173:. Critics praised the company as “a brash ingenious young group with a nervy iconoclastic voice” and “one of the canniest theater companies anywhere in town.” They were described as a “Gen X theatre company” that appealed to younger audiences with their “fiendishly inventive” theatricality and “appealingly adolescent energy,” as well as low ticket prices, a pay-what-you-will open bar, and a party onstage after every performance.
25:
254:, Dobrish has proven adept at knitting together a comic tissue of contemporary realities, in which the tiny bright threads of myth and fairy tale adhere and are interwoven with recognizable parallels within modern-day relationships. There is pathos, too, layered with the zingy laughs.” Other adobe theatre company productions written by Dobrish include
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a collective of theatre artists dedicated to creating productions that utilize the uniquely interactive and communal possibilities of live theatre. adobe shows draw on many influences ranging from high art to pop culture, fairy tales to urban myths, and traditional theatre to modern performance art.
349:
Recurring “off-night” events included the Adobe
Variety Hour, featuring the fictional cabaret duo Roz Holiday and Bobby Carmichael (Kathryn Langwell and Vin Knight); the “Fleet the Time” short play series, curated by Julie Bleha; and a 24-Hour Play Festival.
157:
In an effort to demystify theatre and make it more accessible to a younger audience, adobe productions begin the moment you enter the theatre and don't end until after everyone is invited to the stage to share drinks and conversation.
346:(2001). While the majority of adobe’s productions were directed by Dobrish, other directors working with the company included Lance Ball, Jessica Irons, Edward Elefterion, Stephen Haff, Damon Kiely, Elyse Singer, and Paul Zablocki.
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276:(1998), a spoof of 1950s Hollywood romantic melodramas written by and starring Erin Quinn Purcell and Gregory Jackson, with songs by Michael Garin. The
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audiences. Led by artistic director Jeremy
Dobrish and producing director Christopher Roberts, the company’s critical and popular successes included
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transferred to the Actors’ Playhouse, co-produced with Dodger
Endemol Theatricals, running off-Broadway from September 7 to December 20, 1998.
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hailed it as “another welcome act of subversion by the young, talented players at Adobe,” with theatre columnist
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adobe theatre company first gained the attention of mainstream critics with their production of
361:(1999), created by Erin Quinn Purcell, Gregory Jackson, and Michael Garin, was the winner of a
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theatre that operated from 1991 to 2004 in New York City, producing original plays aimed at
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330:(2002). The company also produced plays by company member Jay Reiss, including
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describing the show as “poised somewhere between
Saturday morning cartoons and
307:
152:, the adobe theatre company (written in lowercase letters) described itself as
688:
Renner, Pamela (April 2003). "Profiles: Jeremy
Dobrish: Pop-Culture Puck".
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adobe staged their productions at off-off-Broadway venues such as the
198:
365:. adobe theatre company was also supported by major grants from the
973:"Larson Awards Given to Musical Theatre Writers and Organizations"
585:
Program: “Notions in Motion,” Adobe
Theatre Company, 1997.
786:"The Naked Pedestrian is Dead, and the Sleuths Are a Bit Slow"
18:
342:. Company members collaboratively devised the showbiz parody
600:"Through the Tunnel of Dating Clichés with an Unlikely Pair"
640:
McNulty, Charles (28 October 1997). "Sentimental
Journey".
201:, recasting his usual mind games in the cheery terms of a
193:
described the play as “a giddy detective story suggests
865:"Full Moon? The Lakeview Has an Unexpected Vacancy"
705:"A Billionaire's Missing Brother and Julius Caesar"
294:, and geared to an audience weaned on television.”
49:. Unsourced material may be challenged and removed.
946:"The Iceman Thaweth and is Ready for His Close-Up"
209:(1997), a contemporary adaptation of Pirandello’s
838:"Forget About Rudolph; Vixen is Making Headlines"
185:(1995), written and directed by Jeremy Dobrish.
460:Jordan Schildcrout (literary manager/dramaturg)
625:Gener, Randy (27 May 1997). "Off-Off-Sizing".
336:Meanwhile, on the Other Side of Mount Vesuvius
272:The company’s greatest commercial success was
8:
525:. New York: Broadway Play Publishing, 2006.
511:. New York: Broadway Play Publishing, 2005.
504:. New York: Broadway Play Publishing, 2001.
497:. New York: Broadway Play Publishing, 1999.
234:characters into the contemporary world, and
919:"Learning is Good, but Glory's Even Better"
1009:Defunct theatre companies in New York City
532:New York: Broadway Play Publishing, 2001.
556:"Adobe's Motto: We Do What We Want To Do"
238:(2000), a rock-and-roll retelling of the
205:parody.” Two years later, Dobrish staged
109:Learn how and when to remove this message
1004:1991 establishments in the United States
528:Gregory Jackson and Erin Quinn Purcell.
451:Christopher Roberts (producing director)
890:Bruckner, D. J. R. (14 December 1999).
541:
732:"Damsels in Distress (One's a Lawyer)"
306:adobe staged several plays written by
16:Theatre company that existed 1991-2004
759:"Greek Lovers in a Hip, Rock Setting"
7:
757:Jefferson, Margo (23 October 2000).
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412:Michael Gottlieb (lighting designer)
47:adding citations to reliable sources
703:Brantley, Ben (19 September 1995).
554:Drukman, Steven (6 December 1998).
430:Stephanie McCormick (stage manager)
371:New York State Council for the Arts
944:Genzlinger, Neil (10 April 2001).
784:Bruckner, D. J. R. (25 May 2004).
442:Alex Radocchia (lighting designer)
400:Jeremy Dobrish (artistic director)
391:Sarah Bittenbender (stage manager)
369:, Peter Jay Sharp Foundation, and
14:
892:"Beware If Smart Dog Gets Lonely"
836:Brantley, Ben (7 December 1995).
518:. New York: Samuel French, 1997.
409:Meganne George (costume designer)
406:Michael Garin (composer/lyricist)
971:Jones, Kenneth (13 March 2000).
660:"Dressed All in Black and Angst"
598:Marks, Peter (22 October 1997).
148:Founded in 1991 by graduates of
23:
472:Paul Ziemer (lighting designer)
388:Lance Ball (associate director)
246:magazine wrote, “In plays like
34:needs additional citations for
863:Marks, Peter (7 August 1998).
816:Internet Off-Broadway Database
516:The Eight: Reindeer Monologues
424:Matthew Maraffi (set designer)
312:The Eight: Reindeer Monologues
1:
917:Marks, Peter (7 April 1999).
730:Marks, Peter (3 March 1998).
658:Brantley, Ben (3 June 1997).
427:Christopher Marobella (actor)
226:Dobrish also wrote the plays
219:transferred to a limited run
397:Steven Capone (set designer)
144:Theatrical style and mission
466:Chris Todd (sound designer)
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439:Erin Quinn Purcell (actor)
223:at the Greenwald Theatre.
403:Frank Ensenberger (actor)
433:J. Mole (video designer)
421:Kathryn Langwell (actor)
483:Plays by Jeremy Dobrish
436:Janice O’Rourke (actor)
177:Plays by Jeremy Dobrish
58:"Adobe theatre company"
523:Larry and the Werewolf
454:Jay Rosenbloom (actor)
445:Jay Reiss (playwright)
415:Arthur Halpern (actor)
316:Larry and the Werewolf
274:Duet! A Romantic Fable
267:Duet! A Romantic Fable
159:
138:Duet! A Romantic Fable
448:Molly Renfroe (actor)
385:Arthur Aulisi (actor)
363:Jonathan Larson Grant
154:
122:Adobe theatre company
502:Orpheus and Eurydice
463:Dave Slivken (actor)
394:Henry Caplan (actor)
240:classical Greek myth
236:Orpheus and Eurydice
43:improve this article
491:The Handless Maiden
457:Beau Ruland (actor)
287:Saturday Night Live
252:The Handless Maiden
230:(1998), which wove
228:The Handless Maiden
212:Each in His Own Way
150:Wesleyan University
418:Vin Knight (actor)
495:Notions in Motion
367:Jerome Foundation
354:Awards and grants
344:Hooray for Iceboy
338:(1999) featuring
322:(1999) featuring
320:Poona The F*#kdog
302:Other major works
217:Notions in Motion
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167:Ohio Theatre
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130:Generation X
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41:Please help
36:verification
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340:Maggie Siff
334:(1995) and
292:David Lynch
260:Superpowers
258:(2003) and
136:(1997) and
998:Categories
536:References
308:Jeff Goode
195:Pirandello
69:newspapers
982:17 August
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875:17 August
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256:Deception
977:Playbill
381:Source:
318:(1998),
262:(2004).
163:Soho Rep
140:(1998).
248:Orpheus
124:was an
83:scholar
812:"Duet"
493:, and
326:, and
199:Prozac
169:, and
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530:Duet!
296:Duet!
90:JSTOR
76:books
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250:and
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