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commented on her performance, praising "her perfect intonation, the masterful projection of her voice, the exquisite color of her singing, her school, and above all her expressive feeling". Immediately afterwards she travelled to London, where she performed the leading roles in
112:, she first made a name abroad, performing in Poland, Latin America, and London. It was not until the late 1880s that she established herself in Italy, performing in Turin, Naples, and in Milan, where she appeared in December 1889 at
280:
In 1883, she embarked on a two-year tour of Latin
America appearing in Argentina, Peru, Chile, Brazil, and Bolivia in a variety of operas including
621:
484:
552:
349:. Although Verdi was somewhat critical of her interpretation of the role, she successfully performed it in other Italian cities, including
697:
692:
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339:. But it was from 1887 that she gained extensive recognition in Italy, in particular in April 1887 in Rome as Desdemona in Verdi's
118:
244:
From
December 1880 to April 1881, she made guest appearances in two theatres in Havana, Cuba, in the title role of Donizetti's
635:
193:, where she was so successful that she was engaged for the next two seasons. She performed the title role in Verdi's
687:
547:
471:
333:
After appearing in
Bucharest in early 1884, she returned to Italy, appearing in Turin as Valentine in Meyerbeer's
266:
246:
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156:
682:
677:
250:, gaining wide acclaim from both the critics and audiences. On 6 December 1880, the Havana newspaper
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142:, where she studied under Lodovico Spiga and Vincenzo Lombardi. In 1875, she became a pupil of
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330:(22 October 1888), shopkeepers offered their clients beautiful little portraits of her.
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661:
324:. She became so popular in South America that according to the Barcelona newspaper
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and on 26 December 1889, in Milan at La Scala in the
Italian premiere of Wagner's
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32:
186:
557:
512:
Dizionario biografico dei personaggi citati a cura di
Gaspare Nello Vetro
358:
286:
234:
230:
185:, Gabbi joined an Italian opera company in Poland, performing in Warsaw,
113:
398:
354:
226:
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135:
85:
656:
616:. Cambridge Opera Handbooks. Cambridge University Press. p. 96.
385:. In April 1889, she appeared in the Neopolitan premiere of Wagner's
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Adalgisa Gabbi died in Milan on 16 December 1933 at the age of 76.
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72:
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in Milan who arranged for her to make her debut that year in
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when she was 14. In
October 1872, she was admitted to the
304:. She is remembered in particular for her success at the
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80:
61:
39:
23:
397:. Gabbi retired from the stage after appearing in
273:throughout 1881 and in early 1882, for example in
96:(23 May 1857 – 16 December 1933) was an Italian
586:Archivio Storico del Teatro dell'Opera di Roma
134:on 23 May 1857, Gabbi began to study voice in
8:
361:. She then spent the next two years at the
116:as Eva in the Italian premiere of Wagner's
31:
20:
205:as well as the title role in Moniuszko's
312:in Rio de Janeiro where she appeared in
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419:
229:, before moving to Spain to perform in
401:in 1900 in the title role of Wagner's
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539:
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533:
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529:
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430:. Conservatorio Arrigo Boito di Parma
7:
553:Dizionario Biografico degli Italiani
502:
500:
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496:
215:as Cecilia in Antônio Carlos Gomes'
175:In 1876, after appearing in Verdi's
16:Italian operatic soprano (1857–1933)
14:
655:
643:
514:(in Italian). Casa della Musica
394:Die Meistersinger von Nürnberg
119:Die Meistersinger von Nürnberg
1:
269:. She continued to appear in
211:. Thereafter she appeared in
475:(in German) (4th ed.).
546:Staccioli, Roberto (1998).
345:, acting as a stand-in for
308:in Buenos Aires and at the
714:
100:. After her 1875 debut in
698:Parma Conservatory alumni
693:Italian operatic sopranos
30:
365:in Naples, appearing in
199:and Élisabetta in his
284:, Fromental Halévy's
267:Her Majesty's Theatre
472:Großes Sängerlexikon
363:Teatro di San Carlo
404:Tristan und Isolde
347:Romilda Pantaleoni
140:Parma Conservatory
688:People from Parma
623:978-0-521-27749-5
548:"Gabbi, Adalgisa"
508:"Gabbi, Adalgisa"
486:978-3-59-844088-5
467:"Gabbi, Adalgisa"
310:Don Pedro Theatre
106:Filippo Marchetti
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90:
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628:
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608:Hepokoski, J. A.
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582:"Adalgisa Gabbi"
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479:. p. 1599.
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379:and Meyerbeer's
277:and in Bologna.
225:as Aida, and in
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98:operatic soprano
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65:16 December 1933
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292:Lucrezia Borgia
247:Lucrezia Borgia
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556:(in Italian).
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492:
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441:
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298:and Bellini's
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94:Adalgisa Gabbi
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88:
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78:
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71:
69:(aged 76)
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59:
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36:
28:
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25:Adalgisa Gabbi
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459:Kutsch, K.-J.
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336:Les Huguenots
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327:La Vanguardia
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144:Felice Varesi
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42:
38:
34:
29:
22:
19:
612:
602:
590:. Retrieved
588:(in Italian)
585:
561:. Retrieved
551:
516:. Retrieved
511:
470:
463:Riemens, Leo
432:. Retrieved
422:
409:
402:
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386:
380:
374:
370:
366:
340:
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321:
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306:Teatro Colón
299:
296:Il trovatore
295:
291:
285:
281:
279:
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262:
258:Il trovatore
256:
252:La Discusión
251:
245:
243:
216:
206:
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176:
174:
155:
150:as Maria in
129:
117:
109:
104:as Maria in
93:
92:
67:(1933-12-16)
18:
683:1933 deaths
678:1857 births
382:L'Africaine
373:, Gounod's
318:La traviata
282:La Traviata
221:(1880), in
178:La traviata
160: [
50:23 May 1857
672:Categories
477:De Gruyter
414:References
388:Tannhäuser
367:Don Carlos
322:Il Guarany
294:, Verdi's
218:Il Guarany
202:Don Carlos
126:Early life
81:Occupation
46:1857-05-23
650:Biography
428:"History"
239:Santander
189:, and in
152:Marchetti
84:Operatic
610:(1987).
558:Treccani
465:(2012).
359:Florence
287:La Juive
235:Zaragoza
231:Valencia
157:Ruy Blas
130:Born in
114:La Scala
110:Ruy Blas
636:Portals
592:17 June
563:14 June
518:15 June
434:22 June
399:Trieste
355:Brescia
227:Palermo
191:Lemberg
183:Cremona
136:Bologna
86:soprano
75:, Italy
56:, Italy
620:
613:Otello
483:
371:Otello
351:Venice
342:Otello
275:Rimini
237:, and
223:Trento
187:Kraków
171:Career
662:Opera
376:Faust
301:Norma
208:Halka
164:]
148:Lecco
132:Parma
102:Lecco
73:Milan
54:Parma
618:ISBN
594:2022
565:2022
520:2022
481:ISBN
436:2022
357:and
320:and
314:Aida
271:Aida
263:Aida
261:and
213:Nice
196:Aida
62:Died
40:Born
265:at
181:in
154:'s
108:'s
674::
584:.
573:^
550:.
528:^
510:.
495:^
469:.
461:;
444:^
407:.
369:,
353:,
316:,
290:,
241:.
233:,
167:.
162:it
122:.
638::
626:.
596:.
567:.
522:.
489:.
438:.
48:)
44:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
