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reluctant to her visits. Eager to cut ties with his past and poor upbringing, Seiichi, a medical student, aims at being adopted by an upper-class family. His sister Utako studies dressmaking and attends an
English language school, engaging with her married teacher. Eventually, Seiichi's plan fulfils, while Utako, who claims that she can't lead a normal relationship after being raped by a cousin as a child, evokes a marital crisis. When Haruke finally realises that she has lost both her children, she commits suicide.
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scenes. For example, newsreel footage of
American soldiers cavorting with Japanese women foreshadow a flashback scene depicting Haruko's decision to become a prostitute. The flashbacks also provide contexts for the family's present day misunderstandings, when Haruko gets involved in the black market
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War widow Haruke, mother of two children, gets involved in prostitution during and after the Second World War to raise money for the family and secure the children a proper education. Her son
Seiichi and daughter Utako, sharing a flat of their own, are embarrassed by their mother's activities and
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sees the film as a sociological depiction of the breakdown of traditional social attitudes towards duty and gratitude for one's parents (gimu). This breakdown is caused by the new values of individualism and economic competition. Thus, son and daughter fail to support their mother and evince no
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to provide food for the family, but her son
Seiichi only knows that the activity causes him embarrassment at school, or when the children's cruel uncle tells them that their mother is enjoying herself at the
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Alexander Jacoby regarded the personal conflict between the mother and her selfish children to be more "vivid" than the wider context provided by the newsreels.
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footage within the film in an attempt to relate the story of the film to the wider context of Japan's post-war difficulties.
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points out that the newsreels give credence to the "subjective memories" of the characters that are shown in the film's
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for best screenplay in 1953. YĆ«ko
Mochizuki won the 1953 Mainichi Film Award for best actress.
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apparent guilt over their treatment of her, instead blaming her for her perceived failures.
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231:. The film tells the story of a mother who has to raise two children during and after
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hot springs, while she is working as a prostitute to raise money for the family.
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was one of the first post-war films to focus on
Japanese mothers, as
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was one of the first to focus on the plight of
Japanese wives.
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498:. University of California Press. p. 285.
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468:A Critical Handbook of Japanese Film Directors
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891:Films with screenplays by Keisuke Kinoshita
528:. Bloomsbury Publishing. pp. 204â208.
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287:as Masayuki Akazawa, the English teacher
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269:Masumi Taura as Seiichi, Haruko's son
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886:Films directed by Keisuke Kinoshita
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755:She Was Like a Wild Chrysanthemum
526:A New History of Japanese Cinema
418:A Hundred Years of Japanese Film
420:. Kodansha. pp. 117, 276.
389:at the Japanese Movie Database"
881:Japanese black-and-white films
16:1953 film by Keisuke Kinoshita
1:
876:1950s Japanese-language films
552:(in Japanese). Archived from
281:as Tatsuya, a street musician
579:"1953 Mainichi Film Awards"
266:as Utako, Haruko's daughter
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550:"1953 Blue Ribbon Awards"
333:According to film critic
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50:
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227:written and directed by
843:Big Joys, Small Sorrows
771:Times of Joy and Sorrow
496:To The Distant Observer
359:Kinoshita won both the
787:The Ballad of Narayama
715:Fireworks over the Sea
470:. Stone Bridge Press.
444:. Strictly Film School
152:17 June 1953
524:Standish, I. (2006).
299:as Wakamaru, a geisha
223:, is a 1953 Japanese
906:1950s Japanese films
901:Japanese drama films
835:The Scent of Incense
442:"A Japanese Tragedy"
827:A Legend or Was It?
739:The Garden of Women
466:Jacoby, A. (2008).
361:Mainichi Film Award
779:Danger Stalks Near
731:A Japanese Tragedy
723:Carmen's Pure Love
645:Films directed by
605:A Japanese Tragedy
556:on 7 February 2009
387:A Japanese Tragedy
339:A Japanese Tragedy
197:A Japanese Tragedy
24:A Japanese Tragedy
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811:The River Fuefuki
763:Farewell to Dream
691:Carmen Comes Home
647:Keisuke Kinoshita
365:Blue Ribbon Award
229:Keisuke Kinoshita
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583:. Retrieved
558:. Retrieved
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169:Running time
160: (Japan)
145:Release date
96:Masumi Taura
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492:Burch, Noel
448:24 November
297:Keiko Awaji
62:Directed by
866:1953 films
860:Categories
585:21 January
560:21 January
414:Richie, D.
395:21 January
371:References
312:Noël Burch
285:Ken Uehara
279:Keiji Sada
225:drama film
156:1953-06-17
121:Production
72:Written by
323:flashback
304:Reception
675:Apostasy
494:(1979).
416:(2012).
237:newsreel
189:Japanese
186:Language
139:Shochiku
129:Shochiku
112:Music by
80:Starring
707:Boyhood
275:as Sato
178:Country
154: (
123:company
846:(1986)
838:(1964)
830:(1963)
822:(1961)
814:(1960)
806:(1959)
798:(1959)
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355:Awards
348:Repast
667:Woman
328:Atami
204:æ„æŹăźæČć
181:Japan
51:æ„æŹăźæČć
44:Kanji
659:Army
610:IMDb
587:2021
562:2021
530:ISBN
500:ISBN
472:ISBN
450:2018
422:ISBN
397:2021
363:and
252:Cast
243:Plot
608:at
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