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Reiner in the
Fifties, but it was during the 22-year reign of the fierce Hungarian Georg Solti that the orchestra became the brawny yet subtle precision instrument that it is today, famed especially for its noble and stupendously powerful brass sound." A Smithsonian profile of Herseth, published September 1, 1994, offered this description: "The Chicago has long been recognized as one of the world's great orchestras, and Adolph Sylvester Herseth has had a major role in the evolution of its distinctive sound." As described in the
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Herseth's tenure as principal trumpet spanned the Reiner years, during which the orchestra rose to prominence, due in part to the powerful and precise sound of its brass section. As explained by the
Telegraph in London on September 18, 2009, "The orchestra's rise to fame began with the great Fritz
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critic John von Rhein wrote in his farewell piece, "He was the man whose face would turn radish-red when he was scaling the trumpet stratosphere or tossing off a rapid scale passage. Where he found the huge volume of air needed to make a notoriously recalcitrant brass instrument soar like that,
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Herseth retired in 2001. The position he occupied is now named after him - The Adolph
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In a book by Louis
Davidson, Herseth lists a few of the players he admired and whose playing most influenced his. They include Louis Davidson,
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from 1948 until 2001, and served as principal trumpet emeritus from 2001 until his retirement in 2004.
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Regular concert-goers knew him not only by his golden sound, but also by sight; as long-time
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As the principal trumpet of the
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in Iowa with a degree in mathematics prior to serving as a musician with the
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to see the places where his relatives lived in the municipality of
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Herseth wasn't saying. That was part of the Bud
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452:(International Trumpet Guild Journal, February 1998)
417:. Chicago Sun–Times. April 14, 2013. Archived from
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231:(July 25, 1921 – April 13, 2013) was principal
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