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458:, which opened that year in Paris. Later in 1895, he visited Dieppe, socialising among the artistic community and the English families with their attractive daughters, as described by Simona Pakenham in her study of the English people there in the century before World War I. His friends remembered him as " a sick man, unable to face reality". In spite of drunken spells, disreputable company and sporadic output, Conder's powers as an artist won him acclaim. He made a specialty of painting on silk, relatively easy on silk fans, but he excelled on one occasion when he painted a series of white silk gowns worn by Alexandra Thaulow, wife of Norwegian painter
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376:(1888), which shows men and women at the beach relaxing while clothed from head to foot–the men in suits and hats; the ladies in long, girdled dresses with boots and pretty hats. The man and woman at the front of the painting face away from each other, yet possibly are interested in each other, each watching the other from the corner of their eye. The mood is one of simple elegance and with a relaxed feel, as in the background people are strolling along the beach into the distance. The composition of the painting has possibly been borrowed from a work by
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359:, an itinerant Italian painter and the bearer of new European influences who has been credited with shaping Conder's development. The extent of the influence has been debated, but the fact of it is undeniable. Like Conder, Nerli was a bon-vivant whose appreciation of the 'dam fine' 'Melbourne girls' survives in a letter to a mutual friend,
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He married a wealthy widow, Stella Maris
Belford (née MacAdams) at The British Embassy Paris on 5 December 1901, giving him financial security. His later works are not nearly as well regarded critically as his earlier Australian paintings.
893:
A catalogue of
Australian oil paintings in the National Art Gallery of New South Wales 1875–1952 (1953), Bernard Smith (Australia, b.1916, d.2011) (Author), Art Gallery of New South Wales (Australia, estab. 1874), Sydney, New South Wales,
836:'K' is for Conder: Charles Conder retrospective (2003), Public Programmes Department, Art Gallery of New South Wales (Australia) (Author), Art Gallery of New South Wales (Australia, estab. 1874), Domain, Sydney, New South Wales, Australia.
842:(2003), Ann Galbally (Australia) (Author), Barry Pearce (Australia) (Author), Barry Humphries (Australia, b.1934) (Author), Art Gallery of New South Wales (Australia, estab. 1874), Domain, Sydney, New South Wales, Australia.
332:. This painting clearly shows the burning sunlight and desolation that can be inflicted by an Australian drought. While other Heidelberg School artists, born and raised in Australia, imbued many of their works with
153:, which he attended from 1877. He left school at 15, and his very religious, non-artistic father, against Charles's natural artistic inclinations, decided that he should follow in his footsteps as a civil engineer.
897:
A retrospective exhibition of
Australian painting (1953), Hal Missingham (Australia, b.1906, d.1994) (Author), National Art Gallery of New South Wales (Australia, estab. 1874), Domain, Sydney, New South Wales,
832:
Art
Gallery of New South Wales: highlights from the collection (2008), Edmund Capon (England; Australia, b.1940) (Author), Art Gallery of New South Wales (Australia, estab. 1874), Sydney, New South Wales,
854:(1999), Bruce James (Australia) (Author), Edmund Capon (England; Australia, b.1940) (Director), Trustees of the Art Gallery of New South Wales (Australia), Domain, Sydney, New South Wales, Australia.
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in the process, which was to plague the later years of his life. During his two years in
Melbourne, Conder produced a number of famous Heidelberg School works, including
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910:(1938), Lionel Lindsay (Australia, b.1874, d.1961) (Author), Trustees of the National Art Gallery of New South Wales (Australia), Sydney, New South Wales, Australia.
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Conder left
Australia in 1890, and spent the rest of his life in Europe, at first in Britain, then France for extended periods. He moved to Paris and studied at the
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884:(1966), Dr Ursula Hoff (England; Australia, b.1909, d.2005) (Author), Art Gallery of New South Wales (Australia, estab. 1874), Sydney, New South Wales, Australia.
872:(1983), Brian Ladd (Australia) (Author), Alan Krell (Author), Art Gallery of New South Wales (Australia, estab. 1874), Domain, Sydney, New South Wales, Australia.
904:(1948), Bernard Smith (Australia, b.1916, d.2011) (Author), National Art Gallery of New South Wales (Australia, estab. 1874), Sydney, New South Wales, Australia.
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479:, but they did not like each other. He continued to paint, but his output was severely affected by the continual poor health, including paralysis and a bout of
890:(Jan 1960), Hal Missingham (Australia, b.1906, d.1994) (Editor), Art Gallery of New South Wales (Australia, estab. 1874), Sydney, New South Wales, Australia.
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government. However he disliked the work, much preferring to draw the landscape rather than survey it. In 1886, he left the job and became an artist for the
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210:(1888) was the culmination of Conder's new mastery of form and brushwork. A dockside scene, it depicts the bustling harbour and ferry berths at
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848:(2000), Barry Pearce (Australia) (Author), Art Gallery of New South Wales (Australia, estab. 1874), Domain, Sydney, New South Wales, Australia.
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878:(1972), Editor Unknown (Editor), Trustees of the Art Gallery of New South Wales (Australia), Domain, Sydney, New South Wales, Australia.
860:(1994), Ewen McDonald (Australia) (Editor), Art Gallery of New South Wales (Australia, estab. 1874), Sydney, New South Wales, Australia.
866:(1988), Annabel Davie (Editor), Trustees of the Art Gallery of New South Wales (Australia), Domain, Sydney, New South Wales, Australia.
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and Mary Ann Ayres. He spent several years as a young child in India until the death of his mother (aged 31 years) on 14 May 1873 in
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was a major aficionado and collector of the artist, and at one time had the world's largest private collection of Conder's work.
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916:(1929), George Galway (Australia) (Author), Royal Art Society of New South Wales Press (Australia), New South Wales, Australia.
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Conder was a fun-loving man who painted with an often humorous touch. While staying with Tom
Roberts in his famous
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676:"Departure of the Orient - Circular Quay, (1888) by Charles Conder :: The Collection :: Art Gallery NSW"
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studio, then moved into Gordon
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Short of cash, the attractive Conder apparently paid off his landlady by sexual means, catching
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Conder's other surviving siblings were Samuel James and Alice. (Gibson, 1914, p. 23).
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in
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has cast off for her voyage to
England. It was quickly purchased by the
807:, (London: J.M. Dent & Sons, 1938; New York: E.P. Dutton, c.1938).
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112:(24 October 1868 – 9 February 1909) was an English-born painter,
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and designer. He emigrated to Australia and was a key figure in the
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313:. Conder contributed 46 "impressions" to the show and designed the
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This article incorporates text from a publication now in the
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During his Melbourne residence, Conder stayed with Roberts at his
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Clive James, "Approximately in the Vicinity of Barry Humphries",
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at artists' camps in rural localities around Melbourne, first at
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He spent the last year of his life in a sanatorium, and died in
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979:"Artist's footsteps", source of most material for this article
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Charles Conder – Short Biography at Yellow Nineties Online
264:. The trio shared studios and frequently painted together
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Sixty Miles from England: The English at Dieppe 1814-1914
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In 1895, Conder designed a room within the art gallery
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1010:("Nineteenth-century Art Worldwide" on-line magazine)
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Australian art: in the Art Gallery of New South Wales
530:, established in 1991, was named after him. Satirist
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In Melbourne, Conder rekindled his association with
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206:Regarded as perhaps his greatest Sydney painting,
336:sentiments, Conder, a believer in the credo of
249:In Sydney in 1888, Conder met and painted with
858:The Art Gallery of New South Wales collections
165:, Australia, where he worked for his uncle, a
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781:Miegunyah Press: Melbourne University (2002)
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764:(11th ed.). Cambridge University Press.
1233:Winter morning after rain, Gardiner's Creek
297:In August 1889, Conder, Streeton, Roberts,
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876:Art Gallery of New South Wales picturebook
435:. He was also the subject of portraits by
161:In 1884, at the age of 16, he was sent to
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620:"Departure of the Orient - Circular Quay"
924:The Australian Landscape and its Artists
888:Art Gallery of New South Wales Quarterly
1642:English emigrants to colonial Australia
1510:National Gallery of Victoria Art School
914:Fifty years of Australian art 1879–1929
864:Art Gallery of New South Wales Handbook
852:Art Gallery of New South Wales Handbook
787:Gibson, Frank & Dodgson, Campbell.
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208:Departure of the Orient – Circular Quay
1495:Exhibition of Australian Art in London
949:51 artworks by or after Charles Conder
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1637:Infectious disease deaths in England
1617:19th-century Australian male artists
783:Catalogue reference and book summary
1369:The purple noon’s transparent might
984:Charles Conder on Picture Australia
423:works. Conder became linked to the
998:An early taste for literature 1888
779:Charles Conder: the last bohemian,
574:Australian Dictionary of Biography
569:Conder, Charles Edward (1868–1909)
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790:Charles Conder; his life and work
1612:19th-century Australian painters
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902:100 years of Australian painting
828:. London: Smith, Elder & Co.
824:Dictionary of National Biography
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626:. Art Gallery of New South Wales
499:Photographic portrait of Conder
963:Art Gallery of New South Wales
226:Art Gallery of New South Wales
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1627:Australian landscape painters
1602:Deaths in mental institutions
509:general paresis of the insane
16:Australian artist (1868-1909)
1475:9 by 5 Impression Exhibition
1353:In a corner on the Macintyre
993:National Gallery of Victoria
805:The Life and Death of Conder
800:, (London, Macmillan, 1967).
662:The Oxford Dictionary of Art
307:9 by 5 Impression Exhibition
1008:Review of Conder exhibition
908:150 years of Australian art
427:, mixing with the likes of
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1154:Charles Douglas Richardson
793:(London: John Lane, 1914).
389:Victorian Artists' Society
303:Charles Douglas Richardson
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1532:Victorian Artists Society
1454:George Washington Lambert
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1002:Ballarat Fine Art Gallery
926:, Bay Books 1977 pp 60–65
882:Charles Conder: 1868–1909
870:The Artist & the City
811:Gibson, Frank W. (1912).
417:Henri de Toulouse-Lautrec
405:Henri de Toulouse-Lautrec
199:painting excursions with
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1632:Australian male painters
1556:Visual arts of Australia
1505:Heidelberg Artists Trail
1281:Golden Summer, Eaglemont
840:Charles Conder 1868–1909
715:Sixty Miles from England
702:Sixty Miles from England
618:Conder, Charles (1888).
290:(1889), one of Conder's
288:How We Lost Poor Flossie
272:and, from late 1888, in
814:"Conder, Charles"
761:Encyclopædia Britannica
650:(artistsfootsteps.com).
624:AGNSW collection record
456:Maison de l'Art Nouveau
218:at the moment when the
176:Illustrated Sydney News
1587:Académie Julian alumni
1480:Box Hill artists' camp
1423:James McNeill Whistler
728:London Review of Books
646:Under the Southern Sun
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475:In Dieppe, Conder met
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403:Portrait of Conder by
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330:Under The Southern Sun
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1597:People from Tottenham
1522:Sydney artists' camps
1134:Albert Henry Fullwood
973:Charles Conder online
944:at Wikimedia Commons
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445:Jacques-Emile Blanche
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321:-inspired catalogue.
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256:, then visiting from
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181:Albert Henry Fullwood
129:Birth and early years
110:Charles Edward Conder
44:Charles Edward Conder
25:Charles Edward Conder
1607:Deaths from syphilis
1403:Jules Bastien-Lepage
1361:On the Wallaby Track
1257:A holiday at Mentone
1124:John Llewellyn Jones
919:Elwyn Lynn (author)
491:Later life and death
395:European avant-garde
373:A holiday at Mentone
242:A holiday at Mentone
189:Benjamin Edwin Minns
803:Rothenstein, John.
581:, 1969, pp 446–447.
505:Holloway Sanatorium
468:, a 1917 ballet by
437:William Rothenstein
370:studio, he painted
193:Alfred James Daplyn
133:Conder was born in
1622:Symbolist painters
1500:Grosvenor Chambers
1139:John Ford Paterson
1064:Frederick McCubbin
796:Pakenham, Simona.
730:, 6–9 October 1983
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425:aesthetic movement
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368:Grosvenor Chambers
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338:art for art's sake
299:Frederick McCubbin
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1592:Heidelberg School
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1337:The Golden Fleece
1305:Shearing the Rams
1045:Heidelberg School
989:Conder collection
940:Media related to
713:Simona Pakenham,
700:Simona Pakenham,
599:Gibson, pp. 23–25
347:Gordon Chambers,
278:Heidelberg School
232:Heidelberg School
118:Heidelberg School
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1413:George Folingsby
1273:Down on His Luck
1241:Charcoal burners
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1225:Coming South
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1119:Tom Humphrey
1104:David Davies
1058:
1052:Main artists
951: at the
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704:, p.145-148.
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684:. Retrieved
680:the original
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628:. Retrieved
623:
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470:Edward Elgar
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421:Moulin Rouge
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361:Percy Spence
354:
329:
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296:
287:
266:en plein air
265:
251:plein airist
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196:
185:Frank Mahony
174:
160:
132:
114:lithographer
109:
108:
75:(1909-02-09)
18:
1582:1909 deaths
1577:1868 births
1526:Curlew Camp
1459:Sydney Long
1449:Hans Heysen
1418:G. P. Nerli
1385:The Pioneer
1114:Ina Gregory
1069:Tom Roberts
819:Lee, Sidney
429:Oscar Wilde
357:G. P. Nerli
334:nationalist
319:Art Nouveau
305:staged the
280:movement.
254:Tom Roberts
216:Sydney Cove
82:Nationality
1571:Categories
1551:Naturalism
1432:Influenced
1396:Influences
1329:Bush Idyll
1149:Jane Price
898:Australia.
894:Australia.
833:Australia.
577:, Vol. 3,
550:References
526:suburb of
274:Heidelberg
151:Eastbourne
103:Holy Cross
85:Australian
50:1868-10-24
1544:See also
1345:Bailed Up
1321:Fire's on
1209:Paintings
1144:Leon Pole
315:Symbolist
258:Melbourne
197:plein air
157:Australia
139:Middlesex
135:Tottenham
124:Biography
64:, England
62:Middlesex
58:Tottenham
538:See also
524:Canberra
513:Pissarro
378:Whistler
326:syphilis
270:Box Hill
169:for the
94:Painting
1468:Related
1178:Patrons
961:at the
821:(ed.).
749::
717:, p.152
664:, P.164
292:9 by 5s
1388:(1904)
1380:(1903)
1372:(1896)
1364:(1896)
1356:(1895)
1348:(1895)
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1332:(1893)
1324:(1891)
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1252:(1887)
1244:(1886)
1236:(1886)
1228:(1886)
1220:(1886)
953:Art UK
743:
686:14 May
648:, 1890
528:Conder
407:, 1893
221:Orient
163:Sydney
147:Bombay
100:Awards
817:. In
630:9 May
517:Degas
955:site
688:2012
632:2016
522:The
515:and
507:of "
447:and
431:and
317:and
301:and
187:and
70:Died
40:Born
758:".
579:MUP
571:',
214:in
1573::
1000:–
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558:^
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1524:(
1037:e
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52:)
48:(
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