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38:
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Released in 2003. In contrast to
Jenkins's past Adiemus compositions, several of the tracks in this album are arrangements or variations on existing classical works. Additionally, the lyrics for some tracks are borrowed from religious texts or even the title of the piece rather than the invented
1192:. European releases depict an insect hive in various shades of reds and yellows within an abstracted mechanical clock. A special edition release in Europe shows a winged figure ascending into the sky. Other releases use dolphins which are characteristic of Adiemus albums in some markets.
1354:
The final track "Tango" is an edited version of the track "African Tango" and is only available on some releases. A Japanese special edition release includes a second disc featuring "Beyond the
Century (Makare Maka)" 4:54, "Elegia" 4:05 from some releases of
243:
meaning "let us approach" (or "let us submit a cause to a referee"), or, is sometimes regarded as the future tense of the same verb, meaning "we shall approach" or "we shall take possession". The title also resembles two forms of the Latin verb
485:
7 singers, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 6 horns, 3 trumpets, 4 trombones, tuba, timpani, 8 percussionists: bass drum, bongos, cowbell, shekere, chocalho, cymbals, claves, congas, cabasa,
1180:
As is common with
Adiemus albums, the cover art of releases in certain regions may be different. The cover of the United States release features a silhouetted persons reminiscent of the cover art for
498:, surdo, tom-tom, tabla, tamborim, tambourine, triangle, udo, wood block, xylophone, recorder, strings (featuring on album are also the electro-acoustic percussion and gemshorn)
1467:. In addition to rich string orchestrations and vocals borrowing from world musical styles common to Adiemus, Jenkins adds the accompaniment of ethnic instruments such as the
876:
TV commercial and "Chorale VI (Sol–Fa) Cantus Song of Aeolus", in a Toyota Prius PHV TV commercial. "Adiemus" was also the eighth feature track of the original 1997
738:). "Free time" is also prominent, in this as well as the majority of new age projects. The percussion section, when used prominently, gives the pieces an upbeat,
228:. The 'words' were written phonetically by Jenkins to match the orchestral parts, with the intention being to have the voices act purely as another instrument.
995:
by including instrumentation and techniques from
Eastern Europe, Arabia, and Asia. Compared to the earlier work, the orchestra is also expanded to include
1688:
As is often the case with albums in the
Adiemus project, releases in different regions may have different cover art. The cover Japanese release of
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1177:
feature two bonus tracks, "Cantilena" and "Elegia", which are early musical sketches composed by
Jenkins in preparation for this album.
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orchestra consisted of a string section augmented by various ethnic percussion instruments, with occasional further additions such as
1959:
Common to albums in the
Adiemus project, releases in different regions may have different cover art, such as the Japanese release of
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was a commercial success, topping classical album charts. Though none of its successors has achieved the same critical acclaim,
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TV commercial. The piece gained significant popularity as a result, and
Jenkins then decided to expand it into a full work.
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Has gold text and designs, including a dolphin, over a green background whereas other releases have white text over a
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The vocal parts are not written in an actual language, despite some of the lyrics bearing a passing similarity to
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album. It was used at the beginning and end of James
Brandon's magic show "Imagine" which played at the
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performed the vocal parts on the first four albums. Stockley was described by
Jenkins as central to the
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256:("let us hear"), although Jenkins has said he was unaware of any connections to real Latin words.
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1666:. The theme from "The Dagda" was borrowed from "Lacus Pereverantiae" from Jenkins's earlier work
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As is common with Adiemus albums, the cover art of releases in certain regions may be different.
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recordings of the singers (in some cases up to 40 times) and varying the speed of the tape.
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1766:"Dona Nobis Pacem Part II" (lyrics from Agnus Dei of the Ordinary of the Mass) – 6:00
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2174:"Composer Sir Karl Jenkins: 'Adiemus, my biggest hit, was written for an airline advert'"
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2037:"Composer Karl Jenkins is inspired by Latin beats as he revives his Adiemus project"
2202:"'Adiemus was a rush job' – Sir Karl Jenkins reflects on his musical success at 80"
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features the broadest range in musical styles and instrumentation of the series.
1676:. "The Eternal Knot" went on to become the theme for "Benedictus" from Jenkins's
1672:. The theme for "Isle of the Mystic Lake" is that of "Palus Nebularum" also from
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vocals used in the previous Adiemus recordings, Jenkins introduces the Finnish
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documentary film and featured in the titles of the 1996 BBC children's series
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Karl Jenkins – Piano, arranger, conductor, producer, concept, song notes
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Jody Barratt Jenkins – Percussion, piano, programming, producer, editing
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The theme from "Salm O 'Dewi Sant'" is derived from "Psalm 27" of Jenkins's
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Released in 1998, this album is a tribute to the interrelationship between
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is an explicitly Celtic-themed album that formed the sound-track for the
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in the late 1990s and continues to be used as the soundtrack behind the
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throughout history. As such, most tracks are composed in a traditional
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was used; Jenkins later formed his own Adiemus Orchestra to perform on
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and maintained a place in mainstream consciousness through its use in
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phonetic language used exclusively in the preceding Adiemus albums.
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1752:, second movement) – 6:01 (with Terry Barber, countertenor)
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Karl Jenkins – Composer, conductor, producer, orchestration
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episode "Beauty and the Beast". "Tintinnabulum" was sampled in
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commercial (for which the project began) and "Cantilena", from
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Helen Hodkinson – executive producer, associate producer
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Nick Harris & The Soundbarriers – Assistant engineer
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and with greater freedom of movement between loosely related
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Helen Connolly – Executive producer, associate producer
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history and mythology, and served as the soundtrack to the
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Released in 1996, and building on the style established in
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150:
2276:"Arizona's Kartchner Caverns is oddity of geologic action"
1796:"Bendigedig" – 5:20 (with Terry Barber, countertenor)
1173:
Several releases, including the United States release, of
144:
612:, and continued to add more diverse instruments such as
600:, contributed to the first album as well. Jenkins added
570:). Extra vocals and the chorus effects were created by
1084:"Chorale VI (Sol–Fa)" / "Cantus – 'Song of Aeolus
1011:
alternating between longer 'cantus' pieces and brief '
207:
album is a collection of song-length pieces featuring
894:
in Arizona. "Adiemus" was used in the trailer to the
632:
recordings, returning to the London Philharmonic for
464:, recorder, strings (featuring on album are also the
165:
1817:) – 5:30 (with Terry Barber, countertenor, and
147:
890:pillar show at the end of the Rotunda cave tour in
159:
153:
62:. Unsourced material may be challenged and removed.
1860:Terrance L. Barber Jr. – Countertenor (Vocal)
2274:Group, Eric Noland | Bay Area News (2006-10-15).
1890:Nigel Hitchcock – Saxophone, wind controller
2226:"Adiemus – Songs of Sanctuary | Warner Classics"
2060:Also meaning "to bring all together in rhythm."
1838:") – 4:31 (with Terry Barber, countertenor)
1806:"Berceuse pour un Enfant Solitaire" – 6:11
195:, recorded in 1994 and released the next year.
1827:"Mi Contra Fa, Diabolus in Musica" – 5:55
1357:
1453:Released in 2001, this album was inspired by
8:
991:, Jenkins broadens his musical approach to
811:. Unsourced material may be challenged and
566:Adiemus Singers (who would later appear on
1497:"Palace of the Crystal Bridge" – 3:42
706:up to a point—his harmony is derived from
831:Learn how and when to remove this message
122:Learn how and when to remove this message
1809:"Aria" (arrangement of "Cantilena" from
1780:"Schwanda the Bagpiper" (arrangement of
1738:"The Protector" (lyrics translated from
1186:in that region as well as the cover for
2027:
1917:Pieter Schoeman – Orchestra leader
1844:: "Boogie Woogie Llanoogie" – 3:29
1755:"Dona Nobis Pacem Part I" (lyrics from
1442:Michael Webster – Design assistant
1409:Matt Marshall – Executive producer
2301:
2291:
1824:"Mysterious are Your Ways" – 3:30
1415:Duncan Riddell – Orchestra leader
1091:"Chorale VII (A Ma Ka Ma)" – 1:18
1064:"Chorale IV (Alame Oo Ya)" – 2:59
1044:"Chorale II (Roosh Ka Ma)" – 1:50
1003:. The overall form of this album is a
550:; however, she was not re-engaged for
1887:Mervi Hiltunen – Vocals, soloist
1595: – Additional vocals in choruses
1551:"Isle of the Mystic Lake" – 3:16
1136: – Additional vocals in Choruses
906:. That same year, it was used in the
554:. Additional vocals were provided by
7:
1548:"Hermit of the Sea Rock" – 1:45
1412:Russell Mills – Artwork, design
1094:Bonus Track: "Cantilena" – 3:24
1054:"Chorale III (Vocalise)" – 2:20
809:adding citations to reliable sources
562:, which saw the introduction of the
60:adding citations to reliable sources
1920:Hanna-Riikka Siitonen – Vocals
1074:"Chorale V (Arama Ivi)" – 1:21
1057:"Cantus – 'Song of the Odyssey
1047:"Cantus – 'Song of the Trinity
1397:Jody Jenkins – Electric drums
1077:"Cantus – 'Song of Invocation
1067:"Cantus – 'Song of the Plains
1037:"Cantus – 'Song of the Spirit
1034:"Chorale I (Za Ma Ba)" – 1:50
596:, with whom Jenkins had played in
189:on the first album of the series,
25:
1893:Gavin Horsley – Bass (vocal)
1385:David Buckland – Photography
1097:Bonus Track: "Elegia" – 4:06
903:Testament: The Bible in Animation
726:areas. He avoids the most common
702:. Jenkins follows conventions of
1974:The Journey: The Best of Adiemus
1955:Singles and alternative versions
1521:"Salm O 'Dewi Sant'" – 4:23
781:
140:
36:
2127:"An Aural History of "Adiemus""
1947:Kenny Wheeler – Flugelhorn
1538:"Children of Dannu" – 3:32
1433:Pamela Thorby – Recorder,
47:needs additional citations for
1944:Paul Vozdic – Cover photo
1902:Anna-Mari Kähärä – Vocals
1866:Paul Clarvis – Percussion
1696:on a bluish-green background.
1421:Sheila Rock – Photography
271:Instrumentation and performers
263:was originally composed for a
27:Series of new-age music albums
1:
2370:"Solar Stone* – Seven Cities"
2319:London, Amanda (2021-05-19).
2016:List of ambient music artists
1938:Pamela Thorby – Recorder
1905:London Philharmonic Orchestra
1878:Martin Giles – Mastering
1857:Pirjo Aittomäki – Vocals
1439:Riikka Väyrynen – Vocals
1427:Miriam Stockley – Vocals
1406:London Philharmonic Orchestra
1388:Martin Giles – Mastering
1111:London Philharmonic Orchestra
1027:"Cantus – 'Song of Tears
749:is generally identified with
626:London Philharmonic Orchestra
546:project due to her range and
515:, strings (on album also the
412:, duhulla, tom-tom, cymbals,
2035:Price, Karen (6 July 2013).
1941:Riikka Timonen – Vocals
1923:Mia Simanainen – Vocals
1690:Adieums IV: The Eternal Knot
1448:Adiemus IV: The Eternal Knot
1424:Mia Simanainen – Vocals
1226:
1158:Jody Barratt-Jenkins –
892:Kartchner Caverns State Park
714:, decorated with functional
261:Adiemus – Songs of Sanctuary
2251:"Karl Jenkins: Commercials"
1986:Adiemus New Best & Live
1914:Säde Rissanen – Vocals
1830:"Vocalise" (arrangement of
1793:"Exit Schwanda" – 1:18
1733:Violin Concerto (Beethoven)
1604:Caryl Ebenezer – High
1418:Säde Rissanen – Vocals
1403:Dick Lewzey – Engineer
1364:Adiemus: Songs of Sanctuary
1197:Adiemus III: Dances of Time
1183:Adiemus: Songs of Sanctuary
988:Adiemus: Songs of Sanctuary
941:Adiemus: Songs of Sanctuary
934:Adiemus: Songs of Sanctuary
874:Cheltenham & Gloucester
860:, in particular the track "
470:electro-acoustic percussion
192:Adiemus: Songs of Sanctuary
2462:
2172:Lewis, Roz (17 May 2020).
1950:Guy Wiffen – Engineer
1911:Merja Rajala – Vocals
1799:"Schubert's Dance" (after
1750:Symphony No. 7 (Beethoven)
1269:"Dawn Dancing" – 3:14
956:"Cantus Inaequalis" – 3:13
938:
185:. It is also the title of
1908:Steve Price – Mixing
1863:Mary Carewe – Vocals
1558:Was a Wizard" – 2:57
1487:"Cú Chullain" – 6:15
1358:Adiemus II: Cantata Mundi
1332:to the Dance" – 3:52
1229:to perform the chorus to
980:Adiemus II: Cantata Mundi
959:"Cantus Insolitus" – 5:35
2436:Caroline Records artists
2105:University of Notre Dame
2100:William Whitaker's Words
1932:Nina Tapio – Vocals
1430:Nina Tapio – Vocals
1382:Adiemus – Performer
1150:Christopher Warren-Green
965:"Cantus Iteratus" – 6:36
690:The musical language of
532:for voices and orchestra
2325:Song Meanings and Facts
1929: – Vocals, soloist
1759:of the Ordinary of the
1748:"Allegrettango" (after
962:"In Caelum Fero" – 7:45
953:"Tintinnabulum" – 10:57
2441:Virgin Records artists
2230:www.warnerclassics.com
2158:July 14, 2010, at the
2153:"The Story of Adiemus"
2072:. published online by
1935:Martin Taylor – Guitar
1655:Alternate versions of
1643:Jody K Jenkins –
1347:Alternate versions of
1321:"Ein Wiener Walzer (A
616:on later albums. From
252:("we shall hear") and
2345:"Baywatch Soundtrack"
1992:The Essential Adiemus
1815:Bachianas Brasileiras
1598:Pamela Thorby –
1545:'s Curse" – 4:30
1518:'s Drone" – 3:58
1139:Pamela Thorby –
670:Hanna-Riikka Siitonen
259:The titular piece on
235:itself resembles the
71:"Adiemus" albums
1628:David Farmer –
1169:Alternative versions
805:improve this section
56:improve this article
2446:Choral compositions
2426:Karl Jenkins albums
2255:www.digitaldesk.org
2062:Lewis & Short.
1961:Adieums V: Vocalise
1832:Sergei Rachmaninoff
1787:Švanda the Bagpiper
1709:Adiemus V: Vocalise
1701:Adiemus V: Vocalise
1502:The Wooing of Étaín
1361:, "Hymn" 2:38 from
1342:"Tango" – 5:51
1221:In addition to the
968:"Amaté Adea" – 5:12
588:, a recorder and a
199:Concept and origins
18:Adiemus V: Vocalise
2304:has generic name (
2069:A Latin Dictionary
1811:Heitor Villa-Lobos
1782:Jaromír Weinberger
1715:Track listing for
1479:Track listing for
1237:Track listing for
1019:Track listing for
897:Invisible Children
845:Songs of Sanctuary
736:Songs of Sanctuary
618:Songs of Sanctuary
582:Songs of Sanctuary
281:Songs of Sanctuary
2162:, karljenkins.com
2004:Symphonic Adiemus
1875: – Harmonica
1769:"Akruzam" (after
1745:text) – 4:11
1727:
1571:Adiemus Orchestra
1459:S4C International
1262:"La La La Koora (
1252:"Un Bolero Azul (
841:
840:
833:
732:Cantus Inaequalis
694:draws heavily on
458:suspended cymbals
187:the opening track
132:
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106:
16:(Redirected from
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2321:"Adiemus (Song)"
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2074:Tufts University
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1160:Electro-acoustic
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759:The Eternal Knot
661:Anna-Mari Kähärä
630:The Eternal Knot
503:The Eternal Knot
432:, rek, udu pot,
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2160:Wayback Machine
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2125:Barone, Brian.
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2012:
1998:Adiemus Colores
1969:
1957:
1882:Richard Harwood
1854:
1819:Richard Harwood
1775:Frédéric Chopin
1731:"Rondo" (after
1720:
1704:
1674:Imagined Oceans
1669:Imagined Oceans
1660:
1624:Acoustic guitar
1584:Miriam Stockley
1568:
1484:
1451:
1379:
1352:
1272:"Kaya Kakooya (
1242:
1231:Miriam Stockley
1227:Adiemus Singers
1200:
1171:
1125:Miriam Stockley
1107:
1085:
1078:
1068:
1058:
1048:
1038:
1028:
1024:
983:
971:"Kayama" – 8:06
943:
937:
930:
884:Luxor Las Vegas
866:Delta Air Lines
837:
826:
820:
817:
802:
786:
775:
728:time signatures
688:
655:Pirjo Aittomäki
646:Miriam Stockley
642:
614:acoustic guitar
540:Miriam Stockley
517:acoustic guitar
360:(1 doubling on
352:(1 doubling on
273:
265:Delta Air Lines
201:
173:is a series of
143:
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128:
117:
111:
108:
65:
63:
53:
41:
28:
23:
22:
15:
12:
11:
5:
2459:
2457:
2449:
2448:
2443:
2438:
2433:
2431:New-age albums
2428:
2418:
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2393:
2392:External links
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2280:East Bay Times
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1804:
1801:Franz Schubert
1797:
1794:
1791:
1778:
1767:
1764:
1753:
1746:
1736:
1723:All tracks by
1719:
1713:
1703:
1698:
1659:
1653:
1652:
1651:
1641:
1632:
1626:
1617:
1615:Uilleann pipes
1608:
1602:
1596:
1590:
1581:
1572:
1567:
1563:Personnel for
1561:
1560:
1559:
1552:
1549:
1546:
1539:
1536:
1529:
1522:
1519:
1512:
1505:
1498:
1495:
1488:
1483:
1477:
1469:Uilleann pipes
1450:
1445:
1444:
1443:
1440:
1437:
1431:
1428:
1425:
1422:
1419:
1416:
1413:
1410:
1407:
1404:
1401:
1398:
1395:
1392:
1389:
1386:
1383:
1378:
1374:Personnel for
1372:
1351:
1345:
1344:
1343:
1340:
1339:)" – 4:15
1333:
1326:
1325:)" – 4:59
1323:Viennese Waltz
1319:
1318:)" – 4:36
1312:
1302:
1295:
1288:
1277:
1276:)" – 4:34
1270:
1267:
1266:)" – 3:20
1260:
1259:)" – 8:35
1250:
1249:)" – 5:04
1241:
1235:
1212:style of dance
1199:
1194:
1170:
1167:
1166:
1165:
1156:
1147:
1137:
1131:
1122:
1113:
1106:
1102:Personnel for
1100:
1099:
1098:
1095:
1092:
1089:
1082:
1075:
1072:
1071:" – 11:26
1065:
1062:
1055:
1052:
1045:
1042:
1035:
1032:
1023:
1017:
982:
977:
976:
975:
972:
969:
966:
963:
960:
957:
954:
951:
939:Main article:
936:
931:
929:
926:
858:TV commercials
854:cult following
839:
838:
789:
787:
780:
774:
771:
742:-like rhythm.
687:
684:
683:
682:
681:Riikka Timonen
679:
674:
673:Mia Simanainen
671:
668:
665:
662:
659:
658:Mervi Hiltunen
656:
653:
648:
641:
638:
622:Dances of Time
560:Dances of Time
537:Session singer
534:
533:
530:
524:
521:Uilleann pipes
511:, percussion,
505:
499:
483:
481:Dances of Time
477:
410:Egyptian tabla
346:
340:
322:bass bell in C
283:
272:
269:
200:
197:
130:
129:
44:
42:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2458:
2447:
2444:
2442:
2439:
2437:
2434:
2432:
2429:
2427:
2424:
2423:
2421:
2412:
2408:
2405:
2403:
2399:
2396:
2395:
2391:
2375:
2371:
2365:
2362:
2350:
2346:
2340:
2337:
2326:
2322:
2315:
2312:
2307:
2295:
2281:
2277:
2270:
2267:
2256:
2252:
2246:
2243:
2231:
2227:
2221:
2218:
2207:
2203:
2197:
2194:
2181:
2180:
2179:The Telegraph
2175:
2168:
2165:
2161:
2157:
2154:
2149:
2146:
2134:
2133:
2128:
2121:
2118:
2106:
2102:
2101:
2096:
2090:
2087:
2075:
2071:
2070:
2065:
2057:
2054:
2042:
2038:
2031:
2028:
2021:
2017:
2014:
2013:
2009:
2005:
2001:
1999:
1995:
1993:
1989:
1987:
1983:
1981:
1977:
1975:
1971:
1970:
1966:
1964:
1962:
1954:
1949:
1946:
1943:
1940:
1937:
1934:
1931:
1928:
1927:Belinda Sykes
1925:
1922:
1919:
1916:
1913:
1910:
1907:
1904:
1901:
1898:
1895:
1892:
1889:
1886:
1884: – Cello
1883:
1880:
1877:
1874:
1871:
1868:
1865:
1862:
1859:
1856:
1855:
1852:
1848:
1843:
1840:
1837:
1833:
1829:
1826:
1823:
1820:
1816:
1812:
1808:
1805:
1803:) – 3:20
1802:
1798:
1795:
1792:
1790:) – 1:49
1789:
1788:
1783:
1779:
1777:) – 4:29
1776:
1772:
1768:
1765:
1763:) – 2:26
1762:
1758:
1754:
1751:
1747:
1744:
1741:
1737:
1735:) – 4:09
1734:
1730:
1729:
1728:
1726:
1718:
1714:
1712:
1710:
1702:
1699:
1697:
1695:
1691:
1686:
1684:
1683:
1682:The Armed Man
1679:
1675:
1671:
1670:
1665:
1658:
1654:
1650:
1646:
1642:
1640:
1636:
1633:
1631:
1627:
1625:
1621:
1620:Martin Taylor
1618:
1616:
1612:
1611:Davy Spillane
1609:
1607:
1603:
1601:
1597:
1594:
1591:
1589:
1585:
1582:
1580:
1576:
1573:
1570:
1569:
1566:
1562:
1557:
1553:
1550:
1547:
1544:
1540:
1537:
1535:" – 7:56
1534:
1530:
1528:" – 4:19
1527:
1526:Connla's Well
1523:
1520:
1517:
1513:
1511:" – 6:05
1510:
1507:"King of the
1506:
1504:" – 5:25
1503:
1499:
1496:
1494:" – 4:04
1493:
1489:
1486:
1485:
1482:
1478:
1476:
1474:
1470:
1466:
1465:
1460:
1456:
1449:
1446:
1441:
1438:
1436:
1432:
1429:
1426:
1423:
1420:
1417:
1414:
1411:
1408:
1405:
1402:
1399:
1396:
1393:
1390:
1387:
1384:
1381:
1380:
1377:
1373:
1371:
1368:
1366:
1365:
1360:
1359:
1350:
1346:
1341:
1338:
1334:
1331:
1327:
1324:
1320:
1317:
1313:
1311:" – 8:05
1310:
1307:
1303:
1301:" – 4:30
1300:
1296:
1294:" – 1:24
1293:
1289:
1287:" – 7:25
1286:
1282:
1278:
1275:
1271:
1268:
1265:
1261:
1258:
1255:
1251:
1248:
1244:
1243:
1240:
1236:
1234:
1232:
1228:
1224:
1219:
1217:
1213:
1209:
1205:
1198:
1195:
1193:
1191:
1190:
1189:Diamond Music
1185:
1184:
1178:
1176:
1175:Cantata Mundi
1168:
1164:
1161:
1157:
1155:
1152: – Solo
1151:
1148:
1146:
1142:
1138:
1135:
1132:
1130:
1126:
1123:
1121:
1117:
1114:
1112:
1109:
1108:
1105:
1101:
1096:
1093:
1090:
1088:" – 5:46
1083:
1081:" – 8:45
1076:
1073:
1066:
1063:
1061:" – 7:25
1056:
1053:
1051:" – 6:11
1046:
1043:
1041:" – 6:09
1036:
1033:
1031:" – 9:01
1026:
1025:
1022:
1018:
1016:
1014:
1010:
1006:
1002:
998:
994:
993:Cantata Mundi
990:
989:
981:
978:
974:"Hymn" – 2:38
973:
970:
967:
964:
961:
958:
955:
952:
949:
945:
944:
942:
935:
932:
927:
925:
923:
919:
915:
911:
910:
905:
904:
899:
898:
893:
889:
885:
881:
880:
875:
871:
870:Cantata Mundi
867:
863:
859:
855:
851:
847:
846:
835:
832:
824:
821:December 2013
814:
810:
806:
800:
799:
795:
790:This section
788:
784:
779:
778:
772:
770:
768:
764:
760:
756:
752:
748:
745:The sound of
743:
741:
737:
733:
729:
725:
721:
717:
713:
712:African music
709:
705:
701:
697:
693:
686:Musical style
685:
680:
678:
675:
672:
669:
667:Säde Rissanen
666:
663:
660:
657:
654:
652:
649:
647:
644:
643:
639:
637:
635:
631:
627:
623:
619:
615:
611:
610:Cantata Mundi
607:
603:
599:
595:
594:Mike Ratledge
591:
587:
583:
578:
576:
573:
569:
565:
561:
557:
553:
549:
545:
541:
538:
531:
529:
525:
522:
518:
514:
510:
506:
504:
500:
497:
493:
489:
484:
482:
478:
475:
471:
467:
463:
459:
455:
452:, bass drum,
451:
447:
443:
439:
435:
431:
427:
423:
419:
415:
411:
407:
403:
399:
395:
391:
387:
383:
379:
375:
371:
367:
363:
359:
355:
351:
347:
345:
344:Cantata Mundi
341:
339:
335:
331:
327:
323:
319:
315:
311:
307:
303:
299:
295:
291:
287:
284:
282:
278:
275:
274:
270:
268:
266:
262:
257:
255:
251:
248:("to hear"):
247:
242:
238:
234:
229:
227:
222:
220:
216:
213:
210:
206:
198:
196:
194:
193:
188:
184:
180:
176:
175:new-age music
170:
138:
137:
126:
123:
115:
104:
101:
97:
94:
90:
87:
83:
80:
76:
73: –
72:
68:
67:Find sources:
61:
57:
51:
50:
45:This article
43:
39:
34:
33:
30:
19:
2377:. Retrieved
2373:
2364:
2352:. Retrieved
2348:
2339:
2328:. Retrieved
2324:
2314:
2283:. Retrieved
2279:
2269:
2258:. Retrieved
2254:
2245:
2234:. Retrieved
2232:. 2017-09-28
2229:
2220:
2209:. Retrieved
2205:
2196:
2184:. Retrieved
2177:
2167:
2148:
2136:. Retrieved
2130:
2120:
2108:. Retrieved
2098:
2089:
2077:. Retrieved
2067:
2056:
2044:. Retrieved
2040:
2030:
2003:
1997:
1991:
1985:
1980:Adiemus Live
1979:
1973:
1960:
1958:
1873:Mark Feltham
1850:
1814:
1785:
1725:Karl Jenkins
1721:
1716:
1708:
1705:
1700:
1689:
1687:
1680:
1673:
1667:
1663:
1661:
1656:
1635:Catrin Finch
1575:Karl Jenkins
1564:
1509:Sacred Grove
1492:Eternal Knot
1480:
1462:
1461:documentary
1452:
1447:
1375:
1369:
1362:
1356:
1353:
1348:
1337:Square dance
1335:"Dos a Dos (
1314:"Zarabanda (
1238:
1223:multitracked
1220:
1214:, including
1201:
1196:
1187:
1181:
1179:
1174:
1172:
1116:Karl Jenkins
1103:
1020:
1007:of fourteen
992:
986:
984:
979:
933:
922:Seven Cities
918:Ibiza trance
907:
901:
895:
887:
877:
869:
849:
843:
842:
827:
818:
803:Please help
791:
766:
765:documentary
758:
755:Celtic music
746:
744:
735:
731:
691:
689:
664:Merja Rajala
633:
629:
621:
617:
609:
598:Soft Machine
581:
579:
575:multitracked
567:
559:
551:
543:
535:
527:
526:Scoring for
502:
501:Scoring for
480:
479:Scoring for
426:bass marimba
422:glockenspiel
404:, triangle,
362:English horn
343:
342:Scoring for
280:
260:
258:
253:
249:
245:
240:
232:
230:
223:
221:background.
204:
202:
190:
183:Karl Jenkins
135:
134:
133:
118:
112:January 2011
109:
99:
92:
85:
78:
66:
54:Please help
49:verification
46:
29:
2302:|last=
2186:16 February
2138:16 February
2046:16 February
2041:WalesOnline
1694:Celtic knot
1647:effect and
1593:Mary Carewe
1376:Adiemus III
1349:Adiemus III
1245:"Corrente (
1239:Adiemus III
1134:Mary Carewe
852:acquired a
720:suspensions
716:dissonances
700:world music
651:Mary Carewe
572:overdubbing
558:on all but
556:Mary Carewe
217:against an
2420:Categories
2330:2024-05-12
2285:2024-05-12
2260:2024-05-12
2236:2024-05-12
2211:2024-05-12
2206:Classic FM
2110:11 January
2079:11 January
2022:References
1657:Adiemus IV
1649:percussion
1565:Adiemus IV
1481:Adiemus IV
1299:Rain Dance
1163:percussion
1104:Adiemus II
1021:Adiemus II
914:Solarstone
888:Kubla Khan
879:Pure Moods
677:Nina Tapio
548:intonation
507:recorder,
492:snare drum
462:tambourine
392:, claves,
330:wood block
290:percussion
209:harmonised
177:albums by
82:newspapers
2095:"adiemus"
1851:Adiemus V
1757:Agnus Dei
1717:Adiemus V
1664:Dewi Sant
1630:Accordion
1579:Conductor
1533:The Dagda
1464:The Celts
1316:Sarabande
1233:'s lead.
1141:Recorders
1120:Conductor
1009:movements
997:woodwinds
792:does not
767:The Celts
696:classical
509:accordion
488:castanets
418:xylophone
382:trombones
366:clarinets
318:mark tree
314:bass drum
310:floor tom
231:The word
219:orchestra
181:composer
2349:Tunefind
2294:cite web
2182:. London
2156:Archived
2010:See also
1836:Vocalise
1821:, cello)
1771:mazurkas
1637: –
1622: –
1613: –
1600:Recorder
1586: –
1577: –
1543:Ceridwen
1435:gemshorn
1247:Courante
1145:gemshorn
1127: –
1118: –
1013:chorales
950:" – 4:01
920:anthem "
916:'s 1999
909:Baywatch
773:Audience
718:such as
704:tonality
634:Vocalise
606:woodwind
568:Vocalise
552:Vocalise
528:Vocalise
474:gemshorn
446:timbales
442:pandeiro
406:chenchen
378:trumpets
370:bassoons
334:triangle
294:tom-toms
286:recorder
254:audiamus
250:audiemus
2411:Last.fm
2407:Adiemus
2402:MySpace
2398:Adiemus
2374:Discogs
2132:The Awl
2002:2017 –
1996:2013 –
1990:2003 –
1984:2002 –
1978:2002 –
1972:2000 –
1606:soprano
1514:"Saint
1306:African
1281:Intrada
1264:Ländler
1005:cantata
948:Adiemus
872:, in a
864:" in a
862:Adiemus
850:Adiemus
813:removed
798:sources
751:new-age
747:Adiemus
692:Adiemus
640:Singers
564:Finnish
544:Adiemus
414:shekere
402:cabasas
394:cowbell
390:timpani
354:piccolo
338:strings
302:cymbals
277:Scoring
241:adeamus
233:adiemus
205:Adiemus
136:Adiemus
96:scholar
2379:12 May
2354:12 May
2064:"adeo"
1842:encore
1740:Hebrew
1645:Carnyx
1588:Vocals
1516:Declan
1473:Carnyx
1455:Celtic
1292:Minuet
1283:&
1257:Bolero
1154:violin
1129:Vocals
928:Albums
740:tribal
708:gospel
624:, the
496:shaker
466:violin
454:tamtam
438:sticks
434:tablas
430:bongos
350:flutes
326:cabasa
306:claves
298:congas
246:audire
215:melody
98:
91:
84:
77:
69:
1743:Grail
1490:"The
1309:Tango
1285:Pavan
1274:Rumba
1216:meter
1208:dance
1204:music
1001:brass
734:from
602:brass
590:quena
586:bells
450:surdo
398:güiro
374:horns
364:), 2
358:oboes
356:), 2
239:word
237:Latin
226:Latin
212:vocal
203:Each
179:Welsh
103:JSTOR
89:books
2381:2024
2356:2024
2306:help
2188:2021
2140:2021
2112:2016
2081:2016
2048:2021
1834:'s "
1761:Mass
1678:mass
1639:Harp
1556:Math
1471:and
1330:Hymn
1254:Blue
1206:and
1143:and
999:and
796:any
794:cite
710:and
698:and
608:for
604:and
580:The
513:harp
472:and
400:, 2
386:tuba
380:, 4
376:, 3
372:, 6
368:, 2
292:, 4
288:, 8
279:for
75:news
2409:on
2400:on
1813:'s
1784:'s
1773:by
1015:'.
924:".
807:by
763:S4C
753:or
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620:to
58:by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
