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The expansion in the law’s breadth, scope and term over the last 30 years has resulted in an intellectual property regime which is radically out of line with modern technological, economic and social trends. This disconnect threatens the chain of creativity and innovation on which we and future
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This creative imagination requires access to the ideas, learning and culture of others, past and present. And, in the future, others will use what we have done. Human rights call on us to ensure that everyone can create, access, use and share information and knowledge, enabling individuals,
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Creativity and investment should be recognised and rewarded. The purpose of intellectual property law (such as copyright and patents) should be, now as it was in the past, to ensure both the sharing of knowledge and the rewarding of innovation.
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3. The public interest requires a balance between the public domain and private rights. It also requires a balance between the free competition which is essential for economic vitality and the monopoly rights granted by intellectual property
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7. Government must facilitate a wide range of policies to stimulate access and innovation, including non-proprietary models such as open source software licensing and open access to scientific literature.
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Humanity’s capacity to generate new ideas and knowledge is its greatest asset. It is the source of art, science, innovation and economic development. Without it, individuals and societies stagnate.
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The
Charter was prepared by an International Commission of experts from the arts, creative industries, human rights, law, economics, science, R&D, technology, the public sector and education.
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5. Patents must not be extended over mathematical models, scientific theories, computer code, methods for teaching, business processes, methods of medical diagnosis, therapy or surgery.
184:• There must be an automatic presumption against creating new areas of intellectual property protection, extending existing privileges or extending the duration of rights.
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1. Laws regulating intellectual property must serve as means of achieving creative, social and economic ends and must not be seen as ends in themselves.
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102:
The
Charter has subsequently influenced thinking on Intellectual Property Law, and in particular, heavily influenced a subsequent copyright manifesto
211:• Throughout, there should be wide public consultation and a comprehensive, objective and transparent assessment of public detriments and benefits.
549:
519:
202:• Change must be allowed only if a rigorous analysis clearly demonstrates that it will promote people’s basic rights and economic well-being.
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2. These laws and regulations must serve, and never overturn, the basic human rights to health, education, employment and cultural life.
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6. Copyright and patents must be limited in time and their terms must not extend beyond what is proportionate and necessary.
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8. Intellectual property laws must take account of developing countries’ social and economic circumstances.
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343:– Professor of Law, Director of the Centre for Competition and Regulatory Policy, and Head, RegNet, The
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9. In making decisions about intellectual property law, governments should adhere to these rules:
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We therefore call upon governments and the international community to adopt these principles:
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388:
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4. Intellectual property protection must not be extended to abstract ideas, facts or data.
406:; and Co-Chair, Transatlantic Consumer Dialogue (TACD) Committee on Intellectual Property
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284:– Centre for Interdisciplinary Studies on Industrial Property and Economics
193:• The burden of proof in such cases must lie on the advocates of change.
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Royal
Society for the encouragement of Arts, Manufactures & Commerce
82:
The
Adelphi Charter on Creativity, Innovation and Intellectual Property
375:
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391:; Professor of Law and John A. Wilson Distinguished Faculty Scholar
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Adelphi
Charter on Creativity, Innovation and Intellectual Property
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92:, England, and is intended as a positive statement of what good
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514:(4th ed.). Boston, Massachusetts: Pearson. p. 171.
450:– physicist, philosopher, environmental activist and writer.
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Professor of Law, Duke Law School, and
Faculty Co-Director,
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communities and societies to achieve their full potential.
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430:– Professor of the Public Understanding of Technology,
16:
Is on
Creativity, Innovation & Intellectual Property
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Commission members at the time of publishing included;
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Copyright for
Creativity – A Declaration for Europe
535:Royal Society of Arts (Great Britain), ed. (2006).
491:, and the Research Coordinator Dr Jaime Stapleton
480:Australian Competition & Consumer Commission
84:is the result of a project commissioned by the
538:Promoting innovation and rewarding creativity
8:
414:– Professor of Private Law and Director,
366:– Director, UK Research Libraries Network
244:Center for the Study of the Public Domain
69:Learn how and when to remove this message
674:United Kingdom intellectual property law
32:This article includes a list of general
502:
217:RSA, Adelphi, London, 13 October 2005
654:Works about intellectual property law
7:
313:Global Economic Governance Programme
99:is. The Charter was issued in 2004.
669:Intellectual property law in Europe
354:– Director, Interdisciplinary Arts
273:Professor of Intellectual Property
603:Thompson, Bill (17 October 2005).
296:– Director, Information Programme
38:it lacks sufficient corresponding
14:
577:Boyle, James (14 October 2005).
23:
512:Ethics for the Information Age
404:Consumer Project on Technology
345:Australian National University
333:Electronic Frontier Foundation
1:
605:Copyright for the digital age
434:; Fellow of Wolfson College,
307:– Chair, Board of Directors,
288:;and South Centre Switzerland
579:Protecting the public domain
106:- A Declaration for Europe.
590:Unknown (13 October 2005).
309:Intellectual Property Watch
114:The Adelphi Charter reads:
690:
510:Quinn, Michael J. (2011).
321:University College, Oxford
311:; and Research Associate,
286:University of Buenos Aires
659:Intellectual property law
104:Copyright for Creativity
420:University of Edinburgh
374:– Minister of Culture,
275:University of Cambridge
53:more precise citations.
402:– Executive Director,
298:Open Society Institute
221:Authors of the Charter
664:Royal Society of Arts
544:. RSA. pp. 7–8.
240:William Neal Reynolds
94:intellectual property
436:Cambridge University
356:Arts Council England
317:University of Oxford
129:generations depend.
634:The Adelphi Charter
463:; former director,
393:Stanford Law School
257:– Chief Executive,
438:; and columnist, '
551:978-0-901469-59-5
521:978-0-13-213387-6
485:The Director was
293:Darius Cuplinskas
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389:Creative Commons
331:– Staff Member,
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51:introducing
648:Categories
592:Free Ideas
498:References
425:Professor
399:James Love
382:Professor
264:Professor
233:Professor
34:references
387:– Chair,
269:– Former
59:June 2022
623:Official
565:14 April
47:improve
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376:Brazil
97:policy
90:London
36:, but
559:(PDF)
542:(PDF)
319:and
147:laws.
567:2010
546:ISBN
516:ISBN
454:Sir
416:AHRB
629:RSA
610:BBC
361:Dr
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