Knowledge (XXG)

A Dream of Passion

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225:. The film follows three main storylines: (a) the production of the play, (b) Maya’s changing approach to how to portray Medea, and (c) the story of Brenda Collins’ murder of her children. These three storylines are intertwined. Early in the film, we see early scenes from the play being rehearsed, the play’s director and Maya argue about Maya’s (first) interpretation of the character of Medea, and Brenda Collins is introduced. In the middle part of the film, scenes from the middle of the play are rehearsed, and Maya's thoughts about Medea begin to change as she learns more about Brenda Collins’ troubled marriage and as her exploration of Medea makes her rethink some difficult episodes in her own life. In the last part of the film, Maya thinks more deeply about her own life, learns more details about the murders of children, and we see scenes from the end of the play—showing Maya’s final interpretation of Medea. 232:
The publicity stunt ends in disaster. Brenda is initially happy and excited about talking with Maya, having never met a movie star before, but she is frightened and then infuriated when the press suddenly rushes into the interview room, snapping photos. She screams obscenities and curses at Maya as a
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in early 1978. He said that the story was inspired by a trial in Italy (fifteen years earlier) of a woman who had killed her children after her husband left her for another woman: “She was so compelling and strong. She sat there grieving for her children and at the same time, not repenting for what
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Maya's research into Brenda's case, looking at it from Brenda's point of view and having rethought difficult events in her own life (in particular, her relationship with her own somewhat estranged husband and her friendship with and later mistreatment of Maria—who was once an actress and is now the
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Brenda Collins is a deeply religious woman. She had been devoted to her husband and children and had begged Roy to stop his affair, but he treated her and her faith with disdain. She talks about the events leading up to the murders and the murders themselves with a mix of anguish and fury and a mix
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Collins family had lived in a suburb of Athens, Glyfada. Brenda committed the murders to punish her husband, Roy, for having an affair with a Greek woman. The press at the time called her "the Medea of Glyfada." Maya happily imagines what the headlines will be after their meeting: "The Two Medeas."
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The production of the play is being filmed by a BBC crew. Early in the film, one of Maya's BBC contacts manages to arrange a publicity stunt for Maya, in which Maya will meet an American woman, Brenda Collins, who was imprisoned several years earlier for the murder of her three young children. The
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newspaper, a woman she already knows. She shows Maya the records the paper still has from their coverage of the case, including crime-scene photos, a copy of the note Brenda left for Roy after the murders, and the notes of a psychologist who examined Brenda after the murders. Maya also visits the
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of obscenities and quotes from the Bible. She says that she did not kill her children with the story of Medea in mind; she tells Maya that she didn't understand the reference when the press first started calling her a "Medea."
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nun pulls Brenda out of the room. Maya is horrified at how the stunt turned out and later sends flowers and a note of apology to Brenda. Brenda agrees to meet Maya again, and the two establish something of a friendship.
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Despite being obsessed with the idea of filming the story, Dassin couldn’t “reconcile his compassion for the woman with his horror for her crime.” But after seeing his wife, Melina Mercouri, in a stage production of
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Collins' former house (which has remained unoccupied—the chalk outlines are still on the floor, showing where the children's bodies were found) and meets with Brenda several more times at the prison.
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lines 131–33. The lines appear on the screen after the opening credits of the film, with the chorus reciting those lines (and some subsequent lines) in the original ancient Greek:
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prompter for the stage production), causes Maya to rethink her portrayal of Medea. The film ends with a scene of the play's production at the ancient
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Maya, a Greek actress who has been working in Hollywood for years, has returned to Athens to play the title role in a stage production of
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About the film, Dassin went on to say, “It’s one of the two films I’ve made that I’ve cared most about, the other being the
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To learn more about Brenda Collins, Maya goes to see the publisher of the
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Ancient Greek (the chorus in the play speaks Euripides' original text)
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Los Angeles Film Critics Association Award for Best Actress
417:. Ellen Burstyn's performance was nominated for the 269:
means "Cry of Women." It is adapted from Euripides'
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It was also nominated for the 187:"Cry of Women") is a 1978 Greek 440:"Dassin to Film a Modern Medea" 861:Films directed by Jules Dassin 1: 255:sanctuary of Apollo at Delphi 876:English-language Greek films 871:1970s English-language films 199:as Maya, an actress playing 907: 881:1970s Greek-language films 635:Mark Hellinger Productions 265:The original Greek title, 415:1978 Cannes Film Festival 405:It was nominated for the 294:comes from Shakespeare's 176: 28: 886:Greek multilingual films 310:in an interview for the 286:and my heart suffers too 35:French Theatrical Poster 846:1978 multilingual films 306:Jules Dassin discussed 183: Kravgi gynaikon, 753:Hamilchama al hashalom 280:of the anguished woman 662:20th Century-Fox Film 608:The Canterville Ghost 584:The Affairs of Martha 851:Films about filicide 396:as the bible student 364:Dimitris Papamichael 195:. The story follows 568:The Tell-Tale Heart 560:Metro-Goldwyn-Mayer 469:festival-cannes.com 376:Andreas Philippidis 366:as Dimitris / Jason 292:A Dream of Passion, 290:The English title, 253:at the site of the 785:A Dream of Passion 678:Night and the City 505:A Dream of Passion 494:A Dream of Passion 382:Phaedon Georgitsis 308:A Dream of Passion 298:(act 2, scene 2). 168:A Dream of Passion 24:A Dream of Passion 891:1970s Greek films 866:Greek drama films 823: 822: 803: 802: 745:10:30 P.M. Summer 616:A Letter for Evie 592:Reunion in France 358:Despo Diamantidou 352:AndrĂ©as Voutsinas 348:as Brenda Collins 164: 163: 96:Giorgos Arvanitis 72:Giorgos Arvanitis 898: 841:1978 drama films 670:Thieves' Highway 624:Two Smart People 557: 539: 532: 525: 516: 480: 479: 477: 475: 461: 455: 454: 452: 450: 435: 267:ÎšÏÎ±Ï…ÎłÎź ΓυΜαÎčÎșώΜ, 178: 125: 123: 118:August 1978 63:Minoas Volonakis 33: 21: 906: 905: 901: 900: 899: 897: 896: 895: 826: 825: 824: 819: 799: 769:Promise at Dawn 721:Never on Sunday 705:He Who Must Die 684: 657: 630: 548: 543: 510:Rotten Tomatoes 489: 484: 483: 473: 471: 463: 462: 458: 448: 446: 437: 436: 432: 427: 403: 394:Kostas Arzoglou 342:as Maya / Medea 340:Melina Mercouri 336: 304: 277:I heard the cry 263: 213: 197:Melina Mercouri 177:ÎšÏÎ±Ï…ÎłÎź ΓυΜαÎčÎșώΜ 159: 157: 147: 135: 128: 121: 119: 112: 84: 82:Melina Mercouri 62: 57: 36: 17: 12: 11: 5: 904: 902: 894: 893: 888: 883: 878: 873: 868: 863: 858: 853: 848: 843: 838: 828: 827: 821: 820: 818: 817: 811: 809: 805: 804: 801: 800: 798: 797: 789: 781: 773: 765: 757: 749: 741: 733: 725: 717: 709: 701: 692: 690: 686: 685: 683: 682: 674: 665: 663: 659: 658: 656: 655: 651:The Naked City 647: 638: 636: 632: 631: 629: 628: 620: 612: 604: 596: 588: 580: 572: 563: 561: 554: 550: 549: 544: 542: 541: 534: 527: 519: 513: 512: 501: 488: 487:External links 485: 482: 481: 456: 444:New York Times 429: 428: 426: 423: 402: 399: 398: 397: 391: 385: 379: 373: 370:Giannis Voglis 367: 361: 355: 349: 343: 335: 332: 312:New York Times 303: 300: 288: 287: 284: 281: 278: 262: 259: 212: 209: 162: 161: 154: 150: 149: 144: 140: 139: 136: 133: 130: 129: 127: 126: 115: 113: 110: 107: 106: 103: 99: 98: 93: 92:Cinematography 89: 88: 79: 75: 74: 69: 65: 64: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 903: 892: 889: 887: 884: 882: 879: 877: 874: 872: 869: 867: 864: 862: 859: 857: 854: 852: 849: 847: 844: 842: 839: 837: 834: 833: 831: 816: 813: 812: 810: 806: 795: 794: 793:Circle of Two 790: 787: 786: 782: 779: 778: 777:The Rehearsal 774: 771: 770: 766: 763: 762: 758: 755: 754: 750: 747: 746: 742: 739: 738: 734: 731: 730: 726: 723: 722: 718: 715: 714: 710: 707: 706: 702: 699: 698: 694: 693: 691: 687: 680: 679: 675: 672: 671: 667: 666: 664: 660: 653: 652: 648: 645: 644: 640: 639: 637: 633: 626: 625: 621: 618: 617: 613: 610: 609: 605: 602: 601: 597: 594: 593: 589: 586: 585: 581: 578: 577: 573: 570: 569: 565: 564: 562: 558: 555: 551: 547: 540: 535: 533: 528: 526: 521: 520: 517: 511: 507: 506: 502: 500: 496: 495: 491: 490: 486: 470: 466: 460: 457: 445: 441: 434: 431: 424: 422: 420: 416: 412: 408: 400: 395: 392: 389: 388:Betty Valassi 386: 383: 380: 377: 374: 371: 368: 365: 362: 359: 356: 353: 350: 347: 346:Ellen Burstyn 344: 341: 338: 337: 333: 331: 329: 324: 322: 316: 313: 309: 301: 299: 297: 293: 285: 282: 279: 276: 275: 274: 272: 268: 260: 258: 256: 252: 246: 242: 239: 234: 230: 226: 224: 223: 218: 210: 208: 206: 205:Ellen Burstyn 202: 198: 194: 190: 186: 182: 174: 170: 169: 155: 151: 145: 141: 137: 131: 117: 116: 114: 108: 105:Georges Klotz 104: 100: 97: 94: 90: 87: 86:Ellen Burstyn 83: 80: 76: 73: 70: 66: 60: 56: 53: 49: 46: 43: 39: 32: 27: 22: 19: 791: 784: 783: 775: 767: 759: 751: 743: 735: 727: 719: 711: 703: 695: 676: 668: 649: 641: 622: 614: 606: 598: 590: 582: 574: 566: 546:Jules Dassin 504: 493: 472:. Retrieved 468: 459: 447:. Retrieved 443: 433: 404: 325: 320: 317: 311: 307: 305: 295: 291: 289: 283:from Colchis 270: 266: 264: 247: 243: 235: 231: 227: 221: 214: 193:Jules Dassin 191:directed by 167: 166: 165: 134:Running time 111:Release date 55:Jules Dassin 45:Jules Dassin 18: 689:Independent 643:Brute Force 600:Young Ideas 411:Golden Palm 390:as Margaret 238:Kathimerini 148:Switzerland 138:106 minutes 68:Produced by 41:Directed by 836:1978 films 830:Categories 815:Joe Dassin 576:Nazi Agent 425:References 378:as Stathis 302:Production 189:drama film 51:Written by 372:as Edward 354:as Kostas 217:Euripides 181:translit. 153:Languages 143:Countries 102:Edited by 59:Euripides 16:1978 film 449:12 April 384:as Ronny 360:as Maria 78:Starring 808:Related 761:Uptight 737:Topkapi 729:Phaedra 713:The Law 413:at the 251:theater 156:English 122:1978-08 120: ( 796:(1980) 788:(1978) 780:(1974) 772:(1970) 764:(1968) 756:(1968) 748:(1966) 740:(1964) 732:(1962) 724:(1960) 716:(1959) 708:(1957) 700:(1955) 697:Rififi 681:(1950) 673:(1949) 654:(1948) 646:(1947) 627:(1946) 619:(1945) 611:(1944) 603:(1943) 595:(1942) 587:(1942) 579:(1942) 571:(1941) 474:20 May 401:Awards 321:Medea, 296:Hamlet 271:Medea, 261:Titles 146:Greece 61:(play) 553:Films 222:Medea 201:Medea 173:Greek 158:Greek 499:IMDb 476:2009 451:2022 334:Cast 211:Plot 185:lit. 508:at 497:at 330:.” 832:: 467:. 442:. 421:. 257:. 219:' 179:, 175:: 538:e 531:t 524:v 478:. 453:. 171:( 124:)

Index


Jules Dassin
Jules Dassin
Euripides
Giorgos Arvanitis
Melina Mercouri
Ellen Burstyn
Giorgos Arvanitis
Greek
translit.
lit.
drama film
Jules Dassin
Melina Mercouri
Medea
Ellen Burstyn
Euripides
Medea
Kathimerini
theater
sanctuary of Apollo at Delphi
documentary about the student uprising
Melina Mercouri
Ellen Burstyn
Andréas Voutsinas
Despo Diamantidou
Dimitris Papamichael
Giannis Voglis
Andreas Philippidis
Phaedon Georgitsis

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