144:
195:
57:
100:
Although the ostensible purpose of the Académie was musico-poetic, Baïf's goals were much more ambitious – he hoped that through a structuring of French poetry, he might bring about a more structured social order and morality. This goal followed from
79:, and had two classes of members — "musicians", or poets, singers and instrumentalists; and "auditors", or subscribers who helped support the academy financially. Baïf's intention was to revitalise and transform
368:
L'Académie des derniers Valois : Académie de poésie et de musique, 1570-1576, Académie du palais, 1576-1585, d'après des documents nouveaux et inédits
105:
ideals, where music and morality are closely linked. To this end, discussions were not limited to music and poetry, but also included discussions of
347:
327:
434:
213:
161:, for several generations, despite the influence of the academy itself being much shorter in duration. Other musicians involved included
398:
212:
143:
45:
140:
Despite Baïf's goals of spreading his philosophy, the Académie kept the art of measured poetry and music a secret.
444:
439:
155:. Le Jeune's experiments influenced musical setting of French poetry, including the use of irregular metres in the
151:
In order to help further his goals, Baïf enlisted the help of French musicians, the most influential of whom was
310:
41:
429:
111:
355:
335:
204:
181:
172:
When
Charles IX died, the Académie became far less active. It had a renaissance for a short time under
37:
173:
162:
65:
106:
93:
394:
386:
382:
128:
366:
33:
56:
359:
339:
220:
185:
166:
152:
116:
21:
374:
84:
68:
423:
133:
80:
102:
72:
211:
414:
157:
124:
109:, mathematics, and other subjects. Baïf was influenced at least in part by the
236:
123:. Other influences on the creation of the Académie were the teacher and poet
390:
325:
Brown, Howard Mayer; Iain Fenlon (2001). "Academy 4. French academies.",
120:
91:) to it, and combining it with simple music following ancient metres (
177:
142:
76:
55:
352:
332:
193:
75:
poetry and music. It met regularly at Baïf's house in
184:took over, and the focus of the group shifted to
267:
265:
263:
261:
259:
180:under the name Académie du Palais. At this time
379:The French Academies of the Sixteenth Centuries
345:Dobbins, Frank (2001). "Jean-Antoine de Baïf",
36:. It was founded in 1570 under the auspices of
297:
295:
8:
219:The chorus and beginning of the verse, by
64:The purpose of the Académie was to revive
393:. London and New York: Routledge (1988).
351:, ed. L. Macy (accessed March 18, 2007),
331:, ed. L. Macy (accessed March 18, 2007),
255:
311:Rare Materials Digital Services at UVA
234:
7:
14:
235:Problems playing this file? See
209:
26:Académie de poésie et de musique
18:Académie de Poésie et de Musique
1:
435:1570 establishments in France
46:Joachim Thibault de Courville
205:"Revecy venir du printemps"
94:musique mesurée à l'antique
461:
89:vers mesurés à l'antique
83:by applying the ancient
371:. Paris: Ernest Leroux.
365:Fremy, Édouard (1887).
131:, and other members of
362:(subscription access).
342:(subscription access).
289:Yates 1988, pp. 14–35.
198:
148:
61:
25:
197:
182:Guy du Faur de Pibrac
146:
59:
28:), later renamed the
137:, a literary group.
60:Jean-Antoine de Baïf
42:Jean-Antoine de Baïf
38:Charles IX of France
176:when it met in the
174:Henry III of France
163:Eustache du Caurroy
112:Accademia Platonica
358:2008-05-16 at the
348:Grove Music Online
338:2008-05-16 at the
328:Grove Music Online
199:
149:
107:Natural philosophy
62:
30:Académie du Palais
445:Academies of arts
440:Renaissance music
383:Warburg Institute
214:
129:Pierre de Ronsard
44:and the musician
34:Academy in France
452:
413:
313:
308:
302:
299:
290:
287:
281:
278:
272:
269:
223:, an example of
216:
215:
196:
32:, was the first
460:
459:
455:
454:
453:
451:
450:
449:
420:
419:
411:
408:
360:Wayback Machine
340:Wayback Machine
317:
316:
309:
305:
300:
293:
288:
284:
279:
275:
270:
257:
247:
242:
241:
233:
231:
230:
229:
228:
225:musique mesurée
221:Claude Le Jeune
217:
210:
207:
200:
194:
167:Jacques Mauduit
153:Claude Le Jeune
147:Claude Le Jeune
117:Marsilio Ficino
54:
12:
11:
5:
458:
456:
448:
447:
442:
437:
432:
422:
421:
418:
417:
407:
406:External links
404:
403:
402:
377:(1947; 1988).
375:Yates, Frances
372:
363:
353:grovemusic.com
343:
333:grovemusic.com
322:
321:
315:
314:
303:
291:
282:
273:
271:Grove, Academy
254:
253:
252:
251:
246:
243:
232:
218:
208:
203:
202:
201:
192:
191:
190:
53:
50:
13:
10:
9:
6:
4:
3:
2:
457:
446:
443:
441:
438:
436:
433:
431:
430:French poetry
428:
427:
425:
416:
410:
409:
405:
400:
399:9780415002219
396:
392:
388:
384:
380:
376:
373:
370:
369:
364:
361:
357:
354:
350:
349:
344:
341:
337:
334:
330:
329:
324:
323:
319:
318:
312:
307:
304:
298:
296:
292:
286:
283:
277:
274:
268:
266:
264:
262:
260:
256:
249:
248:
244:
240:
238:
226:
222:
206:
189:
187:
183:
179:
175:
170:
168:
164:
160:
159:
154:
145:
141:
138:
136:
135:
130:
126:
122:
118:
114:
113:
108:
104:
98:
96:
95:
90:
86:
82:
81:French poetry
78:
74:
70:
67:
58:
51:
49:
47:
43:
39:
35:
31:
27:
23:
19:
378:
367:
346:
326:
306:
285:
276:
224:
188:and debate.
171:
156:
150:
139:
132:
110:
103:Neo-Platonic
99:
92:
88:
63:
40:by the poet
29:
17:
15:
412:(in French)
301:Grove, Baïf
280:Fremy 1887.
158:air de cour
125:Jean Daurat
424:Categories
381:. London:
245:References
237:media help
134:La Pléiade
391:901723762
66:Classical
415:Larousse
385:(1947).
356:Archived
336:Archived
121:Florence
52:Overview
320:Sources
186:oratory
397:
389:
178:Louvre
85:metres
22:French
250:Notes
77:Paris
73:Roman
69:Greek
395:ISBN
387:OCLC
165:and
71:and
16:The
119:in
115:of
97:).
426::
294:^
258:^
169:.
127:,
48:.
24::
401:.
239:.
227:.
87:(
20:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
