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A Dandy in Aspic

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All the usual spy things happen, violence proliferates, he acts and is acted upon; but because he is aware that he is securely caught in a trap (and the book sees events exclusively from his point of view), all this action is merely vain fluttering, leading nowhere and having no real meaning. In a very real, Bressonian sense, the action takes place in Eberlin's mind, where exterior events are seen, as it were, through a glass darkly, imponderably adding to or subtracting from his chances of survival. The film, predictably, opts for a straightforward actionful approach, with the result that what we get is a totally routine spy thriller. ... The plot, in fact, just isn't strong enough or inventive enough to withstand this sort of clumsy exteriorisation, and the result is deadly dullness."
384:. Assigned to work with Gatiss, an agent who distrusts Eberlin and harbors suspicions of his true allegiance, Krasnevin faces a delicate balancing act. He must navigate this tense partnership, using his years of experience to protect himself while trying to understand the true extent of the British suspicions. Caroline Hetherington, a beautiful British socialite with a penchant for photography, enters the scene. Her frequent appearances in Krasnevin's life, and her seemingly genuine interest in him, fuel his growing paranoia. He begins to suspect she may be involved in the conspiracy against him. 392:
Krasnevin must choose: stay in the shadows and continue to serve the Soviets, risking his own life and freedom, or turn his back on them and risk exposing himself to the British, who will likely be suspicious of his motives. Where Krasnevin must face his demons, his past, and the ultimate consequences of his choices. He must decide if he will play the game of shadows until the end, or fight for his own freedom. Assignment will leave a lingering sense of ambiguity, highlighting the slippery nature of truth and the moral grey areas of espionage.
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labyrinth of deceit. He realizes the British have no real evidence against him, relying solely on suspicion and his past actions. Krasnevin suspects his superiors in Moscow might be playing a dangerous game, potentially seeing him as expendable if he's no longer valuable in Britain. He fears he's merely a pawn in a larger game of international intrigue. The closer Krasnevin gets to the truth, the more he realizes he can trust no one. Gatiss's suspicions are fueled by his own paranoia, and even Caroline's intentions become increasingly unclear.
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might have made of Derek Marlowe's novel, which is in one way a completely routine spy thriller, and in another, anything but. The point about the novel is that when Eberlin, the double agent, finds that he has been assigned to kill himself, it is as if he were paralysed by the irony of his position.
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As Krasnevin dives deeper into the investigation, he uncovers a shocking conspiracy that threatens the entire world. He discovers a hidden agenda that extends far beyond the original file, involving powerful figures and dangerous secrets. Faced with the realization that he is a pawn in a larger game,
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Krasnevin is confronted by his Russian handlers, who reveal that they knew he was a double agent all along. They give him a choice: return to Russia and live a life of anonymity, or die. Krasnevin chooses the latter, ending his double life and his suffering. Krasnevin's death represents the ultimate
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Krasnevin and Gatiss, along with Caroline, arrive in West Berlin, a city teeming with espionage and uncertainty. The tension between them intensifies as both sides try to unravel the web of double-crosses and deception. The chase for the Soviet assassin begins, leading Krasnevin deeper into a
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as a DVD-on-demand title available through Amazon. A limited edition blu-ray disc with extensive bonus materials was released in the United Kingdom on 25 March 2019. In 2020, it became available for streaming on
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Largely filmed on location in London and Berlin, this was Anthony Mann's final film; he died of a heart attack before it was finished. Its direction was completed by Harvey.
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rates the film 2 out of 4 stars and describes it as a "wooden spy melodrama in which principals keep switching sides so rapidly it becomes impossible to follow."
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With the file's previous handlers dead, the British Secret Service, suspicious of Eberlin's constant presence, assigns him a new mission: to find and kill the
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Set against the backdrop of 1960s Cold War Europe, it is the story of a spy known to his superiors in British Intelligence by his code name "Eberlin".
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British intelligence operative (double agent) for the British Secret Service, has a problem. His superiors have ordered him to find and assassinate a
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agent living a seemingly ordinary life in Britain. Krasnevin's past as a cold-blooded killer comes to haunt him as a series of
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sacrifice for his country. He was willing to give up everything, including his own life, for his principles and beliefs.
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agents, all working on the same sensitive file, are murdered. Krasnevin, feeling burnt out and yearning for a return to
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described it as "a very wobbly spy movie ... slow, blank, decorous and completely devoid of suspense."
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said: "the film is strong on Cold War atmospherics and notable for its superior cast."
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said: "Muddled, pretentious spy thriller; flat, nebulous and boring."
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called the film as a "routine, poorly-titled espionage
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Lanham, MD: Scarecrow Press. p. 427. 968: 954: 946: 29: 20: 694:British Film Institute Collections Search 341:Learn how and when to remove this message 636:was released to DVD on 1 August 2011 by 654: 7: 665:Historical Dictionary of Film Noir 361:agent named Krasnevin, a seasoned 14: 638:Sony Pictures Home Entertainment 299: 1378:Films directed by Anthony Mann 1373:Films based on thriller novels 808:Variety staff (January 1968). 782:Adler, Renata (3 April 1968). 310:consists almost entirely of a 1: 1368:Films based on British novels 1423:1960s English-language films 1358:Films scored by Quincy Jones 1289:The Fall of the Roman Empire 836:Leonard Maltin's Movie Guide 608:Leonard Maltin's Movie Guide 284:. It was Mann's final film. 52:Laurence Harvey (uncredited) 1363:Films about the Berlin Wall 763:(408): 71. 1 January 1968. 1449: 1433:English-language spy films 884:Halliwell, Leslie (1989). 549:by Quincy Jones including 1398:Films set in West Germany 984: 756:The Monthly Film Bulletin 578:wrote: "One wonders what 575:The Monthly Film Bulletin 28: 834:Maltin, Leonard (2015). 1353:Columbia Pictures films 662:Spicer, Andrew (2010). 541:Unidentified orchestra 197:April 4, 1968 186:April 2, 1968 1343:British thriller films 1297:The Heroes of Telemark 1193:The Glenn Miller Story 1022:Strangers in the Night 886:Halliwell's Film Guide 1209:Strategic Air Command 1062:Strange Impersonation 771:– via ProQuest. 643:The Criterion Channel 1413:Films shot in Berlin 1408:Films shot in Surrey 1403:1960s thriller films 1393:Films set in England 1217:The Man from Laramie 499:as Lady Hetherington 194: (United States) 1428:1960s British films 1388:Films set in London 1383:Films set in Berlin 1038:Two O'Clock Courage 1030:The Great Flamarion 998:Moonlight in Havana 737:Library of Congress 719:Library of Congress 319:improve the article 280:, with costumes by 136:Christopher Challis 1348:Cold War spy films 1094:He Walked By Night 1046:Sing Your Way Home 976:Films directed by 941:TCM Movie Database 860:"A Dandy in Aspic" 810:"A Dandy in Aspic" 788:The New York Times 751:"A Dandy in Aspic" 733:"A Dandy In Aspic" 715:"A Dandy In Aspic" 690:"A Dandy in Aspic" 588:The New York Times 517:as Sergeant Harris 503:Richard O'Sullivan 323:real-world context 1338:British spy films 1315: 1314: 1257:God's Little Acre 1225:The Last Frontier 1169:Bend of the River 1100: 1054:The Bamboo Blonde 675:978-0-8108-5960-9 485:Michael Trubshawe 351: 350: 343: 238: 237: 172:Columbia Pictures 35:Theatrical poster 1440: 1418:1968 drama films 1305:A Dandy in Aspic 1098: 1006:Nobody's Darling 970: 963: 956: 947: 936:A Dandy in Aspic 925:A Dandy in Aspic 914:A Dandy in Aspic 900: 899: 881: 875: 874: 872: 870: 856: 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Index


Anthony Mann
Derek Marlowe
Derek Marlowe
Laurence Harvey
Tom Courtenay
Mia Farrow
Peter Cook
Harry Andrews
Christopher Challis
Thelma Connell
Quincy Jones
Columbia Pictures
neo-noir
Technicolor
Panavision
spy film
Anthony Mann
Derek Marlowe
Laurence Harvey
Tom Courtenay
Mia Farrow
Pierre Cardin
plot summary
improve the article
real-world context
Learn how and when to remove this message
Cold War
KGB
KGB

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