
1048:'s performance of the work at the
862:Die Rose bleibt der Blumen Königin
329:, where he worked under the dukes
25:
4600:Siehe, es hat überwunden der Löwe
4418:(BWV Anh. III 165)
1373:Alles, was sonst lieblich heisset
1137:for the second day of Christmas:
1040:, recorded this cantata in 1991.
953:was published in 1981. Stölzel's
762:Johann Gottlob Immanuel Breitkopf
4754:18th-century classical composers
4602:, TWV 1:1328 (BWV 219)
4297:– Biography at bach-cantatas.com
1294:Das Volk, so im Finstern wandelt
1167:for the Sunday after Christmas:
1152:for the third day of Christmas:
1122:for the first day of Christmas:
1104:, in a performance conducted by
1002:Bist du bei mir § Reception
691:Notebook for Anna Magdalena Bach
625:Problems playing this file? See
603:
538:Johann Sebastian Bach performed
44:, the wife of his employer Duke
4593:, TWV 1:877 (BWV 160)
4591:Ich weiß, daß mein Erlöser lebt
4584:, TWV 1:634 (BWV 218)
4575:, TWV 1:183 (BWV 141)
4475:Schlage doch, gewünschte Stunde
3147:University of Toronto Libraries
2812:, lyrics; Brian Clark, editor.
2177:Allgemeine musikalische Zeitung
1731:Allgemeine Musikalische Zeitung
1286:Epistle cantatas from the 1728
1246:Wollte Gott, dass alle das Volk
1217:C. P. E. Bach's 1772
1086:Chamber Orchestra conducted by
870:Concerto Grosso a quattro Chori
4582:Gott der Hoffnung erfülle euch
4548:Bekennen will ich seinen Namen
4174:Bekennen will ich seinen Namen
4168:Bekennen will ich seinen Namen
3872:The Faber Pocket Guide to Bach
2926:Bekennen will ich seinen Namen
2786:. Leipzig: F. Hofmeister, 2001
2418:. Breitkopf & Härtel, 1942
2312:, editor. G. H. Stölzel:
1522:"Introduction" pp. vii–xi
1380:Seid wilkommen, schöne Stunden
1337:Gospel cantatas from the 1728
1251:Daran ist erschienen die Liebe
1164:CD 2 (recorded January 2000):
641:Bekennen will ich seinen Namen
244:, where he met composers like
237:, both premiered in Naumburg.
1:
4759:18th-century German composers
4466:Meine Seele erhebt den Herren
4316:Introducing Stölzel's Passion
1923:Bach-Werke-Verzeichnis (1998)
1858:Bach-Werke-Verzeichnis (1998)
1824:Bach-Werke-Verzeichnis (1998)
1526:Gottfried Heinrich Stölzel –
1256:So denn ihr, die ihr arg seid
240:Late in 1713 he travelled to
118:
4484:Meine Seele rühmt und preist
3987:Pfau, Marc-Roderich (2008).
3902:Grundlage einer Ehren-Pforte
3608:The European Baroque Trumpet
3587:Quadri di Dresda e Bruxelles
3362:Bach, Carl Phillip Emanuel:
2782:Gottfried Heinrich Stölzel.
1630:Gottfried Heinrich Stölzel.
1371:Rémy recorded the serenatas
1355:Herr, du weissest alle Dinge
1304:Wenn dein Wort offenbar wird
854:Partita di Signore Steltzeln
681:From the first Sunday after
561:, and in a similar version (
4729:German male opera composers
4443:, JLB 21 (BWV 15)
4305:Nederlandse Publieke Omroep
4285:Gottfried Heinrich Stoelzel
4281:Gottfried Heinrich Stoelzel
4200:Evangelische Verlagsanstalt
4194:(in German). Vol. 94.
4015:Evangelische Verlagsanstalt
4009:(in German). Vol. 94.
3800:Evangelische Verlagsanstalt
3794:(in German). Vol. 95.
2750:Die Welt singt Gottes Preis
2392:. Munich, Univ., Diss. 1938
1427:Enharmonische Claviersonate
1423:Partia di Signore Steltzeln
770:Die Kunst des reinen Satzes
735:Enharmonische Claviersonate
657:Partia di Signore Steltzeln
376:Society of Musical Sciences
27:German composer (1690-1749)
4780:
4526:Gottfried Heinrich Stölzel
4416:Unser Wandel ist im Himmel
4295:Gottfried Heinrich Stölzel
3254:Stölzel Christmas Oratorio
2865:A-R Editions, Inc., 2010.
2379:. Hannover: A. Nagel, 1937
2355:Ludwig Landshoff, editor.
1119:CD 1 (recorded May 1999):
999:
694:: some time after 1733–34
463:, made of cantatas, and a
421:
223:Rosen und Dornen der Liebe
64:Gottfried Heinrich Stölzel
4739:Leipzig University alumni
4688:
4573:Das ist je gewißlich wahr
4414:(BWV 222) and motet
3765:Leipzig: Breitkopf, 1792.
2555:. Hamburg: Sikorski, 1958
2542:. Hamburg: Sikorski, 1956
2084:Paul Corneilson, editor.
1520:Melvin P. Unger, editor.
1363:Gehet zu seinen Toren ein
1299:Ich sehe den Himmel offen
1141:Ich sehe den Himmel offen
1131:Ehre sei Gott in der Höhe
1064:English Chamber Orchestra
809:Abhandlung vom Recitative
518:Friedrich Wilhelm Marpurg
389:, which was published as
341:until his death in 1749.
297:Schwarzburg-Sondershausen
201:, where his first opera,
40:for the 48th birthday of
4719:German Baroque composers
4677:Uns ist ein Kind geboren
4511:BWV Anh. 114 melody in "
4070:Wolfgang Schmidt-Weiss.
3122:Concertos & cantatas
2990:Deutsche barock Kantaten
2820:. Prima la musica!, 2003
2388:Wolfgang Schmidt-Weiss.
1963:Owens et al. 2011/2015,
1702:10 December 2017 at the
1586:Owens et al. 2011/2015,
1108:, was recorded in 1997.
1022:Dietrich Fischer-Dieskau
912:for publication in 1954.
856:, were published by the
843:Johann Gottfried Schicht
391:Abhandlung vom Recitativ
355:succeeded his father in
193:In 1710 Stölzel went to
186:, both in succession of
4464:Magnificat in A minor (
4311:(Ludger Rémy recording)
4138:Oxford University Press
3956:Musikalische Bibliothek
3951:Lorenz Christoph Mizler
3943:Lorenz Christoph Mizler
3348:.musicweb-international
2694:Vol. 2 - Catalogue
2568:Hamburg: Sikorski, 1963
2160:Georg Pölchau, editor.
1070:, and in 1983 with the
989:was published in 2010.
864:was published in 1884.
839:Sing-Akademie zu Berlin
774:C. P. E. Bach
772:with music by Stölzel.
404:Musikalische Bibliothek
399:Johann Sebastian Bach's
372:Lorenz Christoph Mizler
4724:German opera composers
4562:Georg Philipp Telemann
3028:Eine kleine Nachtmusik
2799:. Garri Editions, 2003
2341:Breitkopf & Härtel
2318:Breitkopf & Härtel
1575:Cantatas for Pentecost
1269:Er heisset Friedefürst
1226:Cantatas for Pentecost
1146:Ihr sollt nicht wähnen
1084:Jean-François Paillard
1052:was recorded in 1961.
889:Aus der Tiefe rufe ich
751:
740:Musikalisches Allerley
592:
582:
532:Johann Friedrich Fasch
441:
433:
246:Johann David Heinichen
188:Georg Philipp Telemann
163:, the director of the
124:
106:
95:
60:
4646:, closing chorale of
4412:Mein Odem ist schwach
4370:Johann Sebastian Bach
4196:Neue Bachgesellschaft
4011:Neue Bachgesellschaft
3796:Neue Bachgesellschaft
2435:. Merseburger, 1948.
1171:Das Alte is vergangen
1050:Salzburger Festspiele
1024:recorded the cantata
921:Around the same time
847:Carl Ferdinand Becker
835:Carl Friedrich Zelter
732:
719:Johann Sebastian Bach
613:Performed by soprano
591:
576:
439:
431:
422:Further information:
393:in the 20th century.
280:, and travelled over
182:and conductor of the
112:
101:
92:Magnificat in A minor
85:
35:
4401:Johann Ernst Bach II
4202:. pp. 123–158.
4128:by Fritz Hennenberg"
2217:Missa canonica] and
2192:columns 629–631
2185:columns 620–622
1532:A-R Editions, 2010.
1241:Siehe da, eine Hütte
1182:for New Year's Day:
1082:on the oboe and the
967:Sind wir denn Kinder
868:published Stölzel's
339:Saxe-Gotha-Altenburg
291:In 1715 the post of
127:Stölzel was born in
115:Schloss Friedenstein
103:Sondershausen Palace
4662:by unknown composer
4150:. Heidelberg, 1962
4133:Music & Letters
4050:Irmgard Scheitler.
4017:. pp. 99–122.
3862:Leipzig: Dyk, 1784.
3802:. pp. 95–115.
3752:Ernst Ludwig Gerber
2970:Deutsche Grammophon
2836:Primalamusica, 2003
2773:: Musica Rara, 1993
2189:(30 September 1920)
2182:(27 September 1820)
1236:Werdet voll Geistes
1196:Danksaget dem Vater
1062:, in 1977 with the
1030:Deutsche Grammophon
800:Ernst Ludwig Gerber
794:Reference works by
696:Anna Magdalena Bach
461:Christmas Oratorios
301:Christian William I
258:Francesco Gasparini
4513:A Lover's Concerto
4430:Johann Ludwig Bach
4208:10.13141/bjb.v2008
4188:Bach Yearbook 2008
4183:Bach-Jahrbuch 2008
4130:pp. 63–66 in
4105:. pp. 81–92.
4023:10.13141/bjb.v2008
4003:Bach Yearbook 2008
3998:Bach-Jahrbuch 2008
3849:Johann Adam Hiller
3835:Fritz Hennenberg.
3808:10.13141/bjb.v2009
3788:Bach Yearbook 2009
3783:Bach-Jahrbuch 2009
3741:Christian Ahrens.
2684:Fritz Hennenberg.
2412:Gotthold Frotscher
2401:Schmidt-Weiss 1939
2036:Bach Digital Work
1940:2002, pp. 172–174.
1893:Understanding Bach
1886:Tatiana Shabalina
1339:Christmas Oratorio
1288:Christmas Oratorio
1277:Christmas Oratorio
1113:Christmas Oratorio
923:Gotthold Frotscher
901:by G. Müller.
872:in 1907. The aria
796:Johann Adam Hiller
752:
665:Wilhelm Friedemann
615:Elisabeth Schumann
593:
583:
442:
434:
318:(1719). His opera
266:Domenico Scarlatti
125:
107:
96:
61:
4706:
4705:
4498:Christian Petzold
4455:Melchior Hoffmann
4217:978-3-374-02668-5
4081:Benjamin Schmolck
4057:Schöningh, 2005.
4032:978-3-374-02668-5
3877:Faber & Faber
3817:978-3-374-02749-1
3770:Glöckner, Andreas
3745:. Stuttgart, 2009
3550:.musica-dei-donum
3430:Stolzel Serenatas
2954:Hänssler Classics
2924:Cantata BWV 200:
2505:C. F. Peters
2250:Hans Georg Nägeli
2019:A. B. Marx.
1950:Bach Digital Work
1873:Bach Digital Work
1798:Bach Digital Work
1734:. 1832, pp. 639f.
1088:Philippe Caillard
1068:Charles Mackerras
1036:, conducting the
858:Bach Gesellschaft
766:Johann Kirnberger
608:
599:"Bist du bei mir"
480:His five operas,
469:(German Mass), a
314:(1717–18) and in
270:Antonio Bononcini
184:Collegium Musicum
176:Melchior Hoffmann
105:and Market Square
88:Melchior Hoffmann
42:Magdalena Augusta
38:Die Freuden-Ernde
36:Stölzel composed
16:(Redirected from
4771:
4372:
4361:
4354:
4347:
4338:
4328:
4317:
4279:
4262:
4252:
4229:
4145:
4136:Vol. 59, No. 1.
4116:
4079:
4069:
4049:
4044:
3964:
3941:
3913:Melchior Hofmann
3897:Johann Mattheson
3895:
3890:
3867:Kenyon, Nicholas
3847:
3834:
3829:
3750:
3740:
3727:
3726:
3723:
3721:
3720:.prestoclassical
3719:
3710:
3704:
3694:
3688:
3687:
3684:
3682:
3673:
3667:
3666:
3663:
3661:
3652:
3646:
3645:
3642:
3640:
3631:
3622:
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3605:
3599:
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3595:
3593:
3584:
3578:
3576:
3573:
3571:
3562:
3556:
3554:
3551:
3549:
3541:Johan van Veen.
3539:
3533:
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3529:
3527:
3518:
3512:
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3507:
3505:
3496:
3490:
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3416:
3414:
3405:
3399:
3398:
3395:
3393:
3384:
3378:
3376:
3373:
3371:
3364:Johannes-Passion
3359:
3353:
3352:
3349:
3347:
3339:Johannes-Passion
3334:
3328:
3327:
3324:
3322:
3309:
3303:
3293:
3287:
3286:
3283:
3281:
3272:
3266:
3265:
3262:
3260:
3250:
3244:
3243:
3240:
3238:
3236:
3235:.ruhr-uni-bochum
3234:
3218:
3212:
3211:
3208:
3206:
3197:
3191:
3189:
3186:
3184:
3172:
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3150:
3140:
3134:
3133:
3130:
3128:
3119:
3113:
3112:
3109:
3107:
3106:.prestoclassical
3105:
3096:
3090:
3089:
3086:
3084:
3067:
3061:
3060:
3057:
3055:
3046:
3040:
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3036:
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3025:
3019:
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3013:
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2995:
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2793:
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2721:
2715:
2712:
2706:
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2697:
2682:
2676:
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2646:
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2631:
2622:
2616:
2607:
2601:
2591:
2585:
2575:
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2562:
2556:
2549:
2543:
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2527:
2521:
2514:
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2497:
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2419:
2408:
2402:
2399:
2393:
2386:
2380:
2369:
2363:
2353:
2347:
2345:pp. 221–272
2327:
2321:
2307:
2301:
2275:
2269:
2259:
2253:
2243:
2232:
2226:
2200:
2194:
2190:
2187:and No. 79
2183:
2173:
2167:
2158:
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2143:
2137:
2127:
2121:
2120:
2117:
2115:
2105:
2096:
2082:
2073:
2055:
2049:
2034:
2028:
2017:
2008:
1998:
1992:
1982:
1976:
1973:
1967:
1961:
1955:
1947:
1941:
1935:
1929:
1927:pp. 308–309
1920:
1914:
1904:
1898:
1884:
1878:
1870:
1864:
1862:pp. 391–392
1855:
1849:
1836:
1830:
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1795:
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1727:
1716:
1707:
1694:
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1682:
1676:
1673:
1664:
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1655:
1653:pp. 338–345
1651:Scheitler 2005,
1649:
1638:
1628:
1622:
1619:
1606:
1603:
1590:
1584:
1578:
1572:
1561:
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1546:
1540:
1518:
1499:
1496:
1475:
1472:
1455:
1445:
1384:
1377:
1219:Johannes-Passion
1213:
1096:
1076:Neville Marriner
1038:Ricercar Consort
983:St. John Passion
931:New Bach Edition
837:, leader of the
828:
786:Johannes-Passion
749:
715:Johann Mattheson
610:
609:
590:
577:Page 58r of the
545:
412:
384:
295:at the court of
213:, instigated by
123:
120:
58:
50:
21:
4779:
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4774:
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4770:
4769:
4768:
4709:
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4684:
4683:
4657:
4656:
4628:
4627:
4607:
4606:
4555:
4554:
4519:
4518:
4491:
4490:
4448:
4447:
4439:Easter cantata
4423:
4422:
4394:
4393:
4380:Antonio Caldara
4373:
4368:
4365:
4326:
4315:
4309:Brockes-Passion
4289:Wayback Machine
4277:
4272:Wayback Machine
4260:
4250:
4236:
4218:
4160:
4146:Werner Steger.
4143:
4140:, January 1978.
4113:
4096:
4077:
4067:
4047:
4033:
3986:
3958:
3939:
3893:
3887:
3865:
3845:
3832:
3818:
3768:
3763:, Vol. 2 (N–Z).
3748:
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3497:
3493:
3481:
3472:
3468:
3456:
3451:
3447:
3433:
3428:David Vickers.
3427:
3423:
3411:
3406:
3402:
3390:
3385:
3381:
3377:(February 2005)
3368:
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3356:
3344:
3335:
3331:
3319:
3310:
3306:
3294:
3290:
3278:
3273:
3269:
3257:
3252:David Vernier.
3251:
3247:
3231:
3228:Wayback Machine
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2777:
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2735:
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2718:
2713:
2709:
2705:Hennenberg 1976
2704:
2700:
2683:
2679:
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2400:
2396:
2387:
2383:
2373:Helmuth Osthoff
2370:
2366:
2354:
2350:
2330:Arnold Schering
2328:
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2304:
2276:
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2144:
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2128:
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2112:
2106:
2099:
2083:
2076:
2056:
2052:
2035:
2031:
2018:
2011:
1999:
1995:
1983:
1979:
1974:
1970:
1962:
1958:
1948:
1944:
1936:
1932:
1921:
1917:
1905:
1901:
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1796:
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1784:
1769:
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1754:
1742:
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1721:
1717:
1710:
1704:Wayback Machine
1695:
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1502:
1497:
1478:
1473:
1458:
1446:
1439:
1435:
1382:
1375:
1211:
1102:Brockes Passion
1094:
1008:
998:
979:Brockes-Passion
899:piano reduction
866:Arnold Schering
822:
817:
743:
727:
725:Next generation
700:Bist du bei mir
632:
631:
623:
621:
620:
619:
618:
611:
604:
601:
594:
588:
543:
542:on Good Friday
527:
514:
457:Brockes Passion
426:
420:
406:
378:
351:In 1720 Prince
250:Antonio Vivaldi
121:
80:
57:23 October 1727
56:
45:
28:
23:
22:
15:
12:
11:
5:
4777:
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4710:
4704:
4703:
4701:
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4695:
4689:
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4685:
4682:
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4679:(BWV 142)
4672:
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4550:, BWV 200
4537:
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4517:
4516:
4509:
4503:
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4500:
4493:
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4479:
4470:
4468:, BWV Anh. 21)
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4258:
4247:
4235:
4234:External links
4232:
4231:
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4216:
4158:
4141:
4120:Basil Smallman
4117:
4111:
4094:
4075:
4065:
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3379:
3354:
3329:
3304:
3288:
3267:
3261:.classicstoday
3245:
3213:
3207:.bach-cantatas
3192:
3167:
3151:
3135:
3114:
3091:
3062:
3049:Symphonie no.3
3041:
3020:
3014:.bach-cantatas
2996:
2994:Ricercar, 1991
2981:
2958:
2940:
2934:.bach-cantatas
2916:
2910:.bach-cantatas
2890:
2874:
2851:
2838:
2822:
2801:
2788:
2775:
2758:
2742:
2729:
2716:
2707:
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2479:
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2360:Edition Peters
2348:
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2227:
2195:
2168:
2153:
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2122:
2097:
2074:
2050:
2029:
2009:
1993:
1977:
1968:
1956:
1942:
1930:
1915:
1899:
1879:
1865:
1850:
1846:Vol. 45 (1897)
1839:Alfred Dörffel
1831:
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1790:
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1752:
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1686:
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1474:Mattheson 1740
1456:
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1317:Deutsche Messe
1314:
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1192:for Epiphany:
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1128:
1080:Pierre Pierlot
1046:Carl Schuricht
1034:Erik van Nevel
1019:
1018:
1015:
997:
994:
987:German Te Deum
947:Urtext edition
927:
926:
919:
916:
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902:
895:
892:
891:(H. 442).
885:
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622:
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586:
585:
584:
571:
570:
551:
526:
525:Contemporaries
523:
513:
510:
466:Deutsche Messe
446:cantata cycles
419:
416:
79:
76:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
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4635:Daniel Vetter
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4192:Bach-Jahrbuch
4189:
4185:
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4179:
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4171:
4169:
4163:
4162:Wollny, Peter
4159:
4157:
4153:
4149:
4142:
4139:
4135:
4134:
4129:
4127:
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4112:9783825809980
4108:
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4101:(in German).
4100:
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4024:
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4016:
4012:
4008:
4007:Bach-Jahrbuch
4004:
4000:
3999:
3994:
3993:Wollny, Peter
3990:
3985:
3983:
3982:9781783270583
3979:
3975:
3973:
3968:
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3792:Bach-Jahrbuch
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3778:Wollny, Peter
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3372:.dasorchester
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2815:
2811:
2810:Oswald Knauer
2805:
2802:
2798:
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2759:
2755:
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2739:
2733:
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2726:
2720:
2717:
2714:Smallman 1978
2711:
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2331:
2326:
2323:
2319:
2315:
2311:
2310:Robert Eitner
2306:
2303:
2299:
2295:
2291:
2287:
2283:
2279:
2274:
2271:
2267:
2263:
2258:
2255:
2251:
2247:
2241:
2236:
2235:Georg Pölchau
2231:
2228:
2224:
2220:
2216:
2212:
2208:
2204:
2199:
2196:
2193:
2186:
2179:
2178:
2172:
2169:
2165:
2164:
2157:
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2151:
2147:
2142:
2139:
2135:
2131:
2126:
2123:
2119:
2116:.searchmobius
2110:
2104:
2102:
2098:
2095:
2094:9781933280219
2091:
2087:
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2079:
2075:
2071:
2067:
2063:
2059:
2054:
2051:
2047:
2043:
2039:
2033:
2030:
2026:
2022:
2016:
2014:
2010:
2006:
2002:
1997:
1994:
1990:
1986:
1981:
1978:
1972:
1969:
1966:
1960:
1957:
1954:
1951:
1946:
1943:
1939:
1938:Bach-Jahrbuch
1934:
1931:
1928:
1924:
1919:
1916:
1912:
1908:
1903:
1900:
1896:
1894:
1890:pp. 77-99 in
1889:
1883:
1880:
1877:
1874:
1869:
1866:
1863:
1859:
1854:
1851:
1848:, pp. 213–231
1847:
1844:
1840:
1835:
1832:
1829:
1825:
1820:
1817:
1813:
1808:
1805:
1802:
1799:
1794:
1791:
1787:
1786:Glöckner 2009
1782:
1780:
1778:
1776:
1774:
1772:
1768:
1764:
1759:
1757:
1753:
1749:
1745:
1740:
1737:
1733:
1732:
1728:. Article in
1725:
1720:
1719:Georg Pölchau
1715:
1713:
1709:
1705:
1701:
1698:
1693:
1691:
1687:
1684:Siegmund 2007
1681:
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1666:
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1569:
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1542:
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1538:9780895796776
1535:
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1457:
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1442:
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1424:
1416:
1413:
1410:
1407:
1404:
1401:
1398:
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1390:
1386:
1381:
1374:
1364:
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1342:
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1336:
1333:
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1242:
1239:
1237:
1234:
1233:
1231:
1230:
1229:
1227:
1222:
1220:
1215:
1212:H. WK A 12–27
1202:
1199:
1197:
1194:
1193:
1191:
1187:
1184:
1183:
1181:
1177:
1174:
1172:
1169:
1168:
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1165:
1163:
1157:
1154:
1153:
1151:
1147:
1144:
1142:
1139:
1138:
1136:
1132:
1129:
1127:
1124:
1123:
1121:
1120:
1118:
1117:
1116:
1114:
1109:
1107:
1103:
1098:
1091:
1089:
1085:
1081:
1077:
1074:conducted by
1073:
1069:
1066:conducted by
1065:
1061:
1057:
1056:Maurice André
1053:
1051:
1047:
1043:
1039:
1035:
1031:
1027:
1023:
1016:
1013:
1012:
1011:
1007:
1003:
995:
993:
990:
988:
984:
980:
976:
972:
971:Ehre sei Gott
968:
964:
959:
956:
952:
951:Ich bin beide
948:
944:
939:
937:
936:Maurice André
932:
924:
920:
917:
914:
911:
907:
903:
900:
896:
893:
890:
886:
883:
882:
881:
878:
875:
871:
867:
863:
859:
855:
850:
848:
844:
840:
836:
832:
826:
821:
820:Georg Pölchau
814:
812:
810:
805:
801:
797:
792:
790:
787:
784:and his 1772
783:
782:Lukas-Passion
779:
775:
771:
767:
763:
758:
756:
747:
742:
741:
736:
731:
724:
722:
720:
716:
709:
705:
701:
697:
693:
692:
688:
684:
680:
677:
674:
670:
666:
662:
658:
654:
651:
650:
649:
646:
644:
642:
637:
630:
628:
616:
600:
580:
575:
568:
564:
560:
556:
552:
549:
544:23 April 1734
541:
537:
536:
535:
533:
524:
522:
519:
511:
509:
505:
503:
499:
495:
491:
487:
483:
478:
476:
472:
468:
467:
462:
459:of 1725, two
458:
453:
449:
447:
438:
430:
425:
417:
415:
413:
410:
405:
400:
394:
392:
388:
382:
377:
373:
368:
366:
362:
358:
357:Sondershausen
354:
349:
347:
342:
340:
336:
335:Frederick III
332:
328:
323:
321:
317:
313:
308:
306:
302:
298:
294:
293:Kapellmeister
289:
287:
283:
279:
275:
271:
267:
263:
259:
255:
251:
247:
243:
238:
236:
232:
228:
224:
220:
216:
215:Johann Theile
212:
208:
204:
200:
196:
191:
189:
185:
181:
177:
173:
168:
166:
162:
161:Emanuel Kegel
158:
154:
150:
149:Johann Kuhnau
146:
142:
138:
134:
130:
116:
111:
104:
100:
93:
89:
84:
77:
75:
73:
69:
65:
54:
48:
43:
39:
34:
30:
19:
4676:
4649:
4614:Pietro Torri
4599:
4590:
4581:
4572:
4547:
4545:, model for
4540:
4525:
4483:
4474:
4465:
4440:
4415:
4411:
4308:
4187:
4182:
4178:BWV 200
4173:
4167:
4147:
4131:
4125:
4098:
4089:
4084:
4071:
4052:
4002:
3997:
3971:
3954:
3900:
3871:
3857:
3837:
3787:
3782:
3760:
3742:
3708:
3692:
3671:
3650:
3603:
3582:
3560:
3537:
3516:
3494:
3469:
3448:
3424:
3403:
3382:
3363:
3357:
3338:
3332:
3307:
3291:
3270:
3248:
3216:
3195:
3176:
3170:
3154:
3138:
3117:
3094:
3065:
3044:
3023:
2992:, Vol. VIII.
2989:
2984:
2965:
2961:
2948:
2943:
2925:
2919:
2893:
2877:
2860:
2854:
2846:
2841:
2831:
2825:
2817:
2813:
2804:
2796:
2791:
2783:
2778:
2766:
2761:
2745:
2737:
2732:
2724:
2719:
2710:
2701:
2685:
2680:
2665:
2650:
2635:
2620:
2605:
2589:
2573:
2565:
2560:
2552:
2547:
2539:
2534:
2525:
2517:
2512:
2507:in the U.S.)
2500:
2495:
2487:
2482:
2474:
2469:
2460:
2452:
2447:
2432:
2423:
2415:
2406:
2397:
2389:
2384:
2376:
2367:
2356:
2351:
2334:
2325:
2313:
2305:
2273:
2257:
2245:
2230:
2198:
2180:No. 78
2175:
2171:
2162:
2156:
2141:
2125:
2085:
2053:
2046:Bach Digital
2032:
2024:
1996:
1980:
1971:
1959:
1945:
1933:
1918:
1902:
1892:
1882:
1868:
1853:
1834:
1819:
1807:
1793:
1739:
1729:
1680:
1659:
1632:
1626:
1582:
1544:
1527:
1426:
1422:
1420:
1394:
1391:
1387:
1383:(H. WK A 11)
1379:
1372:
1370:
1365:for New Year
1362:
1354:
1349:
1344:
1338:
1322:
1316:
1303:
1298:
1293:
1287:
1276:
1274:
1268:
1260:
1255:
1250:
1245:
1240:
1235:
1225:
1223:
1218:
1216:
1209:
1200:
1195:
1185:
1175:
1170:
1155:
1145:
1140:
1130:
1125:
1115:on two CDs:
1112:
1110:
1099:
1092:
1054:
1025:
1020:
1009:
991:
986:
982:
978:
974:
970:
966:
960:
954:
950:
942:
940:
928:
910:Lob und Dank
909:
905:
888:
879:
869:
861:
853:
851:
830:
818:
808:
803:
793:
785:
781:
780:in his 1771
777:
769:
759:
753:
739:
734:
713:
707:
689:
656:
647:
640:
635:
633:
562:
554:
539:
528:
515:
506:
497:
493:
489:
485:
481:
479:
475:oboe d'amore
464:
460:
454:
450:
443:
418:Compositions
402:
395:
390:
369:
361:court chapel
350:
343:
331:Frederick II
324:
319:
309:
290:
239:
234:
230:
222:
210:
202:
192:
169:
165:court chapel
141:thoroughbass
126:
113:Gotha, with
63:
62:
47:Frederick II
37:
29:
4749:1749 deaths
4744:1690 births
4278:(in German)
4261:(in German)
4198:. Leipzig:
4144:(in German)
4078:(in German)
4068:(in German)
4048:(in German)
4013:. Leipzig:
3959: [
3940:(in German)
3894:(in German)
3846:(in German)
3833:(in German)
3798:. Leipzig:
3749:(in German)
3739:(in German)
3621:'s website.
3615: [
3612:Rubén Simeó
3460:.arkivmusic
3437:.gramophone
3415:.arkivmusic
3394:.arkivmusic
3323:.arkivmusic
3282:.cduniverse
2690:Vol. 1
2238: [
1828:p. 202
1812:Wollny 2008
1722: [
1675:Ahrens 2009
1663:Steger 1962
1621:Gerber 1792
1605:Hiller 1784
1498:Mizler 1754
1376:(H. WK A 7)
1106:Ludger Rémy
1042:Günter Wand
1032:, in 1965.
823: [
798:(1784) and
755:Georg Benda
744: [
667:, adding a
407: [
379: [
129:Grünstädtel
122: 1730
72:Baroque era
4713:Categories
4652:BWV 8
4103:Lit Verlag
4063:3506729551
3945:(editor).
3899:(editor).
3594:.muziekweb
3528:.muziekweb
3485:.muziekweb
3300:amazon.com
3185:.muziekweb
3129:.muziekweb
3056:.muziekweb
3035:.muziekweb
2431:, editor.
2429:Adam Adrio
2414:, editor.
2375:, editor.
2332:, editor.
2244:, editor.
2109:Corneilson
1841:, editor.
1637:S.l., 1725
1433:References
1100:Stölzel's
1095:Sonata à 4
1000:See also:
996:Recordings
963:Ave Regina
961:Stölzel's
789:pasticcios
627:media help
559:Rudolstadt
387:recitative
137:Schneeberg
4486:(BWV 189)
4226:0084-7682
4156:494164878
4124:"Review:
4093:and 1737)
4041:0084-7682
3860:, Vol. 1.
3826:0084-7682
3683:.hbdirect
3572:.hbdirect
3506:.hbdirect
3241:/stoelzel
3239:/mielorth
3175:BDX0266,
2674:39742022f
2659:39742023s
2644:397420213
2629:397420244
2614:39741687f
2441:611257773
2298:220037271
2290:450061594
2282:454012469
2266:225004738
2223:991003712
2215:469047000
2207:990062895
2150:452511218
2134:452511171
2070:469465700
2062:469002300
2005:220039513
1989:452511072
1911:469080810
1763:Pfau 2008
1748:250004987
1556:.stanford
1554:operadata
1549:Narcissus
1452:464000199
1385:in 2007.
643:, BWV 200
512:Reception
494:Artemisia
486:Narcissus
353:Günther I
303:promoted
278:Innsbruck
231:Artemisia
203:Narcissus
180:Neukirche
153:gymnasium
78:Biography
4698:BWV Anh.
4675:Cantata
4648:Cantata
4598:Cantata
4589:Cantata
4580:Cantata
4571:Cantata
4482:Cantata
4477:(BWV 53)
4473:Cantata
4410:Cantata
4164:(2008).
3869:(2011).
3772:(2009).
3641:.ambitus
3617:Wikidata
3165:website.
2978:11579562
2972:, 1965.
2343:, 1907.
1700:Archived
1361:Cantata
1321:Cantata
1267:Cantata
708:Diomedes
567:Nürnberg
484:(1718),
482:Diomedes
320:Diomedes
312:Bayreuth
262:Florence
219:Naumburg
90:'s 1707
68:composer
4332:YouTube
4321:YouTube
4287:at the
4270:at the
4256:YouTube
4246:(IMSLP)
4242:at the
4190:].
4005:].
3995:(ed.).
3934:in 1709
3790:].
3780:(ed.).
3733:Sources
3703:website
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