Knowledge (XXG)

Étude Op. 25, No. 1 (Chopin)

Source 📝

115: 70: 755: 185:
Technically, the piece requires dexterity to play the six-tuples fast enough, and to be able to move the hand across intervals as large as a 13th in the middle. The inner voice figures consist of repeated figures of arpeggiated chords. Schumann commented on Chopin's subtle emphasis on certain
104:. Through metamorphic modulations to closely related keys, it eventually arrives at a brief episode in the remote key of A major, but culminates with an intense climax in the home key, and a momentary reference to the original thematic material, which flows easily into the 133: 157: 124: 148: 732: 132: 727: 156: 81:
This étude comprises a right-hand melody and supportive bass line, the accompaniment consisting of broken chords, provided by the inner voices of both hands, usually in
775: 465: 296: 186:
melodies throughout this piece. One difficulty the étude presents is the voicing of the inner counter-melodies. The three annotated studies by
785: 663: 61:
that Chopin advised a pupil to picture a shepherd boy taking refuge in a grotto to avoid a storm playing the melody on his flute.
622: 617: 612: 551: 546: 541: 53:
praised this work in a dissertation on the Études; calling it "a poem rather than a study", he coined for it the alternate name "
190:
on this etude exploit this aspect of this piece and also introduce the student to further possibilities in the Chopin original.
607: 602: 597: 592: 587: 582: 577: 572: 536: 531: 526: 521: 516: 511: 506: 501: 496: 721: 458: 745: 292: 780: 691: 438: 684: 670: 641: 451: 270: 43:
in 1836, and published in 1837. The work consists entirely of rapid arpeggios and harmonic modulations based on
705: 698: 677: 656: 223: 712: 759: 93:
from time to time. The principal melody is presented by the right hand on the first note of each group of
58: 480: 40: 398: 474: 28: 332: 409: 187: 139: 69: 206: 50: 301: 214: 74: 57:". It is also sometimes known as "The Shepherd Boy," following an unsupported tale by 769: 432: 343: 321: 218: 420: 387: 245: 105: 101: 54: 44: 35: 365: 17: 155: 131: 376: 283: 414: 403: 392: 381: 370: 359: 354: 348: 337: 326: 315: 172: 90: 82: 443: 305: 309: 94: 86: 97:, with occasional counter-melodies provided by the inner voices. 447: 287: 113: 743: 209:, 12 Etuden für Pianoforte von Friedrich Chopin, in: 213:, Leipzig, December 22, 1837, p. 199–200. Quoted by 631: 560: 489: 73:First measures of Chopin's Étude Op. 25, No. 1. ( 459: 8: 466: 452: 444: 297:International Music Score Library Project 68: 750: 199: 170: 100:The distinctive theme is presented in 7: 434:Étude in A flat major, Op. 25, No. 1 733:List of compositions by opus number 142:playing on an Erard (1851) - 2574KB 265:Ashton Johnson, (reprinted 2010), 171:Problems playing these files? See 25: 39:is a solo piano work composed by 753: 153: 129: 1: 728:List of compositions by genre 288:Chopin: the poet of the piano 267:A Handbook to Chopin's Works. 224:Chopin: the Man and His Music 786:Compositions in A-flat major 89:. The left hand introduces 802: 211:Neue Zeitschrift für Musik 26: 776:Études by Frédéric Chopin 651: 284:Analysis of Chopin Etudes 163:Performed by Donald Betts 34:Étude Op. 25, No. 1 in 642:Trois nouvelles études 633:Trois nouvelles études 118: 78: 304:available in .pdf or 117: 72: 427:Performances (video) 246:"Chopin Etude 25.1" 149:Étude Op. 25, No. 1 125:Étude Op. 25, No. 1 399:Vladimir Ashkenazy 119: 79: 18:Aeolian Harp Etude 781:1836 compositions 741: 740: 333:Arthur Rubinstein 252:. March 13, 2007. 158: 134: 16:(Redirected from 793: 758: 757: 756: 749: 484: 483: 468: 461: 454: 445: 435: 410:Maurizio Pollini 295:: Scores at the 253: 243: 237: 234: 228: 204: 188:Leopold Godowsky 160: 159: 140:Martha Goldstein 136: 135: 116: 21: 801: 800: 796: 795: 794: 792: 791: 790: 766: 765: 764: 760:Classical Music 754: 752: 744: 742: 737: 722:Frédéric Chopin 647: 627: 556: 485: 481:Frédéric Chopin 479: 478: 472: 433: 280: 262: 257: 256: 244: 240: 235: 231: 205: 201: 196: 183: 178: 177: 169: 167: 166: 165: 164: 161: 154: 151: 145: 144: 143: 137: 130: 127: 120: 114: 67: 51:Robert Schumann 41:Frédéric Chopin 31: 29:Études (Chopin) 23: 22: 15: 12: 11: 5: 799: 797: 789: 788: 783: 778: 768: 767: 763: 762: 739: 738: 736: 735: 730: 725: 717: 716: 709: 702: 695: 688: 681: 674: 667: 660: 652: 649: 648: 646: 645: 637: 635: 629: 628: 626: 625: 620: 615: 610: 605: 600: 595: 590: 585: 580: 575: 570: 564: 562: 558: 557: 555: 554: 549: 544: 539: 534: 529: 524: 519: 514: 509: 504: 499: 493: 491: 487: 486: 473: 471: 470: 463: 456: 448: 442: 441: 424: 423: 412: 401: 390: 379: 368: 357: 346: 335: 324: 313: 299: 290: 279: 278:External links 276: 275: 274: 261: 258: 255: 254: 238: 236:Johnson, p. 80 229: 198: 197: 195: 192: 182: 179: 168: 162: 152: 147: 146: 138: 128: 123: 122: 121: 112: 111: 110: 75:Urtext edition 66: 63: 27:Main article: 24: 14: 13: 10: 9: 6: 4: 3: 2: 798: 787: 784: 782: 779: 777: 774: 773: 771: 761: 751: 747: 734: 731: 729: 726: 723: 719: 718: 714: 710: 707: 703: 700: 696: 693: 689: 686: 682: 679: 675: 672: 668: 665: 661: 658: 654: 653: 650: 644: 643: 639: 638: 636: 634: 630: 624: 621: 619: 616: 614: 611: 609: 606: 604: 601: 599: 596: 594: 591: 589: 586: 584: 581: 579: 576: 574: 571: 569: 566: 565: 563: 559: 553: 550: 548: 545: 543: 540: 538: 535: 533: 530: 528: 525: 523: 520: 518: 515: 513: 510: 508: 505: 503: 500: 498: 495: 494: 492: 488: 482: 476: 469: 464: 462: 457: 455: 450: 449: 446: 440: 436: 431: 430: 429: 428: 422: 418: 417: 416:Op. 25, No. 1 413: 411: 407: 406: 405:Op. 25, No. 1 402: 400: 396: 395: 394:Op. 25, No. 1 391: 389: 385: 384: 383:Op. 25, No. 1 380: 378: 374: 373: 372:Op. 25, No. 1 369: 367: 363: 362: 361:Op. 25, No. 1 358: 356: 352: 351: 350:Op. 25, No. 1 347: 345: 344:Claudio Arrau 341: 340: 339:Op. 25, No. 1 336: 334: 330: 329: 328:Op. 25, No. 1 325: 323: 322:Alfred Cortot 319: 318: 317:Op. 25, No. 1 314: 311: 308:format, from 307: 303: 300: 298: 294: 293:Études Op. 25 291: 289: 285: 282: 281: 277: 272: 268: 264: 263: 259: 251: 247: 242: 239: 233: 230: 226: 225: 220: 219:James Huneker 216: 212: 208: 203: 200: 193: 191: 189: 180: 176: 174: 150: 141: 126: 109: 107: 103: 98: 96: 92: 88: 84: 76: 71: 64: 62: 60: 56: 52: 48: 46: 42: 38: 37: 30: 19: 724:}} 720:{{ 715:}} 711:{{ 708:}} 704:{{ 701:}} 697:{{ 694:}} 690:{{ 687:}} 683:{{ 680:}} 676:{{ 673:}} 669:{{ 666:}} 662:{{ 659:}} 655:{{ 640: 632: 567: 426: 425: 421:Youri Egorov 415: 404: 393: 388:Ivan Moravec 382: 371: 360: 349: 338: 327: 316: 271:Google Books 266: 250:In the Hands 249: 241: 232: 222: 217:, quoted by 210: 202: 184: 102:A-flat major 99: 80: 55:Aeolian Harp 49: 45:A-flat major 36:A-flat major 33: 32: 664:Concertante 377:Jorge Bolet 302:Sheet music 91:polyrhythms 770:Categories 692:Polonaises 419:played by 408:played by 397:played by 386:played by 375:played by 364:played by 355:Dino Ciani 353:played by 342:played by 331:played by 320:played by 260:References 173:media help 95:sextuplets 83:semiquaver 59:Kleczyński 685:Nocturnes 366:Géza Anda 181:Technique 65:Structure 706:Scherzos 699:Preludes 678:Mazurkas 657:Ballades 306:LilyPond 207:Schumann 713:Waltzes 561:Opus 25 490:Opus 10 439:YouTube 310:Mutopia 227:(1900). 87:tuplets 746:Portal 671:Études 623:No. 12 618:No. 11 613:No. 10 552:No. 12 547:No. 11 542:No. 10 475:Études 215:Kullak 608:No. 9 603:No. 8 598:No. 7 593:No. 6 588:No. 5 583:No. 4 578:No. 3 573:No. 2 568:No. 1 537:No. 9 532:No. 8 527:No. 7 522:No. 6 517:No. 5 512:No. 4 507:No. 3 502:No. 2 497:No. 1 194:Notes 269:(in 106:coda 477:by 437:on 286:at 221:in 772:: 273:). 248:, 108:. 77:). 47:. 748:: 467:e 460:t 453:v 312:. 175:. 85:- 20:)

Index

Aeolian Harp Etude
Études (Chopin)
A-flat major
Frédéric Chopin
A-flat major
Robert Schumann
Aeolian Harp
Kleczyński

Urtext edition
semiquaver
tuplets
polyrhythms
sextuplets
A-flat major
coda
Étude Op. 25, No. 1
Martha Goldstein
Étude Op. 25, No. 1
media help
Leopold Godowsky
Schumann
Kullak
James Huneker
Chopin: the Man and His Music
"Chopin Etude 25.1"
Google Books
Analysis of Chopin Etudes
Chopin: the poet of the piano
Études Op. 25

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.