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and its effects on
Palestinians in Palestine and in the diaspora. The collection takes inspiration from Kanafani's biography, and his struggle with alienation. It also deals with his insistence on his intellectual and physical resistance. Kanafani's preference to use figurative language has political
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The collection is composed of fifteen short stories, including: Judranun Min Hadid (Walls of Iron), Al-Saqr (The Falcon), Kafarul
Munajjim (The Foreteller's Village), Judranuhu Wa Kaffuhu Wa Assabiâuhu (His walls, Palm, and Fingers), Al-Munazalaq (The Slide), Ulbatul Zujajin Wahida (A Glass Bottle),
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Kanafani addresses his idea of intellectual and weaponized resistance, and this idea persists throughout his oeuvre. The influences of
Modernism on Kanafani could be detected in many elements of the collection, primarily his choice to make marginalized characters the protagonists of his stories.
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Atashul Afaâa (The Snake's Thirst), Law Kuntu
Hisanan (If I Were A Horse), Nisful âAalam (Half of The World), Al-Shati' (The Beach), Risala Min Masuood (A Letter From Masuood), Jahsh (Donkey), Raâasul Asad Al-Hajari (The Lionâs Stone Head), and Al-âAroos (The Bride).
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The anthology gained recognition from artists and critics alike. In fact, it went on to inspire the documentary âA World Not Ours,â which follows the
Palestinian refugee camp, Ain Al-Helwe, in Lebanon.
309:. The collection portrays the life of the average Palestinian citizen under the occupation, centering on the never-ending fear and anxiety. Kanafani focuses on the usage of figurative language to address the
305:. All the stories in this collection were written between 1959 and 1963, lest for the last story, which was written in 1965. The anthology was published for the first time in 1965 in
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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Despite the stories centering on different plots, they all go on to form one main message, and it is that of geographical alienation.
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and literary purposes, which he elaborates on in his study
Resistance Literature in Occupied Palestine: 1948â1966.
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301:: عاÙÙ
ÙÙس ÙÙا) is a short story collection by the Palestinian writer
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