612:
their sadness in shared laughter. The kids tell Sam they are thinking of staying on a few days, and all four euphorically imagine the joys of being together – until a little disagreement becomes a vicious argument. At its climax Junior hurls Dinah's diary into the air, and everything they have achieved since the debacle at the funeral parlor falls down around them. They stop, their anger spent, and look at the pages of the diary scattered on the ground. Thinking of Dinah and of her words, they recognize, one by one, that they can learn to communicate – indeed, that they must – as difficult as it will be for them. They reach out once again to one another.
433:, her family doctor and his wife (Doc and Mrs. Doc), and eventually her children (Dede and Junior). Sam, Dinah's widowed husband, stands immobile and isolated in a corner. People are absorbed in their own thoughts and aren't communicating well. In a series of fragmented conversations, they discuss the circumstances of Dinah's death (the car accident from the prologue), mourn her loss and reveal some of what has happened to her family over the years. Dede and Junior live in
40:
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592:. She finds it awful and describes it scene by scene, but is increasingly caught up in replaying the cornball plot, especially the big escapist musical number "Island Magic". Suddenly she returns to reality and rushes home to make dinner. Young Sam approaches his front door that night with his trophy, but with dread – even winners "must pay through the nose".
183:. Bernstein compared the four-part shape of the opera to a Mahler symphony in an interview with a Houston critic last week. "The opening scene is huge and explosive. The second is elegaic. The third is a playful scherzo", he said. And the last scene is "one of those adagios", referring to the grave and noble slow movements that conclude works like the Mahler
536:
In their "little white house", Young Sam and Dinah quarrel at breakfast. Among other issues, she accuses him of having an affair with his secretary at work. After ten years of marriage, every day is the same. They wish they could be kind to each other, but there is no real communication between them.
607:
Dede is up early the next morning, weeding in her mother's once-splendid, now overgrown garden. She senses Dinah's unseen presence and speaks to her, remembering when they were close. Junior, in high spirits, appears with breakfast. Brother and sister play games remembered from childhood and reenact
420:
A chorus sings scattered musical phrases such as "My Heart Shall Be Thy Garden", "Cakes and
Friends We Choose With Care", and "Lost Time is Never Found". Some of these themes are repeated throughout the opera. Meanwhile, voices are heard in reaction to a car accident. The victim is Dinah, a wife and
595:
As the jazz trio sings of evening shadows and loved ones together, Young Sam and Dinah try to have a talk after dinner, but they cannot make any headway. Young Sam wearily suggests going to the movies – some new musical about Tahiti. Dinah ruefully agrees. Mourning the lost magic between them, they
263:
but was performed after it, i.e. as a standalone work. Accordingly, the characters Dinah and Young Sam were not part of it. The next year (1984), when the earlier work was interpolated in the later opera in flashbacks, and in 1986 when a Vienna performance was recorded with the composer conducting,
611:
Now Old Sam appears in the garden and the game of tag resumes. It ends when Sam decides that rather than be tagged by François, he will open his arms to him and welcome him to the family. Sam reads aloud from Dinah's diary. The last entry he reads starts everyone giggling, and they release some of
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Dede and François meet in the hallway – she is elated, he is exhausted. François breaks down in her arms, overcome by the strain of the day, and Dede comforts him. He is moved by her strength and embraces her passionately. When they leave, Sam goes into Junior's room. He tries to kiss his sleeping
460:– until she breaks down in tears and François must read for her. Junior's unruly entrance interrupts the ceremony, and no one greets him. At the conclusion of the readings the guests file past Dinah's coffin and depart, leaving Sam, Junior, Dede, and François facing one another for the first time.
553:
Old Sam's reverie is interrupted when Dede comes shyly to visit him. As they go through cartons and clothes in Dinah's closet, they start to reach out to each other. Next door in Junior's room, François confronts Junior with his behavior at the funeral parlor. François' anger provokes a psychotic
544:
At lunchtime, Young Sam and Dinah have a chance meeting on the street, in the rain. They both pretend to have lunch dates elsewhere, then wonder to themselves why they lied. What has happened, they ask themselves, to dull their love? Can't they find their way back to the garden where they began?
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In his office Young Sam clinches a deal, making a business loan with his customary Ă©lan. The jazz trio extols his business acumen and big heart. On her psychiatrist's couch Dinah relates a dream; as she struggled to find her way out of a dying garden, a voice beckoned to her, promising that love
638:
John
Tessier (tenor), Maija Skille (mezzo-soprano), Claudia Boyle (soprano), Steven Humes (bass), Gordon Bintner (baritone), Annie Rosen (mezzo-soprano), Lucas Meachem (baritone), Joseph Kaiser (tenor), Daniel Belcher (baritone), Rupert Charlesworth (tenor) Choeur de l'Orchestre Symphonique de
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Sam's first words are to Junior, but give way to an explosion of 30 years' anger, reprisal, and confused grief directed at all three young people. Sam breaks down crying, but no one goes to him. In a trio of reminiscence, Junior, Dede, and François recall – via half-remembered letters home – a
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phase that takes Junior through some painful associations to an important revelation – that he loves and needs his father. Meanwhile, Dede has tried on a dress which vividly recalls to Sam the young Dinah. Father and daughter embrace, Junior collapses in François' arms.
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their parents' quarrelsome breakfasts. François joins them in the midst of a tag game, and in another trio of remembrance – for which time stands still – they relive the first meeting of Dede and François some 10 years before.
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would lead her to "a quiet place". Young Sam summons his (unseen) secretary to his office, pointedly asks if he has ever made any passes at her, and takes her quiet demurrals as acquiescence to his version of what happened.
472:. They come to blows, and the coffin lid is knocked shut with a crash. Sam exits furiously, then Dede and François. Junior, alone, becomes aware of his disarray and tenderly runs his hand across his mother's coffin.
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After being panned by critics – "to call the result a pretentious failure is putting it kindly" – Bernstein and
Wadsworth withdrew the opera and revised it. Some scenes were cut, and
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long-ago time when they were close with their fathers. Junior breaks the spell of remembering with a snap and accosts his father violently. He starts to rhyme – a symptom of his
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trophy and won. As he showers, he proclaims that there are some men, like himself, who are just born winners and some men "who will never, ever win".
191:
symphonies. "If the opera is saying anything", he said, "it is saying that anything in life is hard to achieve." Then he added, "including this opera".
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conducting in Milan and
Washington. It was refined in 1986 for Vienna, where a recording was made and the composer himself conducted.
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244:. In contrast to earlier responses, which had been lukewarm, Alden's production drew high praise from both critics and audiences.
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When everyone except Junior has arrived, the funeral director announces a ceremony of readings and reminiscences. Doc reads from
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makes him angry, but he also feels love for Dinah and realizes that he misses her. The diary evokes a memory of 30 years ago...
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The UK premiere was in
December 1988 at the Corn Exchange Theatre, Cambridge, with the composer in attendance. In October 2010
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Underlying it all is an orchestral fabric in a wide variety of styles that is of truly symphonic density – the opposite of
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Friends and family gather at Dinah's funeral. Among the guests are Dinah's brother (Bill), her best friend (Susie), her
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these roles could be said to be included, although cast lists still separated them from the four principal roles in
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In that distantly remembered afternoon, rather than going to Junior's school play, Young Sam has competed for a
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419 761-2: Beverly Morgan, Wendy White, Peter
Kazaras, Chester Ludgin, John Brandsetter, Edward Crafts;
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456:(lines chosen by Sam); Bill and Susie offer spirited reminiscences of Dinah; Dede reads from
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208:, becoming (most of) act 2 of a new three-act structure. This version was given in 1984 at
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517:" of the 1950s. Various prosperous American suburbs are mentioned by name, including
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At home later that evening, Sam is alone in the master bedroom. Reading Dinah's old
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628:, Louise Edeiken, Kurt Ollmann, Mark Thompsen; Austrian Radio Symphony Orchestra;
255:: the Opera America source here is misleading. At the premiere, on June 17, 1983,
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presented the New York premiere of the opera (in any version) in a production by
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Opera with music by
Leonard Bernstein to a libretto by Stephen Wadsworth
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The first performance, attended by
Bernstein, was on 17 June 1983 at
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Songfest: A Cycle of
American Poems for Six Singers and Orchestra
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son but can't yet: he's still too conflicted. He finds a sports
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seek out the "bought-and-paid-for" magic of the silver screen.
216:. The work was revised again and subsequently performed at the
130:
four-section structure. The premiere, conducted in
Houston by
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Also avoiding Junior's play, Dinah goes to a movie – a trite
786:"For City Opera Season, Bernstein, Strauss and New Works"
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which advertises the charms of ideal family life in "
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145:In its three-act form, act 2 largely consisted of
126:was in one act. Bernstein spoke of it as having a
268:itself: Dede, François, Junior, and (Old) Sam.
224:sang Dinah. These performances were recorded by
1751:Leonard Bernstein Festival of the Creative Arts
1325:Fanfare for the Inauguration of John F. Kennedy
149:in flashback. This form appeared in 1984, with
1756:New York Philharmonic concert of April 6, 1962
570:The scene opens as the jazz trio reprises its
1538:Non troppo presto (Music for the Dance No. 1)
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1861:Opera world premieres at Houston Grand Opera
369:were performed the same evening, but before
113:. It is a sequel to Bernstein's 1951 opera
1226:A Party with Betty Comden and Adolph Green
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562:on a shelf, which reawakens his memory...
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468:– and goads Sam with an improvised strip
1766:The Unanswered Question (lecture series)
317:Junior's boyfriend, later Dede's husband
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967:Rimer, J. Thomas, "Recording Reviews:
957:. Deutsche Grammophon. pp. 13–16.
938:: CS1 maint: archived copy as title (
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899:: CS1 maint: archived copy as title (
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639:Montréal, Montreal Symphony Orchestra
760:Hayes, Malcolm, "First Performances:
134:on June 17, 1983, was a double bill:
7:
1385:Serenade after Plato's "Symposium"
847:Waleson, Heidi (29 October 2010).
14:
1250:The Madwoman of Central Park West
273:Roles, voice types, premiere cast
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1729:Academy for the Love of Learning
821:at New York City Opera – Review"
574:to the American suburban dream.
1846:Operas set in the United States
1745:Inside Pop: The Rock Revolution
665:"The Frenzy of 'A Quiet Place'"
1357:(1986, 1988, 1989, originally
1:
738:by Bernstein, in Washington"
1836:Operas by Leonard Bernstein
1340:Slava! A Political Overture
953:Wadsworth, Stephen (1986).
287:Premiere cast, 17 June 1983
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955:A Quiet Place – CD Booklet
849:"Catching Up to Bernstein"
454:Elizabeth Barrett Browning
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1546:Music for the Dance No. 2
1311:) (1948–49, revised 1965)
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1377:Prelude, Fugue and Riffs
1242:1600 Pennsylvania Avenue
412:(In the three-act form)
299:Sam and Dinah's daughter
228:for commercial release.
204:was incorporated as two
1841:English-language operas
1771:Young People's Concerts
854:The Wall Street Journal
506:The scene opens with a
365:The following roles in
1761:Pacific Music Festival
1739:Bernstein–Mahler cycle
1355:Concerto for Orchestra
193:
122:In its original form,
72:17 June 1983
1520:My Twelve Tone Melody
1229:(1958, collaboration)
599:Old Sam remembers...
395:Sam (as a young man)
177:
1554:Sonata for the Piano
1253:(1979, contribution)
1034:List of compositions
643:Recorded: 2017-05-17
259:did not incorporate
1190:One Hand, One Heart
1169:Gee, Officer Krupke
975:" (Autumn, 1994).
670:The Washington Post
622:Deutsche Grammophon
335:Sam and Dinah's son
275:
238:New York City Opera
226:Deutsche Grammophon
168:The Washington Post
163:Houston Grand Opera
157:Performance history
97:is a 1983 American
83:Houston Grand Opera
1642:(incidental music)
1631:Other compositions
1500:(song cycle, 1947)
1492:(song cycle, 1943)
1309:The Age of Anxiety
1197:Something's Coming
1099:New York, New York
1048:Opera and operetta
826:The New York Times
813:Tommasini, Anthony
791:The New York Times
742:The New York Times
709:The New York Times
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232:Later performances
218:Vienna State Opera
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1451:Chichester Psalms
1056:Trouble in Tahiti
1023:Leonard Bernstein
985:(3): pp. 338–341.
784:Wakin, Daniel J.
764:" (March 1989).
704:Opens in Houston"
630:Leonard Bernstein
590:Trouble in Tahiti
483:Trouble in Tahiti
405:
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367:Trouble in Tahiti
261:Trouble in Tahiti
242:Christopher Alden
202:Trouble in Tahiti
181:Trouble in Tahiti
147:Trouble in Tahiti
136:Trouble in Tahiti
116:Trouble in Tahiti
111:Stephen Wadsworth
103:Leonard Bernstein
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54:Stephen Wadsworth
44:Bernstein in 1971
32:Leonard Bernstein
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1722:Related articles
1712:The Joy of Music
1669:Film adaptations
1497:La Bonne Cuisine
1484:(art song, 1935)
1288:Orchestral music
1234:The Race to Urga
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673:. 17 June 1983
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1565:(1942—1988)
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1489:I Hate Music
1487:
1465:Missa Brevis
1459:Olympic Hymn
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774:: pp. 45–46.
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1851:1983 operas
1779:(2023 film)
1695:(2021 film)
1687:(1961 film)
1679:(1949 film)
1677:On the Town
1604:Four Sabras
1530:Piano music
1443:Hashkiveinu
1424:Dance Suite
1369:Concertante
1106:Lonely Town
1091:On the Town
819:Quiet Place
702:Quiet Place
641:Kent Nagano
632:, conductor
586:Technicolor
291:John DeMain
289:Conductor:
222:Wendy White
132:John DeMain
1830:Categories
1607:(ca. 1950)
1570:Seven Ann.
1411:Piano Trio
1269:Fancy Free
925:2017-06-21
886:2017-06-21
747:2007-10-06
715:2007-10-06
648:References
626:Jean Kraft
616:Recordings
381:Sam's wife
351:(Old) Sam
315:François,
283:Voice type
206:flashbacks
76:1983-06-17
50:Librettist
1589:(1949–51)
1586:Five Ann.
1578:Four Ann.
1573:(1942–43)
1505:So Pretty
1482:Psalm 148
1332:CBS Music
1204:Somewhere
1115:Peter Pan
860:28 August
832:28 August
797:28 August
677:28 August
511:jazz trio
466:psychosis
398:baritone
354:baritone
253:Nota bene
196:Revisions
128:Mahlerian
1795:Category
1640:The Lark
1522:" (1988)
1507:" (1968)
1461:" (1981)
1321:) (1963)
1301:) (1942)
1299:Jeremiah
1083:Musicals
934:cite web
895:cite web
579:handball
450:Proverbs
416:Prologue
408:Synopsis
340:baritone
333:Junior,
210:La Scala
107:libretto
68:Premiere
60:Language
1777:Maestro
1620:Touches
1319:Kaddish
1210:Tonight
1155:America
1143:(1957)
1126:(1953)
1094:(1944)
1064:Candide
566:Scene 4
549:Scene 3
502:Scene 2
496:diaries
490:Scene 1
437:with a
379:Dinah,
304:soprano
165:. From
74: (
63:English
1856:Operas
1806:Portal
1661:(1986)
1653:(1971)
1645:(1955)
1623:(1980)
1615:(1960)
1597:(1988)
1581:(1948)
1557:(1938)
1549:(1938)
1541:(1937)
1515:(1977)
1467:(1988)
1454:(1965)
1446:(1945)
1435:Choral
1427:(1989)
1419:(1942)
1413:(1937)
1396:(1981)
1388:(1954)
1380:(1948)
1351:(1980)
1343:(1977)
1335:(1976)
1327:(1961)
1280:(1974)
1277:Dybbuk
1272:(1944)
1261:Ballet
1245:(1976)
1237:(1968)
1118:(1950)
1075:(1983)
1067:(1956)
1059:(1951)
1039:Awards
560:trophy
529:, and
435:Quebec
297:Dede,
173:before
105:and a
1820:Opera
1704:Books
1475:Vocal
1393:Ḥalil
1183:Maria
767:Tempo
636:Decca
603:Act 3
572:paean
476:Act 2
470:blues
425:Act 1
322:tenor
279:Role
248:Roles
189:Ninth
185:Third
99:opera
28:Opera
1650:Mass
1162:Cool
1131:Ohio
940:link
901:link
862:2018
834:2018
799:2018
679:2018
187:and
772:168
109:by
30:by
1832::
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