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164:'s providence. What is most peculiar and original to Burke's view of beauty is that it cannot be understood by the traditional bases of beauty: proportion, fitness, or perfection. The sublime also has a causal structure that is unlike that of beauty. Its formal cause is thus the passion of fear (especially the fear of death); the material cause is equally aspects of certain objects such as vastness, infinity, magnificence, etc.; its efficient cause is the tension of our nerves; the final cause is God having created and battled
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To make psychological observations, as Burke did in his treatise on the beautiful and the sublime, thus to assemble material for the systematic connection of empirical rules in the future without aiming to understand them, is probably the sole true duty of empirical psychology, which can hardly even
160:, causation can be divided into formal, material, efficient and final causes. The formal cause of beauty is the passion of love; the material cause concerns aspects of certain objects such as smallness, smoothness, delicacy, etc.; the efficient cause is the calming of our nerves; the final cause is
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critiqued Burke for not understanding the causes of the mental effects that occur in the experience of the beautiful or the sublime. According to Kant, Burke merely gathered data so that some future thinker could explain them.
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is that which has the power to compel and destroy us. The preference for the
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A philosophical enquiry into the origin of our ideas of the sublime and beautiful.
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A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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The
Science of Sensibility: Reading Burke's Philosophical Enquiry
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is that which is well-formed and aesthetically pleasing, whereas
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The Work of Art in the Age of
Mechanical Reproduction
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243:Vermeir, Koen and Funk Deckard, Michael (eds.)
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229:First Introduction to the Critique of Judgment
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254:. Cambridge:Cambridge University Press, 2015.
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1010:The Literary Mind and the Carving of Dragons
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16:1757 treatise on aesthetics by Edmund Burke
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195:aspire to rank as a philosophical science.
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1331:An Appeal from the New to the Old Whigs
1323:Reflections on the Revolution in France
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1409:Religious thought of Edmund Burke
1339:Thoughts and Details on Scarcity
1292:A Vindication of Natural Society
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1451:Modern philosophical literature
1404:Impeachment of Warren Hastings
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20:On the Sublime and Beautiful
1140:Aestheticization of politics
82:On the Sublime and Beautiful
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202:First Introduction to the
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24:
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1365:Edmund Burke Foundation
1160:Evolutionary aesthetics
1110:The Aesthetic Dimension
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62:1757, 2nd edition 1759
1446:Works by Edmund Burke
1441:Aesthetics literature
1235:Philosophy portal
1316:On American Taxation
1180:Philosophy of design
1060:In Praise of Shadows
1050:The Critic as Artist
265:Complete text online
204:Critique of Judgment
154:Aristotelian physics
123:According to Burke,
1190:Philosophy of music
1165:Mathematical beauty
47:Original title
21:
1185:Philosophy of film
1175:Patterns in nature
1145:Applied aesthetics
1120:Why Beauty Matters
906:Life imitating art
767:Art for art's sake
168:, as expressed in
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1414:Richard Burke Jr.
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150:causal structures
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1391:Conservatism
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381:Aestheticism
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139:Neoclassical
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41:Edmund Burke
1004:(c. 335 BC)
994:(c. 390 BC)
973:Work of art
926:Picturesque
782:Avant-garde
739:Winckelmann
614:Kierkegaard
539:Collingwood
509:Baudrillard
436:Romanticism
406:Historicism
340:Mathematics
170:John Milton
158:metaphysics
103:written by
1430:Categories
943:Recreation
921:Perception
814:Creativity
514:Baumgarten
504:Baudelaire
386:Classicism
301:Aesthetics
238:References
101:aesthetics
87:Wikisource
1456:Treatises
948:Reverence
854:Eroticism
824:Depiction
797:Masculine
699:Santayana
659:Nietzsche
604:Hutcheson
594:Heidegger
579:Greenberg
534:Coleridge
499:Balthasar
484:Aristotle
446:Theosophy
441:Symbolism
416:Modernism
401:Formalism
127:Beautiful
1370:The Club
1318:" (1774)
1223:Category
1155:Axiology
1024:(c. 500)
1014:(c. 100)
889:Judgment
844:Emotions
839:Elegance
819:Cuteness
792:Feminine
755:Concepts
724:Tanizaki
704:Schiller
689:Richards
679:Rancière
649:Maritain
584:Hanslick
524:Benjamin
396:Feminism
365:Theology
345:Medieval
335:Japanese
330:Internet
198:—
143:Romantic
1384:Related
1218:Outline
1133:Related
1000:Poetics
968:Tragedy
958:Sublime
931:Quality
916:Mimesis
874:Harmony
859:Fashion
834:Ecstasy
829:Disgust
745:more...
714:Scruton
639:Lyotard
574:Goodman
554:Deleuze
489:Aquinas
479:Alberti
452:more...
431:Realism
411:Marxism
391:Fascism
374:Schools
360:Science
315:Ancient
141:to the
134:Sublime
119:Summary
1350:(1796)
1342:(1795)
1334:(1791)
1326:(1790)
1311:(1770)
1303:(1757)
1295:(1756)
1124:(2009)
1114:(1977)
1104:(1946)
1094:(1939)
1084:(1935)
1074:(1934)
1064:(1933)
1054:(1891)
1044:(1835)
1034:(1757)
901:Kitsch
879:Humour
809:Comedy
787:Beauty
729:Vasari
719:Tagore
694:Ruskin
634:Lukács
624:Langer
569:Goethe
494:Balázs
474:Adorno
355:Nature
320:Africa
37:Author
1416:(son)
1284:Works
1213:Index
982:Works
963:Taste
953:Style
734:Wilde
674:Plato
669:Pater
629:Lipps
589:Hegel
559:Dewey
549:Danto
529:Burke
350:Music
325:India
308:Areas
213:Notes
166:Satan
145:era.
937:Rasa
895:Kama
869:Gaze
804:Camp
684:Rand
619:Klee
609:Kant
599:Hume
519:Bell
207:, X.
156:and
132:the
125:the
111:and
77:Text
864:Fun
644:Man
564:Fry
162:God
85:at
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
