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104:, whom Handel had met in 1703–1704 in Hamburg. De' Medici, who had a keen interest in opera, was trying to make Florence Italy's musical capital by attracting the leading talents of his day. In 1707 Handel arrived in Rome where for two years he was a guest of Ruspoli, who made him his
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performance at the
Bonelli Palace, home of his wealthy Roman Patron, the Marchese Francesco Maria Marescotti Ruspoli. Ruspoli was intensely interested in music and realized Handel's gifts, a fact that gave the young German considerable
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during his sojourn in Italy. The copyist's bill to
Ruspoli for the score is dated 16 May 1707. However, Burrows has proposed that its first performance may have been in March of that year at the Palazzo Ruspoli in
448:(Movements do not contain repeat markings unless indicated. The number of bars is the raw number in the manuscript—not including repeat markings. The above is taken from volume 50, starting at page 12, of the
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Many of Handel's
Italian compositions resulted from the interest in him and his music by the Marquis (later Prince) Francesco Ruspoli, who employed Handel as a House Composer…
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Bucchianeri, Elizabeth A. New York: Batalha, 2010. Handel's Path to Covent Garden: E.A. Bucchianeri: Books. Print. 28 September 2015.
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to the
Ruspoli family in Rome. The author of the text is unknown. Other catalogues of Handel's music have referred to the work as
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697:
The
International Library of Music for Home and Studio. Vol. 1. New York: U Society, 1936. 53-68. Print. Musical Literature.
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Handel wrote (la
Resurrezione) for Ruspoli for and elaborate performance on Easter Sunday, 1708, at Ruspoli's Bonelli palace
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138:
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Friedrich Händels Werke. Band 50 Leipzig: Deutsche Händelgesellschaft, 1887. Plate H.W. 50., n.d. Web. 27 September 2015.
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71:. It is divided into four separate movements with a typical performance lasting approximately seven and a half minutes.
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Three sections (6, 8 and 20 bars)—the first two with repeat markings. Includes a "Da Capo", "Fine" instruction.
142:(HWV 46a), both dedicated to Francesco Maria Marescotti Ruspoli, were performed in Rome at the palaces of the
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Talbot, Michael. Aspects of the
Secular Cantata in Late Baroque Italy. Burlington: Ashgate, 2009. Print.
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The opening musical phrase ("Care luci") hangs on an arched melody that Handel also used in his opera
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But my heart cannot find, in its ever-burning loving core, the one who will defend it or give it rest.
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Ma non trova il mio core, nel suo cocente ognor loco amoroso, chi lo difenda o chi gli dia riposo.
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onde fra voi solingo di parlar a colei che pur non m'ode, aure soavi, ombre notturene io fingo.
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alone among you I pretend speaking to her who does not hear me, gentle breezes, night shadows.
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Soft and delightful breezes, silent night shadows, from the summer heat, you give sweet relief.
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Aure soavi e liete, ombre notturne e chete, voi dall'estivo ardore, dolci ne difendete.
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606:(in Rome, Handel) composed for his most constant Roman patron, the Marquis Ruspoli…"
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make my soul see and experience the proof that pity exists in your beautiful heart.
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691:"Handel Secular Cantatas." Stanley Sadie. Gramophone, n.d. Web. 28 September 2015.
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Handel as
Orpheus: voice and desire in the chamber cantatas by Ellen T. Harris,
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fa che l'alma mia veda e conosca a prova che la pietĂ nel tuo bel cor si trova.
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127:(HWV 79) which was performed at the Palazzo Ruspoli in Cerveteri. His 1707
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designation of the work). The cantata is scored for solo soprano voice and
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PietĂ , Clori, pietĂ ! se quel che pietĂ sia dentro al tuo cor si sĂ , deh!
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Pity, Clori, pity! if that which pity is known inside your heart, pray!
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556:(in Italian), Associazione italiana Santa Cecilia, 1906, p. 186,
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voi nel cor mille fiamme accendete, ma pietĂ dell'ardor non sentite.
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you light a thousand flames in my heart, but you do not feel pity.
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Dear eyes, that brings the dawn when so beautiful you appear to me
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The work is scored for solo soprano and keyboard (with scattered
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Care luci, che l'alba rendete quand'a me cosi belle apparite
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558:..Haendel, maestro di cappella della famiglia Ruspoli..
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The key signature is written with only two flats, and A
119:(HWV 241) which was performed in the Ruspoli Castle in
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522:(2nd Edition), p. 551. Oxford University Press.
434:A gentle breeze, a passing shadow gives me hope,
430:che Clori amabile nell'alma nobile senta pietĂ .
499:The New Grove Dictionary of Music and Musicians
437:that lovely Clori in her noble soul feel pity.
150:families. Handel remained in Italy until 1710.
110:. During this period Handel also composed the
427:Un aura flebile, un ombra mobile sperar mi fa,
682:(Media notes). Brilliant Classics. p. 7.
621:George Frideric Handel: A Music Lover's Guide
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604:, Cambridge University Press, p. 3,
576:, Indiana University Press, p. 477,
39:84) ("Soft and Delightful Breezes") is a
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502:. Vol. x (2nd ed.). London:
488:(2001). "Handel, George Frideric". In
333:s have been written in as accidentals.
139:Il trionfo del tempo e del disinganno
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624:, WordPower Publishing, p. 32,
170:markings). The cantata contains two
735:Cantatas by George Frideric Handel
676:Handel Complete Cantatas. Volume 2
85:Francesco Maria Marescotti Ruspoli
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55:in 1707 while he was serving as
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573:A History of Baroque Music
344:("Comfort ye my people").
186:The work consists of four
673:Harris, Ellen T. (2009).
716:(complete score) at the
618:Van Til, Marian (2007),
600:Burrows, Donald (1991),
516:Burrows, Donald (2012).
123:and the secular cantata
217:Text (approx. English)
102:Gian Gastone de' Medici
648:Flegler, Joel (1977),
53:George Frideric Handel
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98:Ferdinando de' Medici
83:while a guest of the
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450:Händel-Gesellschaft
712:Aure soavi e liete
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154:succeeded him as
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116:Salve Regina
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49:E-flat major
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353:Recitative
228:Recitative
729:Categories
583:0253343658
528:0199781400
469:References
205:Time sig.
178:pairings.
172:recitative
121:Vignanello
94:Mainwaring
75:Background
504:Macmillan
452:edition.)
202:Key sig.
196:Movement
188:movements
182:Movements
162:Structure
129:oratorios
90:Cerveteri
714:, HWV 84
496:(eds.).
457:See also
403:G minor
330:♭
285:♭
148:Ottoboni
112:antiphon
651:Fanfare
342:Messiah
338:Rodrigo
307:Adagio
144:Ruspoli
45:cantata
41:Baroque
22:Händel
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526:
519:Handel
288:major
220:Notes
208:Tempo
400:Aria
279:Aria
211:Bars
199:Type
680:(CD)
626:ISBN
578:ISBN
524:ISBN
176:aria
146:and
26:1710
424:34
310:21
251:17
65:HHA
37:HWV
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634:,
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477:^
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61:HG
24:c.
413:8
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282:E
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