795:
240:
in 2003, and called it "an honest, unaffected work", which "can be read with equal satisfaction by both an admirer of
Mallarmé and someone who has read little or nothing of the poet before". Stone continued: "This collection has a curious intimacy and poignancy. It is hard to believe that these poem
173:. The aim of the tombeaux genre was not only to mourn, but also in a certain way to eternalize the dead person by means of the poem. He started working on a "tomb" poem for his son, but it was never finished before Mallarmé himself died in 1898. Left were 202 sheets of fragmentary notes.
241:
shards were written well over 100 years ago, since they seem so contemporary and accessible, despite any initial obscurity. The translation is careful but confident, finding the right balance between faithfulness to the French and sustaining a creative thrust in
English."
35:
422:
379:
870:
836:
401:
463:
749:
372:
860:
885:
690:
365:
663:
250:
829:
502:
408:
223:
69:
855:
698:
631:
574:
206:
875:
682:
456:
304:
274:
822:
714:
590:
526:
582:
389:
155:
137:
45:
146:. It was written after the death of Mallarmé's son Anatole. The finished fragments were published in 1961.
865:
550:
566:
494:
449:
186:
87:
880:
598:
518:
231:
190:
158:'s eight-year-old son Anatole died after a lengthy illness now diagnosed as pediatric rheumatism.
733:
655:
542:
166:
806:
741:
647:
211:
606:
162:
129:
706:
849:
170:
34:
639:
558:
309:
279:
236:
230:, was published in 2003, and was selected as the year's Translation Choice by the
17:
769:
534:
510:
473:
415:
202:
65:
331:
336:
357:
161:
Mallarmé had previously written a "tomb" ("tombeau") poem after the death of
794:
441:
802:
445:
361:
341:
810:
332:"Man Booker: Seren's Patrick McGuinness makes longlist"
725:
674:
623:
480:
111:
103:
93:
83:
75:
61:
51:
41:
268:
266:
305:"From For Anatole's Tomb by Stéphane Mallarmé"
201:An English translation by the American author
830:
457:
373:
136:) is an unfinished poem by the French writer
8:
27:
215:, and in book form in 1983, with the title
837:
823:
464:
450:
442:
380:
366:
358:
33:
26:
423:Un Coup de DĂ©s Jamais N'Abolira Le Hasard
298:
296:
262:
181:The finished material was published as
165:, and would later write tombeaux for
7:
791:
789:
809:. You can help Knowledge (XXG) by
234:. Will Stone reviewed the book in
25:
793:
664:The Inner Life of Martin Frost
251:19th-century French literature
1:
503:In the Country of Last Things
871:Poetry by Stéphane Mallarmé
330:Staff writer (2011-07-27).
303:Staff writer (2003-05-17).
275:"Fury against the formless"
902:
801:This article related to a
788:
699:The Story of My Typewriter
575:Travels in the Scriptorium
273:Stone, Will (2003-10-04).
189:, with an introduction by
683:The Invention of Solitude
396:
183:Pour un tombeau d'Anatole
134:Pour un tombeau d'Anatole
113:Published in English
56:Pour un tombeau d'Anatole
32:
715:Report from the Interior
886:20th-century poem stubs
861:Éditions du Seuil books
402:L'après-midi d'un faune
140:. It is also known as
133:
551:The Book of Illusions
222:A new translation by
205:was published in the
154:In 1879, French poet
805:from the 1960s is a
763:Talking to Strangers
567:The Brooklyn Follies
495:The New York Trilogy
197:English translations
632:The Music of Chance
519:The Music of Chance
232:Poetry Book Society
191:Jean-Pierre Richard
52:Original title
29:
28:For Anatole's Tomb
734:A Tomb for Anatole
656:Lulu on the Bridge
430:For Anatole's Tomb
228:For Anatole's Tomb
224:Patrick McGuinness
217:A Tomb for Anatole
167:Charles Baudelaire
143:A Tomb for Anatole
125:For Anatole's Tomb
70:Patrick McGuinness
18:A Tomb for Anatole
856:1961 poetry books
818:
817:
786:
785:
439:
438:
390:Stéphane Mallarmé
226:, with the title
207:Summer 1980 issue
187:Éditions du Seuil
156:Stéphane Mallarmé
138:Stéphane Mallarmé
121:
120:
104:Publication place
88:Éditions du Seuil
46:Stéphane Mallarmé
16:(Redirected from
893:
876:Unfinished poems
839:
832:
825:
797:
790:
777:Bloodbath Nation
742:The Red Notebook
648:Blue in the Face
466:
459:
452:
443:
382:
375:
368:
359:
352:
351:
349:
348:
327:
321:
320:
318:
317:
300:
291:
290:
288:
287:
270:
212:The Paris Review
185:in 1961 through
95:Publication date
37:
30:
21:
901:
900:
896:
895:
894:
892:
891:
890:
846:
845:
844:
843:
787:
782:
757:A Life in Words
721:
670:
619:
583:Man in the Dark
476:
470:
440:
435:
392:
386:
356:
355:
346:
344:
329:
328:
324:
315:
313:
302:
301:
294:
285:
283:
272:
271:
264:
259:
247:
199:
179:
163:Edgar Allan Poe
152:
150:Writing process
114:
96:
68:
23:
22:
15:
12:
11:
5:
899:
897:
889:
888:
883:
878:
873:
868:
863:
858:
848:
847:
842:
841:
834:
827:
819:
816:
815:
798:
784:
783:
781:
780:
774:
766:
760:
754:
746:
738:
729:
727:
723:
722:
720:
719:
711:
707:Winter Journal
703:
695:
687:
678:
676:
672:
671:
669:
668:
660:
652:
644:
636:
627:
625:
621:
620:
618:
617:
611:
603:
595:
587:
579:
571:
563:
555:
547:
539:
531:
523:
515:
507:
499:
491:
484:
482:
478:
477:
471:
469:
468:
461:
454:
446:
437:
436:
434:
433:
426:
419:
412:
405:
397:
394:
393:
387:
385:
384:
377:
370:
362:
354:
353:
322:
292:
261:
260:
258:
255:
254:
253:
246:
243:
198:
195:
178:
175:
151:
148:
119:
118:
115:
112:
109:
108:
105:
101:
100:
97:
94:
91:
90:
85:
81:
80:
77:
73:
72:
63:
59:
58:
53:
49:
48:
43:
39:
38:
24:
14:
13:
10:
9:
6:
4:
3:
2:
898:
887:
884:
882:
879:
877:
874:
872:
869:
867:
864:
862:
859:
857:
854:
853:
851:
840:
835:
833:
828:
826:
821:
820:
814:
812:
808:
804:
799:
796:
792:
778:
775:
772:
771:
767:
764:
761:
758:
755:
752:
751:
747:
744:
743:
739:
736:
735:
731:
730:
728:
724:
717:
716:
712:
709:
708:
704:
701:
700:
696:
693:
692:
691:Hand to Mouth
688:
685:
684:
680:
679:
677:
673:
666:
665:
661:
658:
657:
653:
650:
649:
645:
642:
641:
637:
634:
633:
629:
628:
626:
622:
615:
612:
609:
608:
604:
601:
600:
596:
593:
592:
588:
585:
584:
580:
577:
576:
572:
569:
568:
564:
561:
560:
556:
553:
552:
548:
545:
544:
540:
537:
536:
532:
529:
528:
524:
521:
520:
516:
513:
512:
508:
505:
504:
500:
497:
496:
492:
489:
486:
485:
483:
479:
475:
467:
462:
460:
455:
453:
448:
447:
444:
432:
431:
427:
425:
424:
420:
418:
417:
413:
411:
410:
406:
404:
403:
399:
398:
395:
391:
383:
378:
376:
371:
369:
364:
363:
360:
343:
339:
338:
333:
326:
323:
312:
311:
306:
299:
297:
293:
282:
281:
276:
269:
267:
263:
256:
252:
249:
248:
244:
242:
239:
238:
233:
229:
225:
220:
218:
214:
213:
208:
204:
196:
194:
192:
188:
184:
176:
174:
172:
171:Paul Verlaine
168:
164:
159:
157:
149:
147:
145:
144:
139:
135:
131:
127:
126:
116:
110:
106:
102:
98:
92:
89:
86:
82:
78:
74:
71:
67:
64:
60:
57:
54:
50:
47:
44:
40:
36:
31:
19:
866:French books
811:expanding it
800:
776:
768:
762:
756:
750:Here and Now
748:
740:
732:
713:
705:
697:
689:
681:
662:
654:
646:
638:
630:
613:
605:
597:
589:
581:
573:
565:
559:Oracle Night
557:
549:
541:
533:
525:
517:
509:
501:
493:
488:Squeeze Play
487:
429:
428:
421:
414:
407:
400:
345:. Retrieved
335:
325:
314:. Retrieved
310:The Guardian
308:
284:. Retrieved
280:The Guardian
278:
237:The Guardian
235:
227:
221:
216:
210:
200:
182:
180:
160:
153:
142:
141:
124:
123:
122:
55:
770:Burning Boy
624:Screenplays
614:Baumgartner
599:Sunset Park
535:Mr. Vertigo
511:Moon Palace
474:Paul Auster
416:Divagations
203:Paul Auster
177:Publication
66:Paul Auster
62:Translators
881:1961 poems
850:Categories
347:2012-02-29
337:BBC Online
316:2012-02-29
286:2012-02-29
257:References
591:Invisible
527:Leviathan
472:Works by
388:Works by
84:Publisher
543:Timbuktu
245:See also
76:Language
607:4 3 2 1
481:Fiction
409:Poésies
779:(2023)
773:(2021)
765:(2019)
759:(2017)
753:(2013)
745:(1995)
737:(1983)
718:(2013)
710:(2012)
702:(2002)
694:(1997)
686:(1982)
675:Memoir
667:(2007)
659:(1998)
651:(1995)
643:(1995)
635:(1993)
616:(2023)
610:(2017)
602:(2010)
594:(2009)
586:(2008)
578:(2006)
570:(2005)
562:(2003)
554:(2002)
546:(1999)
538:(1994)
530:(1992)
522:(1990)
514:(1989)
506:(1987)
498:(1987)
490:(1982)
130:French
107:France
79:French
42:Author
726:Other
640:Smoke
807:stub
803:poem
169:and
117:1983
99:1961
342:BBC
209:of
852::
340:.
334:.
307:.
295:^
277:.
265:^
219:.
193:.
132::
838:e
831:t
824:v
813:.
465:e
458:t
451:v
381:e
374:t
367:v
350:.
319:.
289:.
128:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
