Appropriation (art) - Knowledge (XXG)

1046:. On the one hand are the celebrators who foresee a new age of innovative, useful, and entertaining ways for art of the digitized and globalized 21st century. The new appropriationists will not only realize Joseph Beuys' dictum that everyone is an artist but also "build free societies". By liberating art finally from traditional concepts such as aura, originality, and genius, they will lead to new terms of understanding and defining art. More critical observers see this as the starting point of a huge problem. If creation is based on nothing more than carefree processes of finding, copying, recombining and manipulating pre-existing media, concepts, forms, names, etc. of any source, the understanding of art will shift in their sight to a trivialized, low-demanding, and regressive activity. In view of the limitation of art to references to pre-existing concepts and forms, they foresee endless recompiled and repurposed products. Skeptics call this a culture of recycling with an addiction to the past 1331:. Prince variously altered the photos, painting objects, oversized hands, naked women and male torsos over the photographs, subsequently selling over $ 10 million worth of the works. In March 2011, a judge ruled in favor of Cariou, but Prince and Gargosian appealed on a number of points. Three judges for the U.S. Court of Appeals upheld the right to an appeal. Prince's attorney argued that "Appropriation art is a well-recognized modern and postmodern art form that has challenged the way people think about art, challenged the way people think about objects, images, sounds, culture." On April 24, 2013, the appeals court largely overturned the original decision, deciding that many of the paintings had sufficiently transformed the original images and were therefore a permitted use. 576: 1055:

appropriation forms and concepts of the 20th century which offer new representations of established knowledge—as a kind of "racing standstill", referring to the acceleration of random, uncontrollable operations in highly mobilised, fluid Western societies that are governed more and more by abstract forms of control. Unlimited access to the digital archive of creations and easily feasible digital technologies, as well as the priority of fresh ideas and creative processes over a perfect masterpiece leads to a hyperactive hustle and bustle around the past instead of launching new expeditions into unexplored territory that could give visibility to the forgotten ghosts and ignored phantoms of our common myths and ideologies.

135: 595: 1012:"archeolog of the present time". Some speak of "postproduction", which is based on pre-existing works, to re-edit "the screenplay of culture". The annexation of works made by others or of available cultural products mostly follows the concept of use. So-called "prosumers"—those consuming and producing at the same time—browse through the ubiquitous archive of the digital world (more seldom through the analog one), in order to sample the ever accessible images, words, and sounds via 'copy-paste' or 'drag-drop' to 'bootleg', 'mashup' or 'remix' them just as one likes. French curator 256:, or the Japanese prints he had in his collection. In 1889, Van Gogh created 20 painted copies inspired by Millet black-and-white prints. He enlarged the compositions of the prints and then painted them in colour according to his own imagination. Vincent wrote in his letters that he had set out to "translate them into another language". He said that it was not simply copying: if a performer "plays some Beethoven he'll add his personal interpretation to it… it isn't a hard and fast rule that only the composer plays his own compositions". More examples can be found on 341:, in which "industrially produced utilitarian objects...achieve the status of art merely through the process of selection and presentation." Duchamp explored this notion as early as 1913 when he mounted a stool with a bicycle wheel and again in 1915 when he purchased a snow shovel and inscribed it "in advance of the broken arm, Marcel Duchamp." In 1917, Duchamp organized the submission of a readymade into the 1418: 795:, in whom the appropriation of the works of the old masters is almost systematic and who, after beginning by making painted commentaries of the painting of others in the late 1960s, ends up putting the characters borrowed from Western painting iconography in the presence of the social and political reality of his time. The great triptych from the permanent collection of the 776: 3093:'Apropiación' es el primer término que aparece al querer categorizar o clasificar la obra de Herman Braun-Vega. Efectivamente, el autor se 'apropia' de las imágenes que otros crearan. Pero se trata de una utilización que no busca el reemplazo, la reedición o el acoplamiento, sino que ejerce su libertad de darle un contenido nuevo en un contexto creado por él. 5426: 877:. They are considered to be an "homage to Duchamp's renowned readymade. Adding to Duchamp's audacious move, Levine turns his gesture back into an "art object" by elevating its materiality and finish. As a feminist artist, Levine remakes works specifically by male artists who commandeered patriarchal dominance in art history." 1035:– to describe this. He writes: "DJs, Web surfers, and postproduction artists imply a similar configuration of knowledge, which is characterized by the invention of paths through culture. All three are "semionauts" who produce original pathways through signs." Appropriations have today become an everyday phenomenon. 566:

who defined "Capitalist Realism," offered an ironic critique of consumerism in post-war Germany. They used pre existing photographs and transformed them. Polke's best-known works were his collages of imagery from pop culture and advertising, like his "Supermarkets" scene of super heroes shopping at

3115:

Que un pintor utilice como temas de sus cuadros obras de otros pintores no es una novedad. Lo novedoso es ahondar este procedimiento y hacer de él, forzando un poco el término, un sistema. Tal es el caso de Herman Braun. Se podría pues hablar de una metapintura, en la medida en que sus cuadros son

1263:

was indeed a "transformative use" of Blanch's photograph. "The painting's use does not 'supersede' or duplicate the objective of the original", the judge wrote, "but uses it as raw material in a novel way to create new information, new aesthetics and new insights. Such use, whether successful or not

3176:

la pieza central de la muestra es "La familia informal", un gran tríptico que preparó para las celebraciones españolas del V Centenario del llamado encuentro entre dos Mundos, aludiendo tanto a las economías de subsistencia en que viven los habitantes más pobres del tercer mundo, como al mestizaje

1287:

in the Saatchi Gallery. Hirst was sued for breach of copyright over this sculpture. The subject was a 'Young Scientist Anatomy Set' belonging to his son Connor, 10,000 of which are sold a year by Hull (Emms) Toy Manufacturer. Hirst created a 20-foot, six-ton enlargement of the Science Set figure,

1011:

Since the 1990s, the exploitation of historical precursors is as multifarious as the concept of appropriation is unclear. An unparalleled quantity of appropriations pervades not only the field of the visual arts, but of all cultural areas. The new generation of appropriators considers themselves

802:

is an example of multiple appropriations coexisting within the same work with the painter’s contemporaries in scenes describing the social situation in third world countries where the family in the broad sense is a circle of subsistence economy. Braun-Vega recontextualises appropriated works and

1267:

The detail of Blanch's photograph used by Koons is only marginally copyrightable. Blanch has no rights to the Gucci sandals, "perhaps the most striking element of the photograph", the judge wrote. And without the sandals, only a representation of a woman's legs remains—and this was seen as "not

351:, it consisted of a porcelain urinal that was propped atop a pedestal and signed "R. Mutt 1917". The work posed a direct challenge, starkly juxtaposing to traditional perceptions of fine art, ownership, originality and plagiarism, and was subsequently rejected by the exhibition committee. The 1182:

favored Goldsmith, further finding that the works were substantially similar as a matter of law, given that "any reasonable viewer . . . would have no difficulty identifying the as the source material for Warhol's Prince Series." The Supreme Court affirmed in a 7-2 decision, holding that the

1386:

case. Of particular note, the Seventh Circuit noted that "transformative use" is not one of the four enumerated fair use factors but is, rather, simply part of the first fair use factor which looks to the "purpose and character" of the use. The Seventh Circuit's critique lends credence to the

1228:

in his defense, Koons lost the case, partially due to the tremendous success he had as an artist and the manner in which he was portrayed in the media. The parody argument also failed, as the appeals court drew a distinction between creating a parody of modern society in general and a parody

1054:

reflects the overproduction of reproductions, remakings, reenactments, recreations, revisionings, reconstructings, etc. by copying, imitating, repeating, quoting, plagiarizing, simulating, and adapting pre-existing names, concepts and forms. Appropriationism is discussed—in comparison of

1141:'s New York gallery with his silk-screened reproductions of Caulfield's photograph in 1964. After seeing a poster of Warhol's unauthorized reproductions in a bookstore, Caulfield sued Warhol for violating her rights as the copyright owner, and Warhol made a cash settlement out of court. 486:", they saw mass popular culture as the main vernacular culture, shared by all irrespective of education. These artists fully engaged with the ephemera produced from this mass-produced culture, embracing expendability and distancing themselves from the evidence of an artist's hand. 365:, claiming "whether Mr. Mutt with his own hands made the fountain or not has no importance. He CHOSE it. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view—and created a new thought for that object." 470:

art movement also utilized appropriation: its members blended different artistic disciplines including visual art, music, and literature. Throughout the 1960s and 1970s they staged "action" events and produced sculptural works featuring unconventional materials.

1196:, despite being clearly appropriated, because "the public unlikely to see the painting as sponsored by the soup company or representing a competing product. Paintings and soup cans are not in themselves competing products," according to expert trademark lawyer 1049:

Some say that only lazy people who have nothing to say let themselves be inspired by the past in this way. Others fear, that this new trend of appropriation is caused by nothing more than the wish of embellishing oneself with an attractive genealogy. The term

3215:

the appropriation of the image makes a new meaning in the work, while it is recontextualized and reinterpreted, because the appropriations in the work of this artist has the intention of make a rearticulation of the memory (individual, sociopolitical and

85:

is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art." The

5225: 1303:

threatened to sue a gallery under copyright, claiming that the gallery infringed his proprietary rights by selling bookends in the shape of balloon dogs. Koons abandoned that claim after the gallery filed a complaint for

971: 1183:

licensing of the Orange Prince for use as a magazine cover did not qualify as fair use of a copyrighted photo taken for use in a magazine, leaving for another day whether the painting itself could qualify as fair use.

539:

in 1965 at the Bianchini Gallery in New York. She trained to reproduce the artist's own technique—to the extent that when Warhol was repeatedly questioned on his technique, he once answered "I don't know. Ask Elaine."

790:

In the 1990s artists continued to produce appropriation art, using it as a medium to address theories and social issues, rather than focussing on the works themselves. This typically is the case of Peruvian painter

372:

movement continued to play with the appropriation of everyday objects and their combination in collage. Dada works featured deliberate irrationality and the rejection of the prevailing standards of art.

1153: 749:

Richard Pettibone began replicating on a miniature scale works by newly famous artists such as Andy Warhol, and later also modernist masters, signing the original artist's name as well as his own.

1038:

The new "generation remix"—who have taken the stages not only of the visual arts, but also of music, literature, dance and film—causes, of course, highly controversial debates. Media scholars

1137:. Patricia Caulfield, one such photographer, had taken a picture of flowers for a photography demonstration for a photography magazine. Without her permission, Warhol covered the walls of 1308:

stating, "As virtually any clown can attest, no one owns the idea of making a balloon dog, and the shape created by twisting a balloon into a dog-like form is part of the public domain."

1248:

magazine to illustrate an article on metallic makeup. Koons took the image of the legs and diamond sandals from that photo (omitting other background details) and used it in his painting

612:

Whilst appropriation in bygone eras utilised the likes of 'language', contemporary appropriation has been symbolised by photography as a means of 'semiotic models of representation'. The

5275: 951:

and whose style fuses historic pop imagery and contemporary cultural iconography to create his version of a pop–graffiti art hybrid first popularized by other street artists.

5463: 2271: 7209: 6988: 4190: 1296:

in an out-of-court settlement. The charitable donation was less than Emms had hoped for. Hirst sold three more copies of his sculpture for similar amounts to the first.

941:

with the Veil paintings, that according to Hirst were "inspired by Pointillist techniques and Impressionist and Post-Impressionist painters such as Bonnard and Seurat".

4214: 482:

appropriated images from commercial art and popular culture as well as the techniques of these industries with for example Warhol painting Coca-Cola bottles. Called "

4161: 6938: 6738: 2835: 3560: 4112: 2516: 662:, who addressed the act of appropriating itself as a theme in art. Levine often quotes entire works in her own work, for example photographing photographs of 6300: 5205: 312:

appropriated objects from a non-art context into their work. In 1912, Picasso pasted a piece of oil cloth onto the canvas. Subsequent compositions, such as

38:

is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the

2985: 889:

who reinterpreted logos of brands like Google or works by David Hockney. Many urban and street artists also use images from the popular culture such as

983:(2005), sold for 115.9 million Hong Kong dollars, or about $ 14.7 million U.S. dollars. In addition, he has reworked other familiar characters such as 6993: 575: 6268: 5731: 1229:

directed at a specific work, finding parody of a specific work, especially of a very obscure one, too weak to justify the fair use of the original.

767:, and in the vein of the readymades of Duchamp. Later he created sculptures in stainless steel inspired by inflatable toys such as bunnies or dogs. 535:, Roy Lichtenstein, and more. While not exclusively reproducing Pop Art, that was a significant focus of her practice. She replicated Andy Warhol's 4349: 697:

shots. His work takes anonymous and ubiquitous cigarette billboard advertising campaigns, elevates the status and focuses our gaze on the images.

6701: 5456: 3489: 1220:

sculpturally reproduced Rogers' black-and-white photograph that had appeared on an airport greeting card that Koons had bought. Though he claimed

1097:

in the United States, provides a defense against copyright infringement when an artist can prove that their use of the underlying work is "fair".

736: 2320: 1382:

In September 2014, U.S. Court of Appeals for the Seventh Circuit questioned the Second Circuit's interpretation of the fair use doctrine in the

5745: 594: 4424: 3876: 3415: 3292: 2995: 2968: 2194: 134: 7015: 6229: 4487: 1439: 3137:

a lo largo de estos quince años, he trabajado con la iconografía de occidente, tratando de ofrecer un testimonio de la situación social.

2958: 7137: 6453: 5737: 4444: 2707: 7147: 7037: 5449: 3195:

LETRAS, revista de investigación científica de la Facultad de Letras y Ciencias Humanas de la Universidad Nacional Mayor de San Marcos

2555: 527:), on the other hand, created replicas of famous works by her contemporaries. Artists she 'copycatted' included Warhol, Jasper Johns, 58:). In the visual arts, "to appropriate" means to properly adopt, borrow, recycle or sample aspects (or the entire form) of human-made 4384: 927:) who had posted a selfie on Instagram.The modifications to the images by the artist are the comments Prince added under the photos. 912:

appropriates iconic paintings from European and North American art history and populates them with Indigenous visions of resistance.

7205: 6971: 5753: 3771: 3465: 3229: 2076: 1465: 1000: 73:

whatever it borrows to create the new work. In most cases, the original "thing" remains accessible as the original, without change.

4130: 377:

shows a similar sensibility in his "merz" works. He constructed parts of these from found objects, and they took the form of large

4419: 4271: 3632: 2612: 2427: 7201: 7172: 7115: 2809: 7263: 5106: 4799: 3796: 3116:

comentarios pictóricos de otros cuadros. Pero esta definición resulta estrecha, si se tiene en cuenta la evolución de su obra.

3432: 1443: 629: 499: 342: 155: 3923: 327:. The two artists incorporated aspects of the "real world" into their canvases, opening up discussion of signification and 2346:"816 (818, 613): To Theo van Gogh. Saint-Rémy-de-Provence, on or about Sunday, 3 November 1889. - Vincent van Gogh Letters" 1172:

along with 15 additional pieces. Goldsmith was not made aware of the series until after the musician's death in 2016, when

7125: 6814: 6075: 5788: 5531: 4784: 4709: 4429: 3535: 3332: 1387:

argument that there is a split among U.S. courts as to what role "transformativeness" is to play in any fair use inquiry.

1067:

issues regarding its validity under copyright law. The U.S. has been particularly litigious in this respect. A number of

214: 183: 179: 2370: 1404:

case, articulating concerns that judges may be creating a fair use "privilege largely reserved for the rich and famous."

7298: 7258: 7142: 6976: 6778: 5709: 5408: 5335: 856: 855:

gained prominence through his appropriation of historical images and documents to criticize historical violence against

111: 63: 885:

Appropriation is frequently used by contemporary artists who often reinterpret previous artworks such as French artist

555:

who included everyday machine-made objects—ranging from buttons and spoons to automobiles and boxes filled with trash.

7132: 7110: 6931: 1355:

filter that built images out of dissected Chuck Close paintings. The story was first reported by online arts magazine

234: 1428: 867:(1770), forgoing color in most of the frame to instead highlight the imagery of a Delaware warrior inserted by West. 4439: 7157: 7042: 6293: 4934: 4764: 2091: 1236:". For a seven-painting commission for the Deutsche Guggenheim Berlin, Koons drew on part of a photograph taken by 938: 864: 422: 257: 4420:

Open Source Culture: Intellectual Property, Technology, and the Arts, Columbia Digital Media Center lecture series

4191:"Seventh Circuit Criticizes Second Circuit's "Transformative Use" Approach to Fair Use | Publications | Proskauer" 3657: 2933: 1447: 1432: 7268: 6348: 5876: 4641: 1937: 1847: 1517: 4919: 4252: 1482:

artists known for their use of pre-existing objects or images with little or no transformation applied to them:

7253: 7196: 7189: 7167: 6790: 6353: 6065: 5642: 5509: 5295: 5079: 4480: 3356: 2071: 1252:, which also includes three other pairs of women's legs dangling surreally over a landscape of pies and cakes. 742: 4834: 2580: 4093: 796: 7120: 6981: 6638: 6446: 6307: 6086: 5355: 5305: 4859: 4729: 4459: 3975: 2141: 1662: 1256: 1188: 1104:

the purpose and character of the use (commercial or educational, transformative or reproductive, political);

613: 284: 249: 1400: 7152: 7095: 6919: 6378: 6358: 5285: 5235: 4992: 4694: 4560: 2096: 1942: 1897: 1702: 1622: 1213: 1168: 848: 432:(1936). These found objects took on new meaning when combined with other unlikely and unsettling objects. 20: 2740: 1289: 624:, who utilized appropriation and montage to reveal the constructed nature of images. An exhibition named 7179: 7100: 7085: 6846: 6733: 6696: 6405: 6373: 5970: 5413: 4987: 4940: 4849: 4674: 4647: 4621: 4555: 4291:"Fair Use for the Rich and Fabulous? | The University of Chicago Law Review | The University of Chicago" 4233: 3260: 2027: 1732: 1299:

Appropriating a familiar object to make an artwork can prevent the artist claiming copyright ownership.

1094: 934: 328: 218:

was also inspired by the work of the Old Masters; specifically, its composition is based on a detail of

6965: 4962: 4392: 682:

and commodity value, the social sources and uses of art, Levine plays with the theme of "almost same".

3822: 7288: 7052: 7005: 6802: 6691: 6510: 6080: 5871: 5375: 5255: 5245: 5153: 5126: 5029: 4809: 4550: 3405: 1887: 1742: 1657: 1178:

published a tribute featuring one of Warhol's works. In its opinion, the Court held that each of the

690: 587: 219: 4068: 7283: 7105: 7069: 7047: 6926: 6841: 6415: 6368: 6363: 6343: 6104: 5965: 5793: 5704: 5499: 5418: 5385: 5360: 5195: 5148: 5143: 4914: 4904: 4874: 4854: 4739: 4591: 4545: 4540: 4535: 4530: 4473: 3681: 3606: 2186: 1987: 1827: 1527: 1072: 548: 544: 441: 397: 253: 70: 39: 4829: 3766:. Caroline Schneider, Jeanine Herman (2nd ed.). New York: Lukas & Sternberg. p. 19. 1479: 7227: 7010: 6836: 6686: 6439: 6279: 6092: 5881: 5667: 5380: 5370: 5340: 5315: 5101: 5039: 4899: 4699: 4606: 4525: 4510: 4290: 4166: 2866: 2858: 1697: 1692: 1682: 1557: 1305: 1288:

radically changing the perception of the object. Hirst paid an undisclosed sum to two charities,

1118: 1100:

The Act gives four factors to be considered to determine whether a particular use is a fair use:

764: 347: 142: 3490:"Damien Hirst's latest artworks 'done exactly like my people's story', Indigenous artist claims" 3193:[The Power is Nourished by Dogmas. The Appropriation in the Work of Herman Braun‑Vega]. 2884: 2140:

Chilvers, Ian & Glaves-Smith, John eds., Dictionary of Modern and Contemporary Art, Oxford:

417: 393: 3840: 2394: 1293: 7184: 7162: 7090: 6831: 6645: 6564: 6495: 6323: 5952: 5778: 5621: 5576: 5551: 5494: 5430: 5390: 5265: 5158: 5132: 4774: 4734: 4689: 4669: 4626: 4601: 4520: 4515: 4345: 4027: 3872: 3777: 3767: 3440: 3411: 3308: 3288: 3206: 3149: 2991: 2964: 2715: 2190: 2052: 2047: 1852: 1782: 1607: 1542: 1149: 1013: 830: 826: 812: 792: 667: 520: 428: 151: 4215:"Chuck Close Succeeds In Stifling A Creative Homage... But Only For Another 100 Years Or So!" 2758: 444:

used what he dubbed "combines", combining readymade objects such as tires or beds, painting,

7064: 6866: 6861: 6851: 6650: 6520: 6041: 6026: 5991: 5699: 5672: 5647: 5606: 5596: 5546: 4894: 4844: 4789: 4704: 4636: 4276: 3924:"Let's dance like we used to.... A critical intervention on a new trend of Appropriationism" 3380: 3198: 2850: 2247: 2066: 2002: 1637: 1592: 1371: 1335: 1316: 966: 902: 834: 694: 632:(The Met) in New York City from April 29 – August 2, 2009 that included among other artists 532: 490: 401: 382: 245: 193: 186:. The unusual pose is known to have been inspired by the famous ancient Roman wall painting 147: 3282: 7278: 7222: 7032: 7000: 6894: 6871: 6586: 6383: 6198: 6193: 6173: 6021: 5960: 5904: 5773: 5662: 4779: 4719: 4596: 4398: 2345: 2042: 1862: 1787: 1737: 1672: 1647: 1552: 1537: 1280: 1208: 1134: 1076: 1039: 924: 633: 563: 475: 445: 378: 374: 229: 208: 198: 163: 55: 24: 6006: 4414: 3237: 4415:

The New York Institute for the Humanities Comedies of Fair U$ e conference (Archive.org)

2210: 7293: 6886: 6876: 6773: 6655: 6490: 6242: 5835: 5803: 5714: 5571: 5541: 5536: 5365: 5345: 5215: 4972: 4924: 4884: 4819: 4769: 4749: 4684: 4434: 4371: 4330: 3586: 2116: 2086: 1997: 1992: 1972: 1967: 1952: 1917: 1892: 1877: 1822: 1817: 1772: 1752: 1642: 1617: 1612: 1602: 1512: 1497: 1487: 1366: 1320: 1312: 1157: 1145: 916: 890: 870: 783: 760: 720: 686: 659: 645: 641: 637: 617: 606: 579: 334: 309: 138: 119: 115: 107: 59: 4342:

La Apropiación Posmoderna: Arte, Práctica apropiacionista y Teoría de la Posmodernidad

3999: 2295: 452:, working at the same time as Rauschenberg, incorporated found objects into his work. 16:

Use of pre-existing objects or images with little or no transformation applied to them

7273: 7247: 7025: 6914: 6904: 6826: 6665: 6660: 6559: 6420: 6318: 6183: 6178: 6148: 6133: 6016: 5861: 5813: 5616: 5601: 5521: 5395: 5185: 5044: 4967: 4909: 4824: 4804: 4664: 4616: 4257: 2908: 2870: 2604: 2419: 2154: 2121: 1962: 1957: 1947: 1927: 1872: 1842: 1832: 1812: 1802: 1777: 1757: 1747: 1597: 1567: 1562: 1547: 1532: 1357: 1237: 1197: 1174: 1043: 944: 886: 860: 842: 727: 701: 653: 514: 510: 505: 459:

in which he recombined existing film clips. In 1958 Raphael Montanez Ortiz produced

413: 389: 357: 352: 305: 3802: 2248:"1856 – Jean-Auguste-Dominique Ingres, Madame Moitessier | Fashion History Timeline" 1107:

the nature of the copyrighted work (fictional or factual, the degree of creativity);

190:. In doing so, the artist created a link between his model and an Olympian goddess. 6909: 6591: 6515: 6410: 6011: 5840: 5783: 5657: 5652: 5561: 5516: 4999: 4864: 4744: 4724: 4576: 3433:"Instagram, an artist and the $ 100,000 selfies – appropriation in the digital age" 3333:"Upcoming: Zevs – "The Big Oil Splash" @ Lazarides Rathbone « Arrested Motion" 2111: 2012: 2007: 1982: 1932: 1912: 1712: 1667: 1632: 1587: 1577: 1272: 1138: 988: 984: 976: 930: 909: 898: 852: 816: 731: 705: 663: 559: 528: 449: 263: 87: 82: 3510: 3059: 2854: 1727: 266:, a collector of Japanese prints, created several works inspired by these such as 5226:

A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful

4455: 4234:"Letter to Chuck Close from the digital artist whom he threatened with a lawsuit" 4147: 3866: 3191:"El poder se nutre de dogmas. El apropiacionismo en la obra de Herman Braun‑Vega" 3035: 3011: 2634: 7232: 7020: 6899: 6821: 6785: 6768: 6758: 6723: 6601: 6574: 6569: 6530: 6525: 6462: 6431: 6400: 6188: 6138: 6121: 5986: 5942: 5798: 5611: 5168: 5121: 4977: 4929: 4889: 4839: 4631: 4113:"6 Hilarious Zingers From the Balloon-Dog Freedom Suit Filed Against Jeff Koons" 2022: 1977: 1907: 1902: 1807: 1762: 1707: 1687: 1677: 1627: 1582: 1572: 1522: 1502: 1417: 1390:

In 2013, Andrew Gilden and Timothy Greene published a law review article in The

1348: 1344: 1130: 1024: 820: 804: 716: 709: 679: 649: 479: 69:

Inherent in the understanding of appropriation is the concept that the new work

47: 2635:"Appropriation in Art - An Overview of Artistic Appropriation in the Art World" 2448: 1166:

magazine. In 1984, Warhol used the photograph as a source to create a work for

873:

appropriated the appropriated when she made polished cast bronze urinals named

7059: 6954: 6809: 6797: 6763: 6718: 6708: 6611: 6606: 6219: 6143: 5932: 5866: 5504: 5138: 5116: 5009: 4794: 4754: 4714: 4581: 4496: 4272:"How the Artist Who Built the 'Chuck Close Filter' Got Slammed by Chuck Close" 4238: 3202: 2503:

Cabanne, P., and Snowdon, P. (1997). Duchamp & Co. Paris: Terrail, pp. 114

2494:

Cabanne, P., and Snowdon, P. (1997). Duchamp & Co. Paris: Terrail, pp. 105

1882: 1797: 1792: 1717: 1652: 1300: 1203: 808: 752: 675: 602: 494: 409: 123: 99: 43: 3561:"'Uncanny similarity': new Damien Hirst works in spot of bother in Australia" 3444: 3210: 2782: 2719: 1323:

for copyright infringement. Prince had appropriated 40 of Cariou's photos of

1133:

faced a series of lawsuits from photographers whose work he appropriated and

763:, often selected for brand names that appealed to the artist like the iconic 6728: 6618: 6535: 6466: 6168: 6116: 5996: 5937: 5825: 5626: 5581: 5566: 5556: 5441: 5049: 5019: 4814: 4759: 4679: 4611: 3826: 3781: 3190: 3131:[Herman Braun: I try to offer a testimony of the social situation]. 2658: 2517:

The most radical gesture: The Situationist International in a postmodern age

2321:"The artist whom Van Gogh most admired—and whose work fetched record prices" 2101: 2037: 2017: 1867: 1857: 1837: 1722: 1492: 1362: 1352: 1324: 1193: 1064: 1032: 1028: 1017: 838: 775: 290: 2556:"Understanding Eugène Delacroix through 5 of His Most Provocative Artworks" 2296:"Japonism: This Is What Claude Monet's Art Has in Common with Japanese Art" 1232:

In October 2006, Koons successfully defended a different work by claiming "

1206:

has also confronted issues of copyright due to his appropriation work (see

666:. Challenging ideas of originality, drawing attention to relations between 316:(1913) in which Picasso used newspaper clippings to create forms, is early 19:

This article is about an artistic practice. For the cultural practice, see

242:

before painting a series of the Atlantic Ocean during the summer of 1869.

6959: 6856: 6596: 6581: 6552: 6505: 6388: 6274: 6098: 6070: 6001: 5927: 5912: 5820: 5350: 5084: 5034: 5014: 4879: 4219: 3536:"Did Damien Hirst Rip Off Aboriginal Australian Artists's Work? | Frieze" 2395:"How Japanese Art Influenced and Inspired European Impressionist Artists" 2106: 2032: 1922: 1376: 1233: 1221: 1162: 1111: 1088: 1068: 4449: 2862: 715:

Other artists working with appropriation during this time with included

6713: 6623: 6500: 6485: 6313: 6287: 6031: 5856: 5830: 5694: 5163: 5111: 5069: 5054: 5024: 4586: 4357: 2081: 1192:

are generally held to be a non-infringing fair use of the soup maker's

621: 483: 317: 239: 103: 95: 3907:

cf. Diedrichsen, Diedrich (September 2008). "Showfreaks und Monster".

3128: 3106: 3084: 2682: 2272:"Le Dejeuner Sur L'Herbe (The Luncheon on the Grass) by Edouard Manet" 1394:

dissecting the factual similarities and legal differences between the

811:

and reality. Other high-profile artists working at this time included

6681: 6633: 6628: 6547: 6036: 5922: 5917: 5808: 5591: 5526: 5096: 5074: 5004: 4982: 3167: 3129:"Herman Braun: trato de ofrecer un testimonio de la situación social" 2485:. London and Cambridge: Whitechapel Gallery and the MIT Press, pp. 40 1507: 1225: 996: 992: 948: 894: 700:

Appropriation artists comment on all aspects of culture and society.

671: 467: 323: 203: 175:

Many artists made references to works by previous artists or themes.

91: 3764:

Postproduction: culture as screenplay: how art reprograms the world

3734:

Postproduction. Culture as screenplay. How art reprograms the world

248:

can be named with the examples of the paintings he did inspired by

6542: 6128: 6109: 5586: 4869: 3197:(in Spanish). Vol. 92, no. 135. Lima. pp. 177–190. 923:

appropriating the photos of anonymous and famous persons (such as

774: 734:. In 1978-79 she produced one of the first video appropriations. 593: 574: 552: 551:

who compressed cars to create monumental sculptures or the artist

133: 51: 4379: 3150:"La familia Informal | Obra destacada Colección Ralli Braun-Vega" 2449:"Exploring the Cutting-Edge History and Evolution of Collage Art" 1369:, author of several books on sampling and appropriation, said in 969:

which itself was a parody of the cover art for the Beatles album

755:

gained recognition in the 1980 by creating conceptual sculptures

6395: 6262: 5090: 5064: 1767: 954: 412:, coming after the Dada movement, also incorporated the use of ' 369: 6435: 5445: 4469: 4403: 5059: 1411: 1152:

to create a series of 16 silkscreens and pencil illustrations

31: 4465: 3658:"$ 14.7 M. KAWS Painting Smashes Auction Record in Hong Kong" 3466:"The story of Richard Prince and his $ 100,000 Instagram art" 1268:

sufficiently original to deserve much copyright protection."

2990:(2nd ed.). London: Bloomsbury Publishing. p. 194. 1071:

examples have emerged that investigate the division between

3012:"Richard Pettibone – 88 Artworks, Bio & Shows on Artsy" 2683:"Roy Lichtenstein Foundation – Roy Lichtenstein Foundation" 4408: 1212:). Photographer Art Rogers brought suit against Koons for 3944:

Aden, Maike (Summer 2016). "Ulises Carrión Carries On!".

3706: 1375:

that Scott Blake's art should fall under the doctrine of

2371:"Talking Objects: Claude Monet and the Rise of Japonism" 2511: 2509: 4028:"Andy Warhol Foundation for Visible Arts v. Goldsmith" 2836:"Reframing Pictures: Reading the Art of Appropriation" 1160:, was commissioned in 1981 as an artist reference for 1042:

coined in the begin of the 2000s here the term of the

5276:

The Work of Art in the Age of Mechanical Reproduction

1327:

from a book, creating a series of paintings known as

2934:"Who Actually Shot Richard Prince's Iconic Cowboys?" 1311:

In 2008, photojournalist Patrick Cariou sued artist

833:

who borrows images from historical artists (such as

7078: 6947: 6885: 6749: 6674: 6473: 6332: 6255: 6207: 6157: 6054: 5979: 5951: 5903: 5894: 5849: 5766: 5723: 5681: 5635: 5487: 5480: 5328: 5177: 4950: 4657: 4569: 4503: 4094:"Jeff Koons' balloon-dog claim ends with a whimper" 3976:"When Does an Artist's Appropriation Become Theft?" 3868:

Retro Mania Pop Culture's Addiction To Its Own Past

3381:"Banksy Street Art in Bristol – VisitBristol.co.uk" 2960:

Art After Appropriation: Essays on Art in the 1990s

859:. Houle's work Kanata (1992) utilized imagery from 2810:"The Art of Copying: Ten Masters of Appropriation" 1156:. The photograph, taken by celebrity photographer 345:exhibition under the pseudonym, R. Mutt. Entitled 232:is believed to have seen the famous color woodcut 106:. It returned to prominence in the 1980s with the 3492:. Australian Broadcasting Corporation. 2018-03-28 2544:, Dietrich, Cambridge University Press 1993, p6-7 933:was accused in 2018 of appropriating the work of 158:exhibit, with entry tag visible. The backdrop is 4261:, December 26, 2012. Retrieved January 27, 2018. 4185: 4183: 3607:"Mr. Brainwash – "life is beautiful" Exhibition" 3309:"Fountain (Buddha) - Sherrie Levine | The Broad" 3189:Guerrero Zegarra, María Alexandra (2021-06-01). 2472:Elger, D. (2006). Dadaism. Koln: Taschen, pp. 80 1347:threatened legal action against computer artist 1283:had bought for a reported £1m) was exhibited in 6939:Timeline of 20th century printmaking in America 979:. On April 1, 2019, at Sotheby's in Hong Kong, 947:is an urban artist who became famous thanks to 845:, and inserts his own face and body into them. 4253:"The Most Popular Hyperallergic Posts of 2012" 1063:Appropriation art has resulted in contentious 800:The Informal Family (Velazquez, Goya, Picasso) 455:In 1958 Bruce Conner produced the influential 6447: 5767:Cinema / television / video 5457: 4481: 4361:, Thames & Hudson Ltd, 2006, p. 221. 3749:The third wave. The classic study of tomorrow 1114:of the portion of the original work used; and 807:used film and cinema to comment on themes of 571:1970–1980: The Picture Generation and Neo Pop 493:became known for appropriating pictures from 8: 6301:Palimpsests: Literature in the Second Degree 5206:The Literary Mind and the Carving of Dragons 4318:Appropriation: Documents of Contemporary Art 4280:, July 10, 2012. Retrieved January 27, 2018. 4242:, July 11, 2012. Retrieved January 27, 2018. 4223:, July 16, 2012. Retrieved January 27, 2018. 4131:"A Win for Richard Prince in Copyright Case" 2483:Appropriation: Documents of contemporary art 2176: 2174: 1121:(or potential market) for the original work. 110:artists, and is now common practice amongst 4335:Digital Currents: Art in the Electronic Age 3682:"10 things to know about KAWS | Christie's" 2885:"The Pictures Generation Movement Overview" 1446:. Unsourced material may be challenged and 689:re-photographed advertisements such as for 294:Geisha, a pair of hanging scroll paintings, 6454: 6440: 6432: 5900: 5687: 5484: 5464: 5450: 5442: 4488: 4474: 4466: 3795:Djordjevic, V.; Dobusch, L., eds. (2014). 3174:(in Spanish). 1995-09-14. pp. 90–91. 3060:"Jeff Koons | Biography, Art, & Facts" 1244:and published in the August 2000 issue of 1148:held that Warhol's use of a photograph of 937:and others from the painting community in 730:was working with appropriation to produce 4014:Found. for Visual Arts, Inc. v. Goldsmith 3892:Benjamin Franzen; Kembrew McLeod (2009). 3113:(in Spanish). Lima: El Caballo Rojo: 14. 3036:"Jeff Koons Biography, Life & Quotes" 1466:Learn how and when to remove this message 543:In Europe, a group of artists called the 4058:(New York: Allworth Press, 1996), p. 142 3177:cultural que este intercambio posibilita 3085:"Herman Braun-Vega: Arte de apropiación" 1361:, it was reprinted on the front page of 957:, has used appropriation in his series, 803:gives them a new meaning. For his part, 2659:"Andy Warhol | Green Coca-Cola Bottles" 2519:. London and New York: Routledge, pp.44 2133: 737:Technology/Transformation: Wonder Woman 509:(1963) and from famous artists such as 448:, collage, and photography. Similarly, 3823:Download Lessig's Remix, Then Remix It 2909:"Sherrie Levine Paintings, Bio, Ideas" 2708:"Taking Copycatting to a Higher Level" 1365:, and spread rapidly through the web. 1179: 905:with his girl with a pierced eardrum. 616:was a group of artists, influenced by 337:in 1915 introduced the concept of the 4393:Koons Wins Landmark Copyright Lawsuit 3431:Parkinson, Hannah Jane (2015-07-18). 3276: 3274: 2804: 2802: 2181:Wilson, Simon; Lack, Jessica (2008), 972:Sgt. Pepper's Lonely Hearts Club Band 463:, a seminal appropriation film work. 23:. For another cultural practice, see 7: 3259:Rosenberg, Karen (15 January 2015). 3135:(in Spanish). Lima: 16. 1984-11-30. 2530:The complete works of Marcel Duchamp 1444:adding citations to reliable sources 388:During his Nice Period (1908–1913), 3105:Ramón Ribeyro, Julio (1981-05-17). 2579:Eisenman, Stephen F. (2018-11-01). 1186:On the other hand, Warhol's famous 704:appropriated images to engage with 489:Among the most famous pop artists, 474:In the early 1960s artists such as 320:that became categorized as part of 314:Guitar, Newspaper, Glass and Bottle 7038:Index of painting-related articles 4380:Appropriation Art Coalition-Canada 4035:Supreme Court of the United States 3736:. New York: Lucas & Sternberg. 3587:"Mr Brainwash makes UK show debut" 2739:Hans Ulrich Obrist (19 May 2014). 2532:, New York, Delano Greenidge, 2000 2183:The Tate Guide to Modern Art Terms 1264:artistically, is transformative." 1259:of U.S. District Court found that 919:released a series of works titled 626:The Pictures Generation, 1974–1984 547:used objects such as the sculptor 381:constructions that are now called 272:Fuji from the Platform of Sasayedo 62:. Notable in this respect are the 14: 4411:an international student movement 4092:Whiting, Sam (February 4, 2011). 3974:Meiselman, Jessica (2017-12-28). 3909:Texte zur Kunst. Artists' Artists 3410:. Toronto: Art Canada Institute. 3287:. Toronto: Art Canada Institute. 2369:Covenantarthistory (2016-04-23). 2077:Classificatory disputes about art 599:Three Ball Total Equilibrium Tank 289:1876 likely inspired by Kitagawa 188:Herakles Finding His Son Telephas 5424: 4160:RANDY KENNEDY (April 25, 2013). 4111:ALLEN, EMMA (January 21, 2011). 4016:, 11 F.4th 26, 54 (2d Cir. 2021) 4000:"Andy Warhol's Flower Paintings" 3228:Graf, Marcus (October 6, 2013). 2783:"Arman | French-American artist" 2554:Gotthardt, Alexxa (2018-09-10). 1416: 1392:University of Chicago Law Review 280:Under Mannen Bridge at Fukagawa, 4162:"Court Rules in Artist's Favor" 4069:"top-10-appropriation-artworks" 4056:The Business of Being an Artist 3946:Journal of Artists' Books (JAB) 3801:. iRights Media. Archived from 3705:Hedinger J.; Meyer, T. (2011). 3656:Armstrong, Annie (2019-04-01). 3230:"Self Portrait? by Genco Gülan" 2963:. Routledge. pp. 33, 190. 2615:from the original on 2004-10-25 2542:The Collages of Kurt Schwitters 2430:from the original on 2004-10-14 1117:the effect of the use upon the 1059:Appropriation art and copyright 897:, who appropriated artworks by 304:In the early twentieth century 4340:(es) Juan Martín Prada (2001) 4150:, ARTnews LLC, March 22, 2012. 3464:Plaugic, Lizzie (2015-05-30). 2706:Cotter, Holland (2014-11-13). 2155:"MoMA | Glossary of Art Terms" 975:replaced with characters from 740:utilised video clips from the 630:The Metropolitan Museum of Art 436:1950–1960: Pop art and realism 343:Society of Independent Artists 300:First half of the 20th century 156:Society of Independent Artists 1: 6230:Pierre Menard, Author of the 6076:Archetypal literary criticism 5636:Literature / theatre 3871:. London: Faber & Faber. 3631:Adair, Torsten (2019-11-19). 3585:Geoghegan, Kev (2012-08-03). 3407:Kent Monkman: Life & Work 3284:Robert Houle: Life & Work 2984:Meigh-Andrews, Chris (2013). 2855:10.1080/00043249.2016.1269561 955:Brian Donnelly, known as Kaws 392:painted several paintings of 274:by Katsushika Hokusai ; 268:The Garden at Sainte-Adresse, 6977:Museum collection management 6900:Art history (academic study) 6779:alternative exhibition space 6042:Source criticism in the arts 5710:Readymades of Marcel Duchamp 5336:Aestheticization of politics 4452:Remixing conceptual artworks 4054:as quoted in Grant, Daniel, 3865:cf. Reynolds, Simon (2011). 2741:"Elaine Sturtevant obituary" 857:Indigenous peoples in Canada 98:, and continuing into 1940s 90:traces the practice back to 64:readymades of Marcel Duchamp 7138:Colossal sculptures in situ 6842:Artist-in-residence program 6243:Reality Hunger: A Manifesto 4374:Statements on Appropriation 4320:, Cambridge: MIT Press 2009 4098:The San Francisco Chronicle 3762:Bourriaud, Nicolas (2005). 3747:cf. Toffler, Alvin (1980). 3732:Bourriaud, Nicolas (2002). 3083:Román, Élida (2003-01-05). 2932:Cohen, Alina (2018-03-02). 2834:Linden, Liz (Winter 2016). 2633:artincontext (2022-02-28). 2605:"Henri Matisse (1869–1954)" 1408:Artists using appropriation 685:During the 1970s and 1980s 235:The Great Wave off Kanagawa 7315: 7148:Contemporary art galleries 7043:Outline of the visual arts 6349:Appropriation in sociology 3959:cf. Virilio, Paul (1992). 3922:Aden, Maike (April 2016). 3839:Hardy, S. (11 June 2013). 3511:"The art of appropriation" 2687:lichtensteinfoundation.org 2211:"Appropriation – Art Term" 2092:Copies by Vincent van Gogh 1086: 939:Utopia, Northern Territory 865:The Death of General Wolfe 426:(1936) or Salvador Dalí's 258:Copies by Vincent van Gogh 81:Appropriation, similar to 18: 7218: 6354:Articulation in sociology 5877:Revivalism (architecture) 5690: 5404: 3841:"Rip!: A Remix Manifesto" 3357:"The Story Behind Banksy" 3203:10.30920/letras.92.135.13 2759:"César | French sculptor" 2252:fashionhistory.fitnyc.edu 1112:amount and substantiality 7202:Most expensive paintings 6989:Conservation-restoration 6791:Contemporary art gallery 6066:Aesthetic interpretation 4399:Koons wins appeal (2006) 3404:Madill, Shirley (2022). 3281:Madill, Shirley (2018). 3091:(in Spanish). Lima: 29. 423:Object (Luncheon in Fur) 282:1830-1831 by Hokusai or 182:painted the portrait of 7210:works by living artists 6972:Classificatory disputes 6308:The Pictures Generation 6087:The Death of the Author 5356:Evolutionary aesthetics 5306:The Aesthetic Dimension 4460:Temporary appropriation 4456:Temporary appropriation 4430:Sherri Levine Interview 3713:(in German and English) 3064:Encyclopædia Britannica 2957:Welchman, John (2013). 2787:Encyclopædia Britannica 2763:Encyclopædia Britannica 2581:"Delacroix's Modernism" 2481:Evans, D (ed.).(2009). 2142:Oxford University Press 1216:in 1989. Koons' work, 1180:four "fair use" factors 849:Saulteaux First Nations 841:) to modern artists as 497:with paintings such as 329:artistic representation 215:Le Déjeuner sur l'herbe 7264:Concepts in aesthetics 6379:Copyright infringement 6359:Cultural appropriation 5286:Avant-Garde and Kitsch 5236:Lectures on Aesthetics 4458:or in Knowledge (XXG) 4450:transordinator/edition 4388:Decision (August 2005) 4295:lawreview.uchicago.edu 3707:"000|1 Vorwort Band I" 2987:A History of Video Art 2097:Cultural appropriation 1898:Mohammad Rakibul Hasan 1703:Jake and Dinos Chapman 1623:Felipe Jesus Consalvos 1257:Judge Louis L. Stanton 1214:copyright infringement 787: 609: 591: 523:(also known simply as 461:Cowboy and Indian Film 224:The Judgement of Paris 167: 146:, 1917, photograph by 21:Cultural appropriation 6847:Artist-run initiative 6734:Visual arts education 6406:Participatory culture 6374:Intellectual property 5431:Philosophy portal 1242:Silk Sandals by Gucci 1095:Copyright Act of 1976 1001:SpongeBob SquarePants 967:Simpsons Yellow Album 908:Canadian Cree artist 797:Ralli Marbella Museum 778: 732:feminist works of art 597: 578: 202:in 1865, inspired by 137: 7143:Contemporary artists 7006:Destination painting 6803:Single-artist museum 6692:Conservator-restorer 6081:Artistic inspiration 5905:Intertextual figures 5872:Parody advertisement 5376:Philosophy of design 5256:In Praise of Shadows 5246:The Critic as Artist 3168:"Artista en Familia" 3154:Museo Ralli Marbella 2235:Duchamp: A Biography 1440:improve this section 1189:Campbell's Soup Cans 1126:Examples of lawsuits 1073:transformative works 831:appropriation artist 588:Buick Grand National 250:Jean Francois Millet 220:Marcantonio Raimondi 112:contemporary artists 7299:Art and culture law 7259:Artistic techniques 7133:Art reference books 6927:History of painting 6511:Fine-art photograph 6416:Recontextualisation 6369:Information society 6364:History of printing 6344:Academic dishonesty 6105:Genius (literature) 5794:Literal music video 5705:Photographic mosaic 5500:Chopped and screwed 5386:Philosophy of music 5361:Mathematical beauty 3961:Rasender Stillstand 3896:(documentary film). 3894:Copyright Criminals 3845:Creative Generalist 3751:. New York: Bantam. 3709:[Preface]. 3633:"Syndicated Comics" 3261:"Yasumasa Morimura" 2325:theartnewspaper.com 2276:thehistoryofart.org 2187:Tate Publishing Ltd 1988:Robert Rauschenberg 1401:Salinger v. Colting 1290:Children Nationwide 782:a bronze remake by 746:television series. 691:Marlboro cigarettes 614:Pictures Generation 558:The German artists 442:Robert Rauschenberg 276:The Water Lily Pond 238:by Japanese artist 154:following the 1917 40:history of the arts 7228:Visual arts portal 7158:National galleries 7011:Eclecticism in art 6966:Catalogue raisonné 6837:Artist cooperative 6093:Divine inspiration 5882:Video game modding 5724:By source material 5381:Philosophy of film 5371:Patterns in nature 5341:Applied aesthetics 5316:Why Beauty Matters 5102:Life imitating art 4963:Art for art's sake 4372:Michalis Pichler: 4167:The New York Times 4146:Pollack, Barbara, 3963:. München: Hanser. 3265:The New York Times 3240:on August 30, 2019 2712:The New York Times 2515:Plant, S. (1992). 2350:vangoghletters.org 2189:, pp. 20–21, 1698:J. Tobias Anderson 1693:Hans-Peter Feldman 1683:Hank Willis Thomas 1558:Cornelia Sollfrank 1478:The following are 1343:In November 2010, 1306:declaratory relief 1007:In the digital age 788: 726:In the late 1970s 610: 592: 240:Katsushika Hokusai 168: 7241: 7240: 6832:Artist collective 6646:Site-specific art 6496:Cultural artifact 6429: 6428: 6336:artistic concepts 6324:Russian formalism 6050: 6049: 5890: 5889: 5779:Anime music video 5762: 5761: 5754:Statue of Liberty 5552:Musical quotation 5495:Bootleg recording 5439: 5438: 5391:Psychology of art 5266:Art as Experience 4251:Vartanian, Hrag. 4195:www.proskauer.com 4129:Corbett, Rachel; 3878:978-0-86547-994-4 3686:www.christies.com 3515:THE ETHICS CENTRE 3417:978-1-4871-0280-7 3294:978-1-4871-0170-1 2997:978-0-85785-188-8 2970:978-1-136-80136-5 2196:978-1-85437-750-0 2144:, 2009. pp. 27–28 2053:Yasumasa Morimura 2048:Vivienne Westwood 1853:Matthieu Laurette 1783:Kenneth Goldsmith 1608:Elaine Sturtevant 1543:Christian Marclay 1476: 1475: 1468: 1255:In his decision, 1218:String of Puppies 1083:What is fair use? 1014:Nicolas Bourriaud 827:Yasumasa Morimura 813:Christian Marclay 793:Herman Braun-Vega 780:Fountain (Buddha) 567:a grocery store. 521:Elaine Sturtevant 429:Lobster Telephone 270:1867 inspired by 184:Madame Moitessier 152:291 (art gallery) 7306: 7269:Contemporary art 7197:Stolen paintings 7065:Sociology of art 7016:Economics of art 6867:Sculpture garden 6852:Artist-run space 6651:Social sculpture 6521:Installation art 6456: 6449: 6442: 6433: 6248: 6238: 6225: 6056:Related artistic 6022:Imitation in art 5992:Assemblage (art) 5901: 5700:Combine painting 5688: 5673:Verbatim theatre 5648:Cut-up technique 5547:Music plagiarism 5485: 5466: 5459: 5452: 5443: 5429: 5428: 5427: 5321: 5311: 5301: 5291: 5281: 5271: 5261: 5251: 5241: 5231: 5221: 5211: 5201: 5191: 4490: 4483: 4476: 4467: 4404:Creative Commons 4386:Blanche v. Koons 4355:Brandon Taylor, 4350:978 84 2450 8814 4305: 4304: 4302: 4301: 4287: 4281: 4268: 4262: 4249: 4243: 4232:Doctorow, Cory. 4230: 4224: 4211: 4205: 4204: 4202: 4201: 4187: 4178: 4177: 4175: 4174: 4157: 4151: 4144: 4138: 4127: 4121: 4120: 4108: 4102: 4101: 4089: 4083: 4082: 4080: 4079: 4065: 4059: 4052: 4046: 4045: 4043: 4041: 4032: 4023: 4017: 4010: 4004: 4003: 3996: 3990: 3989: 3987: 3986: 3971: 3965: 3964: 3956: 3950: 3949: 3941: 3935: 3934: 3928: 3919: 3913: 3912: 3904: 3898: 3897: 3889: 3883: 3882: 3862: 3856: 3855: 3853: 3851: 3836: 3830: 3820: 3814: 3813: 3811: 3810: 3798:Generation Remix 3792: 3786: 3785: 3759: 3753: 3752: 3744: 3738: 3737: 3729: 3723: 3722: 3720: 3718: 3702: 3696: 3695: 3693: 3692: 3678: 3672: 3671: 3669: 3668: 3653: 3647: 3646: 3644: 3643: 3628: 3622: 3621: 3619: 3618: 3603: 3597: 3596: 3594: 3593: 3582: 3576: 3575: 3573: 3572: 3557: 3551: 3550: 3548: 3547: 3532: 3526: 3525: 3523: 3522: 3507: 3501: 3500: 3498: 3497: 3486: 3480: 3479: 3477: 3476: 3461: 3455: 3454: 3452: 3451: 3428: 3422: 3421: 3401: 3395: 3394: 3392: 3391: 3377: 3371: 3370: 3368: 3367: 3353: 3347: 3346: 3344: 3343: 3329: 3323: 3322: 3320: 3319: 3313:www.thebroad.org 3305: 3299: 3298: 3278: 3269: 3268: 3256: 3250: 3249: 3247: 3245: 3236:. Archived from 3225: 3219: 3218: 3186: 3180: 3179: 3164: 3158: 3157: 3146: 3140: 3139: 3125: 3119: 3118: 3102: 3096: 3095: 3080: 3074: 3073: 3071: 3070: 3056: 3050: 3049: 3047: 3046: 3032: 3026: 3025: 3023: 3022: 3008: 3002: 3001: 2981: 2975: 2974: 2954: 2948: 2947: 2945: 2944: 2929: 2923: 2922: 2920: 2919: 2905: 2899: 2898: 2896: 2895: 2881: 2875: 2874: 2840: 2831: 2825: 2824: 2822: 2821: 2806: 2797: 2796: 2794: 2793: 2779: 2773: 2772: 2770: 2769: 2755: 2749: 2748: 2736: 2730: 2729: 2727: 2726: 2703: 2697: 2696: 2694: 2693: 2679: 2673: 2672: 2670: 2669: 2655: 2649: 2648: 2646: 2645: 2639:artincontext.org 2630: 2624: 2623: 2621: 2620: 2601: 2595: 2594: 2592: 2591: 2576: 2570: 2569: 2567: 2566: 2551: 2545: 2539: 2533: 2528:Arturo Schwarz, 2526: 2520: 2513: 2504: 2501: 2495: 2492: 2486: 2479: 2473: 2470: 2464: 2463: 2461: 2460: 2445: 2439: 2438: 2436: 2435: 2426:. October 2004. 2416: 2410: 2409: 2407: 2406: 2391: 2385: 2384: 2382: 2381: 2366: 2360: 2359: 2357: 2356: 2342: 2336: 2335: 2333: 2332: 2327:. 4 October 2019 2317: 2311: 2310: 2308: 2307: 2292: 2286: 2285: 2283: 2282: 2268: 2262: 2261: 2259: 2258: 2244: 2238: 2231: 2225: 2224: 2222: 2221: 2206: 2200: 2199: 2178: 2169: 2168: 2166: 2165: 2151: 2145: 2138: 2067:Art intervention 2003:Stephanie Syjuco 1638:George Pusenkoff 1593:Dominique Mulhem 1518:Benjamin Edwards 1471: 1464: 1460: 1457: 1451: 1420: 1412: 1336:Cariou v. Prince 1317:Gagosian Gallery 1154:was not fair use 1077:derivative works 1052:appropriationism 965:inspired by the 935:Emily Kngwarreye 695:photo-journalism 533:James Rosenquist 491:Roy Lichtenstein 402:Women of Algiers 246:Vincent van Gogh 148:Alfred Stieglitz 83:found object art 71:recontextualizes 7314: 7313: 7309: 7308: 7307: 7305: 7304: 7303: 7254:Social concepts 7244: 7243: 7242: 7237: 7223:Painting portal 7214: 7121:sculpture parks 7074: 7033:Elements of art 7001:Cultural policy 6943: 6895:Timeline of art 6881: 6872:Sculpture trail 6751: 6745: 6670: 6587:Performance art 6469: 6460: 6430: 6425: 6411:Pirate politics 6384:Derivative work 6337: 6335: 6328: 6251: 6246: 6236: 6223: 6212: 6210: 6203: 6199:Story structure 6194:Stock character 6174:Formula fiction 6162: 6160: 6159:Standard blocks 6153: 6059: 6057: 6046: 5975: 5947: 5896: 5886: 5845: 5774:Abridged series 5758: 5746:Michelangelo's 5738:Michelangelo's 5719: 5684: 5677: 5663:Jukebox musical 5631: 5476: 5470: 5440: 5435: 5425: 5423: 5400: 5324: 5319: 5309: 5299: 5296:Critical Essays 5289: 5279: 5269: 5259: 5249: 5239: 5229: 5219: 5209: 5199: 5189: 5173: 4946: 4860:Ortega y Gasset 4653: 4565: 4499: 4494: 4368: 4344:. Fundamentos. 4337:Routledge 2004. 4327: 4325:Further reading 4313: 4308: 4299: 4297: 4289: 4288: 4284: 4269: 4265: 4250: 4246: 4231: 4227: 4213:Masnick, Mike. 4212: 4208: 4199: 4197: 4189: 4188: 4181: 4172: 4170: 4159: 4158: 4154: 4145: 4141: 4135:Artnet Magazine 4128: 4124: 4110: 4109: 4105: 4091: 4090: 4086: 4077: 4075: 4067: 4066: 4062: 4053: 4049: 4039: 4037: 4030: 4026:Supreme Court. 4025: 4024: 4020: 4011: 4007: 3998: 3997: 3993: 3984: 3982: 3973: 3972: 3968: 3958: 3957: 3953: 3943: 3942: 3938: 3926: 3921: 3920: 3916: 3906: 3905: 3901: 3891: 3890: 3886: 3879: 3864: 3863: 3859: 3849: 3847: 3838: 3837: 3833: 3821: 3817: 3808: 3806: 3794: 3793: 3789: 3774: 3761: 3760: 3756: 3746: 3745: 3741: 3731: 3730: 3726: 3716: 3714: 3704: 3703: 3699: 3690: 3688: 3680: 3679: 3675: 3666: 3664: 3655: 3654: 3650: 3641: 3639: 3630: 3629: 3625: 3616: 3614: 3605: 3604: 3600: 3591: 3589: 3584: 3583: 3579: 3570: 3568: 3559: 3558: 3554: 3545: 3543: 3534: 3533: 3529: 3520: 3518: 3509: 3508: 3504: 3495: 3493: 3488: 3487: 3483: 3474: 3472: 3463: 3462: 3458: 3449: 3447: 3430: 3429: 3425: 3418: 3403: 3402: 3398: 3389: 3387: 3379: 3378: 3374: 3365: 3363: 3355: 3354: 3350: 3341: 3339: 3331: 3330: 3326: 3317: 3315: 3307: 3306: 3302: 3295: 3280: 3279: 3272: 3258: 3257: 3253: 3243: 3241: 3234:Visual Art Beat 3227: 3226: 3222: 3188: 3187: 3183: 3166: 3165: 3161: 3148: 3147: 3143: 3127: 3126: 3122: 3104: 3103: 3099: 3082: 3081: 3077: 3068: 3066: 3058: 3057: 3053: 3044: 3042: 3034: 3033: 3029: 3020: 3018: 3010: 3009: 3005: 2998: 2983: 2982: 2978: 2971: 2956: 2955: 2951: 2942: 2940: 2931: 2930: 2926: 2917: 2915: 2907: 2906: 2902: 2893: 2891: 2883: 2882: 2878: 2838: 2833: 2832: 2828: 2819: 2817: 2808: 2807: 2800: 2791: 2789: 2781: 2780: 2776: 2767: 2765: 2757: 2756: 2752: 2738: 2737: 2733: 2724: 2722: 2705: 2704: 2700: 2691: 2689: 2681: 2680: 2676: 2667: 2665: 2657: 2656: 2652: 2643: 2641: 2632: 2631: 2627: 2618: 2616: 2603: 2602: 2598: 2589: 2587: 2578: 2577: 2573: 2564: 2562: 2553: 2552: 2548: 2540: 2536: 2527: 2523: 2514: 2507: 2502: 2498: 2493: 2489: 2480: 2476: 2471: 2467: 2458: 2456: 2447: 2446: 2442: 2433: 2431: 2418: 2417: 2413: 2404: 2402: 2393: 2392: 2388: 2379: 2377: 2375:Talking Objects 2368: 2367: 2363: 2354: 2352: 2344: 2343: 2339: 2330: 2328: 2319: 2318: 2314: 2305: 2303: 2294: 2293: 2289: 2280: 2278: 2270: 2269: 2265: 2256: 2254: 2246: 2245: 2241: 2232: 2228: 2219: 2217: 2208: 2207: 2203: 2197: 2180: 2179: 2172: 2163: 2161: 2153: 2152: 2148: 2139: 2135: 2131: 2126: 2062: 2057: 2043:Vikky Alexander 1863:Meret Oppenheim 1788:Kurt Schwitters 1738:John Baldessari 1673:Graig Kreindler 1648:Gerhard Richter 1553:Claes Oldenburg 1538:Burhan Dogancay 1472: 1461: 1455: 1452: 1437: 1421: 1410: 1351:for creating a 1281:Charles Saatchi 1209:Rogers v. Koons 1128: 1091: 1085: 1061: 1040:Lawrence Lessig 1009: 925:Pamela Anderson 883: 773: 761:vacuum-cleaners 634:John Baldessari 584:Covering Hannah 573: 564:Gerhard Richter 562:and his friend 476:Claes Oldenburg 438: 418:Méret Oppenheim 379:gesamtkunstwerk 375:Kurt Schwitters 302: 230:Gustave Courbet 212:. His painting 209:Venus of Urbino 173: 164:Marsden Hartley 132: 79: 56:performing arts 28: 25:Reappropriation 17: 12: 11: 5: 7312: 7310: 7302: 7301: 7296: 7291: 7286: 7281: 7276: 7271: 7266: 7261: 7256: 7246: 7245: 7239: 7238: 7236: 7235: 7230: 7225: 7219: 7216: 7215: 7213: 7212: 7199: 7194: 7193: 7192: 7182: 7177: 7176: 7175: 7173:by nationality 7170: 7160: 7155: 7153:Modern artists 7150: 7145: 7140: 7135: 7130: 7129: 7128: 7123: 7118: 7113: 7103: 7098: 7096:Art techniques 7093: 7088: 7082: 7080: 7076: 7075: 7073: 7072: 7067: 7062: 7057: 7056: 7055: 7050: 7040: 7035: 7030: 7029: 7028: 7023: 7013: 7008: 7003: 6998: 6997: 6996: 6986: 6985: 6984: 6982:deaccessioning 6974: 6969: 6962: 6957: 6951: 6949: 6945: 6944: 6942: 6941: 6936: 6935: 6934: 6924: 6923: 6922: 6912: 6907: 6902: 6897: 6891: 6889: 6887:History of art 6883: 6882: 6880: 6879: 6877:Virtual museum 6874: 6869: 6864: 6859: 6854: 6849: 6844: 6839: 6834: 6829: 6824: 6819: 6818: 6817: 6807: 6806: 6805: 6795: 6794: 6793: 6783: 6782: 6781: 6774:Art exhibition 6771: 6766: 6761: 6755: 6753: 6747: 6746: 6744: 6743: 6742: 6741: 6731: 6726: 6721: 6716: 6711: 6706: 6705: 6704: 6699: 6689: 6684: 6678: 6676: 6672: 6671: 6669: 6668: 6663: 6658: 6656:Soft sculpture 6653: 6648: 6643: 6642: 6641: 6636: 6631: 6626: 6616: 6615: 6614: 6604: 6599: 6594: 6589: 6584: 6579: 6578: 6577: 6572: 6567: 6557: 6556: 6555: 6550: 6540: 6539: 6538: 6528: 6523: 6518: 6513: 6508: 6503: 6498: 6493: 6491:Conceptual art 6488: 6483: 6477: 6475: 6471: 6470: 6461: 6459: 6458: 6451: 6444: 6436: 6427: 6426: 6424: 6423: 6418: 6413: 6408: 6403: 6398: 6393: 6392: 6391: 6386: 6381: 6371: 6366: 6361: 6356: 6351: 6346: 6340: 6338: 6333: 6330: 6329: 6327: 6326: 6321: 6316: 6311: 6304: 6297: 6290: 6285: 6277: 6272: 6269:De Copia Rerum 6265: 6259: 6257: 6253: 6252: 6250: 6249: 6239: 6226: 6215: 6213: 6208: 6205: 6204: 6202: 6201: 6196: 6191: 6186: 6181: 6176: 6171: 6165: 6163: 6158: 6155: 6154: 6152: 6151: 6146: 6141: 6136: 6131: 6126: 6125: 6124: 6114: 6113: 6112: 6107: 6102: 6090: 6083: 6078: 6073: 6068: 6062: 6060: 6055: 6052: 6051: 6048: 6047: 6045: 6044: 6039: 6034: 6029: 6024: 6019: 6014: 6009: 6004: 5999: 5994: 5989: 5983: 5981: 5980:Other concepts 5977: 5976: 5974: 5973: 5968: 5963: 5957: 5955: 5949: 5948: 5946: 5945: 5940: 5935: 5930: 5925: 5920: 5915: 5909: 5907: 5898: 5892: 5891: 5888: 5887: 5885: 5884: 5879: 5874: 5869: 5864: 5859: 5853: 5851: 5847: 5846: 5844: 5843: 5838: 5833: 5828: 5823: 5818: 5817: 5816: 5806: 5804:Re-cut trailer 5801: 5796: 5791: 5786: 5781: 5776: 5770: 5768: 5764: 5763: 5760: 5759: 5757: 5756: 5751: 5743: 5735: 5727: 5725: 5721: 5720: 5718: 5717: 5712: 5707: 5702: 5697: 5691: 5685: 5682: 5679: 5678: 5676: 5675: 5670: 5665: 5660: 5655: 5650: 5645: 5639: 5637: 5633: 5632: 5630: 5629: 5624: 5619: 5614: 5609: 5604: 5599: 5594: 5589: 5584: 5579: 5574: 5572:Plunderphonics 5569: 5564: 5559: 5554: 5549: 5544: 5539: 5534: 5529: 5524: 5519: 5514: 5513: 5512: 5502: 5497: 5491: 5489: 5482: 5478: 5477: 5471: 5469: 5468: 5461: 5454: 5446: 5437: 5436: 5434: 5433: 5421: 5416: 5411: 5405: 5402: 5401: 5399: 5398: 5393: 5388: 5383: 5378: 5373: 5368: 5366:Neuroesthetics 5363: 5358: 5353: 5348: 5346:Arts criticism 5343: 5338: 5332: 5330: 5326: 5325: 5323: 5322: 5312: 5302: 5292: 5282: 5272: 5262: 5252: 5242: 5232: 5222: 5216:On the Sublime 5212: 5202: 5192: 5181: 5179: 5175: 5174: 5172: 5171: 5166: 5161: 5156: 5151: 5146: 5141: 5136: 5129: 5124: 5119: 5114: 5109: 5104: 5099: 5094: 5087: 5082: 5080:Interpretation 5077: 5072: 5067: 5062: 5057: 5052: 5047: 5042: 5037: 5032: 5027: 5022: 5017: 5012: 5007: 5002: 4997: 4996: 4995: 4990: 4980: 4975: 4973:Artistic merit 4970: 4965: 4960: 4954: 4952: 4948: 4947: 4945: 4944: 4937: 4932: 4927: 4922: 4917: 4912: 4907: 4902: 4897: 4892: 4887: 4882: 4877: 4872: 4867: 4862: 4857: 4852: 4847: 4842: 4837: 4832: 4827: 4822: 4817: 4812: 4807: 4802: 4797: 4792: 4787: 4782: 4777: 4772: 4767: 4762: 4757: 4752: 4747: 4742: 4737: 4732: 4727: 4722: 4717: 4712: 4707: 4702: 4697: 4692: 4687: 4682: 4677: 4672: 4667: 4661: 4659: 4655: 4654: 4652: 4651: 4644: 4639: 4634: 4629: 4624: 4622:Psychoanalysis 4619: 4614: 4609: 4604: 4599: 4594: 4589: 4584: 4579: 4573: 4571: 4567: 4566: 4564: 4563: 4558: 4553: 4548: 4543: 4538: 4533: 4528: 4523: 4518: 4513: 4507: 4505: 4501: 4500: 4495: 4493: 4492: 4485: 4478: 4470: 4464: 4463: 4453: 4447: 4442: 4437: 4432: 4427: 4422: 4417: 4412: 4406: 4401: 4396: 4390: 4382: 4377: 4367: 4366:External links 4364: 4363: 4362: 4353: 4338: 4331:Margot Lovejoy 4326: 4323: 4322: 4321: 4312: 4309: 4307: 4306: 4282: 4270:Dayal, Geeta. 4263: 4244: 4225: 4206: 4179: 4152: 4139: 4122: 4103: 4084: 4060: 4047: 4018: 4005: 3991: 3966: 3951: 3948:(40, in prep). 3936: 3914: 3899: 3884: 3877: 3857: 3831: 3815: 3787: 3772: 3754: 3739: 3724: 3697: 3673: 3648: 3623: 3598: 3577: 3552: 3542:. 3 April 2018 3527: 3502: 3481: 3456: 3423: 3416: 3396: 3372: 3348: 3337:ArrestedMotion 3324: 3300: 3293: 3270: 3251: 3220: 3181: 3159: 3141: 3120: 3107:"Herman Braun" 3097: 3075: 3051: 3027: 3003: 2996: 2976: 2969: 2949: 2924: 2900: 2876: 2826: 2798: 2774: 2750: 2731: 2698: 2674: 2650: 2625: 2596: 2571: 2546: 2534: 2521: 2505: 2496: 2487: 2474: 2465: 2440: 2411: 2386: 2361: 2337: 2312: 2287: 2263: 2239: 2226: 2201: 2195: 2170: 2146: 2132: 2130: 2127: 2125: 2124: 2119: 2117:Postmodern art 2114: 2109: 2104: 2099: 2094: 2089: 2087:Conceptual art 2084: 2079: 2074: 2069: 2063: 2061: 2058: 2056: 2055: 2050: 2045: 2040: 2035: 2030: 2025: 2020: 2015: 2010: 2005: 2000: 1998:Sherrie Levine 1995: 1993:Shepard Fairey 1990: 1985: 1980: 1975: 1973:Rick Prelinger 1970: 1968:Richard Prince 1965: 1960: 1955: 1953:Pierre Bismuth 1950: 1945: 1940: 1938:People Like Us 1935: 1930: 1925: 1920: 1918:Norm Magnusson 1915: 1910: 1905: 1900: 1895: 1893:Miltos Manetas 1890: 1885: 1880: 1878:Michel Platnic 1875: 1870: 1865: 1860: 1855: 1850: 1845: 1840: 1835: 1830: 1825: 1823:Marcel Duchamp 1820: 1818:Malcolm Morley 1815: 1810: 1805: 1800: 1795: 1790: 1785: 1780: 1775: 1773:Karen Kilimnik 1770: 1765: 1760: 1755: 1753:Joseph Cornell 1750: 1745: 1740: 1735: 1730: 1725: 1720: 1715: 1710: 1705: 1700: 1695: 1690: 1685: 1680: 1675: 1670: 1665: 1663:Gordon Bennett 1660: 1655: 1650: 1645: 1643:Georges Braque 1640: 1635: 1630: 1625: 1620: 1618:Fatimah Tuggar 1615: 1613:Eric Doeringer 1610: 1605: 1603:Douglas Gordon 1600: 1595: 1590: 1585: 1580: 1575: 1570: 1565: 1560: 1555: 1550: 1545: 1540: 1535: 1530: 1525: 1520: 1515: 1513:Barbara Kruger 1510: 1505: 1500: 1498:Aleksandra Mir 1495: 1490: 1484: 1474: 1473: 1424: 1422: 1415: 1409: 1406: 1367:Kembrew McLeod 1313:Richard Prince 1158:Lynn Goldsmith 1146:Second Circuit 1127: 1124: 1123: 1122: 1115: 1108: 1105: 1087:Main article: 1084: 1081: 1060: 1057: 1008: 1005: 981:The Kaws Album 963:The Kaws Album 917:Richard Prince 891:Shepard Fairey 882: 879: 871:Sherrie Levine 829:is a Japanese 784:Sherrie Levine 772: 769: 759:, a series of 757:The New series 721:Malcolm Morley 687:Richard Prince 660:Sherrie Levine 646:Richard Prince 642:Sherrie Levine 638:Barbara Kruger 607:Tate Liverpool 580:Richard Prince 572: 569: 440:In the 1950s, 437: 434: 396:, inspired by 335:Marcel Duchamp 310:Georges Braque 301: 298: 172: 169: 139:Marcel Duchamp 131: 128: 120:Sherrie Levine 116:Richard Prince 78: 75: 60:visual culture 15: 13: 10: 9: 6: 4: 3: 2: 7311: 7300: 7297: 7295: 7292: 7290: 7287: 7285: 7282: 7280: 7277: 7275: 7272: 7270: 7267: 7265: 7262: 7260: 7257: 7255: 7252: 7251: 7249: 7234: 7231: 7229: 7226: 7224: 7221: 7220: 7217: 7211: 7207: 7203: 7200: 7198: 7195: 7191: 7188: 7187: 7186: 7183: 7181: 7180:Photographers 7178: 7174: 7171: 7169: 7166: 7165: 7164: 7161: 7159: 7156: 7154: 7151: 7149: 7146: 7144: 7141: 7139: 7136: 7134: 7131: 7127: 7126:single artist 7124: 7122: 7119: 7117: 7114: 7112: 7109: 7108: 7107: 7104: 7102: 7101:Art movements 7099: 7097: 7094: 7092: 7089: 7087: 7086:Art magazines 7084: 7083: 7081: 7077: 7071: 7068: 7066: 7063: 7061: 7058: 7054: 7051: 7049: 7046: 7045: 7044: 7041: 7039: 7036: 7034: 7031: 7027: 7026:art valuation 7024: 7022: 7019: 7018: 7017: 7014: 7012: 7009: 7007: 7004: 7002: 6999: 6995: 6992: 6991: 6990: 6987: 6983: 6980: 6979: 6978: 6975: 6973: 6970: 6968: 6967: 6963: 6961: 6958: 6956: 6953: 6952: 6950: 6946: 6940: 6937: 6933: 6930: 6929: 6928: 6925: 6921: 6918: 6917: 6916: 6913: 6911: 6910:Art movements 6908: 6906: 6905:Art manifesto 6903: 6901: 6898: 6896: 6893: 6892: 6890: 6888: 6884: 6878: 6875: 6873: 6870: 6868: 6865: 6863: 6860: 6858: 6855: 6853: 6850: 6848: 6845: 6843: 6840: 6838: 6835: 6833: 6830: 6828: 6827:Arts festival 6825: 6823: 6820: 6816: 6813: 6812: 6811: 6808: 6804: 6801: 6800: 6799: 6796: 6792: 6789: 6788: 6787: 6784: 6780: 6777: 6776: 6775: 6772: 6770: 6767: 6765: 6762: 6760: 6757: 6756: 6754: 6748: 6740: 6737: 6736: 6735: 6732: 6730: 6727: 6725: 6722: 6720: 6717: 6715: 6712: 6710: 6707: 6703: 6700: 6698: 6695: 6694: 6693: 6690: 6688: 6685: 6683: 6680: 6679: 6677: 6673: 6667: 6666:Artwork title 6664: 6662: 6661:Stained glass 6659: 6657: 6654: 6652: 6649: 6647: 6644: 6640: 6637: 6635: 6632: 6630: 6627: 6625: 6622: 6621: 6620: 6617: 6613: 6610: 6609: 6608: 6605: 6603: 6600: 6598: 6595: 6593: 6590: 6588: 6585: 6583: 6580: 6576: 6573: 6571: 6568: 6566: 6563: 6562: 6561: 6560:New media art 6558: 6554: 6551: 6549: 6546: 6545: 6544: 6541: 6537: 6534: 6533: 6532: 6529: 6527: 6524: 6522: 6519: 6517: 6514: 6512: 6509: 6507: 6504: 6502: 6499: 6497: 6494: 6492: 6489: 6487: 6484: 6482: 6481:Appropriation 6479: 6478: 6476: 6472: 6468: 6464: 6457: 6452: 6450: 6445: 6443: 6438: 6437: 6434: 6422: 6421:Remix culture 6419: 6417: 6414: 6412: 6409: 6407: 6404: 6402: 6399: 6397: 6394: 6390: 6387: 6385: 6382: 6380: 6377: 6376: 6375: 6372: 6370: 6367: 6365: 6362: 6360: 6357: 6355: 6352: 6350: 6347: 6345: 6342: 6341: 6339: 6331: 6325: 6322: 6320: 6319:Postmodernism 6317: 6315: 6312: 6310: 6309: 6305: 6303: 6302: 6298: 6296: 6295: 6291: 6289: 6286: 6284: 6283: 6278: 6276: 6273: 6271: 6270: 6266: 6264: 6261: 6260: 6258: 6254: 6245: 6244: 6240: 6234: 6233: 6227: 6222: 6221: 6217: 6216: 6214: 6209:Epoch-marking 6206: 6200: 6197: 6195: 6192: 6190: 6187: 6185: 6184:Jazz standard 6182: 6180: 6179:Genre fiction 6177: 6175: 6172: 6170: 6167: 6166: 6164: 6156: 6150: 6149:Western canon 6147: 6145: 6142: 6140: 6137: 6135: 6134:Genre studies 6132: 6130: 6127: 6123: 6120: 6119: 6118: 6115: 6111: 6108: 6106: 6103: 6101: 6100: 6096: 6095: 6094: 6091: 6088: 6084: 6082: 6079: 6077: 6074: 6072: 6069: 6067: 6064: 6063: 6061: 6053: 6043: 6040: 6038: 6035: 6033: 6030: 6028: 6025: 6023: 6020: 6018: 6015: 6013: 6010: 6008: 6005: 6003: 6000: 5998: 5995: 5993: 5990: 5988: 5985: 5984: 5982: 5978: 5972: 5969: 5967: 5964: 5962: 5959: 5958: 5956: 5954: 5950: 5944: 5941: 5939: 5936: 5934: 5931: 5929: 5926: 5924: 5921: 5919: 5916: 5914: 5911: 5910: 5908: 5906: 5902: 5899: 5893: 5883: 5880: 5878: 5875: 5873: 5870: 5868: 5865: 5863: 5862:Internet meme 5860: 5858: 5855: 5854: 5852: 5848: 5842: 5839: 5837: 5834: 5832: 5829: 5827: 5824: 5822: 5819: 5815: 5814:Shot-for-shot 5812: 5811: 5810: 5807: 5805: 5802: 5800: 5797: 5795: 5792: 5790: 5789:Found footage 5787: 5785: 5782: 5780: 5777: 5775: 5772: 5771: 5769: 5765: 5755: 5752: 5750: 5749: 5744: 5742: 5741: 5736: 5734: 5733: 5729: 5728: 5726: 5722: 5716: 5713: 5711: 5708: 5706: 5703: 5701: 5698: 5696: 5693: 5692: 5689: 5686: 5680: 5674: 5671: 5669: 5666: 5664: 5661: 5659: 5656: 5654: 5651: 5649: 5646: 5644: 5641: 5640: 5638: 5634: 5628: 5625: 5623: 5620: 5618: 5615: 5613: 5610: 5608: 5605: 5603: 5602:Sound collage 5600: 5598: 5595: 5593: 5590: 5588: 5585: 5583: 5580: 5578: 5575: 5573: 5570: 5568: 5565: 5563: 5560: 5558: 5555: 5553: 5550: 5548: 5545: 5543: 5540: 5538: 5535: 5533: 5532:Interpolation 5530: 5528: 5525: 5523: 5522:Cover version 5520: 5518: 5515: 5511: 5508: 5507: 5506: 5503: 5501: 5498: 5496: 5493: 5492: 5490: 5486: 5483: 5479: 5474: 5473:Appropriation 5467: 5462: 5460: 5455: 5453: 5448: 5447: 5444: 5432: 5422: 5420: 5417: 5415: 5412: 5410: 5407: 5406: 5403: 5397: 5396:Theory of art 5394: 5392: 5389: 5387: 5384: 5382: 5379: 5377: 5374: 5372: 5369: 5367: 5364: 5362: 5359: 5357: 5354: 5352: 5349: 5347: 5344: 5342: 5339: 5337: 5334: 5333: 5331: 5327: 5318: 5317: 5313: 5308: 5307: 5303: 5298: 5297: 5293: 5287: 5283: 5277: 5273: 5268: 5267: 5263: 5258: 5257: 5253: 5247: 5243: 5238: 5237: 5233: 5228: 5227: 5223: 5218: 5217: 5213: 5208: 5207: 5203: 5198: 5197: 5193: 5188: 5187: 5186:Hippias Major 5183: 5182: 5180: 5176: 5170: 5167: 5165: 5162: 5160: 5157: 5155: 5152: 5150: 5147: 5145: 5142: 5140: 5137: 5135: 5134: 5130: 5128: 5125: 5123: 5120: 5118: 5115: 5113: 5110: 5108: 5105: 5103: 5100: 5098: 5095: 5093: 5092: 5088: 5086: 5083: 5081: 5078: 5076: 5073: 5071: 5068: 5066: 5063: 5061: 5058: 5056: 5053: 5051: 5048: 5046: 5045:Entertainment 5043: 5041: 5038: 5036: 5033: 5031: 5028: 5026: 5023: 5021: 5018: 5016: 5013: 5011: 5008: 5006: 5003: 5001: 4998: 4994: 4991: 4989: 4986: 4985: 4984: 4981: 4979: 4976: 4974: 4971: 4969: 4968:Art manifesto 4966: 4964: 4961: 4959: 4958:Appropriation 4956: 4955: 4953: 4949: 4943: 4942: 4938: 4936: 4933: 4931: 4928: 4926: 4923: 4921: 4918: 4916: 4913: 4911: 4908: 4906: 4903: 4901: 4898: 4896: 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4876: 4873: 4871: 4868: 4866: 4863: 4861: 4858: 4856: 4853: 4851: 4850:Merleau-Ponty 4848: 4846: 4843: 4841: 4838: 4836: 4833: 4831: 4828: 4826: 4823: 4821: 4818: 4816: 4813: 4811: 4808: 4806: 4803: 4801: 4798: 4796: 4793: 4791: 4788: 4786: 4783: 4781: 4778: 4776: 4773: 4771: 4768: 4766: 4763: 4761: 4758: 4756: 4753: 4751: 4748: 4746: 4743: 4741: 4738: 4736: 4733: 4731: 4728: 4726: 4723: 4721: 4718: 4716: 4713: 4711: 4708: 4706: 4703: 4701: 4698: 4696: 4693: 4691: 4688: 4686: 4683: 4681: 4678: 4676: 4673: 4671: 4668: 4666: 4665:Abhinavagupta 4663: 4662: 4660: 4656: 4650: 4649: 4645: 4643: 4640: 4638: 4635: 4633: 4630: 4628: 4625: 4623: 4620: 4618: 4617:Postmodernism 4615: 4613: 4610: 4608: 4605: 4603: 4600: 4598: 4595: 4593: 4590: 4588: 4585: 4583: 4580: 4578: 4575: 4574: 4572: 4568: 4562: 4559: 4557: 4554: 4552: 4549: 4547: 4544: 4542: 4539: 4537: 4534: 4532: 4529: 4527: 4524: 4522: 4519: 4517: 4514: 4512: 4509: 4508: 4506: 4502: 4498: 4491: 4486: 4484: 4479: 4477: 4472: 4471: 4468: 4461: 4457: 4454: 4451: 4448: 4446: 4443: 4441: 4438: 4436: 4433: 4431: 4428: 4426: 4425:Public Domain 4423: 4421: 4418: 4416: 4413: 4410: 4407: 4405: 4402: 4400: 4397: 4394: 4391: 4389: 4387: 4383: 4381: 4378: 4376: 4375: 4370: 4369: 4365: 4360: 4359: 4354: 4351: 4347: 4343: 4339: 4336: 4332: 4329: 4328: 4324: 4319: 4316:David Evans, 4315: 4314: 4310: 4296: 4292: 4286: 4283: 4279: 4278: 4273: 4267: 4264: 4260: 4259: 4258:Hyperallergic 4254: 4248: 4245: 4241: 4240: 4235: 4229: 4226: 4222: 4221: 4216: 4210: 4207: 4196: 4192: 4186: 4184: 4180: 4169: 4168: 4163: 4156: 4153: 4149: 4148:"Copy Rights" 4143: 4140: 4136: 4132: 4126: 4123: 4118: 4117:BlouinArtinfo 4114: 4107: 4104: 4099: 4095: 4088: 4085: 4074: 4070: 4064: 4061: 4057: 4051: 4048: 4036: 4029: 4022: 4019: 4015: 4009: 4006: 4001: 3995: 3992: 3981: 3977: 3970: 3967: 3962: 3955: 3952: 3947: 3940: 3937: 3932: 3925: 3918: 3915: 3910: 3903: 3900: 3895: 3888: 3885: 3880: 3874: 3870: 3869: 3861: 3858: 3846: 3842: 3835: 3832: 3828: 3824: 3819: 3816: 3805:on 2016-05-16 3804: 3800: 3799: 3791: 3788: 3783: 3779: 3775: 3773:0-9745688-9-9 3769: 3765: 3758: 3755: 3750: 3743: 3740: 3735: 3728: 3725: 3712: 3708: 3701: 3698: 3687: 3683: 3677: 3674: 3663: 3659: 3652: 3649: 3638: 3634: 3627: 3624: 3612: 3608: 3602: 3599: 3588: 3581: 3578: 3566: 3562: 3556: 3553: 3541: 3537: 3531: 3528: 3516: 3512: 3506: 3503: 3491: 3485: 3482: 3471: 3467: 3460: 3457: 3446: 3442: 3438: 3434: 3427: 3424: 3419: 3413: 3409: 3408: 3400: 3397: 3386: 3385:Visit Bristol 3382: 3376: 3373: 3362: 3358: 3352: 3349: 3338: 3334: 3328: 3325: 3314: 3310: 3304: 3301: 3296: 3290: 3286: 3285: 3277: 3275: 3271: 3266: 3262: 3255: 3252: 3239: 3235: 3231: 3224: 3221: 3217: 3212: 3208: 3204: 3200: 3196: 3192: 3185: 3182: 3178: 3173: 3169: 3163: 3160: 3155: 3151: 3145: 3142: 3138: 3134: 3130: 3124: 3121: 3117: 3112: 3108: 3101: 3098: 3094: 3090: 3086: 3079: 3076: 3065: 3061: 3055: 3052: 3041: 3040:The Art Story 3037: 3031: 3028: 3017: 3013: 3007: 3004: 2999: 2993: 2989: 2988: 2980: 2977: 2972: 2966: 2962: 2961: 2953: 2950: 2939: 2935: 2928: 2925: 2914: 2913:The Art Story 2910: 2904: 2901: 2890: 2889:The Art Story 2886: 2880: 2877: 2872: 2868: 2864: 2860: 2856: 2852: 2848: 2844: 2837: 2830: 2827: 2815: 2811: 2805: 2803: 2799: 2788: 2784: 2778: 2775: 2764: 2760: 2754: 2751: 2746: 2742: 2735: 2732: 2721: 2717: 2713: 2709: 2702: 2699: 2688: 2684: 2678: 2675: 2664: 2660: 2654: 2651: 2640: 2636: 2629: 2626: 2614: 2610: 2609:metmuseum.org 2606: 2600: 2597: 2586: 2582: 2575: 2572: 2561: 2557: 2550: 2547: 2543: 2538: 2535: 2531: 2525: 2522: 2518: 2512: 2510: 2506: 2500: 2497: 2491: 2488: 2484: 2478: 2475: 2469: 2466: 2454: 2453:My Modern Met 2450: 2444: 2441: 2429: 2425: 2424:metmuseum.org 2421: 2415: 2412: 2400: 2399:My Modern Met 2396: 2390: 2387: 2376: 2372: 2365: 2362: 2351: 2347: 2341: 2338: 2326: 2322: 2316: 2313: 2301: 2297: 2291: 2288: 2277: 2273: 2267: 2264: 2253: 2249: 2243: 2240: 2236: 2230: 2227: 2216: 2212: 2205: 2202: 2198: 2192: 2188: 2184: 2177: 2175: 2171: 2160: 2156: 2150: 2147: 2143: 2137: 2134: 2128: 2123: 2122:Scratch video 2120: 2118: 2115: 2113: 2110: 2108: 2105: 2103: 2100: 2098: 2095: 2093: 2090: 2088: 2085: 2083: 2080: 2078: 2075: 2073: 2070: 2068: 2065: 2064: 2059: 2054: 2051: 2049: 2046: 2044: 2041: 2039: 2036: 2034: 2031: 2029: 2026: 2024: 2021: 2019: 2016: 2014: 2011: 2009: 2006: 2004: 2001: 1999: 1996: 1994: 1991: 1989: 1986: 1984: 1981: 1979: 1976: 1974: 1971: 1969: 1966: 1964: 1963:Reginald Case 1961: 1959: 1958:Pierre Huyghe 1956: 1954: 1951: 1949: 1948:Philip Taaffe 1946: 1944: 1943:Peter Saville 1941: 1939: 1936: 1934: 1931: 1929: 1928:Pablo Picasso 1926: 1924: 1921: 1919: 1916: 1914: 1911: 1909: 1906: 1904: 1901: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1881: 1879: 1876: 1874: 1873:Michael Landy 1871: 1869: 1866: 1864: 1861: 1859: 1856: 1854: 1851: 1849: 1848:Martin Arnold 1846: 1844: 1843:Marlene Dumas 1841: 1839: 1836: 1834: 1833:Marcus Harvey 1831: 1829: 1826: 1824: 1821: 1819: 1816: 1814: 1813:Luke Sullivan 1811: 1809: 1806: 1804: 1803:Louise Lawler 1801: 1799: 1796: 1794: 1791: 1789: 1786: 1784: 1781: 1779: 1778:Kelley Walker 1776: 1774: 1771: 1769: 1766: 1764: 1761: 1759: 1758:Joseph Kosuth 1756: 1754: 1751: 1749: 1748:John Stezaker 1746: 1744: 1741: 1739: 1736: 1734: 1731: 1729: 1726: 1724: 1721: 1719: 1716: 1714: 1711: 1709: 1706: 1704: 1701: 1699: 1696: 1694: 1691: 1689: 1686: 1684: 1681: 1679: 1676: 1674: 1671: 1669: 1666: 1664: 1661: 1659: 1656: 1654: 1651: 1649: 1646: 1644: 1641: 1639: 1636: 1634: 1631: 1629: 1626: 1624: 1621: 1619: 1616: 1614: 1611: 1609: 1606: 1604: 1601: 1599: 1598:Dorothy Cross 1596: 1594: 1591: 1589: 1586: 1584: 1581: 1579: 1576: 1574: 1571: 1569: 1568:Craig Baldwin 1566: 1564: 1563:Cory Arcangel 1561: 1559: 1556: 1554: 1551: 1549: 1548:Cindy Sherman 1546: 1544: 1541: 1539: 1536: 1534: 1533:Brian Dettmer 1531: 1529: 1526: 1524: 1521: 1519: 1516: 1514: 1511: 1509: 1506: 1504: 1501: 1499: 1496: 1494: 1491: 1489: 1486: 1485: 1483: 1481: 1470: 1467: 1459: 1456:December 2021 1449: 1445: 1441: 1435: 1434: 1430: 1425:This section 1423: 1419: 1414: 1413: 1407: 1405: 1403: 1402: 1398:case and the 1397: 1393: 1388: 1385: 1380: 1378: 1374: 1373: 1368: 1364: 1360: 1359: 1358:Hyperallergic 1354: 1350: 1346: 1341: 1340: 1338: 1337: 1330: 1326: 1322: 1321:Rizzoli books 1318: 1314: 1309: 1307: 1302: 1297: 1295: 1291: 1286: 1282: 1278: 1275:'s sculpture 1274: 1269: 1265: 1262: 1258: 1253: 1251: 1247: 1243: 1239: 1238:Andrea Blanch 1235: 1230: 1227: 1223: 1219: 1215: 1211: 1210: 1205: 1201: 1199: 1198:Jerome Gilson 1195: 1191: 1190: 1184: 1181: 1177: 1176: 1171: 1170: 1165: 1164: 1159: 1155: 1151: 1147: 1144:In 2021, the 1142: 1140: 1136: 1135:silk-screened 1132: 1125: 1120: 1116: 1113: 1109: 1106: 1103: 1102: 1101: 1098: 1096: 1090: 1082: 1080: 1078: 1074: 1070: 1066: 1058: 1056: 1053: 1047: 1045: 1044:remix culture 1041: 1036: 1034: 1030: 1026: 1022: 1019: 1015: 1006: 1004: 1002: 998: 994: 990: 986: 982: 978: 974: 973: 968: 964: 960: 959:The Kimpsons, 956: 952: 950: 946: 945:Mr. Brainwash 942: 940: 936: 932: 928: 926: 922: 921:New Portraits 918: 913: 911: 906: 904: 900: 896: 892: 888: 880: 878: 876: 872: 868: 866: 862: 861:Benjamin West 858: 854: 850: 846: 844: 843:Cindy Sherman 840: 836: 835:Édouard Manet 832: 828: 824: 822: 818: 814: 810: 806: 801: 798: 794: 785: 781: 777: 770: 768: 766: 762: 758: 754: 750: 747: 745: 744: 739: 738: 733: 729: 728:Dara Birnbaum 724: 722: 718: 713: 711: 707: 703: 702:Joseph Kosuth 698: 696: 692: 688: 683: 681: 677: 673: 669: 665: 661: 657: 655: 654:Cindy Sherman 651: 647: 643: 639: 635: 631: 627: 623: 619: 615: 608: 604: 600: 596: 589: 585: 581: 577: 570: 568: 565: 561: 556: 554: 550: 546: 541: 538: 534: 530: 526: 522: 518: 516: 512: 508: 507: 506:Drowning Girl 502: 501: 496: 492: 487: 485: 481: 477: 472: 469: 464: 462: 458: 453: 451: 447: 443: 435: 433: 431: 430: 425: 424: 419: 415: 414:found objects 411: 406: 404: 403: 399: 395: 391: 390:Henri Matisse 386: 384: 383:installations 380: 376: 371: 366: 364: 360: 359: 358:The Blind Man 354: 353:New York Dada 350: 349: 344: 340: 336: 332: 330: 326: 325: 319: 315: 311: 307: 306:Pablo Picasso 299: 297: 295: 292: 288: 286: 281: 277: 273: 269: 265: 261: 259: 255: 251: 247: 243: 241: 237: 236: 231: 227: 225: 221: 217: 216: 211: 210: 205: 201: 200: 195: 194:Edouard Manet 191: 189: 185: 181: 176: 170: 165: 161: 157: 153: 149: 145: 144: 140: 136: 129: 127: 125: 121: 117: 113: 109: 105: 101: 97: 93: 89: 84: 76: 74: 72: 67: 65: 61: 57: 53: 49: 45: 41: 37: 36:appropriation 33: 26: 22: 7116:most visited 6964: 6592:Plastic arts 6516:Found object 6480: 6334:Related non- 6306: 6299: 6292: 6281: 6267: 6256:Theorization 6241: 6231: 6218: 6097: 6012:Found object 6007:Détournement 5841:YouTube poop 5836:Video mashup 5784:Collage film 5747: 5739: 5730: 5658:Found poetry 5653:Flarf poetry 5562:Parody music 5542:Music mashup 5517:Contrafactum 5472: 5314: 5304: 5294: 5264: 5254: 5234: 5224: 5214: 5204: 5194: 5184: 5131: 5107:Magnificence 5089: 4957: 4939: 4905:Schopenhauer 4740:Coomaraswamy 4658:Philosophers 4646: 4577:Aestheticism 4440:Lichtenstein 4409:Free Culture 4385: 4373: 4356: 4341: 4334: 4317: 4298:. Retrieved 4294: 4285: 4275: 4266: 4256: 4247: 4237: 4228: 4218: 4209: 4198:. Retrieved 4194: 4171:. Retrieved 4165: 4155: 4142: 4134: 4125: 4116: 4106: 4097: 4087: 4076:. Retrieved 4072: 4063: 4055: 4050: 4038:. Retrieved 4034: 4021: 4013: 4012:Andy Warhol 4008: 3994: 3983:. Retrieved 3979: 3969: 3960: 3954: 3945: 3939: 3931:Kunstchronik 3930: 3917: 3908: 3902: 3893: 3887: 3867: 3860: 3848:. Retrieved 3844: 3834: 3818: 3807:. Retrieved 3803:the original 3797: 3790: 3763: 3757: 3748: 3742: 3733: 3727: 3715:. Retrieved 3710: 3700: 3689:. Retrieved 3685: 3676: 3665:. Retrieved 3661: 3651: 3640:. Retrieved 3636: 3626: 3615:. Retrieved 3613:. 2008-06-16 3610: 3601: 3590:. Retrieved 3580: 3569:. Retrieved 3567:. 2018-03-29 3565:The Guardian 3564: 3555: 3544:. Retrieved 3539: 3530: 3519:. Retrieved 3517:. 2018-05-14 3514: 3505: 3494:. Retrieved 3484: 3473:. Retrieved 3469: 3459: 3448:. Retrieved 3437:The Guardian 3436: 3426: 3406: 3399: 3388:. Retrieved 3384: 3375: 3364:. Retrieved 3360: 3351: 3340:. Retrieved 3336: 3327: 3316:. Retrieved 3312: 3303: 3283: 3264: 3254: 3242:. Retrieved 3238:the original 3233: 3223: 3216:historical). 3214: 3194: 3184: 3175: 3171: 3162: 3153: 3144: 3136: 3132: 3123: 3114: 3110: 3100: 3092: 3088: 3078: 3067:. Retrieved 3063: 3054: 3043:. Retrieved 3039: 3030: 3019:. Retrieved 3015: 3006: 2986: 2979: 2959: 2952: 2941:. Retrieved 2937: 2927: 2916:. Retrieved 2912: 2903: 2892:. Retrieved 2888: 2879: 2849:(4): 40–57. 2846: 2842: 2829: 2818:. Retrieved 2816:. 2014-02-11 2813: 2790:. Retrieved 2786: 2777: 2766:. Retrieved 2762: 2753: 2745:The Guardian 2744: 2734: 2723:. Retrieved 2711: 2701: 2690:. Retrieved 2686: 2677: 2666:. Retrieved 2662: 2653: 2642:. Retrieved 2638: 2628: 2617:. Retrieved 2608: 2599: 2588:. Retrieved 2584: 2574: 2563:. Retrieved 2559: 2549: 2541: 2537: 2529: 2524: 2499: 2490: 2482: 2477: 2468: 2457:. Retrieved 2455:. 2017-07-14 2452: 2443: 2432:. Retrieved 2423: 2414: 2403:. Retrieved 2401:. 2017-12-14 2398: 2389: 2378:. Retrieved 2374: 2364: 2353:. Retrieved 2349: 2340: 2329:. Retrieved 2324: 2315: 2304:. Retrieved 2302:. 2020-09-01 2300:TheCollector 2299: 2290: 2279:. Retrieved 2275: 2266: 2255:. Retrieved 2251: 2242: 2234: 2229: 2218:. Retrieved 2214: 2204: 2182: 2162:. Retrieved 2159:www.moma.org 2158: 2149: 2136: 2112:Found object 2028:Tom Phillips 2013:System D-128 2008:Stewart Home 1983:Robert Longo 1933:Sigmar Polke 1913:Nikki S. Lee 1713:Jasper Johns 1668:Graham Rawle 1633:General Idea 1588:Deborah Kass 1578:Damien Hirst 1477: 1462: 1453: 1438:Please help 1426: 1399: 1395: 1391: 1389: 1383: 1381: 1370: 1356: 1342: 1334: 1332: 1328: 1310: 1298: 1284: 1276: 1273:Damien Hirst 1270: 1266: 1260: 1254: 1249: 1245: 1241: 1231: 1217: 1207: 1202: 1187: 1185: 1173: 1167: 1161: 1143: 1139:Leo Castelli 1129: 1099: 1092: 1062: 1051: 1048: 1037: 1020: 1010: 989:Michelin Man 985:Mickey Mouse 980: 977:the Simpsons 970: 962: 961:and painted 958: 953: 943: 931:Damien Hirst 929: 920: 914: 910:Kent Monkman 907: 899:Claude Monet 884: 881:21st century 874: 869: 853:Robert Houle 847: 825: 817:Deborah Kass 799: 789: 779: 756: 751: 748: 743:Wonder Woman 741: 735: 725: 714: 706:epistemology 699: 684: 664:Walker Evans 658: 628:was held at 625: 611: 598: 583: 560:Sigmar Polke 557: 545:New Realists 542: 536: 529:Joseph Beuys 524: 519: 504: 498: 495:comics books 488: 473: 465: 460: 456: 454: 450:Jasper Johns 446:silk-screens 439: 427: 421: 407: 400: 387: 367: 362: 356: 346: 338: 333: 321: 313: 303: 293: 285:La Japonaise 283: 279: 275: 271: 267: 264:Claude Monet 262: 244: 233: 228: 223: 213: 207: 197: 192: 187: 177: 174: 171:19th century 160:The Warriors 159: 141: 88:Tate Gallery 80: 68: 35: 29: 7289:Repurposing 7233:Arts portal 7106:Art museums 7021:art finance 6822:Arts centre 6786:Art gallery 6769:Art commune 6759:Art auction 6602:Printmaking 6531:Mixed media 6526:Kinetic art 6463:Visual arts 6401:Open source 6189:Plot device 6139:Originality 6122:Fan fiction 5987:After (art) 5943:Translation 5799:Parody film 5683:Visual arts 5612:Tribute act 5475:in the arts 5200:(c. 335 BC) 5190:(c. 390 BC) 5169:Work of art 5122:Picturesque 4978:Avant-garde 4935:Winckelmann 4810:Kierkegaard 4735:Collingwood 4705:Baudrillard 4632:Romanticism 4602:Historicism 4536:Mathematics 4073:artlyst.com 3850:15 February 3717:15 February 3361:Smithsonian 3244:November 1, 3133:El Comercio 3089:El Comercio 2843:Art Journal 2663:whitney.org 2420:"Japonisme" 2023:Thomas Ruff 1978:Rob Scholte 1908:Negativland 1903:Nancy Spero 1888:Mike Kelley 1868:Mic Neumann 1808:Luc Tuymans 1763:Joy Garnett 1743:John McHale 1708:James Cauty 1688:Hans Haacke 1678:Greg Colson 1658:Glenn Brown 1628:Genco Gulan 1583:David Salle 1573:Damian Loeb 1523:Bern Porter 1503:Andy Warhol 1349:Scott Blake 1345:Chuck Close 1169:Vanity Fair 1131:Andy Warhol 1025:portmanteau 1016:coined the 821:Genco Gulan 805:Damian Loeb 717:Greg Colson 710:metaphysics 680:consumerism 650:David Salle 531:, Duchamp, 500:Masterpiece 484:pop artists 480:Andy Warhol 416:', such as 410:Surrealists 296:1820-1829. 7284:Modern art 7248:Categories 7206:sculptures 7060:Provenance 6955:Art market 6862:Commission 6810:Art school 6798:Art museum 6764:Art colony 6752:and events 6612:street art 6607:Public art 6294:Nachahmung 6280:Dionysian 6220:L.H.O.O.Q. 6144:Simulacrum 5953:Adaptation 5933:Plagiarism 5867:Joke theft 5850:Other arts 5643:Assemblage 5505:Contrafact 5139:Recreation 5117:Perception 5010:Creativity 4710:Baumgarten 4700:Baudelaire 4582:Classicism 4497:Aesthetics 4300:2015-12-12 4239:BoingBoing 4200:2015-12-12 4173:2013-04-26 4078:2019-12-08 3985:2019-09-25 3911:(71): 150. 3829:(May 2009) 3809:2016-05-16 3691:2020-02-28 3667:2020-02-28 3642:2020-02-28 3617:2019-09-06 3611:Obey Giant 3592:2019-09-06 3571:2020-09-13 3546:2020-09-13 3521:2020-09-13 3496:2020-09-13 3475:2020-03-06 3450:2020-03-06 3390:2019-09-06 3366:2019-09-06 3342:2019-09-06 3318:2020-08-18 3069:2019-09-06 3045:2019-09-06 3021:2019-09-06 2943:2020-03-06 2918:2021-04-04 2894:2019-09-06 2820:2019-09-06 2792:2019-09-06 2768:2019-09-06 2725:2021-06-01 2692:2019-09-06 2668:2021-04-04 2644:2023-07-15 2619:2021-04-04 2590:2021-04-04 2565:2021-04-04 2459:2019-09-25 2434:2021-04-04 2405:2021-04-04 2380:2021-04-04 2355:2021-04-04 2331:2021-04-04 2306:2021-04-04 2281:2021-04-04 2257:2021-04-04 2220:2020-08-18 2185:, London: 2164:2020-08-17 2129:References 2072:Assemblage 1883:Mike Bidlo 1828:Mark Bloch 1798:Leon Golub 1793:Lennie Lee 1718:Jeff Koons 1653:Ghada Amer 1528:Bill Jones 1329:Canal Zone 1301:Jeff Koons 1285:Ant Noises 1204:Jeff Koons 1175:Condé Nast 809:simulacrum 753:Jeff Koons 676:creativity 618:Conceptual 603:Jeff Koons 601:(1983) by 525:Sturtevant 503:(1962) or 394:odalisques 322:synthetic 124:Jeff Koons 102:and 1950s 100:Surrealism 77:Definition 7185:Sculptors 7091:Art media 7053:sculpture 6994:paintings 6915:Criticism 6697:paintings 6687:Collector 6619:Sculpture 6536:bricolage 6467:art world 6169:Archetype 6161:and forms 6117:Fan labor 5997:Bricolage 5938:Quotation 5826:TV format 5732:Mona Lisa 5627:Vaporwave 5622:Variation 5582:Quodlibet 5577:Potpourri 5567:Pasticcio 5557:Nightcore 5144:Reverence 5050:Eroticism 5020:Depiction 4993:Masculine 4895:Santayana 4855:Nietzsche 4800:Hutcheson 4790:Heidegger 4775:Greenberg 4730:Coleridge 4695:Balthasar 4680:Aristotle 4642:Theosophy 4637:Symbolism 4612:Modernism 4597:Formalism 3933:(4): 201. 3827:wired.com 3470:The Verge 3445:0261-3077 3211:0378-4878 3016:artsy.net 2871:193684743 2720:0362-4331 2237:, p. 186. 2233:Tomkins, 2102:Decollage 2038:Vik Muniz 2018:Ted Noten 1858:Max Ernst 1838:Mark Divo 1728:Joan Miró 1723:Jim Ricks 1493:Ai Kijima 1427:does not 1363:Salon.com 1353:photoshop 1325:Rastafari 1294:Toy Trust 1271:In 2000, 1194:trademark 1065:copyright 1033:astronaut 1029:semiotics 1021:Semionaut 1018:neologism 839:Rembrandt 398:Delacroix 361:defended 355:magazine 339:readymade 291:Tsukimaro 254:Delacroix 7163:Painters 7048:painting 6960:The arts 6920:feminist 6857:Biennale 6597:Portrait 6582:Painting 6553:graffiti 6506:Fine art 6465:and the 6389:Fair use 6282:imitatio 6275:Diegesis 6099:Afflatus 6071:Anti-art 6058:concepts 6002:Citation 5966:Literary 5928:Pastiche 5913:Allusion 5897:concepts 5895:General 5821:Supercut 5607:Standard 5597:Sampling 5481:By field 5419:Category 5351:Axiology 5220:(c. 500) 5210:(c. 100) 5085:Judgment 5040:Emotions 5035:Elegance 5015:Cuteness 4988:Feminine 4951:Concepts 4920:Tanizaki 4900:Schiller 4885:Richards 4875:Rancière 4845:Maritain 4780:Hanslick 4720:Benjamin 4592:Feminism 4561:Theology 4541:Medieval 4531:Japanese 4526:Internet 4220:Techdirt 3782:63165534 3637:The Beat 2863:45142821 2613:Archived 2428:Archived 2215:Tate Etc 2107:Fair use 2060:See also 2033:Vermibus 1923:PJ Crook 1377:fair use 1292:and the 1234:fair use 1222:fair use 1163:Newsweek 1089:Fair use 1069:case law 915:In 2014 875:Fountain 363:Fountain 348:Fountain 226:(1515). 196:painted 178:In 1856 143:Fountain 44:literary 7168:by name 7111:largest 6948:Related 6932:outline 6714:Curator 6702:frescos 6639:tallest 6624:carving 6575:virtual 6570:digital 6565:history 6501:Drawing 6486:Collage 6474:Artwork 6314:Pop art 6288:Mimesis 6232:Quixote 6032:Reprise 5971:Theatre 5857:In-joke 5831:Vidding 5695:Collage 5414:Outline 5329:Related 5196:Poetics 5164:Tragedy 5154:Sublime 5127:Quality 5112:Mimesis 5070:Harmony 5055:Fashion 5030:Ecstasy 5025:Disgust 4941:more... 4910:Scruton 4835:Lyotard 4770:Goodman 4750:Deleuze 4685:Aquinas 4675:Alberti 4648:more... 4627:Realism 4607:Marxism 4587:Fascism 4570:Schools 4556:Science 4511:Ancient 4435:Duchamp 4358:Collage 4311:Sources 3711:whtsnxt 3662:ARTnews 3172:Caretas 2585:ARTnews 2082:Collage 1480:notable 1448:removed 1433:sources 1279:(which 1261:Niagara 1250:Niagara 1240:titled 903:Vermeer 851:artist 622:Pop art 537:Flowers 515:Matisse 511:Picasso 457:A Movie 318:collage 278:series 199:Olympia 130:History 108:Neo-Geo 104:Pop art 96:Dadaism 52:musical 7279:Mashup 7190:female 6815:Europe 6750:Places 6739:Europe 6729:Patron 6719:Dealer 6709:Critic 6682:Artist 6634:statue 6629:relief 6548:fresco 6247:(2010) 6237:(1939) 6224:(1919) 6037:Satire 6027:Mashup 6017:Homage 5923:Parody 5918:Calque 5809:Remake 5592:Riddim 5537:Medley 5527:DJ mix 5320:(2009) 5310:(1977) 5300:(1946) 5290:(1939) 5280:(1935) 5270:(1934) 5260:(1933) 5250:(1891) 5240:(1835) 5230:(1757) 5097:Kitsch 5075:Humour 5005:Comedy 4983:Beauty 4925:Vasari 4915:Tagore 4890:Ruskin 4830:Lukács 4820:Langer 4765:Goethe 4690:Balázs 4670:Adorno 4551:Nature 4516:Africa 4445:Warhol 4395:1/2006 4348: 4137:, 2011 4040:31 May 3875: 3780: 3770: 3540:frieze 3443: 3414: 3291: 3209: 2994: 2967: 2869: 2861: 2718: 2209:Tate. 2193: 1508:Banksy 1396:Cariou 1384:Cariou 1246:Allure 1226:parody 1150:Prince 1119:market 999:, and 997:Snoopy 993:Smurfs 991:, the 987:, the 949:Banksy 895:Banksy 819:, and 786:, 1996 765:Hoover 719:, and 672:gender 586:(1987 468:Fluxus 324:cubism 204:Titian 180:Ingres 122:, and 92:Cubism 48:visual 7294:Reuse 7079:Lists 7070:Style 6724:Model 6675:Roles 6543:Mural 6211:works 6129:Genre 6110:Muses 5748:Pietà 5740:David 5715:Swipe 5668:Trope 5617:Trope 5587:Remix 5488:Music 5409:Index 5178:Works 5159:Taste 5149:Style 4930:Wilde 4870:Plato 4865:Pater 4825:Lipps 4785:Hegel 4755:Dewey 4745:Danto 4725:Burke 4546:Music 4521:India 4504:Areas 4277:Wired 4031:(PDF) 3980:Artsy 3927:(PDF) 3111:Marka 2938:Artsy 2867:S2CID 2859:JSTOR 2839:(PDF) 2814:Artsy 2560:Artsy 1488:ABOVE 1372:Wired 771:1990s 668:power 553:Arman 549:Cesar 114:like 7274:Dada 6396:Meme 6263:Dada 5961:Film 5510:list 5133:Rasa 5091:Kama 5065:Gaze 5000:Camp 4880:Rand 4815:Klee 4805:Kant 4795:Hume 4715:Bell 4346:ISBN 4042:2023 3873:ISBN 3852:2016 3778:OCLC 3768:ISBN 3719:2016 3441:ISSN 3412:ISBN 3289:ISBN 3246:2013 3207:ISSN 2992:ISBN 2965:ISBN 2716:ISSN 2191:ISBN 1768:Kaws 1733:Jodi 1431:any 1429:cite 1333:See 1319:and 1277:Hymn 1224:and 1110:the 1093:The 1075:and 1031:and 1023:– a 887:Zevs 708:and 674:and 620:and 478:and 466:The 408:The 370:Dada 368:The 308:and 94:and 54:and 5060:Fun 4840:Man 4760:Fry 3825:on 3199:doi 2851:doi 1442:by 1027:of 901:or 893:or 863:'s 837:or 693:or 513:or 420:'s 222:'s 206:'s 162:by 150:at 32:art 30:In 7250:: 7208:, 7204:, 6235:" 5288:" 5278:" 5248:" 4333:, 4293:. 4274:, 4255:, 4236:, 4217:, 4193:. 4182:^ 4164:. 4133:, 4115:. 4096:. 4071:. 4033:. 3978:. 3929:. 3843:. 3776:. 3684:. 3660:. 3635:. 3609:. 3563:. 3538:. 3513:. 3468:. 3439:. 3435:. 3383:. 3359:. 3335:. 3311:. 3273:^ 3263:. 3232:. 3213:. 3205:. 3170:. 3152:. 3109:. 3087:. 3062:. 3038:. 3014:. 2936:. 2911:. 2887:. 2865:. 2857:. 2847:75 2845:. 2841:. 2812:. 2801:^ 2785:. 2761:. 2743:. 2714:. 2710:. 2685:. 2661:. 2637:. 2611:. 2607:. 2583:. 2558:. 2508:^ 2451:. 2422:. 2397:. 2373:. 2348:. 2323:. 2298:. 2274:. 2250:. 2213:. 2173:^ 2157:. 1379:. 1315:, 1200:. 1079:. 1003:. 995:, 823:. 815:, 723:. 712:. 678:, 670:, 656:. 652:, 648:, 644:, 640:, 636:, 605:, 582:, 517:. 405:. 385:. 331:. 260:. 252:, 126:. 118:, 66:. 50:, 46:, 34:, 6455:e 6448:t 6441:v 6228:" 6089:" 6085:" 5465:e 5458:t 5451:v 5284:" 5274:" 5244:" 4489:e 4482:t 4475:v 4462:. 4352:. 4303:. 4203:. 4176:. 4119:. 4100:. 4081:. 4044:. 4002:. 3988:. 3881:. 3854:. 3812:. 3784:. 3721:. 3694:. 3670:. 3645:. 3620:. 3595:. 3574:. 3549:. 3524:. 3499:. 3478:. 3453:. 3420:. 3393:. 3369:. 3345:. 3321:. 3297:. 3267:. 3248:. 3201:: 3156:. 3072:. 3048:. 3024:. 3000:. 2973:. 2946:. 2921:. 2897:. 2873:. 2853:: 2823:. 2795:. 2771:. 2747:. 2728:. 2695:. 2671:. 2647:. 2622:. 2593:. 2568:. 2462:. 2437:. 2408:. 2383:. 2358:. 2334:. 2309:. 2284:. 2260:. 2223:. 2167:. 1469:) 1463:( 1458:) 1454:( 1450:. 1436:. 1339:. 590:) 287:, 166:. 42:( 27:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.