280:
332:
173:
49:
359:. It shows in the centre a harbour scene with figures in the foreground which is surrounded by a flower garland. The work is characteristic of late 17th century Neapolitan painting which aimed almost exclusively at ornamental and decorative effect rather than at naturalism. This type of painting falls into the category of 'garland paintings', a type of still life invented in early 17th century Antwerp by Abraham's grandfather
251:
975:
268:, another Flemish painter in Rome also painted grandiose still lifes combining human figures, flowers and fruit, which anticipated the arrival in Rome in 1653 of Abraham Brueghel. Brueghel combined the Flemish preference for decorative profusion and anecdote with the sweeping movement of the Italian High Baroque of his Italian contemporaries, such as
367:, helped spread the genre abroad. Paintings in this genre initially showed a flower or, less frequently, a fruit garland surrounding a devotional image. In the later development of the genre, the devotional image was replaced by other subjects such as portraits, mythological subjects, allegorical scenes and landscapes.
260:
Abraham
Brueghel established a reputation for his still lifes and in particular, floral still lives. One hunting still life signed and dated by him is known. Due to the lack of evolution during the artist's mature period and the scarcity of dated works, it is difficult to establish a chronology of
350:
293:
Abraham
Brueghel is especially known for his still life paintings of southern fruits and flowers, which were typically assembled in front of a landscape. They are frequently enhanced by a precious vase, an antique monument or fragments of Roman sculpture. His cartouches are heavier and more
319:
194:. It was the first of many commissions in which Abraham demonstrated his artistic abilities in drawing floral still lifes. Already in 1649 an inventory of his patron Prince Antonio Ruffo records nine flower paintings by the 18-year-old artist.
297:
He often collaborated with other specialist painters to create complex
Baroque compositions. He usually painted the landscapes in these collaborations himself while the staffage was created by well-known Italian painters, such as
164:. Abraham showed great promise as an artist from an early age, and started to make a name for himself in his teenage years. His father sold one of Abraham's floral still lifes when he was only 15 years old.
446:
279:
216:, an association of mainly Dutch and Flemish artists working in Rome. It was customary for the Bentvueghels to adopt an appealing nickname, the so-called 'bent name'. He was given the bent name
540:
261:
Abraham's artistic development. His brushstrokes were generally slightly more painterly during his Roman period, while his palette became brighter and stronger during his later years.
235:. He played an important role in the development of still life painting in Naples, which had before his arrival in the city resisted the Flemish-Roman style of decorative still lifes.
331:
264:
The increasingly lush still lifes of the
Flemish painters Frans Snyders, Jan Fyt and Pieter Boel who had also worked in Italy were the principal influences on Abraham Brueghel.
324:(Sold at Sotheby's on 29 January 2015 in New York, lot 302). The still life was painted by Brueghel while Courtois painted the figure. The painting is a variant of the
443:
A still life of a watermelon, cherries, peaches, apricots, plums, pomegranates and figs, with lilies, roses, morning glory and other flowers on an acanthus stone relief
620:
440:
383:
Alternative spellings of his family name: Breugel, Breughel, Briegel, Bruegel; also called: 'Brueghel, il
Napolitano' and nickname: 'Rijngraaf' or 'Ringraaf'
535:
276:. The result of the complementary influences were compositions that appear casual, while maintaining strong composition and clarity of detail.
172:
403:
1019:
1009:
613:
1004:
30:
of artists. He emigrated at a young age to Italy where he played an important role in the development of the style of decorative
160:. Much of his artistic training came from his father, Jan Brueghel the Younger, prolific painter and regular collaborator with
48:
1014:
519:
606:
269:
703:
979:
816:
157:
1029:
946:
808:
648:
303:
149:
584:
David
Freedberg, "The Origins and Rise of the Flemish Madonnas in Flower Garlands, Decoration and Devotion",
1024:
710:
424:, National Academy of Design (U.S.), Philbrook Art Center, Dayton Art Institute, Centro Di, 1983, p. 16-17
360:
273:
153:
202:
462:
349:
painters to create collaborative works combining landscape and still life painting. An example is the
999:
994:
933:
919:
801:
315:
485:
556:
161:
466:
201:
where he married an
Italian woman less than a year later. In 1670 he was invited into the
629:
573:
Seventeenth-Century
Flemish Garland Paintings. Still Life, Vision and the Devotional Image
544:
523:
450:
311:
265:
221:
126:
27:
364:
307:
287:
23:
988:
356:
339:
299:
238:
Breughel remained in Naples until his death. He is believed to have died c. 1690 in
220:, meaning 'duke of the Rhine', which was an old aristocratic title in Germany. When
187:
91:
250:
213:
516:
363:. It became popular and leading Flemish still life painters, in particular
54:
974:
209:
academy, which had as its objective the elevation of the work of artists.
399:
145:
76:
31:
328:(private collection), which has been dated to the end of the 1660s.
346:
239:
232:
191:
318:, a French painter active in Rome, are recorded. An example is the
507:, International Specialized Book Service Incorporated, 1985, p. 248
278:
183:
326:
Grapes and pomegranate with a vase of flowers and a female figure
284:
Young woman picking figs with three children in a terraced garden
489:, Coppia di dipinti ad olio su tela attribuiti a Joannes Hermans
231:
Some time between 1672 and 1675, Abraham left Rome and moved to
206:
198:
224:
joined the
Bentvueghels in 1670, Abraham Brueghel signed the
559:
Flower garland and marine landscape of the Golf of Gaeta
352:
Flower garland and marine landscape of the Golf of Gaeta
336:
Flower garland and marine landscape of the Golf of Gaeta
314:. A few collaborations between Abraham Brueghel and
345:He also collaborated with specialist landscape and
122:
114:
106:
98:
84:
62:
39:
505:The Flemish Flower Painters in the XVIIth Century
422:Italian still life paintings from three centuries
255:A still life of fruit and flowers in a landscape
537:Still life of fruits and flowers with a figure
321:Still life of fruits and flowers with a figure
614:
8:
491:at the Associaz Cultur. Antonello Governale
197:Ten years later, in 1659, Brueghel moved to
22:(baptised 28 November 1631 – c. 1690) was a
182:In 1649, at the age of 18, Abraham went to
621:
607:
599:
47:
36:
330:
249:
171:
416:
414:
376:
586:Münchener Jahrbuch der bildenden Kunst
355:, a collaboration with vedute painter
57:with garland, possibly a self-portrait
952:
950:
945:
943:
941:
939:
937:
932:
930:
925:
923:
918:
916:
888:
886:
880:
878:
876:
874:
872:
870:
844:
842:
832:
829:
824:
822:
820:
814:
812:
807:
805:
800:
798:
758:
756:
720:
718:
709:
707:
702:
700:
682:
680:
662:
660:
654:
652:
647:
645:
643:
641:
503:Marie-Louise Hairs, Dominique Finet,
436:
434:
432:
430:
404:Netherlands Institute for Art History
395:
393:
391:
389:
242:and in any event no later than 1697.
7:
557:Abraham Brueghel and Gennaro Greco,
186:to complete a commission for Prince
118:Unidentified Italian woman (m. 1659)
830:Hieronymous van Kessel the Younger
14:
973:
575:, Ashgate Publishing, Ltd., 2012
88:c. 1690 (aged 58–59)
16:Flemish painter (1631–c. 1690)
1:
270:Michele Pace del Campidoglio
1020:Members of the Bentvueghels
1010:Flemish still life painters
704:Pieter Brueghel the Younger
588:, xxxii, 1981, pp. 115–150.
1046:
562:at Lopez de Aragon gallery
156:and the great-grandson of
910:
908:
906:
900:
898:
896:
884:
882:
868:
864:
862:
860:
854:
852:
850:
827:
817:David Teniers the Younger
792:
790:
788:
786:
780:
778:
776:
770:
768:
766:
754:
750:
748:
746:
744:
742:
740:
738:
736:
730:
728:
726:
694:
692:
690:
678:
674:
668:
543:24 September 2015 at the
463:Abraham Breugel, Ryngraaf
158:Pieter Brueghel the Elder
46:
1005:Flemish Baroque painters
947:Jan van Kessel the Elder
809:Jan Brueghel the Younger
649:Pieter Bruegel the Elder
304:Giovanni Battista Gaulli
150:Jan Brueghel the Younger
26:painter from the famous
711:Jan Brueghel the Elder
361:Jan Brueghel the Elder
342:
290:
274:Michelangelo Cerquozzi
257:
228:as "Abraham Breugel".
179:
154:Jan Brueghel the Elder
1015:Painters from Antwerp
982:at Wikimedia Commons
522:13 April 2014 at the
334:
282:
253:
203:Accademia di San Luca
177:Woman grasping fruits
175:
934:Jan Baptist Brueghel
449:2 April 2015 at the
144:Abraham was born in
920:Jan Pieter Brueghel
212:Abraham joined the
825:Paschasia Brueghel
802:Ambrosius Brueghel
473:, Volume 2, p 351
441:Abraham Brueghel,
343:
316:Guillaume Courtois
291:
258:
180:
152:, the grandson of
978:Media related to
966:
965:
958:
957:
132:
131:
1037:
980:Abraham Brueghel
977:
927:Abraham Brueghel
815:Anna Brueghel x
639:
638:
623:
616:
609:
600:
589:
582:
576:
569:
563:
554:
548:
533:
527:
517:Abraham Brueghel
514:
508:
501:
495:
494:
483:
477:
476:
467:Arnold Houbraken
460:
454:
438:
425:
418:
409:
408:
400:Abraham Brueghel
397:
384:
381:
73:28 November 1631
72:
70:
51:
41:Abraham Brueghel
37:
20:Abraham Brueghel
1045:
1044:
1040:
1039:
1038:
1036:
1035:
1034:
1030:Sibling artists
985:
984:
971:
633:
630:Brueghel family
627:
598:
593:
592:
583:
579:
571:Susan Merriam,
570:
566:
555:
551:
545:Wayback Machine
534:
530:
524:Wayback Machine
515:
511:
502:
498:
492:
484:
480:
474:
461:
457:
451:Wayback Machine
439:
428:
420:John T. Spike,
419:
412:
406:
398:
387:
382:
378:
373:
312:Giacinto Brandi
266:Joannes Hermans
248:
222:Abraham Genoels
170:
142:
137:
127:Brueghel family
94:
89:
80:
74:
68:
66:
58:
42:
28:Brueghel family
17:
12:
11:
5:
1043:
1041:
1033:
1032:
1027:
1025:Bruegel family
1022:
1017:
1012:
1007:
1002:
997:
987:
986:
970:
969:External links
967:
964:
963:
960:
959:
956:
954:
953:
951:
949:
944:
942:
940:
938:
936:
931:
929:
924:
922:
917:
914:
913:
911:
909:
907:
905:
903:
901:
899:
897:
895:
893:
890:
889:
887:
885:
883:
881:
879:
877:
875:
873:
871:
869:
867:
865:
863:
861:
859:
857:
855:
853:
851:
849:
847:
845:
843:
840:
839:
837:
834:
833:
831:
828:
826:
823:
821:
819:
813:
811:
806:
804:
799:
796:
795:
793:
791:
789:
787:
785:
783:
781:
779:
777:
775:
773:
771:
769:
767:
765:
763:
760:
759:
757:
755:
753:
751:
749:
747:
745:
743:
741:
739:
737:
735:
733:
731:
729:
727:
725:
723:
721:
719:
716:
714:
713:
708:
706:
701:
698:
697:
695:
693:
691:
689:
687:
684:
683:
681:
679:
677:
675:
673:
671:
669:
667:
665:
663:
661:
658:
656:
655:
653:
651:
646:
644:
642:
635:
634:
628:
626:
625:
618:
611:
603:
597:
594:
591:
590:
577:
564:
549:
528:
509:
496:
478:
455:
426:
410:
385:
375:
374:
372:
369:
365:Daniel Seghers
308:Nicola Vaccaro
288:Nicola Vaccaro
247:
244:
169:
166:
141:
138:
136:
133:
130:
129:
124:
120:
119:
116:
112:
111:
108:
104:
103:
100:
96:
95:
90:
86:
82:
81:
75:
64:
60:
59:
52:
44:
43:
40:
15:
13:
10:
9:
6:
4:
3:
2:
1042:
1031:
1028:
1026:
1023:
1021:
1018:
1016:
1013:
1011:
1008:
1006:
1003:
1001:
998:
996:
993:
992:
990:
983:
981:
976:
968:
962:
961:
955:
948:
935:
928:
921:
915:
912:
904:
902:
894:
892:
891:
866:
858:
856:
848:
846:
841:
838:
836:
835:
818:
810:
803:
797:
794:
784:
782:
774:
772:
764:
762:
761:
752:
734:
732:
724:
722:
717:
715:
712:
705:
699:
696:
688:
686:
685:
676:
672:
670:
666:
664:
659:
657:
650:
640:
637:
636:
631:
624:
619:
617:
612:
610:
605:
604:
602:
601:
595:
587:
581:
578:
574:
568:
565:
561:
560:
553:
550:
546:
542:
539:
538:
532:
529:
525:
521:
518:
513:
510:
506:
500:
497:
490:
488:
482:
479:
472:
468:
464:
459:
456:
452:
448:
445:
444:
437:
435:
433:
431:
427:
423:
417:
415:
411:
405:
401:
396:
394:
392:
390:
386:
380:
377:
370:
368:
366:
362:
358:
357:Gennaro Greco
354:
353:
348:
341:
340:Gennaro Greco
337:
333:
329:
327:
323:
322:
317:
313:
309:
305:
301:
300:Carlo Maratta
295:
289:
285:
281:
277:
275:
271:
267:
262:
256:
252:
245:
243:
241:
236:
234:
233:Naples, Italy
229:
227:
223:
219:
215:
210:
208:
204:
200:
195:
193:
189:
188:Antonio Ruffo
185:
178:
174:
168:Move to Italy
167:
165:
163:
159:
155:
151:
148:, the son of
147:
139:
134:
128:
125:
121:
117:
113:
109:
105:
101:
97:
93:
92:Naples, Italy
87:
83:
78:
65:
61:
56:
50:
45:
38:
35:
34:still lifes.
33:
29:
25:
21:
972:
926:
585:
580:
572:
567:
558:
552:
547:at Sotheby's
536:
531:
526:on Hadrianus
512:
504:
499:
493:(in Italian)
486:
481:
470:
458:
442:
421:
379:
351:
344:
335:
325:
320:
296:
294:decorative.
292:
283:
263:
259:
254:
237:
230:
225:
217:
214:Bentvueghels
211:
196:
181:
176:
143:
19:
18:
1000:1690 deaths
995:1631 births
596:Family tree
487:Natura viva
453:at Colnaghi
199:Rome, Italy
99:Nationality
53:Sculptural
989:Categories
475:(in Dutch)
471:Schouwburg
407:(in Dutch)
371:References
140:Early life
107:Occupation
69:1631-11-28
226:bentbrief
218:Rijngraaf
79:, Belgium
55:cartouche
541:Archived
520:Archived
447:Archived
402:at the
338:, with
286:, with
146:Antwerp
110:Painter
102:Flemish
77:Antwerp
32:Baroque
24:Flemish
347:vedute
240:Naples
192:Sicily
162:Rubens
123:Family
115:Spouse
207:Roman
184:Italy
632:tree
310:and
272:and
246:Work
205:, a
135:Life
85:Died
63:Born
469:'s
465:in
190:in
991::
429:^
413:^
388:^
306:,
302:,
622:e
615:t
608:v
71:)
67:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.