Knowledge (XXG)

A Letter for Queen Victoria

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work marked Wilson's first use of language in his theatrical pieces, which previously had all involved the actors and dancers moving silently. An example of these was his 1970
71:
After its premiere at the Festival dei Due Mondi in June 1974, it was performed later that year in La Rochelle and Paris. It also played a short season on Broadway at the
187: 76: 156: 131: 100: 65: 37:, have called it a play, while admitting that its genre was virtually impossible to define. It premiered at the 34: 22: 38: 26: 212: 56:, inspired and acted by Raymond Andrews, a 12-year-old black deaf-mute boy. In 1972 Wilson staged 192: 105: 152: 146: 127: 119: 80: 168: 206: 173: 72: 30: 75:
in March–April 1975. For its Broadway production, Alan Lloyd was nominated for
68:, a 14-year-old autistic boy whose poetry Wilson had discovered in early 1973. 64:, his next project was inspired and acted by another of his child muses, 29:. Wilson called it "an opera in four acts". Others, such as critic 60:
a 12-hour compilation of all of his "silent operas."
188:"Theater: Or Is It Theater? Have No Preconceptions" 124:Close Listening: Poetry and the Performed Word 21:is a theatrical work written and directed by 8: 148:The Complete Book of 1970s Broadway Musicals 151:, pp. 249–251. Rowman & Littlefield. 141: 139: 92: 120:"Speech Effects: The Talk as a Genre" 101:"Theater: A Robert Wilson at Spoleto" 7: 126:, p. 213. Oxford University Press. 58:The Life And Times Of Joseph Stalin 41:in Spoleto, Italy on 15 June 1974. 45:Background and performance history 14: 186:Barnes, Clive (24 March 1975). 167:O'Mahony, John (19 May 2001). 99:Barnes, Clive (22 June 1974). 1: 62:A Letter for Queen Victoria 50:A Letter for Queen Victoria 18:A Letter for Queen Victoria 229: 196:. Retrieved 8 May 2019. 177:. Retrieved 8 May 2019. 109:. Retrieved 8 May 2019. 118:Perelman, Bob (1998). 39:Festival dei Due Mondi 33:and literary scholar 145:Dietz, Dan (2015). 77:Best Original Score 66:Christopher Knowles 193:The New York Times 106:The New York Times 35:Charles Bernstein 220: 197: 184: 178: 165: 159: 143: 134: 116: 110: 97: 81:29th Tony Awards 228: 227: 223: 222: 221: 219: 218: 217: 203: 202: 201: 200: 185: 181: 169:"Mystery plays" 166: 162: 144: 137: 117: 113: 98: 94: 89: 47: 12: 11: 5: 226: 224: 216: 215: 205: 204: 199: 198: 179: 160: 135: 111: 91: 90: 88: 85: 54:Deafman Glance 46: 43: 25:with music by 13: 10: 9: 6: 4: 3: 2: 225: 214: 211: 210: 208: 195: 194: 189: 183: 180: 176: 175: 170: 164: 161: 158: 154: 150: 149: 142: 140: 136: 133: 129: 125: 121: 115: 112: 108: 107: 102: 96: 93: 86: 84: 82: 78: 74: 69: 67: 63: 59: 55: 51: 44: 42: 40: 36: 32: 28: 24: 23:Robert Wilson 20: 19: 191: 182: 174:The Guardian 172: 163: 147: 123: 114: 104: 95: 73:ANTA Theatre 70: 61: 57: 53: 49: 48: 31:Clive Barnes 17: 16: 15: 213:1974 operas 157:1442251662 132:0195355075 87:References 27:Alan Lloyd 207:Category 79:at the 155:  130:  153:ISBN 128:ISBN 122:in 103:. 209:: 190:. 171:. 138:^ 83:.

Index

Robert Wilson
Alan Lloyd
Clive Barnes
Charles Bernstein
Festival dei Due Mondi
Christopher Knowles
ANTA Theatre
Best Original Score
29th Tony Awards
"Theater: A Robert Wilson at Spoleto"
The New York Times
"Speech Effects: The Talk as a Genre"
ISBN
0195355075


The Complete Book of 1970s Broadway Musicals
ISBN
1442251662
"Mystery plays"
The Guardian
"Theater: Or Is It Theater? Have No Preconceptions"
The New York Times
Category
1974 operas

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