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remain unfulfilled. Their goal, like that of the
Symbolists before them, was equivalent to an escape from reality. "Yet there were important distinctions", write Robbins, "for the Abbaye intention to create a total future a priori ruled out the Symbolist technique of creating solely from an aesthetic or a closed ideal".
209:. Robbin's pioneering work brought the history of the Abbaye to an Anglo-American readership. He characterized their endeavors as a 'search for a synthetic modern art' that gave expression to social ideas. In his 1964 Guggenheim essay on Gleizes, Robbins developed these notions and summarized them as:
303:
They wished instead "to create an epic and heroic art, stripped of ornament and obscure allegory", Robbins continues, "an art dealing with the relevant subjects of modern life: crowds, man and machines, even, ultimately, the city itself". The intentions of the Abbaye were vast and would ultimately
61:
In 1905 and early 1906 a group of young artists and poets holding meetings at various locations found that society, the way it was organized, did not take into consideration an environment needed for creative expression, nor the goals it proposed. Founded officially in the autumn of 1906 by the
165:
In an unpublished part of his
Souvenirs Gleizes wrote that an initial idea for the Abbaye of Créteil was to escape from corrupt Western civilization to the simplicity of life in the South Seas, as he then believed Gauguin had done. (Robbins,
213:
A synthetic view of the universe, presenting the remarkable phenomena of time and space, multiplicity and diversity, at once was his painted equivalent to the ideals which were verbally realized in the Abbaye poetry. (Robbins,
193:. Barzun, more sophisticated than the other idealists of the Abbaye, introduced Gleizes to the specific history of Utopian socialism. Though Gleizes did not enter the Abbaye with a specific program in mind. The art historian
296:. Yet its members soon began to break with the art forms practiced by the respected older generation. Like many Symbolists, the Abbaye artists "scorned the structure of a bourgeois world and sought to substitute a
288:
were visitors there and young writers like Roger Allard (one of the first to defend Cubism), Pierre Jean Jouve, and Paul
Castiaux are some of the artists who wanted to publish their works through the Abbaye.
366:
380:
23:
L'Abbaye de Créteil, ca.1908. First row: Charles
Vildrac, René Arcos, Albert Gleizes, Barzun, Alexandre Mercereau. Second row: Georges Duhamel, Berthold Mahn, d'Otémar
352:
806:
756:
300:", writes Robbins, "but they did not reject the themes of modern life in favor of the Symbolist focus on single elements and internal, individual images".
826:
702:, Vingt-cinq ans de littérature française : tableau de la vie littéraire de 1897 à 1920. Tome 1, 1925, p. 24. Bibliothèque nationale de France
119:
821:
726:
666:
768:
194:
801:
315:
on
January 28, 1908. Its publishing house survived for a while and the friends continued to gather every month for a
292:
The Abbaye group, in principle supporting themselves through the communal work of publishing, were supported by many
811:
281:
311:
attracted much interest but little revenue and its young members found themselves forced to close their beloved
285:
189:, furnished the printing press. From January 1907 through January 1908, some twenty books were published by the
150:. Their aim was to establish a place of freedom and friendship favourable for artistic and literary creativity.
131:
Invitation for the 2nd exhibition of l'Abbaye as an art collective at rue du Moulin, Créteil, around 1907-08
205:, the Abbaye, post-Symbolist writers and politically engaged aesthetic thinking that would lead Gleizes to
78:
741:
711:
681:
816:
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The group tried to create a publishing house that would bring in sufficient income to support the
46:
artistic and literary community founded during the month of
October, 1906. It was named after the
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620:
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19:
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The fame of the Abbaye circulated even in Moscow, attracting many artists along the way.
218:
Many artists visited the community and participated in its project, including the poet
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Cover of the program for the 1st exhibition of l'Abbaye de Créteil, 21 July 1907
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Lucien Linard printed the first book of poetry by Pierre Jean Jouve,
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Shortly after its dissolution, Gleizes moved to 7 rue du Delta near
143:
126:
118:
102:, a utopian community. The movement drew its inspiration from the
50:
153:
Henri-Martin Barzun (father of the historian and cultural critic
405:
L'Art et la Nation "discours prononcé au banquet du 10-12-1906"
625:, literary journal founded in 1923 by members of the Abbaye
787:
Site des Amis de
Georges Duhamel et de l'Abbaye de Créteil
609:, with a front page illustration by Albert Gleizes (1909)
53:, as most gatherings took place in that suburb of Paris.
671:, Solomon R Guggenheim Museum, 1964 (Guggenheim website)
197:
is responsible for laying out the filiation between the
759:
Albert
Gleizes: For and Against the Twentieth Century
684:
Albert
Gleizes, 1881-1953, a Retrospective Exhibition
669:
Albert
Gleizes, 1881-1953, a Retrospective Exhibition
468:
Mécislas de Golberg, (Cahiers N°1 et N°2 (1-07-1907)
157:) was a financial contributor to his friends at the
146:, in a house in a park-like setting along the river
437:, nouvelle édition annotée - préface G. Kann (1908)
116:. It was closed down by its members early in 1908.
714:L'Ere du Drame, Essai de Synthèse Poétique Moderne
8:
480:Raison ou déraison du peintre Marcel Lenoir
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522:Marie-des-Pierres (Episodes passionnés)
18:
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373:Abbaye de Créteil, interior group scene
348:
506:Comte Robert de Montesquiou-Fezensac,
487:Edmonda "drame historique en 6 actes"
341:, Maurice Drouart and Geo Printemps.
7:
807:French artist groups and collectives
569:vers la doctrine littéraire nouvelle
746:. Published 1930 by Delpeuch, Paris
731:, Manchester University Press, 2004
686:, Solomon R Guggenheim Museum, 1964
387:Abbaye de Créteil, group photograph
259:, who had translated American poet
14:
494:Les Jeux du sistre et de la flûte
478:Marcel Lenoir (pseudo. De Oury),
359:Abbaye de Créteil, interior scene
827:1908 disestablishments in France
699:La Poésie, Le Groupe de l'Abbaye
559:impression et souvenir d’enfance
379:
365:
351:
429:Adolescence, rêveries, passions
319:(in French, "dinner of pals").
1:
822:1906 establishments in France
761:, Yale University Press, 2001
697:Paul Æschimann (Aeschimann),
485:Prince Ferdinand de Liguori,
463:Par ces longues nuits d'hiver
461:Raoul Gaubert-Saint-Martial,
269:into French; and the writer
96:, L'Abbaye de Créteil was a
456:Des légendes, des batailles
142:, just to the southeast of
843:
548:Valentine de Saint-Point,
394:Some works printed by the
282:Filippo Tommaso Marinetti
729:Cubism and Its Histories
577:Les Saisons Douloureuses
527:Jean Pilinsky de Belty,
501:Gens de là et d'ailleurs
106:a fictional creation by
422:La tragédie des espaces
138:and Vildrac settled in
712:Barzun, Henri-Martin,
599:Triptyque (20-06-1907)
575:Fritz R. Vander Pijl,
567:Après le Naturalisme,
345:Photographs circa 1907
326:, Paris, with artists
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132:
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39:
24:
557:Ma petite Jeannette,
499:Alexandre Mercereau,
440:Michael della Torre,
435:La Terrestre tragédie
433:Henri-Martin Barzun,
427:Henri-Martin Barzun,
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163:
130:
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40:Le Groupe de l'Abbaye
22:
744:L' abbaye de Créteil
742:Christian Sénéchal,
584:Vers les couchants,
396:éditions de l’Abbaye
536:Une touffe d'orties
473:Les Eveils d'Elinor
286:Constantin Brâncuși
90:Alexandre Mercereau
79:Henri-Martin Barzun
28:L'Abbaye de Créteil
16:Community in France
802:Literary movements
727:David Cottington,
565:Gaston Sauvebois,
561:(1908)
442:Bouquet de Floréal
233:; the illustrator
174:. The typographer
133:
125:
104:Abbaye de Thélème,
25:
812:Utopian movements
594:Images et mirages
592:Charles Vildrac,
586:runes et bucrânes
515:Images et mirages
513:Charles Vildrac,
454:Georges Duhamel,
447:Nicolas Deniker,
339:Amedeo Modigliani
317:dîner des copains
220:Pierre Jean Jouve
159:Abbaye de Créteil
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682:Daniel Robbins,
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550:Poèmes d’orgueil
520:Abel Pelletier,
471:Louis Haugmard,
412:Vertes saisons,
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94:Charles Vildrac
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187:Albert Gleizes
185:, a friend of
155:Jacques Barzun
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602:Poèmes 1905
596:(22-11-1907)
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579:(01-09-1907)
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545:(10-02-1909)
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531:(29-06-1908)
529:Les Prémices
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524:(01-07-1907)
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475:(02-09-1907)
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451:(02-09-1907)
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424:(11-07-1906)
421:
420:René Arcos,
416:(01-04-1908)
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328:Henri Doucet
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224:Albert Doyen
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32:Abbaye group
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784:(in French)
403:Paul Adam,
331: [
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238: [
227: [
179: [
99:phalanstère
82: [
71: [
796:Categories
769:0300089643
635:References
629:Free verse
607:Artificiel
508:Passiflora
324:Montmartre
294:Symbolists
68:René Arcos
510:(10-1907)
275:unanimism
199:Paul Fort
113:Gargantua
615:See also
555:Valder,
108:Rabelais
62:painter
42:) was a
817:Créteil
414:Poèmes
140:Créteil
57:History
48:Créteil
44:utopian
767:
622:Europe
588:(1908)
571:(1908)
552:(1908)
538:(1908)
517:(1907)
503:(1907)
496:(1908)
489:(1908)
482:(1908)
465:(1908)
458:(1907)
449:Poèmes
444:(1908)
313:Abbaye
309:Abbaye
207:Cubism
191:Abbaye
172:Abbaye
36:French
335:]
253:]
242:]
231:]
214:1964)
183:]
166:1964)
148:Marne
144:Paris
86:]
75:]
51:Abbey
765:ISBN
307:The
284:and
92:and
263:'s
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30:or
798::
763:,
643:^
337:,
333:fr
277:.
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251:fr
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161:.
88:,
84:fr
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38::
34:(
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