1926:
at once exerted its baleful influence... Kuhnau represented that the tendencies of the 'Operists' ... were destroying all feeling for true church music..." Spitta, ibid. Appendix B VII (actually B IV, p. 303): "... Memorials of Kuhnau's, addressed to the Town
Council and to the University on ... March 17, 1709... appeals to ... consider certain points... 8 & 9 refer to the numbers of the choir, and 10 complains again of the increasing influence of the opera; this, he says, causes the greatest mischief, for the better students, as soon as they have acquired... sufficient practice, long to find themselves among the Operisten"
517:
Telemann made during the years 1725 to 1740. By 1736 husband and wife were no longer living together because of their financial disagreements. Although still active and fulfilling the many duties of his job, Telemann became less productive in the 1740s, when he was in his 60s. He took up theoretical studies, as well as hobbies such as gardening and cultivating exotic plants, something of a fad in
Hamburg at that time, and a hobby shared by Handel. Most of the music of the 1750s appears to have been parodied from earlier works. Telemann's eldest son Andreas died in 1755, and Andreas' son
485:
232:
before leaving him. As part of his duties, he wrote a considerable amount of music for educating organists under his direction. This includes 48 chorale preludes and 20 small fugues (modal fugues) to accompany his chorale harmonisations for 500 hymns. His music incorporates French, Italian, and German national styles, and he was at times even influenced by Polish popular music. He remained at the forefront of all new musical tendencies, and his music stands as an important link between the late
1660:
1520:
1370:
1279:
258:
535:
overture-suites, and types of concertos for combinations of instruments that no other composer of the time employed. The first accurate estimate of the number of his works was provided by musicologists only during the 1980s and 1990s, when extensive thematic catalogues were published. During his lifetime and the latter half of the 18th century, Telemann was very highly regarded by colleagues and critics alike. Numerous theorists (
3815:
3825:
1875:(1740), p. 355: "... Ich eine ertappte hamburger Oper, Sigismundus, etwa im zwölfften Jahr meines Alters, in die Musik seßte, welche auch auf einer errichteten Bühne toll genug abegefungen wurde, und wohen ich selbst meinen Held ziemlich troßig vorstellte." set it to music, which was performed well enough on a home-made stage, and where I personally presented my hero pretty defiantly.]
300:, died when Telemann was four. The future composer received his first music lessons at 10, from a local organist, and became immensely interested in music in general, and composition in particular. Despite opposition from his mother and relatives, who forbade any musical activities, Telemann found it possible to study and composed in secret, even creating an opera at the age of 12.
311:, where his musical talent flourished, supported by school authorities, including the rector himself. Telemann was becoming equally adept both at composing and performing, teaching himself flute, oboe, violin, viola da gamba, recorder, double bass, and other instruments. In 1701 he graduated from the Gymnasium and went to Leipzig to become a student at the
3851:
430:, that is, regularly sending new music while not actually living in Eisenach. Telemann's first published works also appeared during the Frankfurt period. His output increased rapidly, for he fervently composed overture-suites and chamber music, most of which is unappreciated. These works included his 6 Sonatas for solo violin, known as the
3875:
3863:
40:
614:) occurred in 1832, and it was not until the 20th century that his music started being performed again. The revival of interest in Telemann began in the first decades of the 20th century and culminated in the Bärenreiter critical edition of the 1950s. Today each of Telemann's works is usually given a
521:
was raised by the aging composer. Troubled by health problems and failing eyesight in his last years, Telemann was still composing into the 1760s. He died on the evening of 25 June 1767 from what was recorded at the time as a "chest ailment." He was succeeded at his
Hamburg post by his godson, Johann
630:, but he never completely adopted the ideals of the nascent Classical era: Telemann's style remained contrapuntally and harmonically complex, and already in 1751 he dismissed much contemporary music as too simplistic. Composers he influenced musically included pupils of J.S. Bach in Leipzig, such as
1925:
Spitta, Phillip, Johann
Sebastian Bach (publ 1873–1880) translated from the German (1884–1899) by Clara Bell and J.A. Fuller-Maitland, Dover 1951 (republished 1959, 1992, 2015), Vol II, pp. 204–207: "The direct connection between opera and sacred music which thus took form in the person of Telemann
1296:
625:
Telemann's music was one of the driving forces behind the late
Baroque and the early Classical styles. Starting in the 1710s he became one of the creators and foremost exponents of the so-called German mixed style, an amalgam of German, French, Italian and Polish styles. Over the years, his music
534:
Telemann was one of the most prolific major composers of all time: his all-encompassing oeuvre comprises more than 3,000 compositions, half of which have been lost, and most of which have not been performed since the 18th century. From 1708 to 1750, Telemann composed 1,043 sacred cantatas and 600
378:
in August 1709. During his tenure at
Eisenach, Telemann wrote a great deal of music: at least four annual cycles of church cantatas, dozens of sonatas and concertos, and other works. In 1709, he married Amalie Louise Juliane Eberlin, lady-in-waiting to the Countess of Promnitz and daughter of the
516:
His first years there were plagued by marital troubles: his wife's infidelity, and her gambling debts, which amounted to a sum larger than
Telemann's annual income. The composer was saved from bankruptcy by the efforts of his friends, and by the numerous successful music and poetry publications
231:
in 1721, where he became musical director of that city's five main churches. While
Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt
661:
Equally significant for the history of music were
Telemann's publishing activities. By pursuing exclusive publication rights for his works, he set one of the most important early precedents for regarding music as the intellectual property of the composer. The same attitude informed his public
420:
On 28 August 1714, three years after his first wife had died, Telemann married again, Maria
Catharina Textor, daughter of a Frankfurt council clerk. They eventually had nine children. This was a source of much personal happiness, and helped him produce compositions. Telemann continued to be
1288:
467:, and music director of the five largest churches in 1721. Soon after arrival, Telemann encountered some opposition from church officials who found his secular music and activities to be too much of a distraction for both Telemann himself and the townsfolk. The next year, when
1317:
591:, a late-18th-century critic who in fact praised Telemann's music and made only passing critical remarks of his productivity. After the Bach revival, Telemann's works were judged as inferior to Bach's and lacking in deep religious feeling. For example, by 1911, the
403:. In Frankfurt, he fully gained his mature personal style. Here, as in Leipzig, he was a powerful force in the city's musical life, creating music for two major churches, civic ceremonies, and various ensembles and musicians. By 1720 he had adopted the use of the
551:, among others) cited his works as models, and major composers such as J.S. Bach and Handel bought and studied his published works. He was immensely popular not only in Germany but also in the rest of Europe: orders for editions of Telemann's music came from
509:. From then on, he incorporated the French operatic style into his vocal works. Before then, his influence was primarily Italian and German. Apart from that, Telemann remained in Hamburg for the rest of his life. A vocal masterpiece of this period is his
1309:
1498:
1408:
1426:
1480:
1390:
1444:
1462:
1490:
1400:
1297:
1418:
1472:
1382:
1436:
1454:
1716:
1698:
499:
Telemann took a few small trips outside of Germany at this time. However, later in the Hamburg period he travelled to Paris and stayed for eight months, 1737 into 1738. He heard and was impressed by
1734:
1318:
1680:
2690:
1631:
1613:
1595:
1577:
1559:
1541:
1339:
608:, who criticized Telemann's cantatas and then praised works they thought were composed by Bach, but which were composed by Telemann. The last performance of a substantial work by Telemann (
327:, and later music director at the Neukirche. Prodigiously productive, Telemann supplied a wealth of new music for Leipzig, including several operas, one of which was his first major opera,
1499:
597:
lacked an article about Telemann, and in one of its few mentions of him referred to "the vastly inferior work of lesser composers such as Telemann" in comparison to Handel and Bach.
1409:
1427:
2361:
1481:
1391:
1708:
1690:
1445:
1463:
1726:
2337:
1672:
2282:
1622:
1604:
1586:
1568:
1550:
1532:
2063:
1330:
1717:
1699:
413:
1735:
1681:
1630:
1612:
1594:
1576:
1558:
1540:
1338:
3985:
3970:
2241:
2105:
593:
2545:
2454:
337:. The conflict intensified when Telemann started employing numerous students for his projects, including those who were Kuhnau's, from the Thomasschule.
176:. Telemann was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend
3905:
2219:
477:, Telemann applied for the job and was approved, yet declined after Hamburg authorities agreed to give him a suitable raise. After another candidate,
3975:
2486:
2382:
968:
682:
2235:
953:, 1738) for flute, violin, viola da gamba or cello, continuo, TWV 43:G1, D1, A1, g1, e1, h1 (first set), TWV 43:D3, a2, G4, h2, A3, e4 (second set)
2664:
2540:
962:
363:
2353:
2309:
662:
concerts, where Telemann frequently performed music originally composed for ceremonies attended only by a select few members of the upper class.
3980:
3930:
3910:
2535:
1310:
Concerto No. 2 in D major, TWV 43:D1 from the Six quatuors a violon, flute, viole ou violoncello et basse continue (Hamburg, 1730, Paris, 1736)
956:
2564:
2076:
1945:
3945:
2576:
2494:
2275:
1045:
759:, Cantata for the Peace of Paris, 1763, for 5-part chorus, flute, 2 oboes, bassoon, 3 trumpets, 2 horns, strings & continuo, TWV 14:12
694:
400:
2558:
3920:
3915:
3679:
2581:
708:
2165:
3965:
3960:
3925:
3805:
3704:
2345:
1776:
579:. It was only in the early 19th century that his popularity came to a sudden halt. Most lexicographers started dismissing him as a "
3097:
2989:
2774:
2627:
2369:
2329:
1064:
3990:
3950:
3940:
3935:
3062:
2398:
2268:
829:
3532:
3527:
981:
461:
3699:
3415:
2551:
974:
158:
62:
3841:
417:, which was brought to Frankfurt in 1719, written in the Italian idiom of composition, made a mark on Telemann's output.
3995:
3300:
2759:
2609:
2321:
2229:
438:
in G major, which is twice the length of his violin concertos. Also, here he composed his first choral masterpiece, his
316:
1796:
383:. Their daughter was born in January 1711. The mother died soon afterwards, leaving Telemann depressed and distraught.
295:
3955:
3127:
3027:
2657:
2215:
2122:, Vol. 22, p. 14, 2005: "Am 24. September erklingt dann in St. Anna erstmals wieder Georg Philipp Telemanns Oratorium
2058:
484:
290:
261:
Magdeburg, Telemann's birthplace, in the early 18th century. Some 50 years before Telemann's birth the city was
3798:
3285:
3077:
2994:
2854:
2602:
2315:
2225:
2169:
715:
671:
635:
523:
315:, where he intended to study law. He ended up becoming a professional musician, regularly composing works for the
3731:
3275:
3220:
2849:
2844:
2819:
2682:
1871:
As Telemann claimed in his autobiography provided to and printed by Johann Mattheson (1681–1764) in the latter's
1058:
639:
536:
278:
181:
76:
20:
3245:
3122:
3052:
2889:
2869:
1850:
588:
237:
153:
49:
1061:
for Viola and String Orchestra, TWV 51:G9; the first known concerto for viola, still regularly performed today
421:
extraordinarily productive and successful, even augmenting his income by working for Eisenach employers as a
3230:
2714:
631:
2245:
1992:
3855:
3828:
3818:
3757:
3092:
3087:
3057:
2909:
2650:
2587:
2405:
2255:
881:
767:
647:
518:
347:
185:
3694:
3295:
3225:
3182:
3142:
3132:
3022:
2809:
2529:
920:
651:
548:
544:
208:
177:
169:
123:
2754:
2412:
587:
for whom quantity came before quality. Such views were influenced by an account of Telemann's music by
3900:
3895:
3767:
3147:
3047:
3004:
2974:
2969:
2954:
2729:
2510:
2478:
2068:
783:
506:
434:, published in 1715. In the latter half of the Frankfurt period, he composed an innovative work, his
408:
2205:
Modern performing editions of Telemann's yearly Passions from 1757 to 1767 edited by Johannes Pausch
840:
3689:
3325:
3280:
3270:
3260:
3117:
3072:
2924:
2914:
2864:
2744:
2471:
2193:
Commercially available performing editions of Telemann's music, as well as other baroque composers.
3824:
3265:
3187:
3152:
3102:
3082:
3032:
2794:
2784:
2447:
2426:
2391:
643:
580:
478:
359:
329:
312:
274:
110:
72:
3250:
2814:
3782:
3726:
3517:
3466:
3067:
2919:
2899:
2879:
2874:
2734:
2440:
2144:
2072:
1941:
1901:
1772:
605:
282:
262:
99:
3867:
3777:
3646:
3596:
3240:
3192:
3162:
3107:
2984:
2939:
2904:
2779:
2739:
2704:
2502:
1642:
801:
540:
501:
257:
3741:
3631:
3554:
3430:
3255:
3177:
3037:
3017:
2979:
2894:
2749:
2724:
2619:
2251:
1813:
1800:
1638:
600:
Particularly striking examples of such judgements were produced by noted Bach biographers
440:
241:
211:
to study law, but eventually settled on a career in music. He held important positions in
3042:
658:
school, and finally, his numerous pupils, none of whom, however, became major composers.
340:
Telemann left Leipzig in 1705 at the age of 24, after receiving an invitation to become
3736:
3471:
3445:
3380:
3290:
3172:
3137:
2839:
2804:
2709:
2570:
2299:
938:
601:
435:
380:
172:. He is one of the most prolific composers in history, at least in terms of surviving
3889:
3772:
3651:
3611:
3559:
3502:
3492:
3370:
3305:
3157:
3112:
2959:
2949:
2944:
2884:
2769:
2764:
2673:
2100:
2054:
845:
468:
423:
342:
334:
162:
2095:
3879:
3716:
3711:
3684:
3621:
3202:
2934:
2929:
2719:
2614:
2017:
1845:
627:
610:
473:
464:
404:
320:
1218:
Sonata da chiesa, TWV 41:g5 (for Melodic instrument – Violin, Flute or Oboe, from
1733:
1715:
1697:
1679:
1629:
1611:
1593:
1575:
1557:
1539:
1497:
1479:
1461:
1443:
1425:
1407:
1389:
1337:
1316:
1295:
934:(1728), a musical journal containing 70 small vocal and instrumental compositions
3672:
3667:
3584:
3395:
3390:
3360:
3235:
3215:
2964:
2799:
2789:
943:
Quadri a violino, flauto traversiere, viola da gamba o violoncello, e fondamento
901:
Overture: Alster Echo in F, for 4 horns, 2 oboes, bassoon, strings and continuo,
572:
568:
560:
333:. However, he became engaged in a conflict with the cantor of the Thomaskirche,
192:
173:
2034:
3636:
3544:
3512:
3410:
3375:
3350:
2126:, das 1755 zum 200. Jubiläum des Augsburger Religionsfriedens entstanden ist."
1354:
925:
308:
304:
204:
200:
195:
in music, he became a composer against his family's wishes. After studying in
2175:
3589:
2859:
2419:
392:
270:
224:
196:
68:
2202:
642:, as well as those composers who performed under his direction in Leipzig (
2150:
1966:
626:
gradually changed and started incorporating more and more elements of the
358:). His career there was cut short in early 1706 by the hostilities of the
3641:
3616:
3564:
3549:
3522:
3340:
3315:
2433:
2260:
2199:
Modern performing editions of Telemann's cantatas edited by Eric Fiedler.
1789:
1505:
Performed by the Advent Chamber Orchestra with cellist Stephen Balderston
1130:
Concerto in C major for 2 Chalumeaux, 2 Bassoons and Orchestra, TWV 52:C1
916:
in D major (2 violins, viola & continuo, trumpet ad libitum) TWV 44:1
367:
220:
165:
128:
45:
2109:. Vol. 25 (11th ed.). Cambridge University Press. p. 408.
303:
In 1697, after studies at the Domschule in Magdeburg and at a school in
3762:
3569:
3539:
3507:
3497:
3450:
3425:
3420:
3355:
3335:
564:
453:
351:
233:
228:
216:
212:
95:
1741:
Performed by the Advent Chamber Orchestra with Elias Goldstein (viola)
513:
from 1728, which is a prime example of his fully matured vocal style.
3721:
3579:
552:
355:
286:
1378:
Concert Suite in D major for Orchestra and Viola da Gamba – TWV55:D6
395:
on 18 March 1712 at the age of 31 to become city music director and
39:
3626:
3606:
3601:
3574:
3440:
3345:
2196:
576:
556:
483:
256:
3487:
3435:
3405:
3400:
3385:
3365:
2642:
2188:
362:, and after a short period of travels he entered the service of
2646:
2264:
1133:
Concerto in D minor for Two Chalumeaux and Orchestra, TWV 52:d1
2172:(archive from 13 August 2013. Retrieved 25 May 2015). (French)
2155:
1184:
Concerto for Recorder and Viola da gamba in A minor, TWV 52:a1
897:
Suite in A minor for recorder, strings, and continuo TWV 55:a2
615:
391:
After around a year he sought another position, and moved to
1658:
1518:
1368:
1277:
1114:
Concerto in D for Trumpet, Violin and Violoncello, TWV 53:D5
2242:
Free scores of Telemann's Harpsichord Fantasias TWV 33:1–36
2094:
323:). In 1702 he became director of the municipal opera house
1095:
Concerto for Two Horns in E-flat and 2 Violins, TWV 54:Es1
180:, who made Telemann the godfather and namesake of his son
1117:
Concerto in D for 3 Trumpets, Timpani, 2 Oboes, TWV 54:D3
307:, Telemann was sent to the famous Gymnasium Andreanum at
1993:"Georg Philipp Telemann – Viola Concerto in G, TWV51:G9"
52:(1750), after a lost painting by Louis Michael Schneider
1168:
Concerto for Recorder and Bassoon in F major, TWV 52:F1
1038:
Concerto for Three Violins in F major, TWV 53:F1 (from
1345:
Chorale prelude for organ, performed by Ulrich Metzner
1004:
6 Light Fugues with Small Fresh Additions TWV 30:21–26
3839:
2166:
Partial list of Telemann publications and TWV numbers
1203:
Concerto in E minor for Recorder and Flute, TWV 52:e1
161:
14 March] 1681 – 25 June 1767) was a German
1257:
Sonata in F minor TWV 41:f1 (part of the collection
1083:
Concerto for Horn and Orchestra in D major TWV 51:D8
481:, declined, the post went to Johann Sebastian Bach.
3750:
3660:
3480:
3459:
3324:
3201:
3003:
2828:
2689:
2521:
2464:
2381:
2298:
1289:
Concerto for Recorder and Viola da Gamba, TWV 52:a1
1190:
Concerto for 2 Recorders in B-flat major, TWV 52:B1
1098:
Concerto for Three Horns in D and Violin, TWV 54:D2
471:died and the city of Leipzig was looking for a new
116:
106:
83:
57:
30:
2053:Zohn, Steven (2001). "Georg Philipp Telemann". In
1961:
1959:
1957:
1035:Violin Concerto in A major "Die Relinge" TWV 51:A4
957:Twelve Fantasias for Transverse Flute without Bass
1120:Concerto in D for 3 Trumpets, Timpani, TWV 54:D4
1111:Concerto in D for Trumpet and 2 Oboes, TWV 53:D2
856:("Daniel Delivered from the Lion's Den") (1731)
370:where Johann Sebastian Bach was born. He became
2064:The New Grove Dictionary of Music and Musicians
988:Six Concertos for Flute and Harpsichord TWV 42.
19:"Telemann" redirects here. For other uses, see
2048:
2046:
1187:Concerto for 2 Recorders in A minor, TWV 52:a2
1067:for Two Violas and String Orchestra, TWV 52:G3
407:, which had been adopted by composers such as
2658:
2276:
2139:Further information on Telemann and his works
1846:"Telemann, Georg Philipp (Pseudonym Melante)"
1092:Concerto for Two Horns in Eb Major TWV 52:Es1
8:
1839:
1837:
1835:
1833:
1831:
1829:
1827:
928:' refers to music meant to accompany a meal)
452:Telemann accepted the invitation to work in
2238:, Archiv der kreuznacher-diakonie-kantorei.
1089:Concerto for Two Horns in F Major TWV 52:F4
1086:Concerto for Two Horns in F Major TWV 52:F3
1080:Concerto for Two Horns in D major TWV 52:D2
1077:Concerto for Two Horns in D major TWV 52:D1
2665:
2651:
2643:
2455:Don Quichotte auf der Hochzeit des Comacho
2283:
2269:
2261:
1902:"Georg Philipp Telemann / German composer"
1895:
1893:
1891:
1889:
1887:
1885:
1883:
1881:
273:, then the capital of the semi-autonomous
38:
27:
2220:International Music Score Library Project
1940:. Allen, Towne & Heath. p. 109.
1014:48 Chorale Preludes for Organ TWV 31:1–48
889:Ouverture des nations anciens et modernes
969:Twelve Fantasias for Viola da Gamba solo
963:Twelve Fantasias for Violin without Bass
683:List of operas by Georg Philipp Telemann
3846:
2610:List of Magnificat composers § Telemann
2176:Telemann as opera composer from 1708–61
2022:Notes on Telemann's St. Matthew Passion
1769:The Guinness Book of World Records 1998
1761:
854:Der aus der Löwengrube errettete Daniel
823:The Resurrection and Ascension of Jesus
188:, whom Telemann also knew personally.
1352:
1108:Trumpet Concerto in D major, TWV 51:D7
819:Die Auferstehung und Himmelfahrt Jesu"
374:on 24 December 1708 and Secretary and
2226:Free scores by Georg Philipp Telemann
2216:Free scores by Georg Philipp Telemann
1017:20 Easy Fugues in 4 parts TWV 30:1–20
998:36 Fantasias for Keyboard TWV 33:1–36
152:
7:
2246:Brightcecilia Classical Music Forums
2120:Concerto: Das Magazin für Alte Musik
1001:6 Overtures for Keyboard TWV 32:5–10
882:Wassermusik: Hamburger Ebb und Fluth
2546:Twelve Fantasias for Viola da Gamba
2024:. hannsler classic. pp. 12–15.
1816:(1929). "Telemann, Georg Philipp".
1803:, Chicago Symphony Orchestra, 2007.
16:German Baroque composer (1681–1767)
3986:18th-century German male musicians
3971:People from the Duchy of Magdeburg
2178:, OperaGlass, Stanford University.
1353:Problems playing these files? See
1264:Sonata in E-flat major TWV 41:EsA1
1231:Sonata in A minor TWV 41:a3 (from
757:Gott, man lobet dich in der Stille
495:, engraving by Georg Lichtensteger
14:
3705:historically informed performance
2355:Siehe, es hat überwunden der Löwe
2347:Ich will den Kreuzweg gerne gehen
2145:Georg Philipp Telemann (Composer)
1967:"Baroque Composers and musicians"
724:("The Ode of Thunder") TWV 6:3a-b
695:Georg Philipp Telemann's Passions
583:" who composed too many works, a
154:[ˈɡeːɔʁkˈfiːlɪpˈteːləman]
3906:18th-century classical composers
3873:
3861:
3849:
3823:
3814:
3813:
2541:Twelve Fantasias for Solo Violin
1938:Romain Rolland's Essays on Music
1731:
1713:
1695:
1677:
1627:
1609:
1591:
1573:
1555:
1537:
1495:
1477:
1459:
1441:
1423:
1405:
1387:
1335:
1314:
1293:
787:several years including TWV 24:1
244:in Hamburg is dedicated to him.
3976:German string quartet composers
2536:Twelve Fantasias for Solo Flute
2399:Der neumodische Liebhaber Damon
2371:Wer ist der, so von Sodom kommt
2363:Singet dem Herrn ein neues Lied
2339:Ich weiß, daß mein Erlöser lebt
1046:Four Concertos for Four Violins
951:Nouveaux quatuors en six suites
753:("The Times of the Day") (1757)
291:Heilig-Geist-Kirche (Magdeburg)
2629:Wer ist der, so von Edom kömmt
2331:Gott der Hoffnung erfülle euch
1324:Performed by New Comma Baroque
1303:Performed by New Comma Baroque
1209:Concerto in C minor, TWV 41:c3
1206:Concerto in B minor, TWV 41:h3
1200:Concerto in D major, TWV 51:D2
1181:Concerto in F major, TWV 51:F1
1178:Concerto in C major, TWV 51:C1
1146:Concerto in C minor, TWV 51:c1
894:Ouverture in G minor TWV 55:g4
839:Trauermusik for Hamburg mayor
766:("The Schoolmaster" 1751), by
728:Du bleibest dennoch unser Gott
505:, an opera by French composer
1:
3981:18th-century German composers
3931:German multi-instrumentalists
3911:18th-century German musicians
3206:
3008:
2830:
2695:
2615:Missa brevis § Baroque period
2487:Ein feste Burg ist unser Gott
2124:Holder Friede, Heilger Glaube
1844:Hirschmann, Wolfgang (2016).
975:Sonates sans basse (Telemann)
861:Holder Friede, Heilger Glaube
489:
2495:Jauchzet dem Herrn alle Welt
2230:Choral Public Domain Library
1900:Bergmann, Walter G. (2021).
1873:Grundlage einer Ehren-Pforte
1247:Sonata in G minor TWV 41:g10
859:Reformations-Oratorium 1755
622:(Telemann Works Catalogue).
522:Sebastian Bach's second son
3946:German male opera composers
2600:Catalogue of compositions:
1818:Hugo Riemanns Musik-Lexikon
1244:Sonata in G minor TWV 41:g6
1241:Sonata in E minor TWV 44:e6
784:Hamburger Admiralitätsmusik
654:), composers of the Berlin
4012:
2603:Telemann-Werke-Verzeichnis
2565:Concertos for Four Violins
2316:Harmonischer Gottes-Dienst
1238:Sonata in B-flat TWV 41:B6
1020:500 chorale harmonizations
802:Hamburgische Kapitänsmusik
716:Harmonischer Gottes-Dienst
680:
672:Telemann-Werke-Verzeichnis
669:
636:Carl Philipp Emmanuel Bach
620:Telemann-Werke-Verzeichnis
524:Carl Philipp Emmanuel Bach
399:at the Barfüßerkirche and
94:Free and Imperial City of
18:
3921:Child classical musicians
3916:Composers for harpsichord
3793:
2683:List of Baroque composers
2680:
2597:
2323:Das ist je gewißlich wahr
2203:Edition Musiklandschaften
745:Sei tausendmal willkommen
640:Johann Friedrich Agricola
618:number, which stands for
279:Electorate of Brandenburg
77:Electorate of Brandenburg
37:
21:Telemann (disambiguation)
3966:Musicians from Magdeburg
3961:Musicians from Frankfurt
3926:German Baroque composers
2067:(2nd ed.). London:
1936:Rolland, Romain (2017).
1851:Neue Deutsche Biographie
1790:Program Notes – Telemann
1771:, Bantam Books, p. 402.
1259:Der getreue Musikmeister
1233:Der getreue Musikmeister
1220:Der getreue Musikmeister
932:Der getreue Musikmeister
828:Trauermusik for Emperor
589:Christoph Daniel Ebeling
50:Valentin Daniel Preisler
2582:Concerto for Two Violas
2310:Cantata Cycle 1716-1717
2106:Encyclopædia Britannica
1906:Encyclopedia Britannica
709:Cantata Cycle 1716–1717
632:Wilhelm Friedemann Bach
594:Encyclopædia Britannica
346:for the court of Count
325:Opernhaus auf dem Brühl
285:. His father Heinrich,
207:, Telemann entered the
65:14 March] 1681
3991:Georg Philipp Telemann
3951:Composers from Hamburg
3941:German opera composers
3936:German music theorists
3758:Common practice period
2406:Der geduldige Socrates
2292:Georg Philipp Telemann
2256:Georg Philipp Telemann
2151:Georg Philipp Telemann
2147:Bach Cantatas Website]
1663:
1523:
1373:
1282:
850:Schwanengesang TWV 4:6
834:Ich hoffete aufs Licht
768:Christoph Ludwig Fehre
648:Johann David Heinichen
519:Georg Michael Telemann
496:
401:St. Catherine's Church
348:Erdmann II of Promnitz
266:
265:and had to be rebuilt.
253:Early life (1681–1712)
186:George Frideric Handel
146:Georg Philipp Telemann
32:Georg Philipp Telemann
3680:British Baroque music
2559:XIIX Canons Mélodieux
2236:Free scores, Cantatas
1788:See Phillip Huscher,
1662:
1522:
1372:
1281:
1009:Organ and theoretical
982:Six Canonical Sonatas
945:, 1730, reprinted as
666:Partial list of works
652:Johann Georg Pisendel
487:
387:Frankfurt (1712–1721)
319:and even St. Thomas (
269:Telemann was born in
260:
209:University of Leipzig
178:Johann Sebastian Bach
170:multi-instrumentalist
157:; 24 March [
150:German pronunciation:
124:Multi-instrumentalist
3098:Jacquet de La Guerre
3028:Bodin de Boismortier
2479:Der Tag des Gerichts
2254:has compositions by
2170:Université du Québec
2093:Gadow, Hans (1911).
2069:Macmillan Publishers
1331:Christ ist erstanden
941:in two sets of six (
795:The Day of Judgement
791:Der Tag des Gerichts
628:galant musical style
530:Legacy and influence
507:Jean-Philippe Rameau
409:Alessandro Scarlatti
182:Carl Philipp Emanuel
3996:Composers for viola
3690:early music revival
3261:Frederick the Great
2168:, Robert Poliquin,
1158:Concerto in G major
1155:Concerto in F minor
1152:Concerto in E minor
1149:Concerto in D minor
1143:Concerto in A major
1065:Concerto in G major
1059:Concerto in G major
914:Sinfonia Spirituosa
448:Hamburg (1721–1767)
364:Duke Johann Wilhelm
227:before settling in
61:24 March [
3956:Oratorio composers
2990:Torrejón y Velasco
2552:Sonates sans basse
2448:Flavius Bertaridus
2413:Sieg der Schönheit
1997:Classical Archives
1799:3 May 2008 at the
1664:
1528:Methodical Sonatas
1524:
1374:
1283:
813:The Death of Jesus
747:(Erstausgabe 1730)
730:(Erstausgabe 1730)
644:Christoph Graupner
497:
479:Christoph Graupner
360:Great Northern War
313:Leipzig University
275:Duchy of Magdeburg
267:
191:Almost completely
111:Leipzig University
73:Duchy of Magdeburg
3837:
3836:
3799:Renaissance music
3467:Baroque orchestra
2640:
2639:
2511:Admiralitätsmusik
2441:Emma und Eginhard
2365:, TWV 1:1342–1345
2197:Habsburger Verlag
2078:978-1-56159-239-5
1947:978-1-4437-3093-8
1736:
1718:
1700:
1682:
1632:
1614:
1596:
1578:
1560:
1542:
1500:
1482:
1464:
1446:
1428:
1410:
1392:
1340:
1319:
1298:
874:Grillen-symphonie
868:Orchestral suites
825:) TWV 6:6, (1760)
762:not by Telemann:
606:Albert Schweitzer
432:Frankfurt Sonatas
411:. Operas such as
283:Holy Roman Empire
143:
142:
100:Holy Roman Empire
4003:
3878:
3877:
3876:
3866:
3865:
3864:
3854:
3853:
3852:
3845:
3827:
3817:
3816:
3732:polychoral style
3647:sonata da chiesa
3208:
3010:
2832:
2697:
2667:
2660:
2653:
2644:
2285:
2278:
2271:
2262:
2210:Free sheet music
2190:Prima la musica!
2162:
2159:
2157:
2127:
2117:
2111:
2110:
2098:
2090:
2084:
2082:
2050:
2041:
2032:
2026:
2025:
2014:
2008:
2007:
2005:
2003:
1989:
1983:
1982:
1980:
1978:
1971:Baroquemusic.org
1963:
1952:
1951:
1933:
1927:
1923:
1917:
1916:
1914:
1912:
1897:
1876:
1869:
1863:
1862:
1860:
1858:
1841:
1822:
1821:
1814:Einstein, Alfred
1810:
1804:
1786:
1780:
1766:
1738:
1737:
1720:
1719:
1702:
1701:
1684:
1683:
1661:
1643:Martha Goldstein
1634:
1633:
1623:No. 6 in G major
1616:
1615:
1605:No. 5 in A minor
1598:
1597:
1587:No. 4 in D major
1580:
1579:
1569:No. 3 in E minor
1562:
1561:
1551:No. 2 in A major
1544:
1543:
1533:No. 1 in G minor
1521:
1502:
1501:
1491:7. Gigue. Presto
1484:
1483:
1466:
1465:
1448:
1447:
1430:
1429:
1412:
1411:
1394:
1393:
1371:
1342:
1341:
1321:
1320:
1300:
1299:
1280:
849:
815:) TWV 5:6 (1755)
764:Der Schulmeister
734:Ihr Völker, hört
502:Castor et Pollux
494:
491:
299:
238:Classical styles
156:
151:
90:
42:
28:
4011:
4010:
4006:
4005:
4004:
4002:
4001:
4000:
3886:
3885:
3884:
3874:
3872:
3862:
3860:
3856:Classical music
3850:
3848:
3840:
3838:
3833:
3810:
3806:Classical music
3802:
3789:
3746:
3742:Galant Schemata
3656:
3555:concerto grosso
3476:
3455:
3327:
3320:
3197:
3033:G. B. Bononcini
2999:
2824:
2693:
2685:
2676:
2671:
2641:
2636:
2635:
2621:Brockes Passion
2593:
2517:
2460:
2377:
2301:
2294:
2289:
2252:Mutopia Project
2183:Modern editions
2154:
2136:
2131:
2130:
2118:
2114:
2092:
2091:
2087:
2079:
2052:
2051:
2044:
2033:
2029:
2016:
2015:
2011:
2001:
1999:
1991:
1990:
1986:
1976:
1974:
1965:
1964:
1955:
1948:
1935:
1934:
1930:
1924:
1920:
1910:
1908:
1899:
1898:
1879:
1870:
1866:
1856:
1854:
1843:
1842:
1825:
1812:
1811:
1807:
1801:Wayback Machine
1787:
1783:
1767:
1763:
1753:
1748:
1747:
1746:
1745:
1744:
1743:
1742:
1739:
1732:
1729:
1723:
1722:
1721:
1714:
1711:
1705:
1704:
1703:
1696:
1693:
1687:
1686:
1685:
1678:
1675:
1669:
1665:
1659:
1652:
1651:
1650:
1649:
1648:
1647:
1646:
1639:Felix Skowronek
1635:
1628:
1625:
1619:
1618:
1617:
1610:
1607:
1601:
1600:
1599:
1592:
1589:
1583:
1582:
1581:
1574:
1571:
1565:
1564:
1563:
1556:
1553:
1547:
1546:
1545:
1538:
1535:
1529:
1525:
1519:
1512:
1511:
1510:
1509:
1508:
1507:
1506:
1503:
1496:
1493:
1487:
1486:
1485:
1478:
1475:
1469:
1468:
1467:
1460:
1457:
1451:
1450:
1449:
1442:
1439:
1433:
1432:
1431:
1424:
1421:
1415:
1414:
1413:
1406:
1403:
1401:2. La Trompette
1397:
1396:
1395:
1388:
1385:
1379:
1375:
1369:
1362:
1361:
1360:
1359:
1351:
1349:
1348:
1347:
1346:
1343:
1336:
1333:
1327:
1326:
1325:
1322:
1315:
1312:
1306:
1305:
1304:
1301:
1294:
1291:
1284:
1278:
1271:
1254:
1228:
1216:
1197:
1175:
1165:
1140:
1127:
1105:
1074:
1055:
1032:
1027:
1011:
995:
985:TWV 40: 118–123
910:
870:
843:
805:(various years)
779:
751:Die Tageszeiten
704:
690:
685:
679:
674:
668:
532:
511:St Luke Passion
492:
450:
441:Brockes Passion
389:
293:
255:
250:
242:Telemann Museum
149:
139:
136:Music publisher
102:
92:
88:
79:
66:
53:
48:of Telemann by
33:
24:
17:
12:
11:
5:
4009:
4007:
3999:
3998:
3993:
3988:
3983:
3978:
3973:
3968:
3963:
3958:
3953:
3948:
3943:
3938:
3933:
3928:
3923:
3918:
3913:
3908:
3903:
3898:
3888:
3887:
3883:
3882:
3870:
3858:
3835:
3834:
3832:
3831:
3821:
3803:
3795:
3794:
3791:
3790:
3788:
3787:
3786:
3785:
3780:
3775:
3770:
3760:
3754:
3752:
3748:
3747:
3745:
3744:
3739:
3734:
3729:
3727:notes inégales
3724:
3719:
3714:
3709:
3708:
3707:
3702:
3697:
3687:
3682:
3677:
3676:
3675:
3664:
3662:
3658:
3657:
3655:
3654:
3649:
3644:
3639:
3634:
3629:
3624:
3619:
3614:
3609:
3604:
3599:
3594:
3593:
3592:
3587:
3582:
3577:
3572:
3567:
3557:
3552:
3547:
3542:
3537:
3536:
3535:
3530:
3520:
3515:
3510:
3505:
3500:
3495:
3490:
3484:
3482:
3478:
3477:
3475:
3474:
3472:Basso continuo
3469:
3463:
3461:
3457:
3456:
3454:
3453:
3448:
3443:
3438:
3433:
3428:
3423:
3418:
3413:
3408:
3403:
3398:
3393:
3388:
3383:
3378:
3373:
3368:
3363:
3358:
3353:
3348:
3343:
3338:
3332:
3330:
3322:
3321:
3319:
3318:
3313:
3308:
3303:
3298:
3293:
3288:
3283:
3278:
3273:
3268:
3263:
3258:
3253:
3248:
3243:
3238:
3233:
3228:
3223:
3218:
3212:
3210:
3199:
3198:
3196:
3195:
3190:
3185:
3180:
3175:
3170:
3165:
3160:
3155:
3150:
3145:
3140:
3135:
3130:
3125:
3120:
3115:
3110:
3105:
3103:Leclair l'aîné
3100:
3095:
3090:
3085:
3080:
3075:
3070:
3065:
3060:
3055:
3050:
3045:
3040:
3035:
3030:
3025:
3020:
3014:
3012:
3001:
3000:
2998:
2997:
2992:
2987:
2982:
2977:
2972:
2967:
2962:
2957:
2952:
2947:
2942:
2937:
2932:
2927:
2922:
2917:
2912:
2907:
2902:
2897:
2892:
2887:
2882:
2877:
2872:
2867:
2862:
2857:
2855:H. I. F. Biber
2852:
2847:
2842:
2836:
2834:
2826:
2825:
2823:
2822:
2817:
2812:
2807:
2802:
2797:
2792:
2787:
2782:
2777:
2772:
2767:
2762:
2757:
2752:
2747:
2742:
2737:
2732:
2727:
2722:
2717:
2712:
2707:
2701:
2699:
2687:
2686:
2681:
2678:
2677:
2672:
2670:
2669:
2662:
2655:
2647:
2638:
2637:
2634:
2633:
2625:
2617:
2612:
2599:
2598:
2595:
2594:
2592:
2591:
2584:
2579:
2577:Viola Concerto
2574:
2571:Paris quartets
2567:
2562:
2555:
2548:
2543:
2538:
2533:
2525:
2523:
2519:
2518:
2516:
2515:
2507:
2499:
2491:
2483:
2475:
2468:
2466:
2462:
2461:
2459:
2458:
2451:
2444:
2437:
2430:
2423:
2416:
2409:
2402:
2395:
2387:
2385:
2379:
2378:
2376:
2375:
2367:
2359:
2351:
2343:
2335:
2327:
2319:
2312:
2306:
2304:
2296:
2295:
2290:
2288:
2287:
2280:
2273:
2265:
2259:
2258:
2248:
2239:
2233:
2223:
2207:
2206:
2200:
2194:
2180:
2179:
2173:
2163:
2148:
2135:
2134:External links
2132:
2129:
2128:
2112:
2101:Chisholm, Hugh
2085:
2077:
2055:Sadie, Stanley
2042:
2027:
2009:
1984:
1953:
1946:
1928:
1918:
1877:
1864:
1823:
1805:
1781:
1760:
1759:
1752:
1749:
1740:
1730:
1725:
1724:
1712:
1707:
1706:
1694:
1689:
1688:
1676:
1671:
1670:
1668:Viola Concerto
1667:
1666:
1657:
1656:
1655:
1654:
1653:
1645:on harpsichord
1636:
1626:
1621:
1620:
1608:
1603:
1602:
1590:
1585:
1584:
1572:
1567:
1566:
1554:
1549:
1548:
1536:
1531:
1530:
1527:
1526:
1517:
1516:
1515:
1514:
1513:
1504:
1494:
1489:
1488:
1476:
1471:
1470:
1458:
1453:
1452:
1440:
1435:
1434:
1422:
1417:
1416:
1404:
1399:
1398:
1386:
1381:
1380:
1377:
1376:
1367:
1366:
1365:
1364:
1363:
1350:
1344:
1334:
1329:
1328:
1323:
1313:
1308:
1307:
1302:
1292:
1287:
1286:
1285:
1276:
1275:
1274:
1273:
1272:
1270:
1267:
1266:
1265:
1262:
1253:
1250:
1249:
1248:
1245:
1242:
1239:
1236:
1227:
1224:
1215:
1212:
1211:
1210:
1207:
1204:
1201:
1196:
1193:
1192:
1191:
1188:
1185:
1182:
1179:
1174:
1171:
1170:
1169:
1164:
1161:
1160:
1159:
1156:
1153:
1150:
1147:
1144:
1139:
1136:
1135:
1134:
1131:
1126:
1123:
1122:
1121:
1118:
1115:
1112:
1109:
1104:
1101:
1100:
1099:
1096:
1093:
1090:
1087:
1084:
1081:
1078:
1073:
1070:
1069:
1068:
1062:
1054:
1051:
1050:
1049:
1048:TWV 40:201–204
1043:
1036:
1031:
1028:
1026:
1023:
1022:
1021:
1018:
1015:
1010:
1007:
1006:
1005:
1002:
999:
994:
991:
990:
989:
986:
978:
977:TWV 40:101–106
972:
966:
960:
954:
939:Paris quartets
935:
929:
917:
909:
906:
905:
904:
898:
895:
892:
891:in G TWV 55:G4
886:
877:
869:
866:
865:
864:
857:
851:
841:Garlieb Sillem
837:
826:
816:
806:
798:
788:
778:
775:
774:
773:
772:
771:
754:
748:
742:
736:
731:
725:
722:Die Donner-Ode
719:
712:
703:
700:
699:
698:
689:
686:
681:Main article:
678:
675:
667:
664:
602:Philipp Spitta
531:
528:
449:
446:
436:Viola Concerto
388:
385:
381:Daniel Eberlin
372:Konzertmeister
350:at Sorau (now
254:
251:
249:
246:
141:
140:
138:
137:
134:
133:Music director
131:
126:
120:
118:
114:
113:
108:
104:
103:
93:
91:(aged 86)
85:
81:
80:
67:
59:
55:
54:
44:Hand-coloured
43:
35:
34:
31:
15:
13:
10:
9:
6:
4:
3:
2:
4008:
3997:
3994:
3992:
3989:
3987:
3984:
3982:
3979:
3977:
3974:
3972:
3969:
3967:
3964:
3962:
3959:
3957:
3954:
3952:
3949:
3947:
3944:
3942:
3939:
3937:
3934:
3932:
3929:
3927:
3924:
3922:
3919:
3917:
3914:
3912:
3909:
3907:
3904:
3902:
3899:
3897:
3894:
3893:
3891:
3881:
3871:
3869:
3859:
3857:
3847:
3843:
3830:
3826:
3822:
3820:
3812:
3811:
3808:
3807:
3801:
3800:
3792:
3784:
3781:
3779:
3776:
3774:
3771:
3769:
3766:
3765:
3764:
3761:
3759:
3756:
3755:
3753:
3749:
3743:
3740:
3738:
3735:
3733:
3730:
3728:
3725:
3723:
3720:
3718:
3715:
3713:
3710:
3706:
3703:
3701:
3698:
3696:
3693:
3692:
3691:
3688:
3686:
3683:
3681:
3678:
3674:
3671:
3670:
3669:
3666:
3665:
3663:
3659:
3653:
3650:
3648:
3645:
3643:
3640:
3638:
3635:
3633:
3630:
3628:
3625:
3623:
3620:
3618:
3615:
3613:
3610:
3608:
3605:
3603:
3600:
3598:
3595:
3591:
3588:
3586:
3583:
3581:
3578:
3576:
3573:
3571:
3568:
3566:
3563:
3562:
3561:
3558:
3556:
3553:
3551:
3548:
3546:
3543:
3541:
3538:
3534:
3531:
3529:
3526:
3525:
3524:
3521:
3519:
3516:
3514:
3511:
3509:
3506:
3504:
3501:
3499:
3496:
3494:
3491:
3489:
3486:
3485:
3483:
3481:Musical forms
3479:
3473:
3470:
3468:
3465:
3464:
3462:
3458:
3452:
3449:
3447:
3444:
3442:
3439:
3437:
3434:
3432:
3429:
3427:
3424:
3422:
3419:
3417:
3414:
3412:
3409:
3407:
3404:
3402:
3399:
3397:
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3372:
3369:
3367:
3364:
3362:
3359:
3357:
3354:
3352:
3349:
3347:
3344:
3342:
3339:
3337:
3334:
3333:
3331:
3329:
3323:
3317:
3314:
3312:
3309:
3307:
3304:
3302:
3299:
3297:
3294:
3292:
3289:
3287:
3284:
3282:
3279:
3277:
3276:Padre Martini
3274:
3272:
3269:
3267:
3264:
3262:
3259:
3257:
3254:
3252:
3249:
3247:
3244:
3242:
3239:
3237:
3234:
3232:
3229:
3227:
3224:
3222:
3221:C. P. E. Bach
3219:
3217:
3214:
3213:
3211:
3204:
3200:
3194:
3191:
3189:
3186:
3184:
3181:
3179:
3176:
3174:
3171:
3169:
3166:
3164:
3161:
3159:
3156:
3154:
3151:
3149:
3146:
3144:
3141:
3139:
3136:
3134:
3131:
3129:
3126:
3124:
3121:
3119:
3116:
3114:
3111:
3109:
3106:
3104:
3101:
3099:
3096:
3094:
3091:
3089:
3086:
3084:
3081:
3079:
3076:
3074:
3071:
3069:
3066:
3064:
3061:
3059:
3056:
3054:
3051:
3049:
3046:
3044:
3041:
3039:
3036:
3034:
3031:
3029:
3026:
3024:
3021:
3019:
3016:
3015:
3013:
3006:
3002:
2996:
2993:
2991:
2988:
2986:
2983:
2981:
2978:
2976:
2973:
2971:
2968:
2966:
2963:
2961:
2958:
2956:
2953:
2951:
2948:
2946:
2943:
2941:
2938:
2936:
2933:
2931:
2928:
2926:
2923:
2921:
2918:
2916:
2913:
2911:
2908:
2906:
2903:
2901:
2898:
2896:
2893:
2891:
2888:
2886:
2883:
2881:
2878:
2876:
2873:
2871:
2868:
2866:
2863:
2861:
2858:
2856:
2853:
2851:
2848:
2846:
2843:
2841:
2838:
2837:
2835:
2827:
2821:
2818:
2816:
2813:
2811:
2808:
2806:
2803:
2801:
2798:
2796:
2795:M. Praetorius
2793:
2791:
2788:
2786:
2783:
2781:
2778:
2776:
2773:
2771:
2768:
2766:
2763:
2761:
2758:
2756:
2753:
2751:
2748:
2746:
2743:
2741:
2738:
2736:
2733:
2731:
2728:
2726:
2723:
2721:
2718:
2716:
2713:
2711:
2708:
2706:
2703:
2702:
2700:
2692:
2688:
2684:
2679:
2675:
2674:Baroque music
2668:
2663:
2661:
2656:
2654:
2649:
2648:
2645:
2632:
2630:
2626:
2624:
2622:
2618:
2616:
2613:
2611:
2607:
2606:
2605:
2604:
2596:
2590:
2589:
2585:
2583:
2580:
2578:
2575:
2573:
2572:
2568:
2566:
2563:
2561:
2560:
2556:
2554:
2553:
2549:
2547:
2544:
2542:
2539:
2537:
2534:
2532:
2531:
2527:
2526:
2524:
2520:
2513:
2512:
2508:
2505:
2504:
2503:Kapitänsmusik
2500:
2497:
2496:
2492:
2489:
2488:
2484:
2481:
2480:
2476:
2473:
2470:
2469:
2467:
2463:
2457:
2456:
2452:
2450:
2449:
2445:
2443:
2442:
2438:
2436:
2435:
2431:
2429:
2428:
2424:
2422:
2421:
2417:
2415:
2414:
2410:
2408:
2407:
2403:
2401:
2400:
2396:
2394:
2393:
2389:
2388:
2386:
2384:
2380:
2374:
2372:
2368:
2366:
2364:
2360:
2358:
2356:
2352:
2350:
2348:
2344:
2342:
2340:
2336:
2334:
2332:
2328:
2326:
2324:
2320:
2318:
2317:
2313:
2311:
2308:
2307:
2305:
2303:
2297:
2293:
2286:
2281:
2279:
2274:
2272:
2267:
2266:
2263:
2257:
2253:
2249:
2247:
2243:
2240:
2237:
2234:
2231:
2227:
2224:
2221:
2217:
2214:
2213:
2212:
2211:
2204:
2201:
2198:
2195:
2192:
2191:
2187:
2186:
2185:
2184:
2177:
2174:
2171:
2167:
2164:
2161:
2158:.baroquemusic
2152:
2149:
2146:
2143:
2142:
2141:
2140:
2133:
2125:
2121:
2116:
2113:
2108:
2107:
2102:
2097:
2089:
2086:
2080:
2074:
2070:
2066:
2065:
2060:
2059:Tyrrell, John
2056:
2049:
2047:
2043:
2040:
2038:
2031:
2028:
2023:
2019:
2018:Wollny, Peter
2013:
2010:
1998:
1994:
1988:
1985:
1972:
1968:
1962:
1960:
1958:
1954:
1949:
1943:
1939:
1932:
1929:
1922:
1919:
1907:
1903:
1896:
1894:
1892:
1890:
1888:
1886:
1884:
1882:
1878:
1874:
1868:
1865:
1853:
1852:
1847:
1840:
1838:
1836:
1834:
1832:
1830:
1828:
1824:
1819:
1815:
1809:
1806:
1802:
1798:
1795:
1793:
1785:
1782:
1778:
1777:0-553-57895-2
1774:
1770:
1765:
1762:
1758:
1757:
1750:
1728:
1710:
1692:
1674:
1644:
1641:on flute and
1640:
1637:Performed by
1624:
1606:
1588:
1570:
1552:
1534:
1492:
1474:
1456:
1438:
1420:
1402:
1384:
1358:
1356:
1332:
1311:
1290:
1268:
1263:
1260:
1256:
1255:
1251:
1246:
1243:
1240:
1237:
1234:
1230:
1229:
1225:
1223:
1221:
1213:
1208:
1205:
1202:
1199:
1198:
1194:
1189:
1186:
1183:
1180:
1177:
1176:
1172:
1167:
1166:
1162:
1157:
1154:
1151:
1148:
1145:
1142:
1141:
1137:
1132:
1129:
1128:
1124:
1119:
1116:
1113:
1110:
1107:
1106:
1102:
1097:
1094:
1091:
1088:
1085:
1082:
1079:
1076:
1075:
1071:
1066:
1063:
1060:
1057:
1056:
1052:
1047:
1044:
1041:
1037:
1034:
1033:
1029:
1024:
1019:
1016:
1013:
1012:
1008:
1003:
1000:
997:
996:
992:
987:
984:
983:
979:
976:
973:
970:
967:
964:
961:
958:
955:
952:
948:
944:
940:
936:
933:
930:
927:
923:
922:
918:
915:
912:
911:
908:Chamber music
907:
902:
899:
896:
893:
890:
887:
884:
883:
878:
875:
872:
871:
867:
862:
858:
855:
852:
847:
842:
838:
835:
831:
827:
824:
820:
817:
814:
810:
807:
804:
803:
799:
796:
792:
789:
786:
785:
781:
780:
776:
769:
765:
761:
760:
758:
755:
752:
749:
746:
743:
740:
737:
735:
732:
729:
726:
723:
720:
718:
717:
713:
711:
710:
706:
705:
701:
697:
696:
692:
691:
687:
684:
676:
673:
665:
663:
659:
657:
653:
649:
645:
641:
637:
633:
629:
623:
621:
617:
613:
612:
607:
603:
598:
596:
595:
590:
586:
585:Vielschreiber
582:
578:
574:
570:
566:
562:
558:
554:
550:
546:
542:
538:
529:
527:
525:
520:
514:
512:
508:
504:
503:
486:
482:
480:
476:
475:
470:
469:Johann Kuhnau
466:
463:
459:
455:
447:
445:
443:
442:
437:
433:
429:
426:
425:
424:Kapellmeister
418:
416:
415:
410:
406:
402:
398:
397:Kapellmeister
394:
386:
384:
382:
377:
376:Kapellmeister
373:
369:
365:
361:
357:
353:
349:
345:
344:
343:Kapellmeister
338:
336:
335:Johann Kuhnau
332:
331:
326:
322:
318:
317:Nikolaikirche
314:
310:
306:
301:
297:
292:
288:
284:
280:
276:
272:
264:
259:
252:
247:
245:
243:
239:
235:
230:
226:
222:
218:
214:
210:
206:
202:
198:
194:
189:
187:
183:
179:
175:
171:
167:
164:
160:
155:
147:
135:
132:
130:
127:
125:
122:
121:
119:
115:
112:
109:
105:
101:
97:
86:
82:
78:
74:
70:
64:
60:
56:
51:
47:
41:
36:
29:
26:
22:
3804:
3797:
3768:Architecture
3717:Folk baroque
3712:Figured bass
3685:counterpoint
3661:Other topics
3533:18th-century
3528:17th-century
3310:
3167:
3153:D. Scarlatti
2970:A. Scarlatti
2940:J. Pachelbel
2691:Transitional
2628:
2620:
2601:
2586:
2569:
2557:
2550:
2528:
2522:Instrumental
2509:
2501:
2493:
2485:
2477:
2453:
2446:
2439:
2432:
2425:
2418:
2411:
2404:
2397:
2390:
2373:, TWV 1:1585
2370:
2362:
2357:, TWV 1:1328
2354:
2346:
2338:
2330:
2322:
2314:
2291:
2232:(ChoralWiki)
2209:
2208:
2189:
2182:
2181:
2138:
2137:
2123:
2119:
2115:
2104:
2096:"Song"
2088:
2062:
2036:
2030:
2021:
2012:
2000:. Retrieved
1996:
1987:
1975:. Retrieved
1970:
1937:
1931:
1921:
1909:. Retrieved
1905:
1872:
1867:
1855:. Retrieved
1849:
1820:(in German).
1817:
1808:
1791:
1784:
1768:
1764:
1755:
1754:
1419:3. Sarabande
1258:
1232:
1219:
1217:
1039:
980:
971:TWV 40:26–37
965:TWV 40:14–25
950:
947:Six quatuors
946:
942:
931:
919:
913:
900:
888:
880:
873:
860:
853:
833:
822:
818:
812:
809:Der Tod Jesu
808:
800:
794:
790:
782:
763:
756:
750:
744:
738:
733:
727:
721:
714:
707:
693:
660:
655:
624:
619:
611:Der Tod Jesu
609:
599:
592:
584:
569:Scandinavian
533:
515:
510:
500:
498:
474:Thomaskantor
472:
465:Lateinschule
457:
451:
439:
431:
428:von Haus aus
427:
422:
419:
412:
405:da capo aria
396:
390:
375:
371:
341:
339:
328:
324:
321:Thomaskirche
302:
268:
190:
145:
144:
89:(1767-06-25)
87:25 June 1767
25:
3901:1767 deaths
3896:1681 births
3737:Style brisé
3673:Chamber pop
3668:Baroque pop
3612:grand motet
3585:passacaglia
3396:lautenwerck
3391:harpsichord
3361:double bass
3328:Instruments
3286:Mondonville
3118:A. Marcello
3048:F. Couperin
2995:Vejvanovský
2945:J. Playford
2925:J.-B. Lully
2890:Charpentier
2845:d'Anglebert
2730:Frescobaldi
2694:and early (
2588:Water Music
2465:Other vocal
2349:, TWV 1:884
2341:, TWV 1:877
2333:, TWV 1:634
2325:, TWV 1:183
2035:Profile on
1977:12 February
1473:6. Courante
1383:1. Overture
959:TWV 40:2–13
885:) TWV 55:C3
879:Ouverture (
844: [
797:) (1761–62)
573:Switzerland
571:countries,
561:Netherlands
493: 1745
444:, in 1716.
294: [
277:within the
193:self-taught
117:Occupations
3890:Categories
3751:Background
3637:recitative
3545:concertato
3513:canzonetta
3376:fortepiano
3351:clavichord
3301:Sammartini
3281:Mysliveček
3241:Boccherini
3231:W. F. Bach
3226:J. C. Bach
3023:J. S. Bach
2950:H. Purcell
2870:Cabanilles
2785:Monteverdi
2760:Kapsberger
2750:O. Gibbons
2745:C. Gibbons
2740:V. Galilei
2720:J. Dowland
2710:G. Caccini
2631:§ Telemann
2623:§ Telemann
2608:See also:
2530:Tafelmusik
2498:, TWV 8:10
2392:Germanicus
2037:Classic FM
1792:Tafelmusik
1751:References
1709:3. Andante
1691:2. Allegro
1437:4. Rondeau
1355:media help
1042:, part II)
1040:Tafelmusik
926:Tafelmusik
921:Tafelmusik
836:, TWV 4:13
670:See also:
330:Germanicus
309:Hildesheim
305:Zellerfeld
236:and early
205:Hildesheim
201:Zellerfeld
3868:Biography
3783:Sculpture
3700:ensembles
3695:festivals
3590:sarabande
3518:capriccio
3460:Ensembles
3291:L. Mozart
3193:de Zumaya
3128:Pergolesi
3108:Locatelli
3093:Heinichen
3078:Gorczycki
3073:Geminiani
3053:Delalande
2975:Stradella
2930:M. Marais
2910:Froberger
2875:Carissimi
2865:Buxtehude
2820:Sweelinck
2490:, TWV 8:7
2482:, TWV 6:8
2420:Pimpinone
1727:4. Presto
1455:5. Bouree
1125:Chalumeau
1025:Concertos
924:(1733) ('
903:TWV55:F11
863:TWV 13:18
777:Oratorios
581:polygraph
541:Mattheson
488:Telemann
462:Johanneum
393:Frankfurt
379:musician
281:, in the
271:Magdeburg
225:Frankfurt
197:Magdeburg
184:, and to
107:Education
69:Magdeburg
3819:Category
3796: ←
3778:Painting
3642:ricercar
3617:madrigal
3597:fantasia
3565:courante
3550:concerto
3523:chaconne
3416:recorder
3341:carillon
3311:Telemann
3256:Corrette
3251:F. Brixi
3236:F. Benda
3168:Telemann
3133:Pisendel
3083:Graupner
3018:Albinoni
2955:Reincken
2920:Legrenzi
2905:Diletsky
2829:Middle (
2735:Gabrieli
2514:, TWV 24
2506:, TWV 15
2472:Passions
2434:Miriways
2302:cantatas
2061:(eds.).
2020:(1994).
1797:Archived
1673:1. Largo
1173:Recorder
993:Keyboard
949:, 1736;
876:TWV 50:1
830:Karl VII
702:Cantatas
688:Passions
368:Eisenach
221:Eisenach
166:composer
129:Composer
46:aquatint
3842:Portals
3809:→
3763:Baroque
3632:prelude
3570:gavotte
3540:chorale
3508:canzona
3498:cantata
3451:violone
3431:trumpet
3426:theorbo
3421:sackbut
3356:cornett
3336:bassoon
3326:Musical
3266:Galuppi
3188:Zelenka
3178:Vivaldi
3163:Tartini
3138:Porpora
3123:Pepusch
3063:Fischer
3038:Caldara
2985:Torelli
2980:Strozzi
2900:Corelli
2880:Cavalli
2850:Bassani
2805:Scheidt
2755:d'India
2705:Allegri
2474:, TWV 5
2427:Orpheus
2228:in the
2222:(IMSLP)
2218:at the
2103:(ed.).
2039:website
2002:3 April
1911:1 April
1857:2 April
1261:, 1728)
1252:Bassoon
1214:Sonatas
1163:Bassoon
1103:Trumpet
937:Twelve
832:(1745)
565:Belgium
549:Scheibe
537:Marpurg
460:of the
454:Hamburg
414:Narciso
289:at the
234:Baroque
229:Hamburg
213:Leipzig
163:Baroque
96:Hamburg
3829:Portal
3722:monody
3580:minuet
3493:ballet
3446:violin
3381:guitar
3296:Quantz
3203:Galant
3158:Seixas
3148:Rameau
3143:Quantz
3088:Handel
3043:Campra
2960:Sabini
2935:Muffat
2895:Clarke
2840:Amodei
2815:Schütz
2810:Schein
2780:Merula
2775:Michna
2725:Franck
2715:Coelho
2383:Operas
2300:Church
2075:
1973:. 2013
1944:
1775:
1030:Violin
741:(1765)
677:Operas
656:lieder
575:, and
559:, the
553:France
547:, and
545:Quantz
458:Kantor
356:Poland
287:deacon
263:sacked
240:. The
223:, and
203:, and
174:oeuvre
3880:Music
3773:Dance
3652:suite
3627:opera
3607:fugue
3602:folia
3575:gigue
3560:dance
3503:canon
3441:viola
3411:organ
3371:flute
3346:cello
3306:Soler
3271:Hasse
3246:Boyce
3209:1720)
3183:Weiss
3173:Vinci
3113:Lotti
3058:Fasch
3011:1700)
2915:Kerll
2885:Cesti
2833:1650)
2800:Rossi
2770:Lawes
2765:Landi
2698:1600)
2099:. In
1756:Notes
1269:Media
1195:Flute
1053:Viola
848:]
577:Spain
557:Italy
366:, in
298:]
217:Sorau
3622:mass
3488:aria
3436:viol
3406:oboe
3401:lute
3386:harp
3366:drum
3316:Zach
3216:Arne
3005:Late
2965:Sanz
2860:Blow
2790:Peri
2250:The
2160:.org
2073:ISBN
2004:2016
1979:2016
1942:ISBN
1913:2021
1859:2021
1773:ISBN
1226:Oboe
1138:Oboe
1072:Horn
650:and
638:and
604:and
352:Żary
248:Life
168:and
159:O.S.
84:Died
63:O.S.
58:Born
3068:Fux
2244:at
2156:www
2153:at
1794:III
739:Ino
616:TWV
456:as
3892::
3207:c.
3009:c.
2831:c.
2696:c.
2071:.
2057:;
2045:^
1995:.
1969:.
1956:^
1904:.
1880:^
1848:.
1826:^
1222:)
846:nl
646:,
634:,
567:,
563:,
555:,
543:,
539:,
526:.
490:c.
354:,
296:de
219:,
215:,
199:,
98:,
75:,
71:,
3844::
3205:(
3007:(
2666:e
2659:t
2652:v
2284:e
2277:t
2270:v
2083:
2081:.
2006:.
1981:.
1950:.
1915:.
1861:.
1779:.
1357:.
1235:)
821:(
811:(
793:(
770:.
148:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
