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330:, then Australia's foremost art critic, who said the 9 by 5s were "destitute of all sense of the beautiful" and "whatever influence was likely to exercise could scarcely be otherwise than misleading and pernicious." The artists nailed the review to the entrance of the venueâattracting many more passing pedestrians to, in Streeton's words, "see the dreadful paintings"âand responded with a letter to the Editor of Smith's newspaper,
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distinctive vegetation. The
Heidelberg School painters spoke of seeing Australia "through Australian eyes", and by 1889, Roberts argued that they had successfully developed "a distinct and vital and creditable style". Likewise Streeton, when told in 1896 that his paintings were French in style, claimed that his work "is purely and absolutely Australian, not only as regards colour, but in idea and expression".
833:. Streeton continued to work primarily in and around Sydney until 1897, when he too moved to Europe, settling in London. Roberts followed a few years later. The artists maintained correspondence and, when recalling the Heidelberg School period, often did so with intense feelings of nostalgia. Conder wrote to Roberts:
999:'s emotional, sensorial evocations of the Australian landscape, both illustrating his work directly and using it as the basis for the titles of other paintings. Owing to shared themes and nationalist sentiments, the Heidelberg School is often described as painting's counterpart to the contemporaneous
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in 1889. Streeton, Conder and
Richardson soon moved in, and in 1890, the trio staged a show of Heidelberg landscapes there in the lead up to the Victorian Artists' Society's Winter exhibition. During this period, members of the Heidelberg School began hosting simultaneous exhibitions across Grosvenor
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It is better to give our own idea than to get a merely superficial effect, which is apt to be a repetition of what others have done before us, and may shelter us in a safe mediocrity, which, while it will not attract condemnation, could never help towards the development of what we believe will be a
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An effect is only momentary: so an impressionist tries to find his place. Two half-hours are never alike, and he who tries to paint a sunset on two successive evenings, must be more or less painting from memory. So, in these works, it has been the object of the artists to render faithfully, and thus
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in 1901, followed by World War I and the Great
Depression, are seen to have contributed to the enduring popularity of their work. In the 1920s and 30s in particular, it offered comfort to Australians still reeling from the war, as it depicted a "pastoral utopia" that was "eminently worth defending
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The exhibition caused a stir during its three-week run with
Melbourne society " to Buxtonâs, hoping to be amazed, intrigued or outraged". The general public, though somewhat bemused, responded positively, and within two weeks of the opening, most of the 9 by 5s had sold. The response from critics,
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described the
Heidelberg School as "mediating the relation to the bush of most people growing up in Australia. ... Perhaps no other local imagery is so much a part of an Australian consciousness and ideological make-up." Their works are known to many Australians through reproductions, adorning
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principles to the countryside around
Melbourne. Regarding Buvelot as "the father of Australian landscape painting", they showed little interest in the works of earlier colonial artists, which they likened to European scenes that did not reflect Australia's harsh sunlight, earthier colours and
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The artists generated publicity for the exhibition through a series of calculated press interviews and articles. Intentionally provocative, they sought to challenge artistic norms and give
Melbourne society "an opportunity of judging for itself what Impressionism truly is". They wrote in the
148:, were celebrated for being distinctly Australian in character, and by the early 20th century, critics had come to identify the movement as the beginning of an Australian tradition in Western art. Many of their major works can be seen in Australia's public galleries, including the
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The 9 by 5 Impression
Exhibition is now regarded as a landmark event in Australian art history. Approximately one-third of the 9 by 5s are known to have survived, many of which are held in Australia's public collections, and have sold at auction for prices exceeding $ 1,000,000.
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décor they chose for Buxton's Rooms featured
Japanese screens, silk draperies, umbrellas, and vases with flowers that perfumed the gallery, while background music was performed on certain afternoons. The harmony and "total effect" of the display showed the marked influence of
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The 9 by 5 catalogue, designed by Conder, shows a female as an allegory of art being unraveled from the bandages of 'Convention'. The exhibition's theme of transience is also symbolised by falling blossoms and a dragonfly, which in folklore lives only one
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for "the best landscape painting of
Australian scenery", "invariably depicted the gum trees, sunlight and rural scene as developed by Streeton and Roberts". Heidelberg School member Walter Withers won the inaugural Wynne Prize in 1897 with
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The notion that the Heidelberg School painters were the first to objectively capture Australia's "scrubby bush" gained widespread acceptance in the early 20th century, but has since been disputed; for example, in the 1960s art historian
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referred to the Heidelberg School as "the golden age of landscape painting in Australia". By this time, Australia's leading art institutions had fully embraced the movement's style and pastoral vision, while simultaneously shunning the
624:, was among the first artists to occupy studios in the building. Grosvenor Chambers quickly became the focal point of Melbourne's art scene, with Conder, Streeton, McCubbin, Louis Abrahams and John Mather also moving in.
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Sydney became Streeton's subject. The bravura of his crisp brushwork and his trademark blue, the blue that he had used at Heidelberg, were perfectly suited to registering images of the bustling activity on Sydney's blue
176:, where practitioners of the style found their subject matter, though usage expanded to cover other Australian artists working in similar areas. The core group painted together at "artists' camps", the first being the
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Grosvenor Chambers was used an urban base from which members of the Heidelberg School could receive sitters for portraits. It is evident from these portraits that many of the artists decorated their studios in an
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The Heidelberg School painters were not merely following an international trend, but "were interested in making paintings that looked distinctly Australian". They greatly admired the light-infused landscapes of
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in wax and bronze. The majority of the works date from the autumn and winter of 1889 and were painted on wooden cigar-box lids, most measuring 9 by 5 inches (23 Ă 13 cm), hence the name of the exhibition.
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By the early 1890s, the golden era of the Heidelberg School had come to an end as several leading members pursued more individual paths. Conder moved to Europe, where he became a legendary figure of the
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have noted that their "impressionism" was closer to Whistler's tonal impressionism than the broken colours of the French impressionists. Indeed, the Heidelberg School artists did not espouse any
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770:â (1890)âthe first of the artist's works to enter a public collection. The more sympathetic patronage shown by Ashton and others in Sydney inspired more artists to make the move from Melbourne.
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Give me one summer again, with yourself and Streeton, the same long evenings, songs, dirty plates, and last pink skies. But these things don't happen, do they? And what's gone is over.
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The presence of Roberts, Streeton and Conder at Grosvenor Chambers accounts for the high number of urban views they included in the 9 by 5 Impression Exhibition, including Roberts'
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They may be said to form a little school in themselves; and to have come to an agreement to look at Nature with the same eyes, and to interpret what they see by the same methods.
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declared Streeton's Sydney the "City of laughing loveliness! Sun-girdled Queen!", which became the title of one of his harbour views. The National Gallery of Victoria notes:
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Like many of their contemporaries in Europe and North America, the Heidelberg School artists adopted a direct and impressionistic style of painting. They were committed
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From Sydney, Streeton, Roberts and Fullwood branched out into country New South Wales, where, in the early 1890s, they painted some of their most celebrated works.
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who sought to depict daily life, showed a keen interest in transient light and its effect on colour, and experimented with loose brushwork. Art critics such as
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television in 1985. The series' depiction of the landscape was described by one critic as having "the soft warmth of a McCubbin painting".
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Chambers, Gordon Chambers and other nearby studios, with visitors and prospective buyers being invited to move freely between them.
1567:(1979) each found inspiration in the Heidelberg School; outback scenes in the latter allude directly to works by Streeton, such as
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and impressionist techniques, as well as their attendance at Melbourne and Sydney's "artists' camps". Many trained together at the
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Le Guellec-Minec, Anne (2021). "The Gumtree in Australian Literature and Art". In Dodeman, André; Vandamme, Christine (ed.).
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The Heidelberg School had no official membership, but artists are said to be part of the movement based on their adoption of
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In August 1889, several artists of the Heidelberg School staged their first independent exhibition at Buxton's Rooms,
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frames, many asymmetrical in design and left unornamented, others painted in metallic colours or decorated with
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in 2007. Such references to history were removed the following year, instead focusing on "the commitments in
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1601:(2007), held at the National Gallery of Victoria. Inspired by their acquisition of Streeton's 1890 painting
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1478:(1889) from a private owner for $ 3.5 million, then a record price for an Australian painting. McCubbin's
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861:, became the favoured hub of many of these artists. They were soon joined by younger Australians such as
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on the city's rural outskirts. The term has since evolved to cover these and other paintersâmost notably
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336:. Described as a manifesto, the letter defends freedom of choice in subject and technique, concluding:
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Inspired by the success of Grosvenor Chambers, another complex of studios, Gordon Chambers, opened on
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The Heidelberg School has been surveyed in major exhibitions, including the nationwide blockbuster
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1484:(1893) briefly held the record price for a publicly auctioned Australian painting when it sold at
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and other illustrated periodicals. The pictorial tradition of the bushman can be traced back to
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in the 1830s is seen to have faithfully rendered Australia's unique light and sprawling, untidy
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imagery. Much of what they knew of French impressionism was through correspondence with painter
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excursions outside Sydney and picked up some impressionist techniques from expatriate artist
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2029:, Australian artist who was a close associate of Whistler and experimented with impresionism
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1468:. Heidelberg School artworks are among the most collectible in Australian art; in 1995, the
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Roberts first visited Sydney in 1887. There, he developed a strong artistic friendship with
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as decorations started a fad for Australian flora in the home. He also initiated in-studio
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In order to emphasise the small size of the paintings, the artists displayed them in broad
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2562:. "Beating About the Bush: The Landscapes of the Heidelberg School". In Bradley, Anthony;
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2778:"Australia's Impressionists, exhibition review: A fascinating show on an explosive theme"
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Conder, Charles; Roberts, Tom; Streeton, Arthur. "Concerning 'Impressions' in Painting".
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between December 2016 and March 2017, focusing on works by Streeton, Roberts, Conder and
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studied the Heidelberg School as a basis for art direction, lighting, and composition.
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obtain first records of effects widely differing, and often of very fleeting character.
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2761:"Tom Roberts at the National Gallery of Australia has gone gangbusters and here's why"
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Streeton won acclaim in Sydney for his harbour views, many of which were collected by
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painters on occasion, including prominent art teacher and Heidelberg School supporter
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hit Melbourne in 1890, Roberts and Streeton moved to Sydney, first setting up camp at
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sense of form, clarity and composition. They also sometimes created works within the
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Walsh, Geraldine (22 July 1985). "The Heidelberg School has a spell at Brideshead",
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at which artists discussed recent artistic trends and read the latest art journals.
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3689:
3576:
3509:
3499:
3468:
3164:
3119:
1512:
1496:
1444:
1425:
1235:
1167:
1122:
1004:
886:
878:
822:
735:
712:
686:
287:
181:
141:
102:
53:
7247:
7074:
7059:
7019:
6965:
6933:
6825:
6663:
6618:
6511:
6317:
6127:
5995:
5716:
5518:
5310:
5298:
5151:
5072:
4939:
4705:
4610:
4564:
4542:
4357:
4347:
4335:
4287:
3962:
3379:
3199:
2262:
The Golden Age of Australian Painting: Impressionism and the Heidelberg School
1897:
1667:
1641:
1526:
1480:
1409:
1278:
1157:
727:
2614:"Fifteen years after setting a sales record, a famous painting fails to sell"
7309:
7299:
7262:
7094:
7084:
7064:
7049:
6890:
6860:
6593:
6516:
5935:
5721:
5558:
5315:
5016:
4965:
4863:
4674:
4480:
4451:
3395:
3194:
1578:
1519:
drew upon the visual style and subject matter of the Heidelberg School. For
1464:
stamps, the walls of bars and motels, and the covers of paperback copies of
1152:
842:
173:
80:
1447:, went on to win a record seven and nine times, respectively. According to
2467:"Victorian Artists' Society. Winter Exhibition. Landscapes and Sea Pieces"
1395:, marking the approximate location where a particular painting was created
83:
art critic Sidney Dickinson coined the term in an 1891 review of works by
7289:
7210:
7158:
7089:
7002:
6923:
6875:
6741:
6726:
6583:
6521:
6453:
6347:
6332:
6006:
5920:
5910:
5898:
5642:
5497:
5105:
4802:
4742:
4574:
3060:
National Gallery of Victoria: Australian Impressionism Education Resource
2654:
2559:
1649:
1460:
1192:
991:
Beyond the visual arts, the Heidelberg School also took inspiration from
652:
291:
2795:"She-Oak and sunlight: âthe best feelgood show I have seen since COVIDâ"
983:, a Swiss-born artist and art teacher who, in the 1860s, adapted French
242:, it included 183 "impressions", of which 63 were by Tom Roberts, 40 by
6628:
6431:
6369:
6186:
6085:
5825:
5552:
5547:
5385:
5273:
5229:
4991:
4686:
2376:
Gallaby, Ann; Sloggett, Robyn. "John Peter Russellâs Dr Will Maloney",
2038:
1657:
877:
and impressionist techniques to a new generation of artists, including
766:
in Sydney, secured the acquisition of Streeton's Heidelberg landscape â
279:
7252:
7111:
6885:
6603:
6533:
6102:
6014:
5869:
5100:
4642:
2531:
Seeking the Centre: The Australian Desert in Literature, Art and Film
1612:
114:
3064:
3049:
2498:
W. Moore, The Story of Australian Art, vol. 1, Sydney, 1934, p. 76.
1697:
Evening, when the quiet east flushes faintly at the sun's last look
5336:
4591:
4475:
4236:
1386:
1369:
1225:
1208:
1069:
and were active members of both the bohemian artists' society the
1028:
965:
896:
801:
690:
305:
217:
2393:. Melbourne University Publishing, ISBN 9780522850840. p. 64, 76.
2041:, Australian impressionist who spent much of her career in France
2035:, Australian impressionist who spent much of his career in France
1424:. Even until the early 1940s, winning entries of the prestigious
631:, painted from the vantage point of his studio and featuring the
7188:
5990:
3617:
2866:
Sunlight and Shadow: Australian Impressionist Painters 1880-1900
1383:, often regarded as "the last of the Australian impressionists".
829:, and frequenting Parisian bohemian districts with the likes of
4256:
3621:
3068:
3006:
The Heidelberg School: The Golden Summer of Australian Painting
2812:
Australian Painting: 1788-1960. Oxford University Press, p. 19.
2108:
113:âwho worked together at "artists' camps" around Melbourne and
3025:
The Artists' Camps: Plein Air Painting in Melbourne 1885-1898
2544:"The lost art of Federation: Australia's quest for modernism"
2473:(Melbourne). 29 March 1890. p. 11. Retrieved 25 January 2016.
1545:
is recreated within the film. When shooting the landscape in
1539:, pays homage to Roberts' shearing works, to the extent that
1503:
rather than being a general knowledge quiz about Australia."
2964:
Completing the Picture: Women Artists and the Heidelberg Era
905:, a literary source of inspiration for the Heidelberg School
873:
ran the Melbourne School of Art at Charterisville, teaching
841:
Back in Melbourne, McCubbin, Withers, Paterson, Sutherland,
2885:
The Australian Impressionists: Their Origins and Influences
2843:
City Bushmen: The Heidelberg School and the Rural Mythology
2247:, National Gallery of Victoria. Retrieved 29 February 2016.
2457:. Cambridge Scholars Publisher. p. 20. ISBN 9781527576629.
2159:, National Museum of Australia. Retrieved 1 February 2024.
2104:
2102:
136:
sentiment in the Australian colonies, then on the cusp of
7179:
Art in the Protestant Reformation and Counter-Reformation
2593:
Affairs of the Art: Love, Loss and Power in the Art World
2083:. Melbourne: National Gallery of Victoria. Archived from
286:
and small sketches, giving the works an "unconventional,
3055:
Heidelberg School - The Encyclopedia of Melbourne Online
2533:. Cambridge University Press, ISBN 9780521571111. p. 162
2405:, National Gallery of Victoria. Retrieved 16 March 2016.
2303:, National Gallery of Victoria. Retrieved 16 March 2016.
2511:. Syracuse University Press. ISBN 9780815629542, p. 211
1412:
innovations of more recent Australian artists, such as
974:
were particularly influential on the Heidelberg School.
758:
artists' camp. Ashton had earlier introduced Conder to
326:
however, was mixed. The most scathing review came from
2455:
Space, Place and Hybridity in the National Imagination
2415:"An Australian Artist: A Little Talk With Tom Roberts"
608:, established by Hugh and James Paterson, brothers of
258:, who, in addition to 19 oil paintings, included five
2923:
Prelude to Heidelberg: The Artists' Camp at Box Hill
204:. See below for a list of other associated artists.
129:, and the harsh sunlight that typifies the country.
7134:
6899:
6709:
6489:
6281:
6265:
5944:
5749:
5528:
5517:
5347:
5284:
5177:
5093:
4984:
4788:
4521:
4321:
4312:
4211:
4155:
4129:
4011:
3949:
3892:
3820:
3804:
3778:
3747:
3657:
3518:
3482:
3446:
3259:
3228:
3142:
3102:
2906:. International Cultural Corporation of Australia.
2651:
Australian Art in the National Gallery of Australia
2509:
Imagined Country: Environment, Culture, and Society
2138:, Deutscher and Hackett. Retrieved 2 February 2024.
74:of the late 19th century. It has been described as
2367:, Castlemaine Art Museum. Retrieved 23 March 2024.
746:stayed with Streeton at Curlew, as well as other
768:Still glides the stream, and shall forever glide
2921:Finlay, Eleanor; Morgan, Marjorie Jean (2007).
2378:Art Journal of the National Gallery of Victoria
1459:Writing in 1980, Australian artist and scholar
1040:
835:
787:
734:, before finally settling around the corner at
338:
318:
125:ideas, they sought to capture Australian life,
1625:She-Oak and Sunlight: Australian Impressionism
923:, and, like another main influence of theirs,
4268:
3633:
3080:
2185:Smith, James. "An Impressionist Exhibition".
1640:identified "an authentic bush atmosphere" in
8:
2403:Australian Impressionism: Education Resource
2334:, Australia.gov.au. Retrieved 17 March 2016.
271:, sourced the lids from his cigar business,
3284:Winter morning after rain, Gardiner's Creek
2962:Hammond, Victoria; Peers, Juliette (1992).
2631:"Sporting focus taken off citizenship test"
762:painting, and in 1890, as a trustee of the
6278:
5525:
4318:
4275:
4261:
4253:
3640:
3626:
3618:
3087:
3073:
3065:
2645:
2643:
2347:. Penguin Books Australia Ltd, Melbourne.
2077:"Introduction to Australian Impressionism"
1555:tried to "make every shot a Tom Roberts".
1439:, and leading successors of the movement,
707:, a young painter who had already gone on
604:. It was built by the art decorating firm
226:, site of the 9 by 5 Impression Exhibition
168:The name refers to the then-rural area of
2595:. Melbourne University Publishing, 2013.
970:The landscapes of early Melbourne artist
132:The movement emerged at a time of strong
2680:Continuum International Publishing Group
1631:Historiography and revisionist critiques
48:
31:
3561:National Gallery of Victoria Art School
2902:Clark, Jane; Whitelaw, Bridget (1985).
2657:: National Gallery of Australia, 2002.
2240:
2238:
2236:
2068:
1685:
1067:National Gallery of Victoria Art School
612:and associate of the Heidelberg School
353:
6956:Contemporary Indigenous Australian art
3546:Exhibition of Australian Art in London
2131:
2129:
821:, mixing within the social circles of
341:great school of painting in Australia.
4976:Art of the late 16th century in Milan
2904:Golden Summers: Heidelberg and Beyond
2776:Collings, Matthew (6 December 2016).
1595:Golden Summers: Heidelberg and Beyond
853:in and around Heidelberg. From 1890,
7:
2925:. MM Publishing/City of Whitehorse.
2629:Anderson, Laura (22 November 2008).
2264:. Lansdowne Publishing. p. 42.
1676:The Picturesque Atlas of Australasia
1495:, overseen by former prime minister
27:19th-century Australian art movement
3420:The purple noonâs transparent might
1980:The purple noon's transparent might
857:, a rural property in neighbouring
764:National Gallery of New South Wales
140:. The artists' paintings, like the
117:in the 1880s and 1890s. Drawing on
6311:Vienna School of Fantastic Realism
5162:Neoclassical architecture in Milan
1674:, and reached its apotheosis with
995:. They responded strongly to poet
250:. Smaller contributions came from
25:
6385:American Figurative Expressionism
4721:International Gothic art in Italy
2945:Impressionist Painters, 1881-1930
2391:Charles Conder: The Last Bohemian
2291:. Oxford University Press, p. 13.
647:manner, showing the influence of
7335:
7334:
5894:Neue KĂŒnstlervereinigung MĂŒnchen
3738:
3133:
2759:Grishin, Sasha (23 March 2016).
2435:, AGNSW. Retrieved 8 March 2024.
2315:, AGNSW. Retrieved 6 March 2024.
2004:
1988:
1970:
1954:
1938:
1922:
1906:
1888:
1872:
1854:
1836:
1820:
1804:
1788:
1770:
1754:
1738:
1720:
1704:
1688:
1644:'s landscapes of the 1810s, and
1391:One of the many signs along the
578:
563:
532:
516:
500:
484:
468:
452:
436:
420:
404:
388:
372:
356:
91:, two local artists who painted
6816:Tunisian collaborative painting
6289:International Typographic Style
2793:Grishin, Sasha (7 April 2021).
2612:Rule, Andrew (3 October 2013).
2568:Australian Art and Architecture
2301:Australian Impressionism: Sites
2168:Inglis, Alison (15 June 2017).
1670:and other artists of the 1850s
525:Figures on a Hillside, Twilight
6569:The Caribbean Artists Movement
3812:First Impressionist Exhibition
2887:. Lauraine Diggins Fine Arts.
2704:The Chant of Jimmie Blacksmith
1571:. The movement is explored in
1548:The Chant of Jimmie Blacksmith
1507:Influence on Australian cinema
1430:Art Gallery of New South Wales
1007:, centered around the journal
738:, which was accessible by the
381:Going Home (The Gray and Gold)
158:Art Gallery of New South Wales
1:
4925:Dutch and Flemish Renaissance
3978:Marc-AurÚle de Foy Suzor-Coté
3027:. Monash University Gallery.
1491:The movement featured in the
1470:National Gallery of Australia
943:, and made occasional use of
649:James Abbott McNeill Whistler
150:National Gallery of Australia
7040:Modern European ink painting
6412:Bay Area Figurative Movement
3526:9 by 5 Impression Exhibition
3404:In a corner on the Macintyre
2987:National Gallery of Victoria
2620:. Retrieved 5 December 2018.
2176:. Retrieved 2 February 2024.
2170:"Small pictures, big legacy"
1615:hosted an exhibition titled
1488:in 1998 for $ 2.31 million.
901:Statue in Melbourne of poet
754:, who resided nearby at the
724:a severe economic depression
240:9 by 5 Impression Exhibition
214:9 by 5 Impression Exhibition
208:9 by 5 Impression Exhibition
192:. They were later joined by
154:National Gallery of Victoria
6701:Artificial intelligence art
4147:French impressionist cinema
2529:Haynes, Roslynn D. (1998).
2365:"Nunn on Longstaff, Part 1"
2216:The Story of Australian Art
1493:Australian citizenship test
1401:The Story of Australian Art
7397:
6614:Post-painterly abstraction
6437:Situationist International
5811:Pennsylvania Impressionism
4188:Pennsylvania Impressionism
3736:
3205:Charles Douglas Richardson
2801:. Retrieved 13 April 2021.
2767:. Retrieved 27 March 2016.
2735:. Retrieved 16 March 2013.
2637:. Retrieved 13 March 2013.
2489:. Retrieved 16 April 2024.
1617:Australia's Impressionists
1535:(1975), set on an outback
1428:, awarded annually by the
1363:
1163:Charles Douglas Richardson
1075:Victorian Artists' Society
1054:Victorian Artists' Society
1035:Victorian Artists' Society
680:
552:
256:Charles Douglas Richardson
211:
7330:
6197:California Scene Painting
6076:California Scene Painting
6032:Figurative Constructivism
5083:Poussinists and Rubenists
4299:
4242:Pays des Impressionnistes
4036:Giovanni Battista Ciolina
3591:
3583:Victorian Artists Society
3505:George Washington Lambert
3131:
3050:In the Artist's Footsteps
2883:Caulfield, North (1988).
2747:The Sydney Morning Herald
2520:Hughes (1966), pp. 89â90.
2487:Google Arts & Culture
1589:Retrospective exhibitions
1056:'s 1890 winter exhibition
959:. Encouraged by Russell,
831:Henri de Toulouse-Lautrec
461:Evening Train to Hawthorn
180:, established in 1885 by
76:Australian impressionism.
7295:Prehistoric European art
6944:Contemporary African art
6427:Gendai Bijutsu Kondankai
6355:GeneraciĂłn de la Ruptura
5982:Universal Constructivism
5774:California Impressionism
5729:American Barbizon school
4178:Decorative Impressionism
4173:California Impressionism
3607:Visual arts of Australia
3556:Heidelberg Artists Trail
3332:Golden Summer, Eaglemont
3004:Splatt, William (1989).
2983:Australian Impressionism
2947:. Lansdowne Publishing.
2784:. Retrieved 18 May 2017.
2548:Art Bulletin of Victoria
2121:Australian Impressionism
2109:Heidelberg Artists Trail
2081:Australian Impressionism
2052:Visual arts of Australia
1599:Australian Impressionism
1551:(1978), cinematographer
1475:Golden Summer, Eaglemont
1393:Heidelberg Artists Trail
1366:Heidelberg Artists Trail
541:Twilight, East Melbourne
42:Golden Summer, Eaglemont
18:Australian Impressionism
7122:Walking Artists Network
6459:Letterist International
6299:Washington Color School
5213:Arts in the Philippines
4198:Synthetic impressionism
4163:Amsterdam Impressionism
3988:Helen Galloway McNicoll
3839:Frederick Carl Frieseke
3023:Topliss, Helen (1984).
2864:Astbury, Leigh (1989).
2847:Oxford University Press
2841:Astbury, Leigh (1985).
2810:Smith, Bernard (1962).
2676:The Films of Peter Weir
2572:Oxford University Press
2542:Margaret Plant (1987).
2507:Short, John R. (2005).
2423:. Retrieved 4 May 2020.
2343:Hughes, Robert (1966).
1879:Albert Henry Fullwood,
1453:federation of Australia
1219:(1889), painted at the
1188:Tudor St. George Tucker
871:Tudor St. George Tucker
144:of the contemporaneous
7233:Illuminated manuscript
6881:The Designers Republic
6831:Neue Slowenische Kunst
6754:Pattern and Decoration
6654:Institutional critique
6294:Abstract expressionism
5274:Latin American Baroque
5230:Colonial Asian Baroque
3869:Walter Elmer Schofield
3531:Box Hill artists' camp
3474:James McNeill Whistler
2981:Lane, Terence (2007).
2824:The Art of John Glover
2733:World Cinema Directory
1522:Picnic at Hanging Rock
1422:Grace Cossington Smith
1403:(1934), art historian
1396:
1384:
1263:Box Hill artists' camp
1239:
1223:
1221:Box Hill artists' camp
1059:
1038:
975:
906:
839:
811:
792:
700:
697:Sunlight Sweet, Coogee
343:
323:
312:
273:Sniders & Abrahams
269:Box Hill artists' camp
227:
178:Box Hill artists' camp
63:
46:
6871:Artist-run initiative
6846:Young British Artists
6811:New European Painting
6747:Moscow Conceptualists
6669:Feminist art movement
6447:Ukrainian underground
6422:Gutai Art Association
5821:Ten American Painters
5325:Western influence in
4302:List of art movements
4096:WĆadysĆaw PodkowiĆski
3834:William Merritt Chase
3725:Pierre-Auguste Renoir
3573:Sydney artists' camps
3185:Albert Henry Fullwood
2822:McPhee, John (2003).
2729:"My Brilliant Career"
2591:Strickland, Katrina.
2550:. No. 28, pp. 118â125
2444:Astbury (1985), p. 12
2389:Gallaby, Ann (2004).
2220:Angus & Robertson
1829:The Village Laundress
1713:Obstruction, Box Hill
1558:The Getting of Wisdom
1390:
1373:
1354:Sydney artists' camps
1229:
1212:
1118:Albert Henry Fullwood
1032:
993:Australian literature
969:
927:, often maintained a
900:
805:
744:Albert Henry Fullwood
694:
683:Sydney artists' camps
681:Further information:
633:Old Treasury Building
509:A View of Templestowe
309:
221:
52:
35:
7381:Heidelberg, Victoria
7371:Culture of Melbourne
6681:Saqqakhaneh movement
6574:Chicano art movement
6442:Soviet Nonconformist
6248:Boston Expressionism
6231:Abstraction-Création
6049:Arbeitsrat fĂŒr Kunst
6042:Cologne Progressives
5762:Art Nouveau in Milan
5565:Anglo-Japanese style
5541:National romanticism
4971:Fontainebleau School
4881:Northern Renaissance
4716:International Gothic
4003:Robert Wakeham Pilot
3993:James Wilson Morrice
3874:John Henry Twachtman
3454:Jules Bastien-Lepage
3412:On the Wallaby Track
3308:A holiday at Mentone
3175:John Llewellyn Jones
2345:The Art of Australia
1995:Frederick McCubbin,
1961:John Ford Paterson,
1895:Frederick McCubbin,
1730:A holiday at Mentone
1581:that first aired on
1472:acquired Streeton's
1399:In his seminal work
1213:Frederick McCubbin,
1133:John Llewellyn Jones
1103:Emanuel Phillips Fox
935:conventions of both
925:Jules Bastien-Lepage
893:Influences and style
783:George Marshall-Hall
570:Grosvenor Chambers,
429:She-Oak and Sunlight
260:sculpted impressions
7216:Hierarchy of genres
6781:Saint Soleil School
6717:Post-conceptual art
6686:The Stars Art Group
6564:Black Arts Movement
6527:Neo-Dada Organizers
6328:Lyrical abstraction
6061:Australian tonalism
5734:California Tonalism
5406:Hudson River School
5209:Colonial Asian art
4949:English Renaissance
4898:GhentâBruges school
4886:Early Netherlandish
4798:Italian Renaissance
4711:Gothic art in Milan
4116:Philip Wilson Steer
3968:William Blair Bruce
3755:Gustave Caillebotte
3675:Gustave Caillebotte
2202:. 3 September 1889.
2147:Clark 1986, p. 114.
1564:My Brilliant Career
1532:Sunday Too Far Away
1517:Australian New Wave
1466:colonial literature
1021:among its members.
997:Adam Lindsay Gordon
903:Adam Lindsay Gordon
742:. Melbourne artist
236:Melbourne Town Hall
7258:Landscape painting
6866:New Leipzig School
6806:Neo-conceptual art
6554:Art & Language
6549:Capitalist realism
6471:Florida Highwaymen
6407:Hard-edge painting
6221:Streamline Moderne
6182:Harlem Renaissance
6025:Novecento Italiano
5853:Deutscher Werkbund
5680:Post-Impressionism
5242:Latin American art
5046:Guild of Romanists
4908:German Renaissance
4903:Northern Mannerism
4225:The Impressionists
4193:Post-Impressionism
4071:Konstantin Korovin
3921:Frederick McCubbin
3765:Henry O. Havemeyer
3551:Grosvenor Chambers
3190:John Ford Paterson
3115:Frederick McCubbin
3044:External resources
2674:Rayner, Jonathan.
2330:8 May 2017 at the
1977:Arthur Streeton, â
1569:The Selector's Hut
1456:even unto death".
1397:
1385:
1240:
1230:Streeton painting
1224:
1148:John Ford Paterson
1143:Frederick McCubbin
1039:
1025:Associated artists
976:
907:
849:continued to work
812:
730:, a small cove of
701:
651:. Roberts' use of
614:John Ford Paterson
598:Grosvenor Chambers
555:Grosvenor Chambers
549:Grosvenor Chambers
413:Herrick's Blossoms
350:Gallery of 9 by 5s
313:
301:aesthetic movement
267:, a member of the
252:Frederick McCubbin
228:
186:Frederick McCubbin
111:Frederick McCubbin
70:was an Australian
64:
47:
7361:Heidelberg School
7348:
7347:
7130:
7129:
6986:Corporate Memphis
6939:Classical Realism
6909:Amazonian pop art
6801:Appropriation art
6769:Neo-expressionism
6639:Environmental art
6544:Nouvelle tendance
6261:
6260:
6209:Socialist realism
6066:Dresden Secession
5685:Neo-Impressionism
5648:Decadent movement
5619:Heidelberg School
5513:
5512:
5411:American luminism
5396:DĂŒsseldorf School
5391:Shoreham Ancients
5381:Nazarene movement
5371:Danish Golden Age
5252:Indochristian art
4930:Antwerp Mannerism
4819:Pittura infamante
4813:Florentine School
4808:Proto-Renaissance
4250:
4249:
4183:Neo-Impressionism
4051:Antoine Guillemet
4031:Marie Bracquemond
3998:Laura Muntz Lyall
3864:Theodore Robinson
3859:Lilla Cabot Perry
3695:Armand Guillaumin
3615:
3614:
3388:The Golden Fleece
3356:Shearing the Rams
3096:Heidelberg School
3008:. Viking O'Neil.
2996:978-0-7241-0281-5
2649:Gray, Anne (ed.)
2433:Exhibition themes
2325:Heidelberg School
2245:Significant sites
2189:. 17 August 1889.
2157:9 by 5 Exhibition
2011:E. Phillips Fox,
1929:Florence Fuller,
1843:Arthur Streeton,
1777:Arthur Streeton,
1761:Florence Fuller,
1711:Jane Sutherland,
1542:Shearing the Rams
1525:(1975), director
1108:Ethel Carrick Fox
1037:in East Melbourne
806:E. Phillips Fox,
695:Arthur Streeton,
539:Arthur Streeton,
523:Arthur Streeton,
507:Arthur Streeton,
493:The National Game
491:Arthur Streeton,
68:Heidelberg School
59:Shearing the Rams
16:(Redirected from
7388:
7338:
7337:
7322:Western painting
7268:Modern sculpture
7226:History painting
6929:Art intervention
6722:Installation art
6539:Nouveau réalisme
6279:
6253:Leningrad School
6145:Mexican muralism
6118:Grosvenor School
5858:American Realism
5841:Der Blaue Reiter
5799:Berlin Secession
5794:Vienna Secession
5789:Munich Secession
5707:Pont-Aven School
5526:
5376:Troubadour style
5354:(c. 1770 â 1862)
5321:Qing handicrafts
5287:Western elements
5218:Letras y figuras
5191:African-American
5186:African diaspora
5157:Directoire style
5068:Heptanese school
5051:Dutch Golden Age
5036:Stroganov School
5029:Lutheran Baroque
5024:Louis XIII style
4997:Baroque in Milan
4859:Bolognese School
4854:High Renaissance
4837:Forlivese School
4832:Ferrarese School
4555:Migration Period
4319:
4277:
4270:
4263:
4254:
4227:(2006 TV series)
4219:Wilfrid de Glehn
4091:NadeĆŸda PetroviÄ
4056:Nazmi Ziya GĂŒran
3955:
3898:
3849:Alphonse Maureau
3826:
3796:Ambroise Vollard
3786:Paul Durand-Ruel
3742:
3720:Camille Pissarro
3665:Frédéric Bazille
3651:
3642:
3635:
3628:
3619:
3567:One Summer Again
3464:George Folingsby
3324:Down on His Luck
3292:Charcoal burners
3137:
3089:
3082:
3075:
3066:
3038:
3019:
3000:
2977:
2958:
2936:
2917:
2898:
2879:
2860:
2827:
2820:
2814:
2808:
2802:
2791:
2785:
2774:
2768:
2757:
2751:
2742:
2736:
2727:Elliot, Bonnie.
2725:
2719:
2697:
2691:
2672:
2666:
2647:
2638:
2627:
2621:
2610:
2604:
2589:
2583:
2557:
2551:
2540:
2534:
2527:
2521:
2518:
2512:
2505:
2499:
2496:
2490:
2480:
2474:
2464:
2458:
2451:
2445:
2442:
2436:
2430:
2424:
2412:
2406:
2400:
2394:
2387:
2381:
2374:
2368:
2362:
2356:
2341:
2335:
2322:
2316:
2310:
2304:
2298:
2292:
2282:
2276:
2275:
2254:
2248:
2242:
2231:
2209:
2203:
2196:
2190:
2183:
2177:
2166:
2160:
2154:
2148:
2145:
2139:
2133:
2124:
2117:
2111:
2106:
2097:
2096:
2094:
2092:
2087:on 17 March 2011
2073:
2008:
1992:
1974:
1958:
1945:Walter Withers,
1942:
1926:
1910:
1892:
1876:
1858:
1840:
1824:
1811:Charles Conder,
1808:
1795:John Longstaff,
1792:
1774:
1763:Mother and Child
1758:
1745:Walter Withers,
1742:
1727:Charles Conder,
1724:
1708:
1692:
1609:National Gallery
1574:One Summer Again
1238:, Sydney Harbour
1216:Down on His Luck
1057:
953:Vincent van Gogh
941:history painting
827:Aubrey Beardsley
582:
567:
536:
520:
504:
488:
472:
456:
440:
424:
411:Charles Conder,
408:
395:Charles Conder,
392:
379:Charles Conder,
376:
363:Charles Conder,
360:
299:and the broader
222:Buxton's Rooms,
21:
7396:
7395:
7391:
7390:
7389:
7387:
7386:
7385:
7351:
7350:
7349:
7344:
7326:
7243:Interactive art
7126:
7100:SoFlo Superflat
7025:Kitsch movement
6949:Africanfuturism
6901:
6895:
6774:Transavantgarde
6705:
6659:Light and Space
6644:Performance art
6624:Psychedelic art
6507:Nueva Presencia
6497:Otra FiguraciĂłn
6485:
6417:Les Plasticiens
6402:New York School
6380:Action painting
6365:Metcalf Chateau
6274:
6269:
6257:
6177:Cercle et Carré
6113:New Objectivity
6020:Return to order
5962:School of Paris
5940:
5784:School of Paris
5745:
5631:Arts and Crafts
5536:Neo-romanticism
5521:
5509:
5505:Etching revival
5457:Barbizon school
5401:Pre-Raphaelites
5353:
5350:
5343:
5286:
5280:
5173:
5147:Louis XVI style
5089:
5078:Louis XIV style
5041:Animal painting
5002:Flemish Baroque
4980:
4891:World landscape
4842:Venetian School
4784:
4771:Majorcan school
4738:Novgorod School
4728:Lucchese School
4700:Opus Anglicanum
4692:Norman-Sicilian
4636:Italo-Byzantine
4536:Early Christian
4517:
4501:Pompeian Styles
4314:
4308:
4295:
4281:
4251:
4246:
4207:
4151:
4125:
4121:Eliseu Visconti
4111:JoaquĂn Sorolla
4086:Francisco Oller
4076:MartĂn Malharro
4021:EugĂšne Baudouin
4013:
4007:
3973:William Brymner
3953:
3951:
3945:
3936:Arthur Streeton
3911:E. Phillips Fox
3896:
3894:
3888:
3854:Willard Metcalf
3824:
3822:
3816:
3800:
3774:
3770:Ernest Hoschedé
3760:Victor Chocquet
3743:
3734:
3653:
3649:
3646:
3616:
3611:
3587:
3536:Buonarotti Club
3514:
3478:
3442:
3428:The Big Picture
3300:The Sunny South
3255:
3246:Baldwin Spencer
3224:
3215:Jane Sutherland
3180:Florence Fuller
3160:E. Phillips Fox
3138:
3129:
3125:Arthur Streeton
3098:
3093:
3046:
3041:
3035:
3022:
3016:
3003:
2997:
2980:
2974:
2961:
2955:
2939:
2933:
2920:
2914:
2901:
2895:
2882:
2876:
2863:
2857:
2840:
2836:
2834:Further reading
2831:
2830:
2821:
2817:
2809:
2805:
2792:
2788:
2775:
2771:
2758:
2754:
2743:
2739:
2726:
2722:
2700:Reynolds, Henry
2698:
2694:
2673:
2669:
2648:
2641:
2628:
2624:
2611:
2607:
2590:
2586:
2558:
2554:
2541:
2537:
2528:
2524:
2519:
2515:
2506:
2502:
2497:
2493:
2481:
2477:
2465:
2461:
2452:
2448:
2443:
2439:
2431:
2427:
2420:Melbourne Punch
2413:
2409:
2401:
2397:
2388:
2384:
2380:, no. 37, 2014.
2375:
2371:
2363:
2359:
2342:
2338:
2332:Wayback Machine
2323:
2319:
2311:
2307:
2299:
2295:
2289:Arthur Streeton
2283:
2279:
2272:
2258:McCulloch, Alan
2256:
2255:
2251:
2243:
2234:
2210:
2206:
2197:
2193:
2184:
2180:
2167:
2163:
2155:
2151:
2146:
2142:
2134:
2127:
2118:
2114:
2107:
2100:
2090:
2088:
2075:
2074:
2070:
2065:
2027:Mortimer Menpes
2023:
2016:
2009:
2000:
1997:A ti-tree glade
1993:
1984:
1975:
1966:
1959:
1950:
1947:Tranquil Winter
1943:
1934:
1927:
1918:
1911:
1902:
1893:
1884:
1877:
1868:
1859:
1850:
1841:
1832:
1825:
1816:
1809:
1800:
1793:
1784:
1775:
1766:
1759:
1750:
1743:
1734:
1725:
1716:
1709:
1700:
1693:
1684:
1633:
1591:
1577:, a three-part
1509:
1414:Clarice Beckett
1368:
1362:
1314:Mount Dandenong
1207:
1202:
1183:Jane Sutherland
1173:Arthur Streeton
1113:Florence Fuller
1071:Buonarotti Club
1058:
1046:
1027:
1001:Bulletin School
985:Barbizon School
895:
867:E. Phillips Fox
800:
689:
679:
629:By the Treasury
618:Jane Sutherland
596:In April 1888,
594:
593:
592:
591:
590:
583:
575:
574:
568:
557:
551:
544:
537:
528:
521:
512:
505:
496:
489:
480:
473:
464:
457:
448:
441:
432:
425:
416:
409:
400:
393:
384:
377:
368:
365:Riddell's Creek
361:
352:
244:Arthur Streeton
234:, opposite the
232:Swanston Street
224:Swanston Street
216:
210:
194:Arthur Streeton
166:
146:Bulletin School
85:Arthur Streeton
37:Arthur Streeton
28:
23:
22:
15:
12:
11:
5:
7394:
7392:
7384:
7383:
7378:
7373:
7368:
7363:
7353:
7352:
7346:
7345:
7343:
7342:
7331:
7328:
7327:
7325:
7324:
7319:
7312:
7307:
7302:
7297:
7292:
7287:
7282:
7277:
7276:
7275:
7273:Late modernism
7270:
7260:
7255:
7250:
7245:
7240:
7235:
7230:
7229:
7228:
7223:
7221:Genre painting
7213:
7208:
7203:
7198:
7197:
7196:
7191:
7186:
7181:
7171:
7169:Ballets Russes
7166:
7161:
7156:
7155:
7154:
7152:Asemic writing
7144:
7142:History of art
7138:
7136:
7135:Related topics
7132:
7131:
7128:
7127:
7125:
7124:
7119:
7114:
7109:
7108:
7107:
7102:
7092:
7087:
7082:
7077:
7072:
7070:Relational art
7067:
7062:
7057:
7052:
7047:
7042:
7037:
7032:
7027:
7022:
7017:
7016:
7015:
7005:
7000:
6995:
6993:Hypermodernism
6990:
6989:
6988:
6978:
6973:
6968:
6963:
6958:
6953:
6952:
6951:
6941:
6936:
6931:
6926:
6921:
6916:
6911:
6905:
6903:
6897:
6896:
6894:
6893:
6888:
6883:
6878:
6873:
6868:
6863:
6858:
6853:
6848:
6843:
6838:
6833:
6828:
6823:
6818:
6813:
6808:
6803:
6798:
6793:
6788:
6783:
6778:
6777:
6776:
6766:
6761:
6756:
6751:
6750:
6749:
6739:
6734:
6732:Postminimalism
6729:
6724:
6719:
6713:
6711:
6707:
6706:
6704:
6703:
6698:
6693:
6688:
6683:
6678:
6677:
6676:
6666:
6661:
6656:
6651:
6646:
6641:
6636:
6631:
6626:
6621:
6616:
6611:
6609:Generative art
6606:
6601:
6596:
6591:
6586:
6581:
6579:Conceptual art
6576:
6571:
6566:
6561:
6556:
6551:
6546:
6541:
6536:
6531:
6530:
6529:
6519:
6514:
6509:
6504:
6499:
6493:
6491:
6487:
6486:
6484:
6483:
6478:
6476:Cybernetic art
6473:
6468:
6467:
6466:
6464:Ultra-Lettrist
6461:
6451:
6450:
6449:
6439:
6434:
6429:
6424:
6419:
6414:
6409:
6404:
6399:
6394:
6393:
6392:
6382:
6377:
6372:
6367:
6362:
6357:
6352:
6351:
6350:
6345:
6340:
6338:Arte Informale
6335:
6325:
6320:
6315:
6314:
6313:
6303:
6302:
6301:
6291:
6285:
6283:
6276:
6275:(1945âpresent)
6263:
6262:
6259:
6258:
6256:
6255:
6250:
6245:
6240:
6235:
6234:
6233:
6223:
6218:
6217:
6216:
6211:
6204:Heroic realism
6201:
6200:
6199:
6189:
6184:
6179:
6174:
6169:
6164:
6157:
6152:
6147:
6142:
6141:
6140:
6138:Latin American
6135:
6125:
6120:
6115:
6110:
6108:Group of Seven
6105:
6100:
6095:
6090:
6089:
6088:
6078:
6073:
6071:Social realism
6068:
6063:
6058:
6057:
6056:
6054:November Group
6046:
6045:
6044:
6039:
6029:
6028:
6027:
6017:
6012:
6011:
6010:
5998:
5993:
5988:
5987:
5986:
5985:
5984:
5977:Latin American
5972:Constructivism
5969:
5967:Crystal Cubism
5964:
5959:
5954:
5948:
5946:
5942:
5941:
5939:
5938:
5933:
5928:
5923:
5918:
5913:
5908:
5907:
5906:
5896:
5891:
5884:
5883:
5882:
5877:
5867:
5866:
5865:
5855:
5850:
5845:
5844:
5843:
5838:
5828:
5823:
5818:
5813:
5808:
5807:
5806:
5801:
5796:
5791:
5781:
5776:
5771:
5766:
5765:
5764:
5753:
5751:
5747:
5746:
5744:
5743:
5738:
5737:
5736:
5726:
5725:
5724:
5719:
5714:
5709:
5704:
5699:
5694:
5693:
5692:
5677:
5672:
5670:Volcano School
5667:
5666:
5665:
5660:
5650:
5645:
5640:
5639:
5638:
5628:
5623:
5622:
5621:
5616:
5611:
5606:
5605:
5604:
5599:
5584:
5579:
5574:
5569:
5568:
5567:
5555:
5550:
5545:
5544:
5543:
5532:
5530:
5523:
5515:
5514:
5511:
5510:
5508:
5507:
5502:
5501:
5500:
5495:
5494:
5493:
5478:
5477:
5476:
5475:
5474:
5464:
5459:
5449:
5444:
5443:
5442:
5432:
5427:
5425:Norwich School
5422:
5417:
5416:
5415:
5414:
5413:
5403:
5398:
5393:
5388:
5383:
5378:
5373:
5368:
5366:Fairy painting
5357:
5355:
5345:
5344:
5342:
5341:
5340:
5339:
5334:
5323:
5318:
5313:
5308:
5303:
5302:
5301:
5290:
5288:
5282:
5281:
5279:
5278:
5277:
5276:
5271:
5270:
5269:
5264:
5259:
5257:Chilote School
5249:
5247:Casta painting
5239:
5238:
5237:
5232:
5227:
5226:
5225:
5223:Tipos del PaĂs
5220:
5207:
5206:
5205:
5204:
5203:
5193:
5181:
5179:
5175:
5174:
5172:
5171:
5166:
5165:
5164:
5159:
5154:
5149:
5144:
5132:
5131:
5130:
5123:
5118:
5113:
5111:Louis XV style
5108:
5097:
5095:
5091:
5090:
5088:
5087:
5086:
5085:
5080:
5070:
5065:
5060:
5059:
5058:
5048:
5043:
5038:
5033:
5032:
5031:
5026:
5021:
5020:
5019:
5014:
5004:
4999:
4988:
4986:
4982:
4981:
4979:
4978:
4973:
4968:
4963:
4958:
4957:
4956:
4946:
4945:
4944:
4943:
4942:
4937:
4932:
4922:
4921:
4920:
4915:
4913:Cologne School
4905:
4900:
4895:
4894:
4893:
4878:
4877:
4876:
4875:
4874:
4866:
4861:
4856:
4846:
4845:
4844:
4839:
4834:
4824:
4823:
4822:
4815:
4810:
4794:
4792:
4786:
4785:
4783:
4782:
4781:
4780:
4773:
4768:
4766:Italian school
4757:
4752:
4751:
4750:
4748:Sienese School
4740:
4735:
4730:
4725:
4724:
4723:
4718:
4713:
4703:
4696:
4695:
4694:
4684:
4683:
4682:
4677:
4667:
4662:
4661:
4660:
4658:Pre-Romanesque
4655:
4650:
4640:
4639:
4638:
4633:
4628:
4623:
4613:
4608:
4607:
4606:
4594:
4589:
4587:Donor portrait
4584:
4583:
4582:
4577:
4572:
4567:
4562:
4552:
4551:
4550:
4540:
4539:
4538:
4527:
4525:
4519:
4518:
4516:
4515:
4514:
4513:
4508:
4503:
4498:
4496:Julio-Claudian
4493:
4488:
4478:
4473:
4468:
4463:
4458:
4457:
4456:
4455:
4454:
4449:
4448:
4447:
4445:Greco-Buddhist
4437:
4427:
4422:
4417:
4412:
4407:
4402:
4397:
4392:
4387:
4385:Protogeometric
4382:
4372:
4371:
4370:
4365:
4360:
4355:
4345:
4340:
4339:
4338:
4327:
4325:
4316:
4310:
4309:
4300:
4297:
4296:
4282:
4280:
4279:
4272:
4265:
4257:
4248:
4247:
4245:
4244:
4239:
4234:
4229:
4221:
4215:
4213:
4209:
4208:
4206:
4205:
4200:
4195:
4190:
4185:
4180:
4175:
4170:
4165:
4159:
4157:
4153:
4152:
4150:
4149:
4144:
4139:
4133:
4131:
4127:
4126:
4124:
4123:
4118:
4113:
4108:
4103:
4101:Valentin Serov
4098:
4093:
4088:
4083:
4078:
4073:
4068:
4066:Max Liebermann
4063:
4061:Dominique Lang
4058:
4053:
4048:
4043:
4038:
4033:
4028:
4026:Olga BoznaĆska
4023:
4017:
4015:
4009:
4008:
4006:
4005:
4000:
3995:
3990:
3985:
3983:Maurice Cullen
3980:
3975:
3970:
3965:
3959:
3957:
3947:
3946:
3944:
3943:
3941:Walter Withers
3938:
3933:
3928:
3923:
3918:
3913:
3908:
3906:Charles Conder
3902:
3900:
3890:
3889:
3887:
3886:
3881:
3876:
3871:
3866:
3861:
3856:
3851:
3846:
3841:
3836:
3830:
3828:
3818:
3817:
3815:
3814:
3808:
3806:
3802:
3801:
3799:
3798:
3793:
3788:
3782:
3780:
3776:
3775:
3773:
3772:
3767:
3762:
3757:
3751:
3749:
3745:
3744:
3737:
3735:
3733:
3732:
3727:
3722:
3717:
3715:Berthe Morisot
3712:
3707:
3702:
3700:Johan Jongkind
3697:
3692:
3687:
3682:
3677:
3672:
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3647:
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3622:
3613:
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3610:
3609:
3604:
3599:
3592:
3589:
3588:
3586:
3585:
3580:
3570:
3563:
3558:
3553:
3548:
3543:
3541:Charterisville
3538:
3533:
3528:
3522:
3520:
3516:
3515:
3513:
3512:
3507:
3502:
3497:
3492:
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3408:
3400:
3392:
3384:
3376:
3368:
3360:
3352:
3344:
3336:
3328:
3320:
3316:The North Wind
3312:
3304:
3296:
3288:
3280:
3272:
3263:
3261:
3257:
3256:
3254:
3253:
3248:
3243:
3238:
3236:Louis Abrahams
3232:
3230:
3226:
3225:
3223:
3222:
3220:Walter Withers
3217:
3212:
3210:Clara Southern
3207:
3202:
3197:
3192:
3187:
3182:
3177:
3172:
3167:
3162:
3157:
3152:
3146:
3144:
3140:
3139:
3132:
3130:
3128:
3127:
3122:
3117:
3112:
3110:Charles Conder
3106:
3104:
3100:
3099:
3094:
3092:
3091:
3084:
3077:
3069:
3063:
3062:
3057:
3052:
3045:
3042:
3040:
3039:
3033:
3020:
3014:
3001:
2995:
2978:
2972:
2959:
2953:
2941:Gleeson, James
2937:
2932:978-0646484129
2931:
2918:
2912:
2899:
2893:
2880:
2874:
2861:
2855:
2837:
2835:
2832:
2829:
2828:
2815:
2803:
2786:
2769:
2765:Canberra Times
2752:
2737:
2720:
2708:Currency Press
2692:
2667:
2639:
2622:
2605:
2584:
2552:
2535:
2522:
2513:
2500:
2491:
2475:
2459:
2446:
2437:
2425:
2407:
2395:
2382:
2369:
2357:
2353:0 14 0 20935 2
2336:
2317:
2313:Charles Conder
2305:
2293:
2277:
2270:
2249:
2232:
2212:Moore, William
2204:
2191:
2178:
2161:
2149:
2140:
2136:The Three Cows
2125:
2112:
2098:
2067:
2066:
2064:
2061:
2060:
2059:
2054:
2043:
2042:
2036:
2030:
2022:
2019:
2018:
2017:
2010:
2003:
2001:
1994:
1987:
1985:
1976:
1969:
1967:
1963:In the Country
1960:
1953:
1951:
1944:
1937:
1935:
1928:
1921:
1919:
1913:David Davies,
1912:
1905:
1903:
1894:
1887:
1885:
1878:
1871:
1869:
1860:
1853:
1851:
1842:
1835:
1833:
1826:
1819:
1817:
1810:
1803:
1801:
1794:
1787:
1785:
1776:
1769:
1767:
1760:
1753:
1751:
1744:
1737:
1735:
1726:
1719:
1717:
1710:
1703:
1701:
1695:Tom Roberts, â
1694:
1687:
1683:
1680:
1632:
1629:
1590:
1587:
1508:
1505:
1418:Roy De Maistre
1361:
1358:
1357:
1356:
1351:
1346:
1341:
1336:
1331:
1326:
1321:
1316:
1311:
1306:
1301:
1299:Ferntree Gully
1296:
1291:
1286:
1281:
1276:
1271:
1266:
1256:
1251:
1246:
1206:
1203:
1201:
1200:
1198:Walter Withers
1195:
1190:
1185:
1180:
1178:Clara Southern
1175:
1170:
1165:
1160:
1155:
1150:
1145:
1140:
1135:
1130:
1125:
1120:
1115:
1110:
1105:
1100:
1095:
1093:Charles Conder
1090:
1085:
1083:Louis Abrahams
1079:
1052:reviewing the
1044:
1026:
1023:
1019:Banjo Paterson
1013:and numbering
961:John Longstaff
894:
891:
855:Charterisville
799:
796:
705:Charles Conder
678:
675:
662:conversaziones
622:Clara Southern
606:Paterson Bros.
602:Collins Street
584:
577:
576:
572:Collins Street
569:
562:
561:
560:
559:
558:
553:Main article:
550:
547:
546:
545:
538:
531:
529:
522:
515:
513:
506:
499:
497:
490:
483:
481:
474:
467:
465:
458:
451:
449:
442:
435:
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426:
419:
417:
410:
403:
401:
394:
387:
385:
378:
371:
369:
362:
355:
351:
348:
265:Louis Abrahams
248:Charles Conder
212:Main article:
209:
206:
202:Charles Conder
198:Walter Withers
190:Louis Abrahams
165:
162:
107:Charles Conder
89:Walter Withers
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
7393:
7382:
7379:
7377:
7376:Victorian era
7374:
7372:
7369:
7367:
7366:Impressionism
7364:
7362:
7359:
7358:
7356:
7341:
7333:
7332:
7329:
7323:
7320:
7318:
7317:
7313:
7311:
7308:
7306:
7303:
7301:
7298:
7296:
7293:
7291:
7288:
7286:
7283:
7281:
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7274:
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7269:
7266:
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7264:
7261:
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7256:
7254:
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7244:
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7239:
7236:
7234:
7231:
7227:
7224:
7222:
7219:
7218:
7217:
7214:
7212:
7209:
7207:
7206:Fantastic art
7204:
7202:
7199:
7195:
7192:
7190:
7187:
7185:
7182:
7180:
7177:
7176:
7175:
7174:Christian art
7172:
7170:
7167:
7165:
7162:
7160:
7157:
7153:
7150:
7149:
7148:
7145:
7143:
7140:
7139:
7137:
7133:
7123:
7120:
7118:
7115:
7113:
7110:
7106:
7103:
7101:
7098:
7097:
7096:
7093:
7091:
7088:
7086:
7083:
7081:
7078:
7076:
7075:Skeuomorphism
7073:
7071:
7068:
7066:
7063:
7061:
7058:
7056:
7053:
7051:
7048:
7046:
7043:
7041:
7038:
7036:
7035:Massurrealism
7033:
7031:
7030:Lightpainting
7028:
7026:
7023:
7021:
7018:
7014:
7013:Post-Internet
7011:
7010:
7009:
7006:
7004:
7001:
6999:
6996:
6994:
6991:
6987:
6984:
6983:
6982:
6979:
6977:
6974:
6972:
6969:
6967:
6964:
6962:
6959:
6957:
6954:
6950:
6947:
6946:
6945:
6942:
6940:
6937:
6935:
6932:
6930:
6927:
6925:
6922:
6920:
6917:
6915:
6912:
6910:
6907:
6906:
6904:
6898:
6892:
6889:
6887:
6886:Grunge design
6884:
6882:
6879:
6877:
6874:
6872:
6869:
6867:
6864:
6862:
6859:
6857:
6854:
6852:
6849:
6847:
6844:
6842:
6841:Retrofuturism
6839:
6837:
6836:Scratch video
6834:
6832:
6829:
6827:
6824:
6822:
6821:Memphis Group
6819:
6817:
6814:
6812:
6809:
6807:
6804:
6802:
6799:
6797:
6796:Telematic art
6794:
6792:
6789:
6787:
6786:Guerrilla art
6784:
6782:
6779:
6775:
6772:
6771:
6770:
6767:
6765:
6762:
6760:
6757:
6755:
6752:
6748:
6745:
6744:
6743:
6740:
6738:
6737:Endurance art
6735:
6733:
6730:
6728:
6725:
6723:
6720:
6718:
6715:
6714:
6712:
6708:
6702:
6699:
6697:
6694:
6692:
6689:
6687:
6684:
6682:
6679:
6675:
6672:
6671:
6670:
6667:
6665:
6662:
6660:
6657:
6655:
6652:
6650:
6647:
6645:
6642:
6640:
6637:
6635:
6632:
6630:
6627:
6625:
6622:
6620:
6617:
6615:
6612:
6610:
6607:
6605:
6602:
6600:
6597:
6595:
6592:
6590:
6587:
6585:
6582:
6580:
6577:
6575:
6572:
6570:
6567:
6565:
6562:
6560:
6557:
6555:
6552:
6550:
6547:
6545:
6542:
6540:
6537:
6535:
6532:
6528:
6525:
6524:
6523:
6520:
6518:
6515:
6513:
6510:
6508:
6505:
6503:
6500:
6498:
6495:
6494:
6492:
6488:
6482:
6479:
6477:
6474:
6472:
6469:
6465:
6462:
6460:
6457:
6456:
6455:
6452:
6448:
6445:
6444:
6443:
6440:
6438:
6435:
6433:
6430:
6428:
6425:
6423:
6420:
6418:
6415:
6413:
6410:
6408:
6405:
6403:
6400:
6398:
6397:New media art
6395:
6391:
6388:
6387:
6386:
6383:
6381:
6378:
6376:
6375:Nanyang Style
6373:
6371:
6368:
6366:
6363:
6361:
6358:
6356:
6353:
6349:
6346:
6344:
6341:
6339:
6336:
6334:
6331:
6330:
6329:
6326:
6324:
6321:
6319:
6316:
6312:
6309:
6308:
6307:
6306:Visionary art
6304:
6300:
6297:
6296:
6295:
6292:
6290:
6287:
6286:
6284:
6280:
6277:
6273:
6268:
6264:
6254:
6251:
6249:
6246:
6244:
6241:
6239:
6236:
6232:
6229:
6228:
6227:
6224:
6222:
6219:
6215:
6212:
6210:
6207:
6206:
6205:
6202:
6198:
6195:
6194:
6193:
6190:
6188:
6185:
6183:
6180:
6178:
6175:
6173:
6172:Scuola Romana
6170:
6168:
6165:
6163:
6162:
6158:
6156:
6153:
6151:
6148:
6146:
6143:
6139:
6136:
6134:
6131:
6130:
6129:
6126:
6124:
6121:
6119:
6116:
6114:
6111:
6109:
6106:
6104:
6101:
6099:
6098:Anthropophagy
6096:
6094:
6091:
6087:
6084:
6083:
6082:
6081:Functionalism
6079:
6077:
6074:
6072:
6069:
6067:
6064:
6062:
6059:
6055:
6052:
6051:
6050:
6047:
6043:
6040:
6038:
6035:
6034:
6033:
6030:
6026:
6023:
6022:
6021:
6018:
6016:
6013:
6009:
6008:
6004:
6003:
6002:
6001:Neoplasticism
5999:
5997:
5994:
5992:
5989:
5983:
5980:
5979:
5978:
5975:
5974:
5973:
5970:
5968:
5965:
5963:
5960:
5958:
5955:
5953:
5950:
5949:
5947:
5943:
5937:
5934:
5932:
5929:
5927:
5924:
5922:
5919:
5917:
5914:
5912:
5909:
5905:
5904:Cubo-Futurism
5902:
5901:
5900:
5897:
5895:
5892:
5890:
5889:
5885:
5881:
5878:
5876:
5873:
5872:
5871:
5868:
5864:
5863:Ashcan School
5861:
5860:
5859:
5856:
5854:
5851:
5849:
5846:
5842:
5839:
5837:
5834:
5833:
5832:
5831:Expressionism
5829:
5827:
5824:
5822:
5819:
5817:
5816:Mir iskusstva
5814:
5812:
5809:
5805:
5802:
5800:
5797:
5795:
5792:
5790:
5787:
5786:
5785:
5782:
5780:
5777:
5775:
5772:
5770:
5767:
5763:
5760:
5759:
5758:
5755:
5754:
5752:
5748:
5742:
5739:
5735:
5732:
5731:
5730:
5727:
5723:
5720:
5718:
5715:
5713:
5710:
5708:
5705:
5703:
5700:
5698:
5695:
5691:
5688:
5687:
5686:
5683:
5682:
5681:
5678:
5676:
5673:
5671:
5668:
5664:
5661:
5659:
5656:
5655:
5654:
5651:
5649:
5646:
5644:
5641:
5637:
5634:
5633:
5632:
5629:
5627:
5624:
5620:
5617:
5615:
5612:
5610:
5607:
5603:
5602:Boston School
5600:
5598:
5597:Hoosier Group
5595:
5594:
5593:
5590:
5589:
5588:
5587:Impressionism
5585:
5583:
5582:Peredvizhniki
5580:
5578:
5575:
5573:
5572:Beuron School
5570:
5566:
5563:
5562:
5561:
5560:
5556:
5554:
5551:
5549:
5546:
5542:
5539:
5538:
5537:
5534:
5533:
5531:
5527:
5524:
5520:
5516:
5506:
5503:
5499:
5496:
5492:
5489:
5488:
5487:
5486:Munich School
5484:
5483:
5482:
5479:
5473:
5470:
5469:
5468:
5465:
5463:
5460:
5458:
5455:
5454:
5453:
5450:
5448:
5445:
5441:
5438:
5437:
5436:
5433:
5431:
5428:
5426:
5423:
5421:
5418:
5412:
5409:
5408:
5407:
5404:
5402:
5399:
5397:
5394:
5392:
5389:
5387:
5384:
5382:
5379:
5377:
5374:
5372:
5369:
5367:
5364:
5363:
5362:
5359:
5358:
5356:
5352:
5346:
5338:
5335:
5333:
5330:
5329:
5328:
5324:
5322:
5319:
5317:
5314:
5312:
5309:
5307:
5304:
5300:
5297:
5296:
5295:
5292:
5291:
5289:
5285:Art borrowing
5283:
5275:
5272:
5268:
5265:
5263:
5260:
5258:
5255:
5254:
5253:
5250:
5248:
5245:
5244:
5243:
5240:
5236:
5235:Company style
5233:
5231:
5228:
5224:
5221:
5219:
5216:
5215:
5214:
5211:
5210:
5208:
5202:
5199:
5198:
5197:
5194:
5192:
5189:
5188:
5187:
5183:
5182:
5180:
5176:
5170:
5167:
5163:
5160:
5158:
5155:
5153:
5150:
5148:
5145:
5143:
5142:
5138:
5137:
5136:
5135:Neoclassicism
5133:
5129:
5128:
5124:
5122:
5119:
5117:
5114:
5112:
5109:
5107:
5104:
5103:
5102:
5099:
5098:
5096:
5092:
5084:
5081:
5079:
5076:
5075:
5074:
5071:
5069:
5066:
5064:
5061:
5057:
5054:
5053:
5052:
5049:
5047:
5044:
5042:
5039:
5037:
5034:
5030:
5027:
5025:
5022:
5018:
5015:
5013:
5010:
5009:
5008:
5005:
5003:
5000:
4998:
4995:
4994:
4993:
4990:
4989:
4987:
4983:
4977:
4974:
4972:
4969:
4967:
4964:
4962:
4961:Cretan School
4959:
4955:
4952:
4951:
4950:
4947:
4941:
4938:
4936:
4933:
4931:
4928:
4927:
4926:
4923:
4919:
4918:Danube school
4916:
4914:
4911:
4910:
4909:
4906:
4904:
4901:
4899:
4896:
4892:
4889:
4888:
4887:
4884:
4883:
4882:
4879:
4873:
4872:
4867:
4865:
4862:
4860:
4857:
4855:
4852:
4851:
4850:
4847:
4843:
4840:
4838:
4835:
4833:
4830:
4829:
4828:
4825:
4821:
4820:
4816:
4814:
4811:
4809:
4806:
4805:
4804:
4801:
4800:
4799:
4796:
4795:
4793:
4791:
4787:
4779:
4778:
4774:
4772:
4769:
4767:
4764:
4763:
4762:
4758:
4756:
4753:
4749:
4746:
4745:
4744:
4741:
4739:
4736:
4734:
4731:
4729:
4726:
4722:
4719:
4717:
4714:
4712:
4709:
4708:
4707:
4704:
4702:
4701:
4697:
4693:
4690:
4689:
4688:
4685:
4681:
4678:
4676:
4673:
4672:
4671:
4668:
4666:
4663:
4659:
4656:
4654:
4651:
4649:
4646:
4645:
4644:
4641:
4637:
4634:
4632:
4629:
4627:
4624:
4622:
4619:
4618:
4617:
4614:
4612:
4609:
4605:
4604:
4600:
4599:
4598:
4595:
4593:
4590:
4588:
4585:
4581:
4578:
4576:
4573:
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4408:
4406:
4403:
4401:
4398:
4396:
4395:Orientalizing
4393:
4391:
4388:
4386:
4383:
4381:
4380:Sub-Mycenaean
4378:
4377:
4376:
4373:
4369:
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4364:
4361:
4359:
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4332:
4329:
4328:
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4324:
4320:
4317:
4311:
4307:
4303:
4298:
4294:art movements
4293:
4289:
4285:
4278:
4273:
4271:
4266:
4264:
4259:
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4255:
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4176:
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4169:
4168:Boston School
4166:
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4158:
4154:
4148:
4145:
4143:
4140:
4138:
4135:
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4128:
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4109:
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4079:
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4067:
4064:
4062:
4059:
4057:
4054:
4052:
4049:
4047:
4044:
4042:
4041:Lovis Corinth
4039:
4037:
4034:
4032:
4029:
4027:
4024:
4022:
4019:
4018:
4016:
4010:
4004:
4001:
3999:
3996:
3994:
3991:
3989:
3986:
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3979:
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3971:
3969:
3966:
3964:
3961:
3960:
3958:
3956:
3948:
3942:
3939:
3937:
3934:
3932:
3929:
3927:
3924:
3922:
3919:
3917:
3916:Elioth Gruner
3914:
3912:
3909:
3907:
3904:
3903:
3901:
3899:
3891:
3885:
3884:J. Alden Weir
3882:
3880:
3879:Robert Vonnoh
3877:
3875:
3872:
3870:
3867:
3865:
3862:
3860:
3857:
3855:
3852:
3850:
3847:
3845:
3844:Childe Hassam
3842:
3840:
3837:
3835:
3832:
3831:
3829:
3827:
3819:
3813:
3810:
3809:
3807:
3803:
3797:
3794:
3792:
3791:Georges Petit
3789:
3787:
3784:
3783:
3781:
3777:
3771:
3768:
3766:
3763:
3761:
3758:
3756:
3753:
3752:
3750:
3746:
3741:
3731:
3730:Alfred Sisley
3728:
3726:
3723:
3721:
3718:
3716:
3713:
3711:
3708:
3706:
3705:Ădouard Manet
3703:
3701:
3698:
3696:
3693:
3691:
3688:
3686:
3683:
3681:
3678:
3676:
3673:
3671:
3670:EugĂšne Boudin
3668:
3666:
3663:
3662:
3660:
3656:
3652:
3650:Impressionism
3643:
3638:
3636:
3631:
3629:
3624:
3623:
3620:
3608:
3605:
3603:
3600:
3598:
3597:Impressionism
3594:
3593:
3590:
3584:
3581:
3578:
3574:
3571:
3569:
3568:
3564:
3562:
3559:
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3537:
3534:
3532:
3529:
3527:
3524:
3523:
3521:
3517:
3511:
3508:
3506:
3503:
3501:
3498:
3496:
3495:Elioth Gruner
3493:
3491:
3490:Penleigh Boyd
3488:
3487:
3485:
3481:
3475:
3472:
3470:
3467:
3465:
3462:
3460:
3459:Louis Buvelot
3457:
3455:
3452:
3451:
3449:
3445:
3438:
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3433:
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3425:
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3409:
3406:
3405:
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3393:
3390:
3389:
3385:
3382:
3381:
3377:
3374:
3373:
3369:
3366:
3365:
3364:A break away!
3361:
3358:
3357:
3353:
3350:
3349:
3345:
3342:
3341:
3340:A bush burial
3337:
3334:
3333:
3329:
3326:
3325:
3321:
3318:
3317:
3313:
3310:
3309:
3305:
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3297:
3294:
3293:
3289:
3286:
3285:
3281:
3278:
3277:
3273:
3270:
3269:
3268:Bourke Street
3265:
3264:
3262:
3258:
3252:
3251:Eadith Walker
3249:
3247:
3244:
3242:
3241:Howard Hinton
3239:
3237:
3234:
3233:
3231:
3227:
3221:
3218:
3216:
3213:
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3208:
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3178:
3176:
3173:
3171:
3168:
3166:
3163:
3161:
3158:
3156:
3153:
3151:
3150:Julian Ashton
3148:
3147:
3145:
3143:Other artists
3141:
3136:
3126:
3123:
3121:
3118:
3116:
3113:
3111:
3108:
3107:
3105:
3101:
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3071:
3070:
3067:
3061:
3058:
3056:
3053:
3051:
3048:
3047:
3043:
3036:
3034:0-8674-6326-0
3030:
3026:
3021:
3017:
3015:0-670-90061-3
3011:
3007:
3002:
2998:
2992:
2988:
2984:
2979:
2975:
2973:0-6460-7493-8
2969:
2965:
2960:
2956:
2954:0-7018-0990-6
2950:
2946:
2942:
2938:
2934:
2928:
2924:
2919:
2915:
2909:
2905:
2900:
2896:
2890:
2886:
2881:
2877:
2871:
2868:. Bay Books.
2867:
2862:
2858:
2856:0-19-554501-X
2852:
2848:
2844:
2839:
2838:
2833:
2825:
2819:
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2807:
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2644:
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2623:
2619:
2615:
2609:
2606:
2602:
2601:9780522864083
2598:
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2329:
2326:
2321:
2318:
2314:
2309:
2306:
2302:
2297:
2294:
2290:
2286:
2285:Galbally, Ann
2281:
2278:
2273:
2271:0-7018-0307-X
2267:
2263:
2259:
2253:
2250:
2246:
2241:
2239:
2237:
2233:
2229:
2228:0-207-14284-X
2225:
2221:
2217:
2213:
2208:
2205:
2201:
2195:
2192:
2188:
2182:
2179:
2175:
2171:
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2162:
2158:
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2150:
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2130:
2126:
2122:
2116:
2113:
2110:
2105:
2103:
2099:
2086:
2082:
2078:
2072:
2069:
2062:
2058:
2057:Impressionism
2055:
2053:
2050:
2049:
2048:
2047:
2040:
2037:
2034:
2031:
2028:
2025:
2024:
2020:
2014:
2007:
2002:
1998:
1991:
1986:
1982:
1981:
1973:
1968:
1964:
1957:
1952:
1948:
1941:
1936:
1932:
1925:
1920:
1916:
1909:
1904:
1900:
1899:
1891:
1886:
1882:
1875:
1870:
1866:
1865:
1864:A break away!
1861:Tom Roberts,
1857:
1852:
1848:
1847:
1839:
1834:
1830:
1823:
1818:
1814:
1813:The Hot Sands
1807:
1802:
1798:
1791:
1786:
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1773:
1768:
1764:
1757:
1752:
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1655:
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1647:
1643:
1639:
1638:Bernard Smith
1630:
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1626:
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1618:
1614:
1610:
1606:
1605:
1600:
1596:
1588:
1586:
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1570:
1566:
1565:
1560:
1559:
1554:
1550:
1549:
1544:
1543:
1538:
1537:sheep station
1534:
1533:
1528:
1524:
1523:
1518:
1514:
1506:
1504:
1502:
1498:
1494:
1489:
1487:
1483:
1482:
1477:
1476:
1471:
1467:
1462:
1457:
1454:
1450:
1449:Robert Hughes
1446:
1442:
1441:Elioth Gruner
1438:
1437:
1431:
1427:
1423:
1419:
1415:
1411:
1406:
1405:William Moore
1402:
1394:
1389:
1382:
1381:Elioth Gruner
1378:
1377:
1372:
1367:
1359:
1355:
1352:
1350:
1347:
1345:
1342:
1340:
1337:
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1332:
1330:
1327:
1325:
1322:
1320:
1317:
1315:
1312:
1310:
1307:
1305:
1302:
1300:
1297:
1295:
1294:Diamond Creek
1292:
1290:
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1282:
1280:
1277:
1275:
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1270:
1267:
1264:
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1199:
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1131:
1129:
1126:
1124:
1121:
1119:
1116:
1114:
1111:
1109:
1106:
1104:
1101:
1099:
1096:
1094:
1091:
1089:
1088:Julian Ashton
1086:
1084:
1081:
1080:
1078:
1076:
1072:
1068:
1064:
1055:
1051:
1050:
1043:
1036:
1031:
1024:
1022:
1020:
1016:
1012:
1011:
1006:
1002:
998:
994:
989:
986:
982:
981:Louis Buvelot
973:
972:Louis Buvelot
968:
964:
962:
958:
954:
950:
946:
942:
938:
934:
930:
926:
922:
921:colour theory
918:
917:Robert Hughes
914:
913:
912:plein airists
904:
899:
892:
890:
888:
884:
883:Violet Teague
880:
876:
872:
868:
864:
860:
856:
852:
848:
844:
838:
834:
832:
828:
824:
820:
819:
818:fin de siĂšcle
809:
804:
797:
795:
791:
786:
784:
780:
779:Howard Hinton
776:
775:Eadith Walker
771:
769:
765:
761:
757:
753:
752:Julian Ashton
749:
745:
741:
737:
733:
729:
725:
720:
718:
714:
710:
706:
698:
693:
688:
684:
676:
674:
671:
670:Flinders Lane
666:
664:
663:
658:
657:golden wattle
654:
650:
646:
640:
638:
637:Spring Street
634:
630:
625:
623:
619:
615:
611:
607:
603:
599:
588:
587:Lily Sterling
585:Tom Roberts,
581:
573:
566:
556:
548:
542:
535:
530:
526:
519:
514:
510:
503:
498:
494:
487:
482:
478:
475:Tom Roberts,
471:
466:
462:
459:Tom Roberts,
455:
450:
446:
443:Tom Roberts,
439:
434:
430:
427:Tom Roberts,
423:
418:
414:
407:
402:
398:
391:
386:
382:
375:
370:
366:
359:
354:
349:
347:
342:
337:
335:
334:
329:
322:
317:
308:
304:
302:
298:
293:
289:
285:
281:
276:
274:
270:
266:
261:
257:
253:
249:
245:
241:
237:
233:
225:
220:
215:
207:
205:
203:
199:
195:
191:
187:
183:
179:
175:
171:
163:
161:
159:
155:
151:
147:
143:
139:
135:
130:
128:
124:
123:impressionist
120:
116:
112:
108:
104:
100:
96:
95:
90:
86:
82:
78:
77:
73:
69:
61:
60:
55:
51:
44:
43:
38:
34:
30:
19:
7316:Trompe-l'Ćil
7314:
7285:Outsider art
7238:Illustration
7194:Lutheran art
7184:Catholic art
7147:Abstract art
7117:Unilalianism
7080:Software art
7055:Neosymbolism
7045:Neo-futurism
7008:Internet art
6998:Hyperrealism
6851:Superfiction
6634:Photorealism
6502:Afrofuturism
6267:Contemporary
6243:Dimensionism
6226:Concrete art
6159:
6155:Precisionism
6005:
5952:Sosaku-hanga
5926:Productivism
5916:Metaphysical
5886:
5875:Proto-Cubism
5779:Secessionism
5741:Costumbrismo
5626:Aestheticism
5618:
5577:Hague School
5557:
5481:Academic art
5462:Costumbrismo
5430:Empire style
5267:Quito School
5262:Cusco School
5178:Colonial art
5139:
5127:FĂȘte galante
5125:
5094:18th century
5056:Delft School
5007:Caravaggisti
4985:17th century
4870:
4827:Quattrocento
4817:
4775:
4698:
4601:
4531:Late antique
4415:Severe style
4405:Black-figure
4292:Contemporary
4224:
4046:Eva GonzalĂšs
3931:John Russell
3710:Claude Monet
3685:Paul CĂ©zanne
3680:Mary Cassatt
3565:
3434:
3426:
3418:
3410:
3402:
3394:
3386:
3378:
3370:
3362:
3354:
3348:Blue Pacific
3346:
3338:
3330:
3322:
3314:
3306:
3298:
3290:
3282:
3276:Coming South
3274:
3266:
3170:Tom Humphrey
3155:David Davies
3103:Main artists
3095:
3024:
3005:
2982:
2966:. Artmoves.
2963:
2944:
2922:
2903:
2884:
2865:
2842:
2823:
2818:
2811:
2806:
2799:Conversation
2798:
2789:
2781:
2772:
2764:
2755:
2745:
2740:
2732:
2723:
2703:
2695:
2675:
2670:
2650:
2634:
2625:
2617:
2608:
2592:
2587:
2567:
2564:Smith, Terry
2555:
2547:
2538:
2530:
2525:
2516:
2508:
2503:
2494:
2483:Spring Frost
2478:
2470:
2462:
2454:
2449:
2440:
2428:
2418:
2410:
2398:
2390:
2385:
2377:
2372:
2360:
2355:. pp. 55-56.
2344:
2339:
2320:
2308:
2296:
2288:
2280:
2261:
2252:
2215:
2207:
2199:
2194:
2186:
2181:
2173:
2164:
2152:
2143:
2120:
2115:
2089:. Retrieved
2085:the original
2080:
2071:
2045:
2044:
2033:John Russell
2013:A Love Story
2012:
1996:
1978:
1962:
1946:
1930:
1914:
1896:
1880:
1862:
1844:
1828:
1812:
1797:Lady in Grey
1796:
1780:Blue Pacific
1778:
1762:
1746:
1728:
1712:
1696:
1675:
1663:The Bulletin
1661:
1634:
1624:
1621:John Russell
1616:
1604:Blue Pacific
1602:
1598:
1597:(1986), and
1594:
1592:
1572:
1568:
1562:
1556:
1546:
1540:
1530:
1520:
1513:period films
1510:
1490:
1479:
1473:
1458:
1434:
1400:
1398:
1376:Spring Frost
1374:
1232:en plein air
1231:
1214:
1128:Tom Humphrey
1098:David Davies
1063:plein airism
1062:
1060:
1047:
1041:
1015:Henry Lawson
1010:The Bulletin
1008:
990:
977:
957:Claude Monet
949:John Russell
910:
908:
875:plein airism
874:
863:David Davies
859:East Ivanhoe
851:en plein air
850:
847:Tom Humphrey
840:
836:
816:
813:
808:Art Students
807:
798:Second phase
793:
788:
772:
767:
759:
747:
740:Mosman ferry
721:
708:
702:
696:
667:
660:
641:
628:
626:
610:plein airist
609:
595:
586:
540:
524:
508:
492:
476:
460:
444:
428:
412:
396:
380:
364:
344:
339:
331:
324:
319:
314:
277:
259:
238:. Named the
229:
167:
131:
94:en plein air
92:
79:
75:
72:art movement
67:
65:
57:
40:
29:
7201:Digital art
7164:Avant-garde
7105:Superstroke
6981:Flat design
6976:Fictive art
6971:Excessivism
6919:Art for art
6914:Altermodern
6856:Taring Padi
6791:Lowbrow art
6759:Pliontanism
6696:Yoru no Kai
6649:Process art
6589:Systems art
6559:Arte Povera
6481:Antipodeans
6390:in New York
6360:Jikken KĆbĆ
6323:Color field
6192:Regionalism
6161:Aeropittura
6150:Neo-Fauvism
6123:Neues Sehen
6093:Kinetic art
5957:Suprematism
5931:Synchromism
5848:Noucentisme
5769:Primitivism
5757:Art Nouveau
5712:Cloisonnism
5702:Pointillism
5697:Divisionism
5675:Incoherents
5636:Art pottery
5522:(1863â1944)
5472:Macchiaioli
5447:Biedermeier
5435:Historicism
5420:Orientalism
5361:Romanticism
5332:Akita ranga
5184:Art of the
5169:Picturesque
5121:Chinoiserie
5116:Frederician
4954:Tudor court
4849:Cinquecento
4790:Renaissance
4777:Mappa mundi
4761:cartography
4653:Carolingian
4648:Merovingian
4631:Palaeologan
4603:RepoblaciĂłn
4560:Anglo-Saxon
4491:Gallo-Roman
4430:Hellenistic
4425:Kerch style
4363:Minyan ware
4232:Louis Leroy
4130:Other media
4106:Max Slevogt
4081:Henry Moret
3926:Tom Roberts
3805:Exhibitions
3690:Edgar Degas
3658:Originators
3577:Curlew Camp
3510:Sydney Long
3500:Hans Heysen
3469:G. P. Nerli
3436:The Pioneer
3165:Ina Gregory
3120:Tom Roberts
2690:, pp. 70â71
2582:, pp. 83â98
1827:Leon Pole,
1678:(1886â88).
1672:gold rushes
1646:John Glover
1561:(1977) and
1497:John Howard
1445:Hans Heysen
1426:Wynne Prize
1274:Templestowe
1236:Curlew Camp
1168:Tom Roberts
1138:John Mather
1123:Ina Gregory
1005:bush poetry
887:Hugh Ramsay
879:Ina Gregory
823:Oscar Wilde
736:Curlew Camp
732:the harbour
713:G. P. Nerli
687:Curlew Camp
328:James Smith
316:catalogue:
290:look". The
288:avant garde
182:Tom Roberts
134:nationalist
103:Tom Roberts
54:Tom Roberts
7355:Categories
7248:Jewish art
7060:Passionism
7020:iPhone art
6966:Cyborg art
6961:Crypto art
6934:Brandalism
6826:Cyberdelic
6691:TropicĂĄlia
6664:Street art
6619:Intermedia
6599:Minimalism
6318:Spatialism
6272:Postmodern
6128:Surrealism
5996:Shin-hanga
5836:Die BrĂŒcke
5804:Sonderbund
5717:Synthetism
5440:Revivalism
5349:Transition
5306:Manichaean
5152:Adam style
5073:Classicism
5012:in Utrecht
4940:Still life
4670:Romanesque
4626:Macedonian
4621:Iconoclast
4580:Visigothic
4486:Republican
4440:Indo-Greek
4410:Red-figure
4142:Literature
3963:Henri Beau
3895:Australian
3602:Naturalism
3483:Influenced
3447:Influences
3380:Bush Idyll
3200:Jane Price
2913:0642081824
2894:0959274340
2875:1862562954
2716:0868198242
2706:. Sydney:
2688:0826419089
2678:. London:
2663:0642541426
2635:Herald Sun
2618:Herald Sun
2580:0195505883
2218:. Sydney:
2091:23 January
2063:References
1898:Bush Idyll
1668:S. T. Gill
1642:John Lewin
1527:Peter Weir
1501:the pledge
1486:Christie's
1481:Bush Idyll
1379:(1919) by
1364:See also:
1339:Coldstream
1334:Yarra Glen
1279:Warrandyte
1244:Heidelberg
1158:Jane Price
728:Mosman Bay
280:kauri pine
246:and 46 by
172:, east of
170:Heidelberg
142:bush poems
138:federating
119:naturalist
99:Heidelberg
7310:Shock art
7300:Queer art
7280:NaĂŻve art
7263:Modernism
7095:Superflat
7085:Sound art
7065:Post-YBAs
7050:Neomodern
6891:Verdadism
6861:Superflat
6710:1970â1999
6674:in the US
6594:Video art
6517:Happening
6490:1960â1969
6282:1945â1959
5945:1915â1944
5936:Vorticism
5888:A Nyolcak
5750:1900â1914
5722:Les Nabis
5653:Symbolism
5609:Amsterdam
5559:Japonisme
5529:1863â1899
5491:in Greece
5351:to modern
5196:Caribbean
5141:Goût grec
5063:Capriccio
5017:Tenebrism
4966:Turquerie
4864:Mannerism
4759:Medieval
4616:Byzantine
4597:Mozarabic
4548:Ethiopian
4452:Neo-Attic
4435:"Baroque"
4420:Classical
4390:Geometric
4368:Mycenaean
4315:(Western)
4313:Premodern
4284:Premodern
3595:See also
3396:Bailed Up
3372:Fire's on
3260:Paintings
3195:Leon Pole
2560:Burn, Ian
2471:The Argus
2200:The Argus
2187:The Argus
1931:Sand Pies
1881:The Swing
1846:Fire's on
1650:gum trees
1579:docudrama
1553:Ian Baker
1436:The Storm
1410:modernist
1254:Blackburn
1249:Beaumaris
1205:Locations
1153:Leon Pole
1049:The Argus
945:symbolist
937:Victorian
933:narrative
843:Leon Pole
760:plein air
709:plein air
653:eucalypts
645:Aesthetic
397:The Wreck
333:The Argus
174:Melbourne
81:Melbourne
7340:Category
7290:Portrait
7211:Folk art
7159:Anti-art
7090:Stuckism
7003:Idea art
6924:Art game
6876:Artivism
6764:Punk art
6742:Sots Art
6727:Artscene
6584:Land art
6522:Neo-Dada
6454:Lettrism
6348:Nuagisme
6333:Tachisme
6214:Nazi art
6007:De Stijl
5921:Rayonism
5911:Art Deco
5899:Futurism
5690:Luminism
5658:Romanian
5643:Tonalism
5614:Canadian
5592:American
5498:Neo-Grec
5106:Rocaille
4935:Romanism
4869:Counter-
4803:Trecento
4743:Duecento
4733:Crusades
4665:Ottonian
4643:Frankish
4523:Medieval
4506:Trajanic
4466:Scythian
4461:Etruscan
4353:Cycladic
4331:Thracian
4156:See also
3952:Canadian
3823:American
2943:(1976).
2782:Standard
2710:, 2008.
2682:, 2003.
2655:Canberra
2574:, 1980.
2328:Archived
2287:(1972).
2260:(1977).
2214:(1934).
2123:, p. 159
2046:General:
2021:See also
1915:Moonrise
1747:The Farm
1461:Ian Burn
1329:Lilydale
1319:Kalorama
1304:Kallista
1289:Research
1259:Box Hill
1193:May Vale
1073:and the
1045:â
790:harbour.
756:Balmoral
748:plen air
445:Saplings
297:Whistler
292:Japonist
156:and the
127:the bush
7305:Realism
6902:present
6629:Nut Art
6432:Pop art
6370:Mono-ha
6238:The Ten
6187:Kapists
6133:Iranian
6086:Bauhaus
5880:Orphism
5826:Fauvism
5663:Russian
5553:Nihonga
5467:Verismo
5452:Realism
5386:Purismo
5299:Moorish
5294:Islamic
5201:Haitian
4992:Baroque
4871:Maniera
4755:Mudéjar
4680:Spanish
4592:Pictish
4575:Lombard
4570:Insular
4511:Severan
4476:Gaulish
4471:Iberian
4400:Archaic
4343:Nuragic
4323:Ancient
4306:periods
4212:Related
4203:The Ten
4014:artists
3954:artists
3897:artists
3825:artists
3779:Dealers
3748:Patrons
3519:Related
3229:Patrons
2718:, p. 66
2665:, p. 12
2230:. p. 74
2174:Pursuit
2039:Iso Rae
1983:â, 1896
1699:â, 1887
1682:Gallery
1658:swagmen
1654:drovers
1515:of the
1349:Mentone
1269:Bulleen
929:realist
477:Andante
399:, 1889
164:History
7253:Kitsch
7112:Toyism
6604:Fluxus
6534:Op art
6103:Mingei
6037:Stupid
6015:Purism
5870:Cubism
5519:Modern
5311:Mughal
5101:Rococo
4706:Gothic
4687:Norman
4611:Viking
4565:Hunnic
4543:Coptic
4358:Minoan
4348:Aegean
4336:Dacian
4288:Modern
3439:(1904)
3431:(1903)
3423:(1896)
3415:(1896)
3407:(1895)
3399:(1895)
3391:(1894)
3383:(1893)
3375:(1891)
3367:(1891)
3359:(1890)
3351:(1890)
3343:(1890)
3335:(1889)
3327:(1889)
3319:(1888)
3311:(1888)
3303:(1887)
3295:(1886)
3287:(1886)
3279:(1886)
3271:(1886)
3031:
3012:
2993:
2970:
2951:
2929:
2910:
2891:
2872:
2853:
2714:
2686:
2661:
2599:
2578:
2351:
2268:
2226:
2119:Lane,
2015:, 1903
1999:, 1897
1965:, 1895
1949:, 1894
1933:, 1893
1917:, 1893
1901:, 1893
1883:, 1892
1867:, 1891
1849:, 1891
1831:, 1891
1815:, 1891
1799:, 1890
1783:, 1890
1765:, 1890
1749:, 1890
1733:, 1888
1715:, 1887
1613:London
1607:, the
1360:Legacy
1344:Yering
1324:Silvan
1309:Olinda
1284:Eltham
810:, 1895
717:Coogee
699:, 1890
677:Sydney
589:, 1890
543:, 1889
527:, 1889
511:, 1889
495:, 1889
479:, 1889
463:, 1889
447:, 1889
431:, 1889
415:, 1888
383:, 1889
367:, 1889
200:, and
152:, the
115:Sydney
62:, 1890
45:, 1889
6900:2000â
6343:COBRA
5337:Uki-e
5327:Japan
5316:Qajar
4675:Mosan
4481:Roman
4375:Greek
4237:Nadar
4137:Music
4012:Other
1511:Many
1261:(see
722:When
284:verse
7189:Icon
6512:ZERO
6270:and
6167:Asso
5991:Dada
5548:YĆga
4290:and
3029:ISBN
3010:ISBN
2991:ISBN
2968:ISBN
2949:ISBN
2927:ISBN
2908:ISBN
2889:ISBN
2870:ISBN
2851:ISBN
2712:ISBN
2684:ISBN
2659:ISBN
2597:ISBN
2576:ISBN
2349:ISBN
2266:ISBN
2224:ISBN
2093:2023
1443:and
1420:and
1033:The
1017:and
955:and
939:and
885:and
865:and
845:and
825:and
777:and
685:and
655:and
620:and
311:day.
254:and
188:and
121:and
109:and
87:and
66:The
1611:in
1583:ABC
1234:at
1003:of
635:on
303:.
97:in
7357::
4286:,
2989:.
2985:.
2849:.
2845:.
2797:,
2780:,
2763:,
2731:,
2702:.
2653:.
2642:^
2633:,
2616:,
2570:.
2566:.
2546:,
2485:,
2469:.
2417:,
2235:^
2222:.
2172:.
2128:^
2101:^
2079:.
1656:,
1627:.
1416:,
889:.
881:,
719:.
639:.
275:.
196:,
184:,
160:.
105:,
56:,
39:,
4304:/
4276:e
4269:t
4262:v
3641:e
3634:t
3627:v
3579:)
3575:(
3088:e
3081:t
3074:v
3037:.
3018:.
2999:.
2976:.
2957:.
2935:.
2916:.
2897:.
2878:.
2859:.
2826:.
2750:.
2603:.
2274:.
2095:.
1265:)
20:)
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