927:, reporter Paul Colbert thought the album was the band's least consistent and therefore, least predictable in three years. He recognised a "heavy PC twist to the sound" on "Man on the Corner" and "No Reply at All", but "he does not have it all his own way". Colbert, however, thought Genesis had produced "a couple of Frankensteins" such as the latter half of "Abacab", which he deemed "unstructured" and "uninspired" compared to their past instrumentals. He named "Keep It Dark" and "Who Dunnit?" as "the most exciting and innovative music" the band had produced for several years, and concluded with the album is "by far more promising" than
552:. The album marked the first time Genesis produced an album on their own, with Padgham credited as engineer. The decision to bring the drums to the forefront of a song caused Banks to change his usual approach of writing and playing, which he found exciting. The band praised Padgham's fresh approach to recording; Banks recalled the attractive ideas he had for recording drums and his lack of knowledge in handling keyboards gave Banks the freedom to explore and obtain sounds that interested him. The band considered
1046:
696:
took Smith's sketchbook and spotted an abstract design initially made for a book, which featured an arrangement of torn inch-long pieces of paper from a
Pantone swatch of colours with squiggly black lines. The band chose it as the cover, and Smith reproduced it in four different colour schemes with an embossed finish. The band liked all four, and thought it would have an effective presentation on shop displays. Three of the designs had a limited print, after which their label
470:
4391:
591:
587:" is titled after an early ordering of the sections of music the group had for the song, which at one point spelled "ABACAB". Rutherford said that the final version of the track is not the "ABACAB" order at all, "it's like 'Accaabbaac'." The song developed from a group jam session that had them playing along to a looped electronic drum track until the tape they were using to record on ran out.
643:"Dodo"/"Lurker" features lyrics written by Banks, who included a riddle in "Lurker". In a 1997 interview, he said: "There is no real solution It was a bit of a joke I honestly didn't really have a specific idea in mind." Early arrangements of the song including two songs later released as b-sides - "Naminanu" and "Submarine" - suggest that perhaps "submarines" were a basis for the lyric.
912:
874:
869:
836:
831:
826:
907:
902:
897:
892:
864:
859:
854:
821:
816:
796:
791:
786:
781:
776:
635:"Keep It Dark" tells the story of a man who gets abducted to a surreal and peaceful alien planet but does not tell anyone as he thinks no one would believe him. Its original working title was "Odd", and became a favourite for Banks. It features the band taking two bars of a drum pattern previously recorded and playing the song on top of it.
517:, specifically with group improvisational jams and writing with the aid of electronics such as a drum machine. The home studio allowed the group to stop working on a track if a rehearsal failed to produce any desired results and switch to another, which was not possible at a professional facility due to the limited time available.
441:, as their new private rehearsal and recording facility. In the process of remodelling the building into a studio, the trio reconvened in the farm house to write and rehearse new material, which initially took place in the living room, and they started recording the album in March 1981 once the studio was operational.
651:
a three-minute arrangement. Padgham wanted the drums on the track to sound loud and exciting, and not like typical drum recording sounds of the 1970s. Rutherford played the drums alongside
Thompson during live performances of the song on the album's tour. While the group were deciding the final track listing for
695:
The cover was designed by
English artist Bill Smith, who recalled that the group were difficult to work with as "they only ever knew what they didn't like". He first presented the band with portfolios from various illustrators, but the group did not find anything that they liked from them. Rutherford
650:
analogue synthesiser, he obtained the track's distorted keyboard sound by changing its presets as he played the notes. He pushed
Collins and Rutherford to record what ideas he had for the track, to which Collins wrote a lyric. The band improvised on top of the track for 30 minutes, which was cut into
945:
was an influence on the group, to which he replied, "Yes and no." He praised the album for its "thick, resonant instrumental passages, quaint imagery in the lyrics, and superb production", but "beneath the surface are some new wrinkles in the trademark
Genesis sound", noting a reduction in harmonies
704:
and staff at
Charisma that "these tiny scraps of coloured paper" was to be the album's cover, but he was successful from having the group's backing and noted it became "his best paid job ever." Genesis allowed Smith to retain the copyright to his work. In a contrast to previous Genesis albums, the
624:
and suggested to Banks and
Rutherford that they use them for the track. Collins thought the horns was a good move to "suddenly jar people and take them off automatic pilot" from the preconceived notions they had about Genesis. Their involvement created some initial reservations from Banks, but he
496:, Banks said a conscious effort was made by the group to avoid "Genesis cliches" such as using tambourines during a chorus, reprises, extended solos, lengthy instrumental passages, and keeping melodies simple, which signalled further changes in their direction. Because of this, Banks considered
500:
to be the least technical
Genesis album at the time of its release. Rutherford said the omission of songs that were too familiar to what they had done previously was required to avoid Genesis becoming a caricature of itself, and so the change in direction was therefore necessary. He picked the
978:
a "state-of-the-art" album and picked "Abacab" and "No Reply at All" as particularly good tracks despite
Collins's vocals not being "the world's strongest". Bishop said "Who Dunnit?" was the album's only "dud", yet believed overall the album would please Genesis fans. An uncredited review in
625:
grew to enjoy the track by the time it was complete. In rehearsal, Banks played a drum machine while
Rutherford and Collins played a guitar and drum part, respectively; the band played until they found ideas and sequences that worked. Collins had the idea of writing a song that
2754:
3083:
967:
like tongue-twister", yet deemed "Dodo/Lurker", "Like It or Not", and "Another Record" as "less noteworthy". Bohen concludes, however, that the album "drags this trio of art-rockers into the 80s at last". A positive review was published in
1061:
automated lighting system in which Genesis invested $ 1 million towards its development. Recordings from shows in New York City, Uniondale, New York, and Birmingham, England were included in the band's third live album,
705:
sleeve is absent of lyrics. Banks reasoned this would reduce the emphasis on the words, which he thought had been overdone on previous albums, in order to make them more of a part in the album's overall sound.
49:
1002:
praised the album for shedding the "ivory-tower artistry" of their previous albums, turning to sparse arrangements and "highly rhythmic interplay" and drawing inspiration from popular contemporaries such as
488:
in 14 weeks, and they typically worked between 12 and 14 hours a day while making it. The new studio environment had a productive effect on the writing process and the band had enough material for a
492:, but they discarded one hour of music because they considered the songs were too similar to their past albums. Though the band did not alter the way in which they approached the songwriting for
1027:
was where this new incarnation of the band came into its own." He also argued that although the album is far richer in pop hooks and accessibility than the band's previous works, at its heart
346:. It marked the band's development from their progressive roots into more accessible and pop-oriented songs, and their conscious decision to write songs unlike their previous albums.
963:
with its structure based around a "a huge, booming drum sound". He noted the instrumentation is less restrained than previous Genesis albums. "Who Dunnit?" was described as "an
375:
for selling two million copies in the US. The Abacab Tour visited North America and Europe in 1981, recordings from which formed most of their 1982 live album and concert video
3159:
La "Vela d'oro" '82 in base a questa valutazione andra quindi a Riccardo Fogli per Malincolia "circen 650 mila copie", e ai Genesis per Abacab (oltre mezzo millione di copie)
1800:
1596:
571:" by Collins, and "Like It or Not" by Rutherford. The group decided to have the album consist mostly of collective songs as they thought such tracks became the strongest on
4384:
4450:
3196:
2502:
556:
an album that closely represented their natural live sound. The band would produce different mixes of finished songs and selected the one they all liked best.
567:
is formed of nine tracks, six of which are group written with the remaining three solely credited to one of each member: "Me and Sarah Jane" is from Banks, "
4455:
3200:
1860:
1785:
372:
4445:
3016:
3584:
1830:
683:, both released in 1982. Two other songs, "Naminanu" and "Submarine", originally part of a four-song suite with "Dodo"/"Lurker", were released as
610:. This marked the first instance of Genesis using outside musicians for one of their tracks since a string section was used on their debut album,
3591:
1776:
946:
for more simple vocals and Collins's drum sound replacing Banks's keyboards as their "vortex". Kubernik did, however, praise Collins's vocals.
4059:
3761:
3295:
3276:
3257:
3234:
2912:
2798:
2739:
2714:
2536:
3140:
4197:
3623:
2176:
4192:
3352:
3655:
3630:
352:
enjoyed a mostly positive reception from critics and was a commercial success for the band, becoming their second No. 1 LP on the
4435:
4430:
1646:
4175:
629:
would have wanted to record, and directed the band in a direction that they had never gone in before. Collins wrote the lyrics.
4440:
4140:
4073:
4045:
4031:
3817:
3503:
4425:
4420:
3482:
2223:
3175:
1845:
883:
2421:
2303:
1057:
with a European and North American tour between September and December 1981. The tour marked the first appearance of the
4379:
3866:
3475:
3095:
2939:
2329:
2019:
1815:
3648:
1985:
677:", "You Might Recall", and "Me and Virgil", which were included on the international edition of their third live album
4361:
4355:
4161:
2951:
2764:
2449:
2152:
1584:
473:
430:
335:
91:
3683:
4227:
3978:
3964:
3908:
3775:
3616:
3447:
2776:
612:
537:
520:
The band's shift in direction was also underlined in their production with the departure of producer and engineer
4222:
3922:
951:
659:
believed "Who Dunnit?" should be included. At one point, Genesis considered releasing "Who Dunnit?" as a single.
4202:
2858:
1608:
632:"Me And Sarah Jane" originated from takes that the group had recorded as early as the second day of recording.
4207:
4024:
2927:
700:
selected the original montage to remain in stock. Smith recalled the difficulty in persuading Genesis manager
457:(1981) had gained momentum by the recording stage; Banks claimed it did little to alter the sound or style of
667:
Among the songs that were left off the album were three that were picked for release on Genesis's second EP,
4394:
4294:
4126:
3524:
2967:
2814:
2105:
1685:
1069:
1016:
4344:
4309:
4278:
4232:
4217:
4094:
4017:
3894:
3887:
3810:
3796:
3415:
3410:
3405:
3225:
Banks, Tony; Collins, Phil; Gabriel, Peter; Hackett, Steve; Rutherford, Mike (2007). Dodd, Philipp (ed.).
2727:
3676:
3669:
3662:
3314:
3002:
737:
4080:
3598:
3430:
3373:
3345:
1442:
1081:
981:
404:
607:
2579:
1045:
985:
in Ohio predicted the album would be Genesis's first top ten album in the US due to its similarity to
4415:
4339:
4304:
4212:
4066:
3901:
3880:
3782:
3754:
3545:
3118:
3024:
2987:
1504:
970:
701:
2963:
4374:
4119:
3992:
3859:
3768:
3496:
3489:
3145:
2605:
2553:
1572:
447:
469:
2157:
2106:""What The Band Said" - A look at some of the radio interviews given to promote the Abacab album"
732:
453:
388:
4263:
548:
effect on Collins's drums that Banks and Rutherford liked, and wanted Padgham to do the same on
2528:
1911:
4168:
4087:
4038:
3950:
3915:
3845:
3538:
3291:
3272:
3253:
3230:
2908:
2794:
2735:
2710:
2532:
1670:
1546:
1473:
1277:
1092:, except where noted. All songs arranged and performed by Genesis. Lyricists specified below.
937:
684:
568:
330:(1980), the band took a break before they reconvened in 1981 to write and record a new album.
291:
2979:
2188:
363:, peaking at No. 7. Genesis released four singles from the album, the most successful being "
4329:
4253:
3943:
3936:
3803:
3747:
3577:
3454:
3400:
3338:
3319:
3246:
2360:
1409:
1064:
721:
717:
697:
679:
412:
377:
321:
162:
158:
118:
3128:
The albums 'Duke' and 'Abacab' reached Gold status in Italy for the sale of 100,000 copies.
616:(1969). The band wanted to emulate the brass keyboard sound that was used on some parts on
509:
as a "rethink" of Genesis' approach. Collins said the group adopted what they had done for
4349:
4273:
4147:
3873:
3831:
3715:
3531:
3468:
3380:
2876:
1982:"RECORDING AT THE FARM: NEW GENESIS PROJECTS KEEP PRIVATE STATE-OF-THE-ART STUDIO HUMMING"
1681:
1621:
1454:
1373:
1146:
1089:
599:
541:
521:
408:
368:
353:
265:
174:
166:
2387:""The A to Z of Genesis" - Tony Banks continues his discussion of his career in the band"
3116:"Programmi televisivi dal 25 al 31 ottobre 1981 – Heather Parisi dice tutta la verità".
2659:
2632:
646:
Banks described "Who Dunnit?" as a "real one-off piece". Featuring drums, guitar, and a
461:
or the relationship towards him or Rutherford as they had been friends for a long time.
4258:
4154:
4052:
3999:
3929:
3740:
3697:
3361:
2871:
2759:
2386:
1559:
416:
317:
235:
186:
179:
128:
64:
4409:
4334:
4324:
4133:
4101:
3824:
3789:
3461:
3425:
3395:
2854:
2521:
1697:
1125:
998:
845:
656:
626:
584:
533:
364:
357:
252:
28:
2685:
4268:
4248:
3985:
3971:
3957:
3838:
3563:
3510:
3420:
3387:
3047:
2709:
Giammetti, Mario (2021). Genesis 1975 to 2021 - The Phil Collins Years. Kingmaker.
2281:
1489:
1467:
1448:
1379:
1184:
1085:
923:
805:
603:
590:
545:
525:
489:
434:
425:
400:
339:
326:
278:
199:
153:
95:
3570:
2337:
106:
2793:(in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. p. 166.
1049:
Chester Thompson and Collins on the album's 1981 tour, performing "Who Dunnit?"
4314:
2147:
1935:
1008:
4319:
3852:
2734:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 19.
1981:
1396:
1058:
674:
647:
420:
3323:
17:
2791:
Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972
3171:
1658:
1032:
1012:
964:
768:
423:
of the United Kingdom and North America in support of their tenth album,
123:
113:
4299:
3123:
2161:
3690:
2904:
2822:
1634:
438:
429:(1980). Following a period of rest, in November 1980 the band bought
371:". The album was certified gold in the UK and double platinum by the
343:
99:
3722:
2890:
Set "Tipo" on "Album". Then, in the "Titolo" field, search "Abacab".
2450:"An Interview with Bill Smith - Album Cover Designer Extraordinaire"
1403:
669:
383:
217:
724:. It was simultaneously released in four different colour schemes.
1044:
589:
468:
59:
48:
2080:
2078:
2076:
2074:
2072:
445:
marks the first Genesis album that was recorded in England since
3334:
1004:
3312:
Banks, Tony; Collins, Phil; Rutherford, Mike (2 April 2007).
2146:
Redbeard; Rutherford, Mike; Collins, Phil (September 2006).
1516:
324:. After their 1980 tour in support of their previous album,
716:
was released on 18 September 1981 in the United Kingdom by
3330:
1035:, their last album that could bear that tag comfortably."
524:, who had worked with them since 1975. He was replaced by
381:. Three tracks left off the album were released on the EP
1019:
echoed this sentiment with greater emphasis, declaring "
399:
In June 1980, the Genesis line-up of drummer and singer
2047:
2045:
2043:
2041:
1963:
1961:
1959:
602:" is a rhythm and blues style track that features the
594:"No Reply at All" features members of the Phenix Horns
3197:"American album certifications – Genesis – Abacab"
2469:
2467:
4287:
4241:
4185:
4111:
4009:
3732:
3707:
3640:
3608:
3555:
3439:
3172:"British album certifications – Genesis – Abacab"
2901:
Oricon Album Chart Book: Complete Edition 1970–2005
2084:
1433:Credits are adapted from the album's sleeve notes.
1233:
1219:
1115:
1101:
234:
185:
173:
152:
136:
105:
87:
79:
71:
58:
41:
3245:
3048:"French album certifications – Genesis – Abacab"
2779:(in Dutch). Hung Medien. Retrieved July 10, 2024.
2520:
2330:"Phil Collins Interviews - Hitmen - 1986 Part Two"
2160:from the original on 22 December 2021 – via
1498:Chris Peyton – sleeve adaptation (for The Redroom)
540:which featured Collins on drums. Gabriel's track "
451:(1976). The success of Collins's debut solo album
316:is the eleventh studio album by English rock band
941:wondered if the success of Collins's solo album
2519:Nathan Brackett; Christian David Hoard (2004).
2497:
2495:
2258:(Media notes). Charisma Records. 1981. CBR 102.
1905:
1903:
1880:Shipments figures based on certification alone.
959:had largely taken its direction from Collins's
387:. The album was reissued with a new stereo and
356:and their first to reach the top ten of the US
773:
720:and 24 September 1981 in the United States by
3346:
433:, a farmhouse with an adjoining cowshed near
8:
2815:"Le Détail des Albums de chaque Artiste – G"
2013:
2011:
2009:
2007:
2005:
2003:
2001:
1999:
1997:
1995:
889:
851:
813:
338:, a recording studio bought by the group in
1876:Sales figures based on certification alone.
620:, and Collins had used the Phenix Horns on
3353:
3339:
3331:
3288:Genesis: The Complete Guide to Their Music
2527:. New York: Simon & Schuster. p.
2308:International Musician and Recording World
2268:
2209:
2063:
1931:
1929:
1927:
1925:
1760:
1717:
1525:
748:
47:
38:
3201:Recording Industry Association of America
2444:
2442:
2250:
2248:
2246:
2244:
1349:sessions can be found on other releases:
373:Recording Industry Association of America
4451:Albums produced by Tony Banks (musician)
3269:Cover Stories: Five Decades of Album Art
2954:. Hung Medien. Retrieved July 10, 2024.
2942:. Hung Medien. Retrieved July 10, 2024.
2940:"Norwegiancharts.com – Genesis – Abacab"
2930:. Hung Medien. Retrieved July 10, 2024.
2855:"Offiziellecharts.de – Genesis – Abacab"
1476:– horn arrangements on "No Reply at All"
1351:
1213:
1095:
3585:The Way We Walk, Volume One: The Shorts
3084:"Gold-/Platin-Datenbank (Genesis;
2099:
2097:
2095:
2093:
1950:
1899:
1872:
1326:
1199:
334:is the first Genesis album recorded at
3592:The Way We Walk, Volume Two: The Longs
2952:"Swedishcharts.com – Genesis – Abacab"
2389:. The Waiting Room Online. August 1997
2141:
2139:
2137:
2135:
735:mix and bonus features as part of the
53:One of the album's four colour schemes
3762:I Know What I Like (In Your Wardrobe)
2473:
2407:
2310:. March 1982. pp. 23, 25, 27, 29
2051:
1967:
1941:Allmusic.com, Stephen Thomas Erlewine
1345:Additional songs recorded during the
1327:
1200:
754:
731:was remastered with a new stereo and
480:was their first album recorded there.
7:
2633:"'Abacab' more of same from Genesis"
2612:. Morristown, New Jersey. p. 56
1988:from the original on 25 August 2005.
989:, but rated it ahead of "the dreary
4198:The Lamb Lies Down on Broadway Tour
2777:"Dutchcharts.nl – Genesis – Abacab"
2686:"Vari-Lite - Philips Entertainment"
2018:Fielder, Hugh (26 September 1981).
1501:Carol Willis – project coordination
775:
320:, released on 18 September 1981 by
4456:Albums produced by Mike Rutherford
3244:Bowler, Dave; Dray, Bryan (1992).
2501:Fricke, David (26 November 1981).
2222:Fielder, Hugh (19 December 1981).
2104:Hewitt, Alan (28 September 1981).
1011:. In his retrospective review for
25:
4193:Selling England by the Pound Tour
2658:Unknown, ed. (13 November 1981).
2578:Kubernik, Ken (18 October 1981).
2523:The new Rolling Stone album guide
2420:Smith, Robin (18 December 1981).
2129:, Atlantic Recording Corporation.
891:
853:
815:
528:, who had worked with Collins on
4390:
4389:
2903:(in Japanese). Roppongi, Tokyo:
2631:Bishop, Pete (25 October 1981).
2292:– via The Genesis Archive.
2148:""Duke/Abacab" 25th Anniversary"
910:
905:
900:
895:
890:
872:
867:
862:
857:
852:
834:
829:
824:
819:
814:
794:
789:
784:
779:
774:
36:1981 studio album by Genesis
4446:Albums produced by Phil Collins
4046:Dancing with the Moonlit Knight
4032:Can-Utility and the Coastliners
3504:...And Then There Were Three...
3149:(in Italian). 17 September 1982
3141:"Vela d'oro a Fogli ai Genesis"
3028:. 25 December 1982. p. 103
2964:"Official Albums Chart Top 100"
2732:Australian Chart Book 1970–1992
2604:Bohen, Jim (18 November 1981).
2177:"Classic Tracks: Phil Collins'
1719:Year-end chart performance for
1023:showcased a new Genesis... but
933:...And Then There Were Three...
4060:The Lamb Lies Down on Broadway
3483:The Lamb Lies Down on Broadway
2928:"Charts.nz – Genesis – Abacab"
2606:"Shortcuts – Genesis – Abacab"
2580:"Genesis turns loss into gain"
1474:Thomas "Tom Tom 84" Washington
1220:
1102:
1:
3229:. Weidenfeld & Nicolson.
3176:British Phonographic Industry
2666:. Coshocton, Ohio. p. 14
2156:. Episode 950. Beardedfisch.
1980:Tobler, John (7 March 1987).
1527:Weekly chart performance for
884:The Rolling Stone Album Guide
655:, Atlantic Records president
4380:List of Genesis band members
3476:Selling England by the Pound
3096:Bundesverband Musikindustrie
2755:"Top RPM Albums: Issue 0407"
2282:"Genesis – Abacab Press Kit"
1704:
1690:
1675:
1663:
1651:
1639:
1613:
1601:
1589:
1577:
1565:
1551:
1470:– horns on "No Reply at All"
4356:Genesis: Together and Apart
4176:Genesis Movie Box 1981–2007
3631:The Last Domino? – The Hits
3122:(in Italian). No. 43.
2992:. Retrieved July 10, 2024.
2970:. Retrieved July 10, 2024.
2861:. Retrieved July 10, 2024.
2821:(in French). Archived from
2767:. Retrieved July 10, 2024.
2765:Library and Archives Canada
2620:– via Newspapers.com.
2175:Flans, Robyn (1 May 2005).
2153:In the Studio with Redbeard
1585:The Official Finnish Charts
4472:
4228:Turn It On Again: The Tour
3656:Genesis Archive #2 1976–92
3617:Turn It On Again: The Hits
3448:From Genesis to Revelation
3252:. Sidgwick & Jackson.
3227:Genesis. Chapter and Verse
2840:from the menu, then press
1910:Tingen, Paul (July 1992).
613:From Genesis To Revelation
532:and former Genesis singer
476:studio, pictured in 2006.
415:and guitarist and bassist
26:
4370:
4223:Calling All Stations Tour
4208:Wind & Wuthering Tour
3923:Tonight, Tonight, Tonight
3368:
1873:
1858:
1843:
1828:
1813:
1798:
1783:
1775:
1772:
1769:
1734:
1729:
1726:
1695:
1680:
1668:
1656:
1644:
1632:
1618:
1606:
1594:
1582:
1570:
1556:
1544:
1537:
1534:
1401:
1310:
1293:
1272:
1255:
1238:
1230:
1227:
1224:
1179:
1162:
1141:
1120:
1112:
1109:
1106:
1072:, both released in 1982.
974:by Pete Bishop. He named
762:
759:
305:
284:Released: 23 October 1981
245:
230:
193:
46:
4203:A Trick of the Tail Tour
3993:The Carpet Crawlers 1999
2980:"Genesis Chart History (
2859:GfK Entertainment Charts
2284:. Atlantic Records. 1981
1495:Bill Smith – album cover
687:on the album's singles.
513:and took it further for
501:songwriting periods for
407:, and guitarist/bassist
271:Released: September 1981
258:Released: 14 August 1981
169:Europe/Japan/Australasia
4436:Charisma Records albums
4431:Atlantic Records albums
4295:List of Genesis medleys
4141:Live at Wembley Stadium
3649:Genesis Archive 1967–75
2968:Official Charts Company
2789:Pennanen, Timo (2006).
2304:"Genesis: A Revelation"
2085:Reissues Interview 2007
1912:"At Home In The Studio"
1557:Canada Top Albums/CDs (
1017:Stephen Thomas Erlewine
411:, with touring drummer
4441:Vertigo Records albums
4310:Mike and the Mechanics
4095:Driving the Last Spike
3888:Taking It All Too Hard
3684:Genesis Live 1973–2007
2552:Colbert, Paul (1981).
2489:, May 2007, Issue 250.
2336:. 1986. Archived from
2269:Bowler & Dray 1992
2210:Bowler & Dray 1992
2064:Bowler & Dray 1992
1068:, and the same-titled
1050:
935:. Ken Kubernik of the
608:Earth, Wind & Fire
595:
481:
297:Released: 5 March 1982
4426:Virgin Records albums
4421:Genesis (band) albums
4233:The Last Domino? Tour
4025:Get 'Em Out by Friday
3599:Live over Europe 2007
3286:Welch, Chris (2011).
3248:Genesis – A Biography
3050:(in French). InfoDisc
3017:"1982 was a Big Year"
2422:"The Big Creep's Way"
1080:All music written by
1048:
982:The Coshocton Tribune
606:of the American band
593:
472:
4213:Invisible Touch Tour
3902:Throwing It All Away
3783:Follow You Follow Me
3755:Watcher of the Skies
3546:Calling All Stations
3497:Wind & Wuthering
3318:(DVD). EMI Records.
3267:Smith, Bill (2021).
3119:TV Sorrisi e Canzoni
2905:Oricon Entertainment
2637:The Pittsburgh Press
2359:Parker, Joe (1997).
1645:New Zealand Albums (
1462:Additional musicians
1390:"Man on the Corner"
971:The Pittsburgh Press
750:Professional ratings
4375:Genesis discography
4218:We Can't Dance Tour
4000:The Silent Sun 2006
3776:A Trick of the Tail
3769:The Carpet Crawlers
3624:Platinum Collection
3490:A Trick of the Tail
3146:Corriere della Sera
3126:. 25 October 1981.
3005:. 25 December 1982.
1766:
1762:Certifications for
1723:
1545:Australian Albums (
1531:
1486:Genesis – producers
1417:"You Might Recall"
1357:
1216:
1166:"Me and Sarah Jane"
1098:
751:
448:A Trick of the Tail
2825:on 22 October 2014
2179:In the Air Tonight
2125:Neer, Dan (1985).
2020:"The Great Escape"
1918:(Jul 1992): 38–42.
1916:Recording Musician
1761:
1718:
1657:Norwegian Albums (
1609:Offizielle Top 100
1535:Chart (1981–1982)
1526:
1352:
1214:
1096:
1051:
749:
745:Critical reception
733:5.1 surround sound
673:. This contained "
596:
482:
389:5.1 surround sound
27:For the song, see
4403:
4402:
4242:Related musicians
4169:When in Rome 2007
4088:Anything She Does
3951:Jesus He Knows Me
3916:Land of Confusion
3846:Man on the Corner
3797:Go West Young Man
3677:Genesis 1970–1975
3670:Genesis 1983–1998
3663:Genesis 1976–1982
3315:Genesis 1976–1982
3297:978-0-857-12739-6
3290:. Omnibus Press.
3278:978-1-912-73317-0
3259:978-0-283-06132-5
3236:978-0-297-84434-1
2914:978-4-87131-077-2
2800:978-951-1-21053-5
2741:978-0-646-11917-5
2715:978-1-8384918-0-2
2690:www.vari-lite.com
2584:Los Angeles Times
2538:978-0-7432-0169-8
2224:"Waisted and hot"
1886:
1885:
1881:
1877:
1753:
1752:
1746:
1745:
1709:
1708:
1671:Sverigetopplistan
1633:Japanese Albums (
1547:Kent Music Report
1457:– guitars, basses
1426:
1425:
1341:Additional tracks
1337:
1336:
1278:Man on the Corner
1210:
1209:
1031:"is truly modern
938:Los Angeles Times
919:
918:
738:Genesis 1976–1982
569:Man on the Corner
484:Genesis recorded
309:
308:
292:Man on the Corner
226:
225:
75:18 September 1981
16:(Redirected from
4463:
4393:
4392:
4330:Sound of Contact
4288:Related articles
4254:Chester Thompson
4127:Three Sides Live
4074:Behind the Lines
3944:Hold on My Heart
3818:Misunderstanding
3804:Turn It On Again
3578:Three Sides Live
3401:Anthony Phillips
3355:
3348:
3341:
3332:
3327:
3301:
3282:
3263:
3251:
3240:
3212:
3211:
3209:
3207:
3193:
3187:
3186:
3184:
3182:
3168:
3162:
3161:
3156:
3154:
3137:
3131:
3130:
3113:
3107:
3106:
3104:
3102:
3091:
3087:
3080:
3074:
3072:
3059:
3057:
3055:
3044:
3038:
3037:
3035:
3033:
3021:
3013:
3007:
3006:
2999:
2993:
2977:
2971:
2961:
2955:
2949:
2943:
2937:
2931:
2925:
2919:
2918:
2897:
2891:
2889:
2887:
2885:
2868:
2862:
2852:
2846:
2834:
2832:
2830:
2811:
2805:
2804:
2786:
2780:
2774:
2768:
2752:
2746:
2745:
2724:
2718:
2707:
2701:
2700:
2698:
2696:
2682:
2676:
2675:
2673:
2671:
2655:
2649:
2648:
2646:
2644:
2628:
2622:
2621:
2619:
2617:
2601:
2595:
2594:
2592:
2590:
2575:
2569:
2568:
2566:
2564:
2549:
2543:
2542:
2526:
2516:
2510:
2499:
2490:
2483:
2477:
2471:
2462:
2461:
2459:
2457:
2446:
2437:
2436:
2434:
2432:
2417:
2411:
2405:
2399:
2398:
2396:
2394:
2383:
2377:
2376:
2374:
2372:
2365:Record Collector
2356:
2350:
2349:
2347:
2345:
2340:on 1 August 2008
2326:
2320:
2319:
2317:
2315:
2300:
2294:
2293:
2291:
2289:
2278:
2272:
2266:
2260:
2259:
2252:
2239:
2238:
2236:
2234:
2219:
2213:
2207:
2201:
2200:
2198:
2196:
2191:on 17 March 2007
2187:. Archived from
2172:
2166:
2165:
2143:
2130:
2123:
2117:
2116:
2114:
2112:
2101:
2088:
2082:
2067:
2061:
2055:
2049:
2036:
2035:
2033:
2031:
2026:. pp. 18–20
2015:
1990:
1989:
1977:
1971:
1965:
1954:
1948:
1942:
1933:
1920:
1919:
1907:
1879:
1875:
1844:United Kingdom (
1767:
1724:
1669:Swedish Albums (
1619:Italian Albums (
1583:Finnish Albums (
1532:
1517:
1422:"Me and Virgil"
1410:Three Sides Live
1358:
1330:
1314:"Another Record"
1297:"Like It or Not"
1222:
1217:
1203:
1104:
1099:
1065:Three Sides Live
996:David Fricke of
921:In a review for
915:
914:
913:
909:
908:
904:
903:
899:
898:
894:
893:
877:
876:
875:
871:
870:
866:
865:
861:
860:
856:
855:
839:
838:
837:
833:
832:
828:
827:
823:
822:
818:
817:
799:
798:
797:
793:
792:
788:
787:
783:
782:
778:
777:
752:
722:Atlantic Records
718:Charisma Records
698:Charisma Records
680:Three Sides Live
663:Additional songs
538:third solo album
431:Fisher Lane Farm
419:, wrapped their
413:Chester Thompson
378:Three Sides Live
322:Charisma Records
298:
295:
285:
282:
272:
269:
259:
256:
195:
194:
148:
147:
143:
119:progressive rock
51:
39:
21:
4471:
4470:
4466:
4465:
4464:
4462:
4461:
4460:
4406:
4405:
4404:
4399:
4366:
4350:Six of the Best
4345:The Musical Box
4283:
4274:Anthony Drennan
4264:Nick D'Virgilio
4237:
4181:
4148:The Way We Walk
4107:
4018:The Musical Box
4005:
3895:Invisible Touch
3874:Home by the Sea
3832:No Reply at All
3728:
3716:Spot the Pigeon
3703:
3636:
3604:
3551:
3532:Invisible Touch
3435:
3381:Mike Rutherford
3364:
3359:
3311:
3298:
3285:
3279:
3266:
3260:
3243:
3237:
3224:
3216:
3215:
3205:
3203:
3195:
3194:
3190:
3180:
3178:
3170:
3169:
3165:
3152:
3150:
3139:
3138:
3134:
3115:
3114:
3110:
3100:
3098:
3089:
3085:
3082:
3081:
3077:
3070:
3053:
3051:
3046:
3045:
3041:
3031:
3029:
3019:
3015:
3014:
3010:
3001:
3000:
2996:
2978:
2974:
2962:
2958:
2950:
2946:
2938:
2934:
2926:
2922:
2915:
2899:
2898:
2894:
2883:
2881:
2877:Musica e dischi
2870:
2869:
2865:
2853:
2849:
2828:
2826:
2813:
2812:
2808:
2801:
2788:
2787:
2783:
2775:
2771:
2753:
2749:
2742:
2726:
2725:
2721:
2708:
2704:
2694:
2692:
2684:
2683:
2679:
2669:
2667:
2660:"Album Reviews"
2657:
2656:
2652:
2642:
2640:
2630:
2629:
2625:
2615:
2613:
2603:
2602:
2598:
2588:
2586:
2577:
2576:
2572:
2562:
2560:
2551:
2550:
2546:
2539:
2518:
2517:
2513:
2500:
2493:
2484:
2480:
2472:
2465:
2455:
2453:
2448:
2447:
2440:
2430:
2428:
2419:
2418:
2414:
2406:
2402:
2392:
2390:
2385:
2384:
2380:
2370:
2368:
2358:
2357:
2353:
2343:
2341:
2328:
2327:
2323:
2313:
2311:
2302:
2301:
2297:
2287:
2285:
2280:
2279:
2275:
2267:
2263:
2254:
2253:
2242:
2232:
2230:
2221:
2220:
2216:
2208:
2204:
2194:
2192:
2174:
2173:
2169:
2145:
2144:
2133:
2124:
2120:
2110:
2108:
2103:
2102:
2091:
2083:
2070:
2062:
2058:
2050:
2039:
2029:
2027:
2017:
2016:
1993:
1979:
1978:
1974:
1966:
1957:
1949:
1945:
1934:
1923:
1909:
1908:
1901:
1891:
1878:
1859:United States (
1777:Certified units
1759:
1754:
1716:
1714:Year-end charts
1622:Musica e dischi
1607:German Albums (
1595:French Albums (
1539:
1524:
1514:
1455:Mike Rutherford
1451:– drums, vocals
1431:
1407:
1377:
1374:No Reply at All
1343:
1338:
1328:
1242:"Dodo"/"Lurker"
1211:
1201:
1147:No Reply at All
1090:Mike Rutherford
1078:
1053:Genesis toured
1041:
911:
906:
901:
896:
873:
868:
863:
858:
835:
830:
825:
820:
795:
790:
785:
780:
747:
711:
693:
665:
641:
600:No Reply At All
581:
562:
522:David Hentschel
467:
409:Mike Rutherford
397:
369:No Reply at All
354:UK Albums Chart
301:
296:
289:
288:
283:
276:
275:
270:
266:No Reply at All
263:
262:
257:
250:
249:
221:
212:
203:
145:
141:
140:
83:March–June 1981
67:
54:
37:
32:
23:
22:
15:
12:
11:
5:
4469:
4467:
4459:
4458:
4453:
4448:
4443:
4438:
4433:
4428:
4423:
4418:
4408:
4407:
4401:
4400:
4398:
4397:
4387:
4385:Genesis awards
4382:
4377:
4371:
4368:
4367:
4365:
4364:
4359:
4352:
4347:
4342:
4337:
4332:
4327:
4322:
4317:
4312:
4307:
4302:
4297:
4291:
4289:
4285:
4284:
4282:
4281:
4276:
4271:
4266:
4261:
4259:Daryl Stuermer
4256:
4251:
4245:
4243:
4239:
4238:
4236:
4235:
4230:
4225:
4220:
4215:
4210:
4205:
4200:
4195:
4189:
4187:
4183:
4182:
4180:
4179:
4172:
4165:
4162:Live in London
4158:
4155:The Video Show
4151:
4144:
4137:
4130:
4123:
4115:
4113:
4109:
4108:
4106:
4105:
4098:
4091:
4084:
4077:
4070:
4063:
4056:
4053:Firth of Fifth
4049:
4042:
4039:Supper's Ready
4035:
4028:
4021:
4013:
4011:
4007:
4006:
4004:
4003:
3996:
3989:
3982:
3975:
3968:
3961:
3954:
3947:
3940:
3933:
3930:No Son of Mine
3926:
3919:
3912:
3905:
3898:
3891:
3884:
3877:
3870:
3863:
3856:
3849:
3842:
3835:
3828:
3821:
3814:
3807:
3800:
3793:
3786:
3779:
3772:
3765:
3758:
3751:
3744:
3741:The Silent Sun
3736:
3734:
3730:
3729:
3727:
3726:
3719:
3711:
3709:
3705:
3704:
3702:
3701:
3698:BBC Broadcasts
3694:
3687:
3680:
3673:
3666:
3659:
3652:
3644:
3642:
3638:
3637:
3635:
3634:
3627:
3620:
3612:
3610:
3606:
3605:
3603:
3602:
3595:
3588:
3581:
3574:
3567:
3559:
3557:
3553:
3552:
3550:
3549:
3542:
3539:We Can't Dance
3535:
3528:
3521:
3514:
3507:
3500:
3493:
3486:
3479:
3472:
3465:
3458:
3451:
3443:
3441:
3437:
3436:
3434:
3433:
3428:
3423:
3418:
3413:
3408:
3403:
3398:
3392:
3391:
3384:
3377:
3369:
3366:
3365:
3360:
3358:
3357:
3350:
3343:
3335:
3329:
3328:
3303:
3302:
3296:
3283:
3277:
3271:. Red Planet.
3264:
3258:
3241:
3235:
3214:
3213:
3188:
3163:
3132:
3108:
3075:
3039:
3008:
2994:
2972:
2956:
2944:
2932:
2920:
2913:
2892:
2863:
2847:
2806:
2799:
2781:
2769:
2747:
2740:
2719:
2702:
2677:
2650:
2623:
2596:
2570:
2544:
2537:
2511:
2491:
2478:
2463:
2438:
2412:
2410:, p. 102.
2400:
2378:
2351:
2321:
2295:
2273:
2271:, p. 175.
2261:
2240:
2214:
2212:, p. 171.
2202:
2167:
2131:
2118:
2089:
2068:
2066:, p. 170.
2056:
2054:, p. 101.
2037:
1991:
1972:
1970:, p. 100.
1955:
1953:, p. 238.
1943:
1921:
1898:
1897:
1890:
1887:
1884:
1883:
1871:
1870:
1867:
1864:
1856:
1855:
1852:
1849:
1841:
1840:
1837:
1834:
1826:
1825:
1822:
1819:
1811:
1810:
1807:
1804:
1796:
1795:
1792:
1789:
1781:
1780:
1774:
1771:
1758:
1757:Certifications
1755:
1751:
1750:
1744:
1743:
1740:
1732:
1731:
1728:
1715:
1712:
1710:
1707:
1706:
1703:
1693:
1692:
1689:
1678:
1677:
1674:
1666:
1665:
1662:
1654:
1653:
1650:
1642:
1641:
1638:
1630:
1629:
1626:
1616:
1615:
1612:
1604:
1603:
1600:
1592:
1591:
1588:
1580:
1579:
1576:
1571:Dutch Albums (
1568:
1567:
1564:
1554:
1553:
1550:
1542:
1541:
1536:
1523:
1520:
1515:
1513:
1510:
1509:
1508:
1502:
1499:
1496:
1493:
1487:
1478:
1477:
1471:
1459:
1458:
1452:
1446:
1430:
1427:
1424:
1423:
1419:
1418:
1414:
1413:
1400:
1392:
1391:
1388:
1384:
1383:
1370:
1366:
1365:
1362:
1342:
1339:
1335:
1334:
1331:
1325:
1324:
1321:
1318:
1315:
1312:
1308:
1307:
1304:
1301:
1298:
1295:
1291:
1290:
1287:
1284:
1281:
1274:
1270:
1269:
1266:
1263:
1260:
1257:
1253:
1252:
1249:
1246:
1243:
1240:
1236:
1235:
1232:
1229:
1226:
1223:
1212:
1208:
1207:
1204:
1198:
1197:
1194:
1191:
1188:
1181:
1177:
1176:
1173:
1170:
1167:
1164:
1160:
1159:
1156:
1153:
1150:
1143:
1139:
1138:
1135:
1132:
1129:
1122:
1118:
1117:
1114:
1111:
1108:
1105:
1094:
1077:
1074:
1040:
1037:
949:Jim Bohen for
917:
916:
887:
879:
878:
849:
841:
840:
811:
801:
800:
771:
765:
764:
761:
757:
756:
746:
743:
710:
707:
692:
689:
664:
661:
640:
637:
580:
577:
561:
558:
466:
463:
417:Daryl Stuermer
403:, keyboardist
396:
393:
307:
306:
303:
302:
300:
299:
286:
273:
260:
246:
243:
242:
232:
231:
228:
227:
224:
223:
214:
205:
191:
190:
183:
182:
177:
171:
170:
156:
150:
149:
138:
134:
133:
132:
131:
126:
121:
116:
109:
103:
102:
89:
85:
84:
81:
77:
76:
73:
69:
68:
63:
56:
55:
52:
44:
43:
35:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4468:
4457:
4454:
4452:
4449:
4447:
4444:
4442:
4439:
4437:
4434:
4432:
4429:
4427:
4424:
4422:
4419:
4417:
4414:
4413:
4411:
4396:
4388:
4386:
4383:
4381:
4378:
4376:
4373:
4372:
4369:
4363:
4360:
4358:
4357:
4353:
4351:
4348:
4346:
4343:
4341:
4338:
4336:
4335:Jonathan King
4333:
4331:
4328:
4326:
4325:Simon Collins
4323:
4321:
4318:
4316:
4313:
4311:
4308:
4306:
4305:Flaming Youth
4303:
4301:
4298:
4296:
4293:
4292:
4290:
4286:
4280:
4279:Daniel Pearce
4277:
4275:
4272:
4270:
4267:
4265:
4262:
4260:
4257:
4255:
4252:
4250:
4247:
4246:
4244:
4240:
4234:
4231:
4229:
4226:
4224:
4221:
4219:
4216:
4214:
4211:
4209:
4206:
4204:
4201:
4199:
4196:
4194:
4191:
4190:
4188:
4184:
4178:
4177:
4173:
4171:
4170:
4166:
4164:
4163:
4159:
4157:
4156:
4152:
4150:
4149:
4145:
4143:
4142:
4138:
4136:
4135:
4134:The Mama Tour
4131:
4129:
4128:
4124:
4122:
4121:
4117:
4116:
4114:
4110:
4103:
4102:Fading Lights
4099:
4096:
4092:
4089:
4085:
4082:
4078:
4075:
4071:
4068:
4067:The Lady Lies
4064:
4061:
4057:
4054:
4050:
4047:
4043:
4040:
4036:
4033:
4029:
4026:
4022:
4019:
4015:
4014:
4012:
4008:
4001:
3997:
3994:
3990:
3987:
3983:
3980:
3976:
3973:
3969:
3966:
3962:
3959:
3955:
3952:
3948:
3945:
3941:
3938:
3937:I Can't Dance
3934:
3931:
3927:
3924:
3920:
3917:
3913:
3910:
3906:
3903:
3899:
3896:
3892:
3889:
3885:
3882:
3881:Illegal Alien
3878:
3875:
3871:
3868:
3864:
3861:
3857:
3854:
3850:
3847:
3843:
3840:
3836:
3833:
3829:
3826:
3822:
3819:
3815:
3812:
3808:
3805:
3801:
3798:
3794:
3791:
3790:Many Too Many
3787:
3784:
3780:
3777:
3773:
3770:
3766:
3763:
3759:
3756:
3752:
3749:
3745:
3742:
3738:
3737:
3735:
3731:
3725:
3724:
3720:
3718:
3717:
3713:
3712:
3710:
3706:
3700:
3699:
3695:
3693:
3692:
3688:
3686:
3685:
3681:
3679:
3678:
3674:
3672:
3671:
3667:
3665:
3664:
3660:
3658:
3657:
3653:
3651:
3650:
3646:
3645:
3643:
3639:
3633:
3632:
3628:
3626:
3625:
3621:
3619:
3618:
3614:
3613:
3611:
3607:
3601:
3600:
3596:
3594:
3593:
3589:
3587:
3586:
3582:
3580:
3579:
3575:
3573:
3572:
3568:
3566:
3565:
3561:
3560:
3558:
3554:
3548:
3547:
3543:
3541:
3540:
3536:
3534:
3533:
3529:
3527:
3526:
3522:
3520:
3519:
3515:
3513:
3512:
3508:
3506:
3505:
3501:
3499:
3498:
3494:
3492:
3491:
3487:
3485:
3484:
3480:
3478:
3477:
3473:
3471:
3470:
3466:
3464:
3463:
3462:Nursery Cryme
3459:
3457:
3456:
3452:
3450:
3449:
3445:
3444:
3442:
3440:Studio albums
3438:
3432:
3429:
3427:
3426:Steve Hackett
3424:
3422:
3419:
3417:
3414:
3412:
3409:
3407:
3406:Chris Stewart
3404:
3402:
3399:
3397:
3396:Peter Gabriel
3394:
3393:
3390:
3389:
3385:
3383:
3382:
3378:
3376:
3375:
3371:
3370:
3367:
3363:
3356:
3351:
3349:
3344:
3342:
3337:
3336:
3333:
3325:
3321:
3317:
3316:
3310:
3309:
3308:
3307:
3299:
3293:
3289:
3284:
3280:
3274:
3270:
3265:
3261:
3255:
3250:
3249:
3242:
3238:
3232:
3228:
3223:
3222:
3221:
3220:
3202:
3198:
3192:
3189:
3177:
3173:
3167:
3164:
3160:
3148:
3147:
3142:
3136:
3133:
3129:
3125:
3121:
3120:
3112:
3109:
3097:
3094:(in German).
3093:
3079:
3076:
3073:
3066:
3062:
3049:
3043:
3040:
3027:
3026:
3018:
3012:
3009:
3004:
2998:
2995:
2991:
2990:
2985:
2983:
2976:
2973:
2969:
2965:
2960:
2957:
2953:
2948:
2945:
2941:
2936:
2933:
2929:
2924:
2921:
2916:
2910:
2906:
2902:
2896:
2893:
2879:
2878:
2873:
2872:"Classifiche"
2867:
2864:
2860:
2857:(in German).
2856:
2851:
2848:
2845:
2841:
2837:
2824:
2820:
2816:
2810:
2807:
2802:
2796:
2792:
2785:
2782:
2778:
2773:
2770:
2766:
2762:
2761:
2756:
2751:
2748:
2743:
2737:
2733:
2729:
2723:
2720:
2716:
2712:
2706:
2703:
2691:
2687:
2681:
2678:
2665:
2661:
2654:
2651:
2639:. p. 117
2638:
2634:
2627:
2624:
2611:
2607:
2600:
2597:
2585:
2581:
2574:
2571:
2559:
2555:
2548:
2545:
2540:
2534:
2530:
2525:
2524:
2515:
2512:
2508:
2507:Rolling Stone
2504:
2503:Abacab review
2498:
2496:
2492:
2488:
2482:
2479:
2475:
2470:
2468:
2464:
2451:
2445:
2443:
2439:
2427:
2426:Record Mirror
2423:
2416:
2413:
2409:
2404:
2401:
2388:
2382:
2379:
2366:
2362:
2355:
2352:
2339:
2335:
2331:
2325:
2322:
2309:
2305:
2299:
2296:
2283:
2277:
2274:
2270:
2265:
2262:
2257:
2251:
2249:
2247:
2245:
2241:
2229:
2225:
2218:
2215:
2211:
2206:
2203:
2190:
2186:
2182:
2180:
2171:
2168:
2163:
2159:
2155:
2154:
2149:
2142:
2140:
2138:
2136:
2132:
2128:
2122:
2119:
2107:
2100:
2098:
2096:
2094:
2090:
2086:
2081:
2079:
2077:
2075:
2073:
2069:
2065:
2060:
2057:
2053:
2048:
2046:
2044:
2042:
2038:
2025:
2021:
2014:
2012:
2010:
2008:
2006:
2004:
2002:
2000:
1998:
1996:
1992:
1987:
1983:
1976:
1973:
1969:
1964:
1962:
1960:
1956:
1952:
1947:
1944:
1940:
1939:
1932:
1930:
1928:
1926:
1922:
1917:
1913:
1906:
1904:
1900:
1896:
1895:
1888:
1882:
1868:
1865:
1862:
1857:
1853:
1850:
1847:
1842:
1838:
1835:
1832:
1827:
1823:
1820:
1817:
1812:
1808:
1805:
1802:
1797:
1793:
1790:
1787:
1782:
1778:
1773:Certification
1768:
1765:
1756:
1749:
1741:
1738:
1733:
1727:Chart (1982)
1725:
1722:
1713:
1711:
1702:
1700:
1694:
1687:
1683:
1679:
1672:
1667:
1660:
1655:
1648:
1643:
1636:
1631:
1627:
1624:
1623:
1617:
1610:
1605:
1598:
1593:
1586:
1581:
1574:
1573:Album Top 100
1569:
1562:
1561:
1555:
1548:
1543:
1533:
1530:
1522:Weekly charts
1521:
1519:
1518:
1511:
1506:
1503:
1500:
1497:
1494:
1491:
1488:
1485:
1484:
1483:
1482:
1475:
1472:
1469:
1466:
1465:
1464:
1463:
1456:
1453:
1450:
1447:
1444:
1441:
1440:
1439:
1438:
1434:
1428:
1421:
1420:
1416:
1415:
1412:
1411:
1406:
1405:
1398:
1394:
1393:
1389:
1386:
1385:
1381:
1375:
1371:
1368:
1367:
1363:
1360:
1359:
1355:
1350:
1348:
1340:
1332:
1329:Total length:
1322:
1319:
1316:
1313:
1309:
1305:
1302:
1299:
1296:
1292:
1288:
1285:
1282:
1279:
1275:
1271:
1267:
1264:
1261:
1259:"Who Dunnit?"
1258:
1254:
1250:
1247:
1244:
1241:
1237:
1218:
1205:
1202:Total length:
1195:
1192:
1189:
1186:
1182:
1178:
1174:
1171:
1168:
1165:
1161:
1157:
1154:
1151:
1148:
1144:
1140:
1136:
1133:
1130:
1127:
1123:
1119:
1100:
1093:
1091:
1087:
1083:
1076:Track listing
1075:
1073:
1071:
1070:concert video
1067:
1066:
1060:
1056:
1047:
1043:
1038:
1036:
1034:
1030:
1026:
1022:
1018:
1014:
1010:
1006:
1001:
1000:
999:Rolling Stone
994:
992:
988:
984:
983:
977:
973:
972:
966:
962:
958:
954:
953:
947:
944:
940:
939:
934:
930:
926:
925:
888:
886:
885:
881:
880:
850:
848:
847:
846:Rolling Stone
843:
842:
812:
810:
809:
808:
803:
802:
772:
770:
767:
766:
758:
755:Review scores
753:
744:
742:
740:
739:
734:
730:
725:
723:
719:
715:
708:
706:
703:
699:
690:
688:
686:
682:
681:
676:
672:
671:
662:
660:
658:
657:Ahmet Ertegun
654:
649:
644:
638:
636:
633:
630:
628:
627:The Jackson 5
623:
619:
615:
614:
609:
605:
601:
592:
588:
586:
578:
576:
574:
570:
566:
559:
557:
555:
551:
547:
544:" features a
543:
539:
535:
534:Peter Gabriel
531:
527:
523:
518:
516:
512:
508:
504:
499:
495:
491:
487:
479:
475:
471:
464:
462:
460:
456:
455:
450:
449:
444:
440:
436:
432:
428:
427:
422:
418:
414:
410:
406:
402:
394:
392:
391:mix in 2007.
390:
386:
385:
380:
379:
374:
370:
366:
362:
360:
355:
351:
347:
345:
341:
337:
333:
329:
328:
323:
319:
315:
314:
304:
293:
287:
280:
274:
267:
261:
254:
248:
247:
244:
241:
237:
233:
229:
220:
219:
215:
211:
210:
206:
202:
201:
197:
196:
192:
188:
184:
181:
178:
176:
172:
168:
164:
160:
157:
155:
151:
139:
135:
130:
127:
125:
122:
120:
117:
115:
112:
111:
110:
108:
104:
101:
97:
93:
90:
86:
82:
78:
74:
70:
66:
61:
57:
50:
45:
40:
34:
30:
29:Abacab (song)
19:
4354:
4269:Nir Zidkyahu
4249:Bill Bruford
4174:
4167:
4160:
4153:
4146:
4139:
4132:
4125:
4118:
4112:Video albums
3986:Not About Us
3958:Never a Time
3839:Keep It Dark
3721:
3714:
3696:
3689:
3682:
3675:
3668:
3661:
3654:
3647:
3629:
3622:
3615:
3609:Compilations
3597:
3590:
3583:
3576:
3569:
3564:Genesis Live
3562:
3544:
3537:
3530:
3523:
3517:
3516:
3509:
3502:
3495:
3488:
3481:
3474:
3467:
3460:
3453:
3446:
3421:Mick Barnard
3388:Phil Collins
3386:
3379:
3372:
3324:081227998738
3313:
3305:
3304:
3287:
3268:
3247:
3226:
3218:
3217:
3204:. Retrieved
3191:
3179:. Retrieved
3166:
3158:
3151:. Retrieved
3144:
3135:
3127:
3117:
3111:
3099:. Retrieved
3078:
3068:
3064:
3060:
3052:. Retrieved
3042:
3030:. Retrieved
3023:
3011:
2997:
2988:
2981:
2975:
2959:
2947:
2935:
2923:
2900:
2895:
2882:. Retrieved
2880:(in Italian)
2875:
2866:
2850:
2843:
2839:
2835:
2827:. Retrieved
2823:the original
2818:
2809:
2790:
2784:
2772:
2758:
2750:
2731:
2722:
2705:
2693:. Retrieved
2689:
2680:
2668:. Retrieved
2663:
2653:
2641:. Retrieved
2636:
2626:
2614:. Retrieved
2610:Daily Record
2609:
2599:
2587:. Retrieved
2583:
2573:
2561:. Retrieved
2558:Melody Maker
2557:
2554:"New values"
2547:
2522:
2514:
2506:
2486:
2481:
2454:. Retrieved
2429:. Retrieved
2425:
2415:
2403:
2391:. Retrieved
2381:
2369:. Retrieved
2367:. p. 41
2364:
2354:
2344:29 September
2342:. Retrieved
2338:the original
2333:
2324:
2312:. Retrieved
2307:
2298:
2286:. Retrieved
2276:
2264:
2255:
2231:. Retrieved
2227:
2217:
2205:
2193:. Retrieved
2189:the original
2184:
2178:
2170:
2151:
2127:Mike on Mike
2126:
2121:
2109:. Retrieved
2059:
2028:. Retrieved
2023:
1975:
1951:Genesis 2007
1946:
1937:
1915:
1893:
1892:
1874:
1866:2× Platinum
1763:
1747:
1736:
1720:
1698:
1620:
1558:
1528:
1490:Hugh Padgham
1480:
1479:
1461:
1460:
1449:Phil Collins
1436:
1435:
1432:
1408:
1402:
1387:"Submarine"
1380:Keep It Dark
1353:
1346:
1344:
1185:Keep It Dark
1086:Phil Collins
1079:
1063:
1054:
1052:
1042:
1028:
1024:
1020:
997:
995:
990:
986:
980:
975:
969:
960:
956:
952:Daily Record
950:
948:
942:
936:
932:
928:
924:Melody Maker
922:
920:
882:
844:
806:
804:
736:
728:
726:
713:
712:
694:
678:
668:
666:
652:
645:
642:
634:
631:
621:
617:
611:
604:Phenix Horns
597:
582:
572:
564:
563:
553:
549:
546:gated reverb
529:
526:Hugh Padgham
519:
514:
510:
506:
502:
497:
493:
490:double album
485:
483:
477:
458:
452:
446:
442:
435:Chiddingfold
424:
401:Phil Collins
398:
382:
376:
358:
349:
348:
340:Chiddingfold
331:
325:
312:
311:
310:
279:Keep It Dark
239:
216:
208:
207:
198:
96:Chiddingfold
60:Studio album
33:
4416:1981 albums
4010:Other songs
3979:Shipwrecked
3965:Tell Me Why
3909:In Too Deep
3571:Seconds Out
3556:Live albums
3416:John Mayhew
3411:John Silver
3153:28 February
3032:20 December
3003:"Billboard"
2819:Infodisc.fr
2728:Kent, David
2670:23 December
2664:The Tribune
2643:23 December
2616:17 December
2456:24 February
2431:19 February
2314:2 September
2288:23 December
2111:24 February
2030:23 December
1784:Australia (
1445:– keyboards
1369:"Naminanu"
955:recognised
18:Abacab Tour
4410:Categories
4340:Tony Smith
4120:In Concert
3867:That's All
3431:Ray Wilson
3374:Tony Banks
3206:8 February
3181:8 February
3101:8 February
3065:and click
3054:8 February
2695:2 February
2589:2 December
2563:2 December
2485:Andy Fyfe
2474:Smith 2021
2408:Welch 2011
2233:2 December
2052:Welch 2011
1968:Welch 2011
1889:References
1869:2,000,000
1505:Tony Smith
1492:– engineer
1481:Production
1443:Tony Banks
1317:Rutherford
1303:Rutherford
1300:Rutherford
1131:Rutherford
1082:Tony Banks
1009:The Police
987:Face Value
961:Face Value
943:Face Value
702:Tony Smith
622:Face Value
530:Face Value
454:Face Value
405:Tony Banks
395:Background
189:chronology
4320:Stiltskin
3853:Paperlate
3748:The Knife
3306:DVD media
3025:Billboard
2989:Billboard
2982:Billboard
2371:11 August
2361:"Genesis"
1894:Citations
1814:Germany (
1737:Billboard
1730:Position
1699:Billboard
1682:UK Albums
1540:position
1507:– manager
1468:EWF Horns
1429:Personnel
1397:Paperlate
1356:outtakes
1251:5:09/2:19
1059:Vari-Lite
1015:, critic
741:box set.
727:In 2007,
675:Paperlate
648:Prophet-5
465:Recording
421:1980 tour
359:Billboard
4395:Category
4362:The Farm
3641:Box sets
3455:Trespass
2907:. 2006.
2730:(1993).
2452:. Arkade
2195:25 March
2158:Archived
1986:Archived
1854:100,000
1839:500,000
1824:250,000
1809:100,000
1799:France (
1659:VG-lista
1215:Side two
1097:Side one
1033:art rock
1013:AllMusic
965:Ian Dury
769:AllMusic
639:Side two
579:Side one
542:Intruder
474:The Farm
336:The Farm
175:Producer
163:Atlantic
159:Charisma
129:new wave
124:pop rock
114:Art rock
92:The Farm
80:Recorded
72:Released
62: by
4300:Brand X
3811:Duchess
3733:Singles
3525:Genesis
3469:Foxtrot
3362:Genesis
3124:Segrate
3063:GENESIS
3061:Select
2884:10 July
2838:Genesis
2836:Select
2393:18 June
2162:YouTube
1938:Genesis
1936:Abacab
1829:Italy (
1794:20,000
1779:/sales
1770:Region
1437:Genesis
1376:" (EU)
1364:Source
1286:Collins
1283:Collins
1262:Collins
1152:Collins
709:Release
691:Artwork
685:B-sides
367:" and "
318:Genesis
240:Abacab
236:Singles
222:(1982)
213:(1981)
204:(1980)
187:Genesis
180:Genesis
167:Vertigo
65:Genesis
4081:Domino
3825:Abacab
3691:R-Kive
3518:Abacab
3322:
3294:
3275:
3256:
3233:
3088:Abacab
3071:
2911:
2829:9 June
2797:
2738:
2713:
2535:
2334:Hitmen
2256:Abacab
2228:Sounds
2024:Sounds
1764:Abacab
1748:
1721:Abacab
1635:Oricon
1529:Abacab
1512:Charts
1361:Title
1354:Abacab
1347:Abacab
1320:
1265:
1248:
1234:Length
1228:Lyrics
1193:
1155:
1134:
1126:Abacab
1116:Length
1110:Lyrics
1088:, and
1055:Abacab
1029:Abacab
1025:Abacab
976:Abacab
957:Abacab
763:Rating
760:Source
729:Abacab
714:Abacab
653:Abacab
585:Abacab
565:Abacab
554:Abacab
550:Abacab
515:Abacab
507:Abacab
498:Abacab
494:Abacab
486:Abacab
478:Abacab
459:Abacab
443:Abacab
439:Surrey
365:Abacab
350:Abacab
344:Surrey
332:Abacab
313:Abacab
253:Abacab
209:Abacab
137:Length
100:Surrey
88:Studio
42:Abacab
4186:Tours
3972:Congo
3219:Books
3090:'
3086:'
3020:(PDF)
2984:200)"
1851:Gold
1836:Gold
1821:Gold
1806:Gold
1791:Gold
1333:25:57
1245:Banks
1231:Music
1225:Title
1206:22:06
1190:Banks
1172:Banks
1169:Banks
1113:Music
1107:Title
560:Songs
238:from
154:Label
107:Genre
3860:Mama
3511:Duke
3292:ISBN
3273:ISBN
3254:ISBN
3231:ISBN
3208:2021
3183:2021
3155:2023
3103:2021
3056:2021
3034:2020
2909:ISBN
2886:2024
2831:2012
2795:ISBN
2736:ISBN
2711:ISBN
2697:2017
2672:2017
2645:2017
2618:2017
2591:2016
2565:2016
2533:ISBN
2458:2019
2433:2018
2395:2021
2373:2018
2346:2018
2316:2018
2290:2017
2235:2016
2197:2007
2113:2019
2032:2017
1861:RIAA
1831:FIMI
1816:BVMI
1801:SNEP
1786:ARIA
1739:200
1647:RMNZ
1597:SNEP
1538:Peak
1323:4:38
1306:4:58
1289:4:28
1268:3:22
1196:4:33
1175:6:02
1158:4:33
1137:6:58
1039:Tour
1021:Duke
1007:and
991:Duke
929:Duke
618:Duke
573:Duke
511:Duke
505:and
503:Duke
426:Duke
327:Duke
200:Duke
165:US;
161:UK;
4315:GTR
3723:3×3
3708:EPs
3320:UPC
2760:RPM
2529:328
2185:Mix
1846:BPI
1742:12
1735:US
1701:200
1696:US
1686:OCC
1676:11
1652:44
1640:62
1590:14
1560:RPM
1552:18
1404:3×3
1221:No.
1103:No.
1005:XTC
993:".
931:or
670:3×3
536:'s
384:3×3
361:200
218:3×3
4412::
3199:.
3174:.
3157:.
3143:.
3092:)"
3067:OK
3022:.
2986:.
2966:.
2874:.
2842:OK
2817:.
2763:.
2757:.
2688:.
2662:.
2635:.
2608:.
2582:.
2556:.
2531:.
2505:,
2494:^
2466:^
2441:^
2424:.
2363:.
2332:.
2306:.
2243:^
2226:.
2183:.
2150:.
2134:^
2092:^
2071:^
2040:^
2022:.
1994:^
1984:.
1958:^
1924:^
1914:.
1902:^
1863:)
1848:)
1833:)
1818:)
1803:)
1788:)
1705:7
1691:1
1688:)
1673:)
1664:4
1661:)
1649:)
1637:)
1628:2
1625:)
1614:6
1611:)
1602:1
1599:)
1587:)
1578:6
1575:)
1566:3
1563:)
1549:)
1399:"
1382:"
1311:5.
1294:4.
1273:3.
1256:2.
1239:1.
1180:4.
1163:3.
1142:2.
1121:1.
1084:,
575:.
437:,
342:,
146:03
142:47
98:,
94:,
4104:"
4100:"
4097:"
4093:"
4090:"
4086:"
4083:"
4079:"
4076:"
4072:"
4069:"
4065:"
4062:"
4058:"
4055:"
4051:"
4048:"
4044:"
4041:"
4037:"
4034:"
4030:"
4027:"
4023:"
4020:"
4016:"
4002:"
3998:"
3995:"
3991:"
3988:"
3984:"
3981:"
3977:"
3974:"
3970:"
3967:"
3963:"
3960:"
3956:"
3953:"
3949:"
3946:"
3942:"
3939:"
3935:"
3932:"
3928:"
3925:"
3921:"
3918:"
3914:"
3911:"
3907:"
3904:"
3900:"
3897:"
3893:"
3890:"
3886:"
3883:"
3879:"
3876:"
3872:"
3869:"
3865:"
3862:"
3858:"
3855:"
3851:"
3848:"
3844:"
3841:"
3837:"
3834:"
3830:"
3827:"
3823:"
3820:"
3816:"
3813:"
3809:"
3806:"
3802:"
3799:"
3795:"
3792:"
3788:"
3785:"
3781:"
3778:"
3774:"
3771:"
3767:"
3764:"
3760:"
3757:"
3753:"
3750:"
3746:"
3743:"
3739:"
3354:e
3347:t
3340:v
3326:.
3300:.
3281:.
3262:.
3239:.
3210:.
3185:.
3105:.
3069:.
3058:.
3036:.
2917:.
2888:.
2844:.
2833:.
2803:.
2744:.
2717:.
2699:.
2674:.
2647:.
2593:.
2567:.
2541:.
2509:.
2487:Q
2476:.
2460:.
2435:.
2397:.
2375:.
2348:.
2318:.
2237:.
2199:.
2181:"
2164:.
2115:.
2087:.
2034:.
1684:(
1395:"
1378:"
1372:"
1280:"
1276:"
1187:"
1183:"
1149:"
1145:"
1128:"
1124:"
807:Q
598:"
583:"
294:"
290:"
281:"
277:"
268:"
264:"
255:"
251:"
144::
31:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
