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at Tulio's cantina. He begins to shoot, but Pedro manages to stop him. The mayor orders the
Moscote brothers to leave the town and Pedro assures Juan that he would fix the situation with his brother. However, Julián does not want to hear any reasons and the two brothers had a terrible fight until they are separated by the workers of their farm. Then, Sayago does not hesitate and tells Julián to meet him in one hour. Juan says farewell to his dearest friend, Casildo, who has been bedridden since he was kicked by a horse long time ago. Juan also visits Mariana. He tells her that he is leaving, but that once he returns it would be forever. Promising her a happy old age together forgetting about the past, he gives her his pocket watch. Understanding what he is going to do, Mariana tells him to be careful. Mariana goes to Sonia's house and tells her that Juan and Julián are going to kill each other. Sonia was cleaning Pedro's wounds from the fight and he leaves in a rush to find them. Juan Sayago and Julián Moscote face each other, but when Pedro arrives it is too late. Julián is lying dead with a gunshot to his head. Juan Sayago gives his gun to Pedro and walks away. Pedro takes the gun and kills him shooting Juan from the back. Destiny has repeated itself.
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urban myth that Juan Sáyago was bulletproof was due to the fact that he had received a shot in a hunting accident, which had left minor wounds healed by the doctor. Meanwhile, Mariana, who can no longer hide her feelings, ends up telling Juan she still loves him. Mariana insists however, that is too late to recover lost time, and she feels she and Juan cannot be happy. Worried about his safety, Mariana gives Juan a gun that belonged to her late husband so he can defend himself if the time comes. As they knit together in a veranda overlooking the river that crosses the town, Mariana tells Juan about the many letters that she wrote him, although he never received them. He promises her a future together if they move to another town, but she assures him that the hate of the
Moscote brothers would follow them. Juan tells Mariana no to worry; he leaves taking the gun with him. Julián, as his father did many years earlier, harasses Juan on the streets; in the marketplace and destroys Juan's house collapsing the roof. All this to provoke Juan into a duel, but Juan flatly refuses.
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adverse destiny awaits him. Juan first visits the blacksmith shop of an old friend, but the man died many years ago and, Diego, the new blacksmith and son of his deceased friend, warns Sayago that the two sons of Raúl
Moscote have been sworn to avenge the death of their father. However, Juan is not bothered by this danger. He paid for his crime and he is only looking forward to a peaceful old age. At the local cantina, Sayago befriends a young man who is trying to fix the hackamore of his horse. Sayago gives him his, since he does not own a horse anymore. The cantina's owner, Tulio, tells Sayago that the young man is Pedro Moscote, the youngest son of the man he killed. Tulio also warns Sayago that Pedro and his brother want to kill him and that it is better for him to leave the town, but Juan yearns to see Mariana, the woman he was in love with and he was going to marry when he was taken to jail.
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by impending danger, Juan starts to pick up the threads of his life and begins to rebuild his home, the dilapidated house abandoned since the death of his mother many years ago. Convinced that his enemies will not kill him as long as he does not yield to their provocations, Juan endures, with incredible calmness, the insults and humiliations of Julián
Moscote, the oldest of the two sons bent on revenge. Although restless in his hate for Sayago, under a mask of bravado and machisimo, Julián harbors doubts. Even for Julián, to avenge his father's death is a burden dictated by honor. The town's mayor is aware of the threats against Juan Sayago and warns the Moscote brothers that if they disturb the peace he would send them to jail, he also suggest to Juan to move elsewhere, but he can't do much else and the mayor is Pedro's godfather.
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At the town's cemetery, Pedro meets Juan Sayago and asks him to leave the town. He has begun to admire Sayago's self-control and courage. Looking for his brother, Julián arrives at Sonia's house. She confronts him, pleading with him, but to no avail. Furious, Julián finds his brother and Juan Sayago
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In an effort to avoid a new tragedy, Marianna talks to Sonia, Pedro's girlfriend, as she believes that Sonia's destiny is going to repeat her own. Through Sonia's father, the town's doctor, Pedro
Moscote learns the real motive and the circumstances behind his father's death. It was Raúl Moscote who,
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Juan visits
Mariana, who is now a mature and sober, but still beautiful widow, taking care of her small son. Still mourning the death of her husband, who died a few years before, Mariana is happy to see Juan, but also recommends him to leave the town as his life is under constant threat. Surrounded
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winner writer. This television production had the same main cast of this film (Gustavo
Angarita, María Eugenia Dávila, Sebastián Ospina and Jorge Emilio Salazar), and it was well received by critics. García Márquez liked the miniseries, but lamented that it had been shot on video and offered Jorge
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that Juan won. With a wounded pride and deliriums of greatness, Raúl never accepted his defeat. From then he harassed Juan to provoke him to accept a duel until Juan lost his patience and accepted. in the confrontation Juan killed Raul
Moscote with a shot to the heart with a silver bullet, and the
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The film retakes the story of the original script, but incorporates a new key scene written by García Márquez specially for this version. Triana wanted to showcase the fear of the character of Julian
Moscote, the oldest brother developing the theme that worse than the fear of dying is the fear of
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While working in the post-production of the film in Cuba, Jorge Alí Triana saw
Ripstein's version for the first time. The two films are very different in style and approach. Ripstein's predecessor resembles more the classical American western as a revenge drama. Triana's film reflects more the
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Juan Sayago, a soft-spoken middle age man, is released from prison after completing an eighteen-year sentence for the death of Raúl Moscote in a duel. Sayago immediately returns to his hometown, a small dusty village of unpaved streets. He wants to forget the past and rebuild his life, but an
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killing. One week before production started, the Nobel prize winner wrote the scene in which the prostitute reads Julian his fortune in the cards. The film employed the same main cast of the miniseries, but added two notable Cuban actors in the roles of the major and Casildo.
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tropical flavor that Gabriel García Márquez intended. It is less symbolic that Ripstein's film and more of a denunciation of Latin American machismo.
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collaborated with the dialogues, incorporating Mexican slang. The film, shot in the style of a
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was very well received and it is considered one of the best Colombian films of the 1980s with
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List of Colombian submissions for the Academy Award for Best Foreign Language Film
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Sebastián Ospina as Julián Moscote, Ospina portrays Raúl Moscote in a portrait.
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like Julián now, tormented Juan Sayago after losing in a
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Latin American Films, 1932 -1994: A critical filmography
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Largometrajes Colombianos En Cine y Video: 1915-2004
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Largometrajes Colombianos En Cine y Video: 1915–2004
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390:Alicia de Rojas as Mariana’s maid
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713:Best International Feature Film
439:in his debut as film director.
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991:Alias Maria
961:La Playa DC
900:Dog Eat Dog
452:Nobel Prize
245:Nobel Prize
232:Time to Die
115:Nafer Durán
112:Leo Brouwer
72:Produced by
52:Directed by
1096:1985 films
1090:Categories
1001:Guilty Men
651:0786422262
637:9589551025
622:References
610:Schwartz,
588:Schwartz,
412:Production
353:as Casildo
237:drama film
210:$ 300.000
184:94 minutes
167:1986-04-15
121:Production
75:Gloria Zea
932:2011-2020
920:Crab Trap
821:2001-2010
720:1980–2000
472:La Habana
317:cockfight
189:Countries
123:companies
100:Edited by
809:Time Out
789:The Debt
707:for the
614:, p. 240
592:, p. 241
552:8 August
502:See also
464:Colombia
269:machismo
264:Westerns
199:Language
192:Colombia
108:Music by
80:Starring
1052:Memoria
890:Satanás
433:western
276:at the
223:Spanish
202:Spanish
165: (
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1075:(2023)
1072:A Male
1065:(2022)
1055:(2021)
1034:(2020)
1024:(2019)
1014:(2018)
1004:(2017)
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984:(2015)
974:(2014)
964:(2013)
954:(2012)
944:(2011)
923:(2010)
913:(2009)
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883:(2006)
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863:(2004)
860:El Rey
853:(2003)
843:(2002)
833:(2001)
812:(1999)
802:(1998)
792:(1997)
782:(1996)
772:(1994)
762:(1991)
752:(1986)
742:(1984)
732:(1980)
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570:p. 107
546:Semana
480:Armero
476:Tolima
425:Mexico
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207:Budget
139:Focine
1021:Monos
971:Mateo
519:Notes
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669:IMDb
647:ISBN
633:ISBN
554:2014
468:Cuba
466:and
328:Cast
302:Plot
292:and
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156:1985
152:1985
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444:RTI
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