Knowledge (XXG)

Adriano Pedrosa

Source 📝

596: 576: 564: 282: 270: 78:, a residency and conversations programme at the Khalid Shoman Foundation in Jordan, encompassing artists from countries including Angola, Brazil, Egypt, South Africa, Palestine and the Philippines. 59:
From 2011 to 2014, Pedrosa was responsible for the artistic programs at SP-Arte, an art fair in São Paulo, under the leadership of its founder Fernanda Feitosa.
662: 510: 415: 365: 633: 316: 232: 271:"Brazilian Curator Adriano Pedrosa Will Helm the 2024 Venice Biennale, Making Him the First Latin American to Organize the Event" 85:, a series of shows at MASP each examining in depth a different theme, often a community or identity. These shows have included 213: 166: 130:
on his visit to the Holy See pavilion on April 28, 2024, the first time a pontiff has attended the international exhibition.
467: 554: 138:
In 2022 Pedrosa was awarded the Audrey Irmas Award for Curatorial Excellence in 2023. Pedrosa was listed at number 14 on
489: 657: 194: 312: 44: 626: 104: 468:"Histories' Mysteries: In São Paulo, Curator Adriano Pedrosa Has Started a Revolution—Within a Museum's Walls" 95: 652: 63: 667: 119: 338: 619: 115: 48: 446: 390: 251: 580: 171: 490:"Adriano Pedrosa, Curator Behind Celebrated 'Afro-Atlantic Histories' Show, Wins $ 25,000 Prize" 595: 176: 67: 603: 568: 100: 532: 255: 123: 122:
drawn its name from a series of works made by the Paris-born and Palermo-based collective
304: 237: 218: 199: 66:, as well as biennial exhibitions in Tijuana (2005); San Juan, Puerto Rico (2009); and 646: 71: 127: 511:"Jens Hoffmann and Adriano Pedrosa Appointed Curators of 2011 Istanbul Biennial" 494: 472: 416:"Sign of the times—artist Nan Goldin is no. 1 in the Art Review Power 100 List" 180: 140: 90: 515: 575: 43:(born 1965) is a Brazilian curator. He is the artistic director of the 366:"Pope drops in on the Venice Biennale and visits the Vatican pavilion" 278: 167:"Venice Biennale Names a Brazilian Trailblazer as Its New Curator" 214:
Venice Biennale Names a Brazilian Trailblazer as Its New Curator
195:
Can Adriano Pedrosa Save the Venice Biennale? No Pressure.
81:
Among Pedrosa's most well-known curated shows at MASP is
607: 339:"Biennale Arte 2024 | Introduction by Adriano Pedrosa" 552: 420:
The Art Newspaper - International art news and events
160: 158: 62:
Pedrosa was co-organizer of the 2006 edition of the
30: 23: 447:"Adriano Pedrosa takes $ 25k curatorial prize" 391:"Adriano Pedrosa takes $ 25k curatorial prize" 627: 8: 233:A Simplified and Secretive Istanbul Biennial 634: 620: 269:Whiddington, Richard (December 15, 2022). 20: 126:. During the Biennale, Pedrosa met with 111:(2022), focused on histories of Brazil. 559: 466:Durón, Maximilíano (February 5, 2020). 319:from the original on September 28, 2022 154: 488:Greenberger, Alex (December 5, 2022). 285:from the original on December 17, 2022 7: 592: 590: 231:Susanne Fowler (14 September 2011), 165:Farago, Jason (December 15, 2022). 663:Venice Biennale artistic directors 606:. You can help Knowledge (XXG) by 14: 602:This artist-related article is a 364:Harris, Harris (April 29, 2024). 212:Jason Farago (15 December 2022), 594: 574: 562: 89:(2017), focused on histories of 193:Zachary Small (10 April 2024), 1: 250:Rachel Spence (17 May 2013), 118:curated by Pedrosa is titled 76:Hiwar, Conversations in Amman 533:"Power 100: Adriano Pedrosa" 684: 589: 105:Transatlantic slave trade 96:Histórias Afro-Atlânticas 87:Histórias da Sexualidade 313:São Paulo Museum of Art 99:(2018), focused on the 74:). In 2013, he curated 47:(MASP) and curated the 45:São Paulo Museum of Art 343:La Biennale di Venezia 305:"Brazilian Histories" 120:Foreigners Everywhere 109:Histórias Brasileiras 145:s "Power 100 List." 116:2024 Venice Biennale 49:2024 Venice Biennale 519:. February 16, 2010 64:Bienal de São Paulo 658:Brazilian curators 453:. December 5, 2022 422:. December 1, 2023 252:Beyond the samosas 172:The New York Times 103:and legacy of the 615: 614: 370:The Art Newspaper 38: 37: 16:Brazilian curator 675: 636: 629: 622: 598: 591: 579: 578: 567: 566: 565: 558: 548: 546: 544: 528: 526: 524: 506: 504: 502: 484: 482: 480: 462: 460: 458: 432: 431: 429: 427: 412: 406: 405: 403: 401: 387: 381: 380: 378: 376: 361: 355: 354: 352: 350: 335: 329: 328: 326: 324: 301: 295: 294: 292: 290: 266: 260: 248: 242: 229: 223: 210: 204: 191: 185: 184: 162: 101:African diaspora 21: 683: 682: 678: 677: 676: 674: 673: 672: 643: 642: 641: 640: 587: 585: 573: 563: 561: 553: 551: 542: 540: 531: 522: 520: 509: 500: 498: 487: 478: 476: 465: 456: 454: 445: 441: 439:Further reading 436: 435: 425: 423: 414: 413: 409: 399: 397: 389: 388: 384: 374: 372: 363: 362: 358: 348: 346: 345:. June 22, 2023 337: 336: 332: 322: 320: 303: 302: 298: 288: 286: 268: 267: 263: 256:Financial Times 249: 245: 230: 226: 211: 207: 192: 188: 164: 163: 156: 151: 136: 124:Claire Fontaine 57: 41:Adriano Pedrosa 26: 25:Adriano Pedrosa 17: 12: 11: 5: 681: 679: 671: 670: 665: 660: 655: 645: 644: 639: 638: 631: 624: 616: 613: 612: 599: 584: 583: 571: 550: 549: 529: 507: 485: 463: 442: 440: 437: 434: 433: 407: 382: 356: 330: 296: 261: 243: 238:New York Times 224: 219:New York Times 205: 200:New York Times 186: 153: 152: 150: 147: 135: 132: 56: 53: 36: 35: 32: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 680: 669: 666: 664: 661: 659: 656: 654: 653:Living people 651: 650: 648: 637: 632: 630: 625: 623: 618: 617: 611: 609: 605: 600: 597: 593: 588: 582: 577: 572: 570: 560: 556: 538: 534: 530: 518: 517: 512: 508: 497: 496: 491: 486: 475: 474: 469: 464: 452: 448: 444: 443: 438: 421: 417: 411: 408: 396: 395:artreview.com 392: 386: 383: 371: 367: 360: 357: 344: 340: 334: 331: 318: 314: 310: 306: 300: 297: 284: 280: 276: 272: 265: 262: 258: 257: 253: 247: 244: 240: 239: 234: 228: 225: 221: 220: 215: 209: 206: 202: 201: 196: 190: 187: 182: 178: 174: 173: 168: 161: 159: 155: 148: 146: 144: 142: 133: 131: 129: 125: 121: 117: 112: 110: 106: 102: 98: 97: 92: 88: 84: 79: 77: 73: 72:Jens Hoffmann 69: 65: 60: 54: 52: 50: 46: 42: 33: 29: 22: 19: 668:Artist stubs 608:expanding it 601: 586: 543:December 17, 541:. Retrieved 536: 523:December 17, 521:. Retrieved 514: 501:December 17, 499:. Retrieved 493: 479:December 17, 477:. Retrieved 471: 457:December 17, 455:. Retrieved 450: 426:December 20, 424:. Retrieved 419: 410: 400:December 20, 398:. Retrieved 394: 385: 373:. Retrieved 369: 359: 347:. Retrieved 342: 333: 323:December 17, 321:. Retrieved 308: 299: 289:December 17, 287:. Retrieved 274: 264: 254: 246: 236: 227: 217: 208: 198: 189: 170: 139: 137: 128:Pope Francis 113: 108: 94: 86: 82: 80: 75: 70:(2011, with 61: 58: 40: 39: 18: 581:Visual arts 495:ARTnews.com 473:ARTnews.com 349:February 3, 275:Artnet News 134:Recognition 647:Categories 149:References 31:Occupation 569:Biography 537:ArtReview 451:ArtReview 181:0362-4331 141:ArtReview 91:sexuality 83:Histórias 516:Artforum 317:Archived 283:Archived 68:Istanbul 555:Portals 34:Curator 539:. 2022 375:May 4, 279:Artnet 235:  216:  197:  179:  107:; and 55:Career 604:stub 545:2022 525:2022 503:2022 481:2022 459:2022 428:2023 402:2023 377:2024 351:2024 325:2022 309:MASP 291:2022 177:ISSN 114:The 51:. 649:: 535:. 513:. 492:. 470:. 449:. 418:. 393:. 368:. 341:. 315:. 311:. 307:. 281:. 277:. 273:. 175:. 169:. 157:^ 93:; 635:e 628:t 621:v 610:. 557:: 547:. 527:. 505:. 483:. 461:. 430:. 404:. 379:. 353:. 327:. 293:. 259:. 241:. 222:. 203:. 183:. 143:'

Index

São Paulo Museum of Art
2024 Venice Biennale
Bienal de São Paulo
Istanbul
Jens Hoffmann
sexuality
Histórias Afro-Atlânticas
African diaspora
Transatlantic slave trade
2024 Venice Biennale
Foreigners Everywhere
Claire Fontaine
Pope Francis
ArtReview


"Venice Biennale Names a Brazilian Trailblazer as Its New Curator"
The New York Times
ISSN
0362-4331
Can Adriano Pedrosa Save the Venice Biennale? No Pressure.
New York Times
Venice Biennale Names a Brazilian Trailblazer as Its New Curator
New York Times
A Simplified and Secretive Istanbul Biennial
New York Times
Beyond the samosas
Financial Times
"Brazilian Curator Adriano Pedrosa Will Helm the 2024 Venice Biennale, Making Him the First Latin American to Organize the Event"
Artnet

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.