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Adam Pendleton

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226:, Thom Donovan describes Adam Pendleton as "a rare artist in his ability to synthesize disciplines and mediums, and to steer with collaborators toward 'total works,' which yet remain drafts of a larger essayistic practice. His works—like those of his many avant-garde forebears—are experimental in the truest sense. He sets up a laboratory in which our social and political desires can appear, however fleetingly. ...With Pendleton's work, even though we are often left with aporias and blind spots, we feel the force of historical matter self-organizing and finding form beyond representability and essence." 358:. The song's lyrics consist of confrontational rhetoric characteristic of the late 1960s, while the voiceover from the documentary speaks of the prospects of change and the efficacy of such violence. Speaking of the video's relationship to Godard's film, Pendleton has said "it is not something that exists in its shadow, but rather in contrast to it." 229:
Pendleton often juxtaposes imagery, language, music and concepts from a variety of subjects such as philosophy and important historical movements, creating complex work that allows for multiple interpretations. He has often focused on significant moments in Black American history such as the Civil
428:. Pendleton has said, "I am working to establish a system of display, of organization. I want to create a situation where we're inclined to rethink notions of the past and the future, as well as our ability to understand them enough to make reductive statements." 450:
aims to create a "counter-portitrature" by blending the approaches of the historical avant garde with historical Black movements. The effect is the merging of disparate ideas, people and imagery, collectively blending and engaging each other in the space of art.
387:"Black Dada" is a concept that informs much of the artist's work. There is no explicit definition but the artist has described the idea as "a way to talk about the future while talking about the past. It is our present moment." The 391:
series of paintings contain a partial view of Sol LeWitt's cube sculptures, accompanied by one or more letters derived from the phrase "Black Dada." The phrase comes from the 1964 poem "Black Dada Nihilismus" by
372:, included drawings and images appropriated from the 1950s African independence movement and from a 1960s Godard film, silk-screened onto large mirrors. The title of the work comes from a 1963 384:. The artist explains that "the works are framed within the context of the ethos of experimental gestures, the potential of a political framework—or rather, of a politicized framework." 254:. The show featured two-color canvases with silkscreened lines from modern African-American literature and music, as well as paintings resembling enlarged record album covers. 965: 1739:
Texts by Andrea Andersson, Naomi Beckwith, Kitty Scott, and Stephen Squibb. Catskill, NY: Siglio Press and New Orleans: Contemporary Arts Center, New Orleans, 2016.
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is a series of works involving mirrors, letters and silkscreened images appropriated from art publications and other books. The images include photographs of the
1633: 1505: 1572:. Alec Mapes-Frances, Stuart Comer, Adrienne Edwards, Mario Gooden, Danielle A. Jackson, Lynne Tillman, Jason Michael Adams, Museum of Modern Art. New York. 656: 616: 494:, and many others, as well as newly commissioned essays from several writers and curators. The book was named one of the best art books of 2017 by the 1443: 532: 1338: 1030: 1884: 674: 435: 1577: 396:. Pendleton states that the two words merge two ideas: "Dada, meaning 'yes, yes' and black as an open-ended signifier." In 2011, Pendleton's 1874: 666: 439: 1048: 877: 517:
speech with imagery overlaid, suggesting a disconnect with America's promise of freedom versus its continued post-slavery caste system.
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during the 1955 Documenta and of a couple dancing in the street during a celebration of independence in Congo, as well as stills of
1849: 281:, the artist, dressed in a white tuxedo jacket, black pants and bright green shoes, gave a sermon while accompanied by a 30-person 1229: 297:, as well as "politico-speak and strident gay protest". Also included in the revival were "testimonials" from contemporary artist 801: 793: 1879: 851: 152: 1753:. Texts by Adrienne Edwards, Laura Hoptman, Tom McDonough, Jenny Schlenzka, and Susan Thompson. London: Koenig Books, 2017. 1397: 1134: 350:, footage of Deerhoof rehearsing is edited to include fragments from a 1971 documentary, Teddy, about a young member of the 1839: 831: 1476: 314: 503: 313:
described Mr. Pendleton as "the most charismatic performer I've seen on stage for a long time." The piece was part of
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wrote that Pendleton "takes a coolly intellectual approach to hot subject matter". It likened his work to that of
424: 235: 290: 285:. Pendleton's homily, titled "a dream of an uncommon language," featured language borrowed from poets such as 797: 642: 556: 381: 988: 1869: 1365: 783: 343: 1506:"Venus Williams and Adam Pendleton to Co-Host Auction at Pace, Benefitting Nina Simone's Childhood Home" 1012: 548:
at age 28, the youngest artist to do so since the 1970s. His first show with Pace was at the gallery's
1864: 811: 401: 247: 148: 207:. After finishing highschool early, he studied art in Northern Italy. After art studies, he went to 351: 141: 137: 1456: 1595: 1402: 1260: 1233: 1212: 514: 475: 339: 256: 231: 200: 35: 1811: 1790: 1776: 1762: 1754: 1740: 1726: 1712: 1698: 1684: 1670: 1583: 1573: 1373: 1195: 1142: 735: 564: 105: 56: 1277: 1799: 779: 755: 459: 1461: 1119: 969: 821: 765: 745: 587: 560: 419: 265: 220: 160: 125: 68: 1844: 941: 1427: 1281: 973: 841: 769: 725: 591: 575: 568: 526: 483: 463: 277: 188: 446:. Its name comes from the philosophical writing of Gilles Deleuze and FĂ©lix Guattari. 1858: 1807: 1669:
Edited by RoseLee Goldberg. Zurich: JRP|Ringier and New York: Performa, 2009. 36–47.
632: 595: 411: 310: 208: 180: 164: 46: 1314:"Adam Pendleton: Becoming Imperceptible | Contemporary Arts Center New Orleans" 545: 491: 487: 479: 393: 373: 298: 286: 282: 1296:"Adam Pendleton and Mark Manders: Looking at Language in Two Recent Acquisitions," 579: 1542: 1615: 690: 583: 415: 355: 294: 261: 1115: 1587: 1313: 861: 377: 302: 156: 113: 72: 1775:
Texts by Alec Mapes-Frances, and Suzanne Hudson. London: Pace Gallery, 2018.
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The Supposium: Thought Experiments & Poethical Play For Difficult Times
1567: 586:. Pendleton jointly purchased Simone's childhood home in 2017 along with 582:, proceeds will support a preservation project for the childhood home of 510: 362: 325: 204: 133: 129: 109: 64: 1711:. Edited by Jennifer Liese. Brooklyn, NY: Paper Monument, 2016. 232–43. 1424: 1174: 117: 60: 1052: 1034: 1016: 467: 211:
in 2002, at the age of 18, with the intention of becoming an artist.
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Everywhere and All at Once: An Anthology of Writings on Performa 07.
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curated a charity auction hosted by Pace Gallery. Co-organized with
159:, and other shows internationally, including La Triennale at the 549: 1525:"Saving Nina Simone's Birthplace as an Act of Art and Politics" 1441:
ICA VCU Adds Adam Pendleton, Adrienne Edwards to Advisory Board
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Performa 07: The Second Biennial of New Visual Art Performance
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In 2020, Pendleton created a unique and provocative cover for
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painted that phrase over an industrially produced painting by
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Cotter, Holland; Smith, Roberta; Farago, Jason (2017-12-14).
1834: 1013:"30 under 30: Art & Style; Adam Pendleton, Artist, 28," 1090: 945: 1725:. Edited by Ralph Lemon. New York: Triple Canopy, 2016. 1339:"Becoming Imperceptible': Adam Pendleton in New Orleans" 1049:" 30 Under 30: The Bright Young Stars of Art and Style," 896:
Museum of Art, Rhode Island School of Design, Providence
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Sympathy for the Devil: Art and Rock and Roll Since 1967
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Radical Presence: Black Performance in Contemporary Art
707:(exhibition), Kunstverein, Amsterdam (2010); Part III: 703:(performance), Kunstverein, Amsterdam (2009); Part II: 1230:"Performa 07: Adam Pendleton, Artists and Statistics," 108:
known for his multi-disciplinary practice, involving
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Text by Suzanne Hudson. London: Pace Gallery, 2012.
1087:"Adam Pendleton Brings Black Dada to MoMA and Pace," 1569:
Adam Pendleton : Who is queen? : a reader
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Afro-Modernism: Journeys through the Black Atlantic
83: 52: 42: 28: 21: 963:" Black Dada: A Conversation with Adam Pendleton," 272:, and praised it for its "provocative reticence." 1477:"Adam Pendleton: The Making of an Art-World Star" 555:Since 2020, Pendleton has also been working with 1167:"BOMB Magazine — Adam Pendleton by Thom Donovan" 1457:Art markets find high-tech ways to reach buyers 529:, Member of the Board of Directors (since 2020) 458:, a sourcebook containing photocopied texts by 132:. His work often involves the investigation of 332:. The video is loosely based on Godard's film 1707:Adam Pendleton. "Black Dada (2008/2015)." In 989:"13 Artists Who Highlight the Power of Words" 230:Rights Movement of the 1960s, and the recent 8: 1721:Adam Pendleton. "One Arrangement of Notes." 1082: 722:Public Movement: On Art, Politics, and Dance 1634:"Pace Gallery - Adam Pendleton - Documents" 1398:"Behind the Cover: Racial Caste in America" 1272: 1270: 1080: 1078: 1076: 1074: 1072: 1070: 1068: 1066: 1064: 1062: 613:Adam Pendleton. Blackness, White, and Light 535:, Member of the advisory board (since 2019) 317:and was performed at Stephan Weiss studio. 1709:Social Medium: Artists Writings; 2000–2015 1600:: CS1 maint: location missing publisher ( 1251: 1249: 1247: 1245: 1243: 617:Museum Moderner Kunst Stiftung Ludwig Wien 559:in Los Angeles. Famous collectors include 18: 1224: 1222: 1110: 1108: 1106: 1104: 1102: 1100: 1697:. New York: Pace Gallery, 2016. 127–35. 1257:" Greater New Yorkers | Adam Pendleton," 957: 955: 1850:Shane Campbell Gallery / Adam Pendleton 929: 436:Contemporary Arts Center in New Orleans 328:as they develop and record a new song, 1593: 1543:"Adam Pendleton: Who Is Queen? | MoMA" 937: 935: 933: 893:Solomon R. Guggenheim Museum, New York 852:Institute of Contemporary Arts, London 752:The Eighth Climate (What does art do?) 675:Contemporary Arts Center (New Orleans) 16:American conceptual artist (born 1984) 1890:21st-century African-American artists 1802:, Alec Mapes-Frances, AndrĂ©a Picard. 1785:Adam Pendleton. "Suppose to Choose." 1499: 1497: 1444:Institute for Contemporary Art at VCU 1261:T (The New York Times Style Magazine) 902:Museum of Contemporary Art, San Diego 782:, 56th International Art Exhibition, 533:Institute for Contemporary Art at VCU 7: 1824:, MoMA, 2021. ISBN 978-1-63345-110-0 917:Houghton Library, Harvard University 858:The Generational: Younger Than Jesus 818:La Triennale 2012: Intense Proximity 808:Ecstatic Alphabets/Heaps of Language 667:Museum of Contemporary Art Cleveland 649:Adam Pendleton: shot him in the face 234:movement that emerged following the 1840:Galeria Pedro Cera / Adam Pendleton 899:Museum of Contemporary Art, Chicago 878:Museum of Contemporary Art, Chicago 796:(2015); Walker Art Center (2014); 552:London branch in the fall of 2012. 361:In 2010, Pendleton was featured in 179:The artist splits his time between 905:The Museum of Modern Art, New York 890:Carnegie Museum of Art, Pittsburgh 697:Adam Pendleton: EL T D K Amsterdam 653:Baltic Centre for Contemporary Art 14: 1475:Gamerman, Ellen (16 April 2015). 1455:Melanie Gerlis (March 27, 2020), 1031:" 30 Under 30: Art & Design," 908:Studio Museum in Harlem, New York 671:Museum of Contemporary Art Denver 657:KW Institute for Contemporary Art 454:In 2017, Pendleton published the 1439:MaximilĂ­ano DurĂłn (March 2019), 1209:"Art in Review; Adam Pendleton," 802:Contemporary Arts Museum Houston 370:The Abolition of Alienated Labor 167:. He has been featured twice in 1523:Randy Kennedy (March 2, 2017). 987:Cohen, Alina (5 January 2019). 914:University of Chicago, Illinois 794:Yerba Buena Center for the Arts 544:In 2012, Pendleton signed with 275:In his 2007 performance piece, 1504:Karen K. Ho (March 13, 2023). 1133:Pogrebin, Robin (2018-05-03). 862:New Museum of Contemporary Art 368:exhibition. His installation, 147:His art has been shown at the 1: 1885:21st-century American artists 1845:Pace Gallery / Adam Pendleton 832:P.S.1 Contemporary Art Center 639:List Projects: Adam Pendleton 623:Adam Pendleton: Who is Queen? 305:. Writing of the performance 250:and had his first solo show, 1366:"The Best Art Books of 2017" 320:The 2009 video installation 199:Pendleton was born in 1984, 1875:American conceptual artists 1616:"Adam Pendleton Exhibition" 885:Selected public collections 643:MIT List Visual Arts Center 504:The New York Times Magazine 104:(born 1984) is an American 1906: 949:. Retrieved April 8, 2013. 716:Selected group exhibitions 683:, Salina Art Center (2011) 607:Selected solo exhibitions 513:edition which featured a 438:in 2016, and traveled to 236:killing of Trayvon Martin 1695:Blackness in Abstraction 1566:Pendleton, Adam (2021). 1547:The Museum of Modern Art 1020:. Retrieved May 1, 2013. 402:The Museum of Modern Art 324:the process of the band 1737:Becoming Imperceptible. 798:Studio Museum in Harlem 711:(film screening) (2009) 574:In 2023, Pendleton and 557:David Kordansky Gallery 382:Giuseppe Pinot-Gallizio 1835:Adam Pendleton website 784:La Biennale di Venezia 776:Personne et les autres 762:The Language of Things 663:Becoming Imperceptible 448:Becoming Imperceptible 432:Becoming Imperceptible 335:Sympathy for the Devil 246:In 2005 he joined the 176:s "30 Under 30" list. 1880:Artists from Virginia 1294:Elizabeth Henderson, 828:Greater New York 2010 756:11th Gwangju Biennale 732:I am you, you are too 398:Black Dada (LK/LC/AA) 344:song of the same name 219:In an interview with 1056:, December 17, 2012. 1038:, December 19, 2011. 812:Museum of Modern Art 742:How to Live Together 687:Adam Pendleton: BAND 330:I Did Crimes for You 248:Yvon Lambert Gallery 149:Museum of Modern Art 1638:www.pacegallery.com 1285:, February 9, 2011. 1237:, November 4, 2007. 352:Black Panther Party 140:of history through 138:recontextualization 1693:Adrienne Edwards. 1425:Board of Directors 1403:The New York Times 1370:The New York Times 1345:. 29 February 2016 1234:The New York Times 1213:The New York Times 1198:in Art in America. 1177:on 1 February 2016 1139:The New York Times 1123:, 114/Winter 2011. 968:2012-11-24 at the 625:, MoMA (2021-2022) 515:Frederick Douglass 476:Stokely Carmichael 340:The Rolling Stones 307:The New York Times 257:The New York Times 232:Black Lives Matter 36:Richmond, Virginia 1751:Black Dada Reader 1644:on 30 August 2014 1579:978-1-63345-110-0 1303:, March 10, 2011. 1278:"Adam Pendleton," 1116:"Adam Pendleton," 942:"Adam Pendleton," 772:, New York (2016) 736:Walker Art Center 565:Leonardo DiCaprio 456:Black Dada Reader 420:Jean-Luc Godard's 408:System of Display 338:, which features 291:Charles Bernstein 252:Deeper Down There 106:conceptual artist 99: 98: 1897: 1820:Adam Pendleton, 1800:Adrienne Edwards 1771:Adam Pendleton. 1749:Adam Pendleton. 1735:Adam Pendleton. 1679:Adam Pendleton. 1654: 1653: 1651: 1649: 1640:. 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Index

Richmond, Virginia
American
Conceptual Art
Collage
Painting
Performance
Silkscreen
Video
www.adampendleton.net
conceptual artist
painting
silkscreen
collage
video
performance
word art
language
recontextualization
appropriated
Museum of Modern Art
Whitney
New Museum
Palais de Tokyo
Paris
Forbes Magazine
New York City
Germantown
New York
Richmond
Virginia

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