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67:. It is a statement about the end user (consumer) and the target market. When combined with fabric construction, the finish of the clothing material, garment fit, style, and fashion compatibility, colours create an aesthetic comfort. All of these elements work together to satisfy our visual perception. Aesthetics incorporates the role of evaluation (analysing and judging) also.
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174:, etc. Typically, it is the color of an object that attracts the most attention. Color is one of the primary properties that is noticed when a consumer makes a decision to buy a dress. The colors are distinctive and distinguishable; we frequently refer to clothing by its color, for instance, a "blue shirt."
667:). The system is equipped with standardised testing machines capable of objectively determining specific physical properties. KES-F can be used to determine the fabric's roughness and smoothness, friction, sheerness, thickness, tensile strength, elasticity, drape, and compression, among other properties.
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Users have five basic performance criteria to consider: appearance (aesthetics of the product), comfort, durability, maintenance, and cost. According to the consumer preference study, the appearance factor is considered one of the top priorities when making buying decisions about clothing. Aesthetics
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Aesthetics is defined as the way a textile appears and feels. In terms of aesthetics, the material is a combination of texture, color, and pattern. Material for clothing include fabric (cloth, fur, leather) and accessories (buttons, zips, gemstones, and embellishments, etc.). These aesthetic elements
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The fibres, which serve as the building blocks, contribute to the aesthetic appeal of a fabric. Natural fibres have inherent aesthetics, whereas synthetic fibres are altered during the manufacturing process to meet desired specifications. Texture in textiles refers to the surface's roughness or
106:
From antiquity until the eighteenth century, the majority of textiles were crafted and decorated by hand. Human ingenuity and the urge to improve one's appearance led, over time, to the development of complex fabrics and, in the last hundred years, to remarkable technological advancement.
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smoothness, as determined by tactile and visual perception. Yarn manipulations, finishing techniques, and fabric structures all have an impact on textile texture. Textile fibers come in a variety of shapes and forms. The fiber shape of synthetic fibers is controlled with a device
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654:, or weight reduction, is a treatment for polyester to make it like silk. The treatment peels the surface and reduces the fiber weight and strength while making them softer and finer. Additionally, the treatment enhances the absorbency of the treated substrates.
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114:. Following that, it is a well-known fact that one of the primary reasons for wearing clothes was for self-decoration. Self-decoration is a fundamental aspect of human life. Every culture recorded some form of decoration, even if they were not clothed.
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in textiles is the property of fabrics related to the touch that expresses sensory comfort. It refers to the way fabrics feel against the skin or in the hand and conveys information about the cloth's softness and smoothness.
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Cloak, 1580–1600 V&A Museum no. 793–1901 Techniques – Red satin, couched and embroidered with silver, silver-gilt and coloured silk threads, trimmed with silver-gilt and silk thread fringe and tassel, and lined with pink
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Calendering can be done in a variety of ways, including moiréing, embossing, glazing and ciréing. The fabric is passed through heated cylinders to achieve a variety of finishes with varying surface effects.
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Self-decoration is prevalent in societies and is a fundamental human characteristic. Clothing's decorative values are regarded as primary. The most important clothing value is "protection" from the
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deciphers the ways in which ideologies get transmitted through dress. The study of how people use clothing and adornments to signify cultural and societal status is known as the "
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Texture in textiles characterizes the surface as rough or smooth, which is determined by tactile and visual perception. The texture of textiles is affected by yarn manipulations,
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This wedding dress and veil were designed by Sybil
Connolly while she was working at Richard Alan on Grafton St, Dublin. The dress is satin with a full-length Limerick lace veil.
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that makes them appear bright, glossy, and shiny. The amount of light reflected from the surface of a fiber is referred to as its luster. The level of luster is determined by
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Drape (draping or fabric drape) is the property of different textile materials how they fold, fall, or hang along with a three-dimensional body. Draping depends upon the
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Most of the aesthetic properties of textile materials are subjective and determined by visual and tactile sensations. However, some of them are measurable with KES (
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Octolobal, a shape with compressed hexagons. The fibers with
Octolobal shape have subdued luster. Flatter sides reflect or disperse the light.
284:
during manufacturing (extrusion) process, whereas natural fibers conceive their shape with a variety of factors such as cellulose built up in
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characteristics and the flexibility, looseness, and softness of the material. Drape finishes can also alter the draping properties of clothes.
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Trilobal fibers have three sides. They feel like silk fibers and their reflection of light is higher than those round shaped fibers.
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There are various factors that affect the aesthetics of a textile product; many are listed below. These factors are produced using
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778:, fashion designs can communicate emotions like "excitement, calmness, strength, and delicacy" through aesthetic expression.
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1954:
1926:
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2678:. Consumer and Food Economics Institute, Agricultural Research Service, U.S. Department of Agriculture. 1973. p. 10.
802:
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Pentalobal is a structure resembling a five-sided star. The
Pentalobal shaped fibre imparts a subtle sheen and bulkiness.
1614:
1576:
1326:
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1783:. Internet Archive. Fort Worth : Harcourt Brace Jovanovich College Publishers. pp. 336, 337, 338, 339, 340.
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Multilobal, a fibre shape characterised by a large number of pentalobal lobes. Each lobe reflects light in some way.
2462:
785:" refers to a fashion trend popular in the 1970s and 1980s in the business and political worlds. During the 1960s,
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It is an interesting question how far men would retain their relative rank if they were divested of their clothes.
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instead of mechanical finishing. These are some chemical finishes that change the surface characteristics:
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Williams, Bryan; Attwood, Louise; Treuherz, Pauline; Larby, Dave; Fawcett, Ian; Hughes, Dan (2017-09-25).
537:
2570:
Fashion: The
Collection of the Kyoto Costume Institute : a History from the 18th to the 20th Century
1880:
843:
127:
1005:
98:
2529:
Adams, Reginald B.; Adams, Reginald B. Jr.; Ambady, Nalini; Nakayama, Ken; Shimojo, Shinsuke (2011).
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805:, the first seven to ten seconds have a significant impact on others. Most certainly, it is based on
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in textiles is important in many ways, clothing is a visual signifier. It has communicative powers.
682:
451:
238:
40:
2432:
2292:
American
Artifacts of Personal Adornment, 1680–1820: A Guide to Identification and Interpretation
1981:. Internet Archive. Fort Worth : Harcourt Brace Jovanovich College Publishers. p. 343.
703:
602:
575:
304:
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1266:. Internet Archive. Fort Worth : Harcourt Brace Jovanovich College Publishers. p. 24.
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2008:. New York, Gregg Pub. Division., McGraw-Hill. pp. 105, 106 – via Internet Archive.
1982:
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A Class-book of Color: Including Color
Definitions, Color Scaling, and the Harmony of Colors
887:. Internet Archive. Upper Saddle River, N.J. : Pearson Prentice Hall. pp. 24, 28.
858:
481:
395:
135:
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1095:
2050:"Kawabata Evaluation System – Textile Protection And Comfort Center – NC State University"
821:
387:
155:
32:
Blue satin strapless cocktail dress by Yves Saint
Laurent for Christian Dior, Paris, 1959.
492:
There is a range of textile finishes that alter the appearance and feel of the textiles.
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is a method of applying patterns to textile materials with various printing techniques.
817:
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1976:
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Embroidery : traditional designs, techniques and patterns from all over the world
1522:
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974:
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Institute, Kyoto
Costume; Fukai, Akiko; Zaidan, Kyōto Fukushoku Bunka Kenkyū (2002).
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The art of applying design, aesthetics, clothing construction, and natural beauty to
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509:
218:
111:
83:
1165:
1035:
824:, and snagging are a few problems associated with aesthetics in synthetic textiles.
801:
Personal appearance is important because others judge us based on how we look. When
443:
is the art or handicraft of decorating fabrics with thread patterns using a needle.
335:
Feels harsher than round shaped fibers, high luster, covering properties excellent.
55:
Aesthetics imply the appearance and attraction of textile products; it includes the
1549:
793:
for
American women, and her style became a sign of wealth, power, and distinction.
790:
547:
386:
Blending of textile fibers, and yarns during manufacturing also results in various
297:
289:
139:
71:
2607:"Return Of The Jackie Look--Sort Of Fashion From A-Line Dresses To Fitted Jackets"
1616:
The Grace of Four Moons: Dress, Adornment, and the Art of the Body in Modern India
923:. Internet Archive. Upper Saddle River, N.J. : Merrill. pp. 11, 22, 23.
327:
Smooth, soft and slippery feel, reflectance value high, poor covering properties.
2003:
1948:
1910:
1402:
848:
651:
505:
60:
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1170:. Internet Archive. New York : Fairchild Publications. pp. 10, 219.
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882:
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512:, sheering, various, luster imparting, surface finishes, and glaze finishes.
440:
285:
87:
44:
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1761:. Vol. 26 (11th ed.). Cambridge University Press. pp. 694–708.
1505:
2404:
699:
262:
1040:. Internet Archive. New York : Holt, Rinehart and Winston. p. 5.
391:
1651:
645:
2635:
Stulz, Karin M.; Shumack, Kellie A.; Fulton-Calkins, Patsy (2012-01-01).
763:
752:
552:
532:
78:
that imparts aesthetic properties in textiles. Additionally, the use of
1746:
1167:
Changing appearances : understanding dress in contemporary society
979:. Internet Archive. New York : Fairchild Publications. p. 2.
748:
635:
501:
429:
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64:
1686:. Internet Archive. London : Marshall Cavendish. pp. 1–10.
617:
470:
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171:
159:
131:
123:
work together to determine how the material looks, fits, and feels.
2405:"Clothing semiotics and the social construction of power relations"
1807:
Sourcing and
Selecting Textiles for Fashion: Sourcing and Selection
774:
to convey expressive content and emotions by fashion designers. In
759:
command specific aesthetics that include clothing and decorations.
462:
include improving of looks and functionality of the treated goods.
1652:"brocade | Etymology, origin and meaning of brocade by etymonline"
738:
713:
557:
450:
250:
222:
197:
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97:
27:
18:
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Color is a visual characteristic that is described by terms like
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406:
301:
293:
226:
167:
19:
1428:
Treuherz, Pauline; Dick, Amanda; Davies, Denise (2018-03-12).
151:
1124:
AQA GCSE (9-1) Design and Technology: Textile-Based Materials
1554:. Internet Archive. New York : Macmillan. p. 143.
1527:. Internet Archive. New York : Fairchild Publications.
1100:. Internet Archive. New York : Fairchild Publications.
1097:
Survey of historic costume : a history of Western dress
1083:. Internet Archive. Boston, Houghton Mifflin. pp. 8, 9.
2532:
The Science of Social Vision: The Science of Social Vision
2081:
Tactile Perception of Textiles in a Virtual-Reality System
1431:
AQA AS/A-Level Design and Technology: Fashion and Textiles
1407:. Internet Archive. New York : Macmillan. p. 5.
743:
Margaret Thatcher wearing a typical power dressing outfit.
343:
Reflection of light is higher than that of a round shape.
1524:
Understanding fabrics : from fiber to finished cloth
1006:"Aesthetic Property – an overview | ScienceDirect Topics"
194:
Isabelle De Strange, Brocade Costume, c. 1938, NGA 13643.
2638:
Procedures & Theory for Administrative Professionals
945:"Aesthetic Comfort – an overview | ScienceDirect Topics"
1510:. Internet Archive. New York, Macmillan. pp. 6, 7.
1080:
The second skin: an interdisciplinary study of clothing
1881:"textile – Finishes enhancing appearance | Britannica"
1581:. Woodhead Publishing India PVT. Limited. p. 24.
2084:. Springer Science & Business Media. p. 53.
86:
enables the creation of aesthetic properties such as
2494:
A Cultural History of Dress and Fashion in Antiquity
1401:
Hollen, Norma R.; Hollen, Norma R. Textiles (1988).
2002:Potter, Maurice David; Corbman, Bernard P. (1959).
2463:"Margaret Thatcher Set the Bar for Power Dressing"
2116:Johnson, James S.; Mansdorf, Seymour Zack (1996).
1373:"Fabric Hand – an overview | ScienceDirect Topics"
644:is a finish that capacitates treated fabric with
2119:Performance of Protective Clothing: Fifth volume
2025:. Woodhead Publishing India. pp. 116, 117.
1164:Sproles, George B.; Burns, Leslie Davis (1994).
1287:Llewellyn-Jones, Lloyd; Davies, Glenys (2007).
675:
202:Devoré velvet (also known as burnout technique)
1909:Schindler, W. D.; Hauser, P. J. (2004-08-10).
1842:Schindler, W. D.; Hauser, P. J. (2004-08-10).
473:is the process of applying color to textiles.
270:Techniques of improving aesthetics in textiles
409:is used in brocade; these are the threads of
8:
1362:Hollen, Norma R.; Saddler, Jane (1968), p.10
1331:. McGraw-Hill School Division. p. 123.
822:Color fastness (staining of certain fabrics)
39:in textiles is one of the basic concepts of
976:The way we look : dress and aesthetics
735:A video on social expression through dress
2254:. John Wiley & Sons. pp. 15–98.
1619:. Indiana University Press. p. 88.
1504:Hollen, Norma R.; Saddler, Jane (1968).
1325:Priest; Faiola-Priest, Theodora (1990).
620:to obtain an appearance similar to silk.
514:
309:
130:and the application of finishes such as
870:
2497:. Bloomsbury Publishing. p. 152.
2403:Owyong, Yuet See Monica (2009-06-01).
1472:. Pearson Education. pp. 24, 28.
1228:. Bloomsbury Publishing. p. 159.
2284:
2282:
2054:Textile Protection And Comfort Center
2044:
2042:
1978:Joseph's introductory textile science
1780:Joseph's introductory textile science
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1263:Joseph's introductory textile science
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1215:
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16:Concept of serviceability of textiles
7:
2210:Smith, Betty F.; Block, Ira (1982).
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311:Shape of fibers and characteristics
2251:Materials for Interior Environments
2182:Thoreau, Henry David (2020-07-31).
2122:. ASTM International. p. 329.
626:, is an acid finish that turns the
307:that is responsible for the shape.
2333:. University of California Press.
2022:Pretreatment of Textile Substrates
803:meeting someone for the first time
14:
1290:Greek and Roman Dress from A to Z
1127:. Hodder Education. p. 187.
128:methods of textiles manufacturing
2641:. Cengage Learning. p. 33.
2078:Allerkamp, Dennis (2010-09-08).
2682:from the original on 2022-03-06
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2019:Kolanjikombil, Mathews (2019).
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1548:Hollen, Norma Rosamond (1979).
1486:from the original on 2022-01-05
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1434:. Hodder Education. p. 6.
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1016:from the original on 2022-01-24
973:DeLong, Marilyn Revell (1998).
955:from the original on 2021-06-02
770:. Fashion symbolism is used in
2365:Barthes, Roland (2013-10-24).
2327:Barthes, Roland (1990-07-25).
2295:. Rowman Altamira. p. 4.
2248:Binggeli, Corky (2013-08-26).
1912:Chemical Finishing of Textiles
1845:Chemical Finishing of Textiles
1613:Shukla, Pravina (2015-10-16).
1222:Steele, Valerie (2015-08-01).
1197:. Milton Bradley. p. 47.
1060:Horn, Marilyn J. (1968).pp.6–7
834:Product development (textiles)
1:
2605:Newsweek Staff (1994-08-28).
2216:. Prentice-Hall. p. 19.
2188:. Google Auto-narrated Demo.
2157:Walden: Or, Life in the Woods
2154:Thoreau, Henry David (1899).
1810:. A&C Black. p. 76.
1710:Textile Dyeing and Coloration
1225:The Berg Companion to Fashion
319:Characteristics of the fiber
1953:. D. Appleton. p. 228.
1947:Nystrom, Paul Henry (1916).
1804:Cadigan, Erin (2014-02-13).
1745:Cole, Alan Summerly (1911).
1707:Aspland, J. Richard (1997).
1521:Gioello, Debbie Ann (1982).
1094:Tortora, Phyllis G. (1998).
1037:Introductory textile science
504:finishes such as embossing,
500:Mechanical finish signifies
288:, and in silk, the shape of
2491:Harlow, Mary (2018-11-01).
1975:Joseph, Marjory L. (1992).
1915:. Elsevier. pp. 1–20.
1848:. Elsevier. pp. 1, 2.
1777:Joseph, Marjory L. (1992).
1260:Joseph, Marjory L. (1992).
1034:Joseph, Marjory L. (1977).
229:, have an inherent luster.
2733:
2289:White, Carolyn L. (2005).
1293:. Routledge. p. 113.
665:Kawabata evaluation system
43:. It is determined by the
41:serviceability of textiles
2421:10.1080/10350330902816434
1575:Mahapatra, N. N. (2016).
1191:Maycock, Mark M. (1896).
1077:Horn, Marilyn J. (1968).
917:Kadolph, Sara J. (1998).
881:Kadolph, Sara J. (2007).
601:where the emphasis is on
599:textile finishing process
241:, and fabric structures.
217:off the surface. Certain
2573:. Taschen. p. 513.
2535:. OUP USA. p. 198.
1748:"Textile-printing"
1713:. AATCC. pp. 1–10.
642:Wrinkle-resistant finish
521:Raised surface finishes
296:fibers are extruded. In
2675:Family Economics Review
2368:The Language of Fashion
2213:Textiles in Perspective
1758:Encyclopædia Britannica
1680:Gostelow, Mary (1977).
839:Surface contour (fiber)
630:fabrics into crisp and
2707:Properties of textiles
744:
736:
679:
456:
203:
195:
187:
103:
33:
25:
1377:www.sciencedirect.com
1010:www.sciencedirect.com
949:www.sciencedirect.com
844:Cross section (fiber)
742:
734:
460:Finishing of textiles
454:
201:
193:
185:
101:
31:
22:
516:Mechanical Finishes
239:finishing techniques
88:illuminated textiles
807:physical appearance
797:Personal appearance
683:Henry David Thoreau
603:chemical substances
517:
496:Mechanical finishes
312:
2717:Textile techniques
2330:The Fashion System
1885:www.britannica.com
1656:www.etymonline.com
745:
737:
704:semiotics of dress
694:Semiotics of dress
515:
488:Aesthetic finishes
457:
310:
215:how light reflects
204:
196:
188:
104:
70:There are various
34:
26:
2648:978-1-133-71277-0
2580:978-3-8228-1206-8
2542:978-0-19-533317-6
2504:978-1-350-11403-6
2378:978-1-4725-3432-3
2371:. A&C Black.
2340:978-0-520-07177-3
2302:978-0-7591-0589-8
2261:978-1-118-42160-4
2223:978-0-13-912808-0
2129:978-0-8031-1987-1
2091:978-3-642-13974-1
2032:978-93-85059-99-5
1988:978-0-03-050723-6
1922:978-1-84569-037-3
1855:978-1-84569-037-3
1817:978-2-940496-10-5
1790:978-0-03-050723-6
1720:978-0-9613350-1-4
1693:978-0-85685-236-7
1626:978-0-253-02121-2
1588:978-93-85059-69-8
1561:978-0-02-356130-6
1534:978-0-87005-377-1
1479:978-81-317-2570-2
1441:978-1-5104-1367-2
1414:978-0-02-367530-0
1338:978-0-07-050943-6
1328:Guide to Clothing
1300:978-1-134-58916-6
1273:978-0-03-050723-6
1235:978-1-4742-6470-9
1177:978-1-56367-014-5
1134:978-1-5104-0214-0
1107:978-1-56367-142-5
1047:978-0-03-089970-6
986:978-1-56367-071-8
930:978-0-13-494592-7
894:978-0-13-118769-6
776:fashion symbolism
732:
710:Fashion symbolism
614:surface finishing
597:is a part of the
595:Chemical finishes
590:Chemical finishes
583:
582:
527:Glaze and design
524:Luster imparting
388:aesthetic effects
379:
378:
211:physical property
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2526:
2520:
2519:
2517:
2516:
2488:
2482:
2481:
2479:
2478:
2461:Phelan, Hayley.
2458:
2452:
2451:
2449:
2448:
2409:Social Semiotics
2400:
2394:
2393:
2391:
2390:
2362:
2356:
2355:
2353:
2352:
2324:
2318:
2317:
2315:
2314:
2286:
2277:
2276:
2274:
2273:
2245:
2239:
2238:
2236:
2235:
2207:
2201:
2200:
2198:
2197:
2179:
2173:
2172:
2170:
2169:
2160:. T.Y. Crowell.
2151:
2145:
2144:
2142:
2141:
2113:
2107:
2106:
2104:
2103:
2075:
2069:
2068:
2066:
2065:
2046:
2037:
2036:
2016:
2010:
2009:
1999:
1993:
1992:
1972:
1966:
1965:
1963:
1962:
1944:
1938:
1937:
1935:
1934:
1906:
1900:
1899:
1897:
1896:
1877:
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1868:
1867:
1839:
1833:
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1801:
1795:
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1704:
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1600:
1572:
1566:
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1545:
1539:
1538:
1518:
1512:
1511:
1501:
1495:
1494:
1492:
1491:
1466:Kadolph (2009).
1463:
1457:
1456:
1454:
1453:
1425:
1419:
1418:
1398:
1392:
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1354:
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1284:
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1257:
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1188:
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1111:
1091:
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1084:
1074:
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1051:
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1024:
1022:
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991:
990:
970:
964:
963:
961:
960:
941:
935:
934:
914:
899:
898:
878:
859:Visual sociology
733:
685:
518:
482:Textile printing
428:is a decorative
313:
2732:
2731:
2727:
2726:
2725:
2723:
2722:
2721:
2697:
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2649:
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2455:
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2402:
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2397:
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2379:
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2326:
2325:
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2310:
2303:
2288:
2287:
2280:
2271:
2269:
2262:
2247:
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2233:
2231:
2224:
2209:
2208:
2204:
2195:
2193:
2181:
2180:
2176:
2167:
2165:
2153:
2152:
2148:
2139:
2137:
2130:
2115:
2114:
2110:
2101:
2099:
2092:
2077:
2076:
2072:
2063:
2061:
2048:
2047:
2040:
2033:
2018:
2017:
2013:
2005:Fiber to fabric
2001:
2000:
1996:
1989:
1974:
1973:
1969:
1960:
1958:
1946:
1945:
1941:
1932:
1930:
1923:
1908:
1907:
1903:
1894:
1892:
1879:
1878:
1874:
1865:
1863:
1856:
1841:
1840:
1836:
1827:
1825:
1818:
1803:
1802:
1798:
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1776:
1775:
1766:
1744:
1743:
1739:
1730:
1728:
1721:
1706:
1705:
1701:
1694:
1679:
1678:
1674:
1665:
1663:
1650:
1649:
1645:
1636:
1634:
1627:
1612:
1611:
1607:
1598:
1596:
1589:
1578:Sarees of India
1574:
1573:
1569:
1562:
1547:
1546:
1542:
1535:
1520:
1519:
1515:
1503:
1502:
1498:
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1449:
1442:
1427:
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1415:
1400:
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1370:
1366:
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1357:
1348:
1346:
1339:
1324:
1323:
1319:
1310:
1308:
1301:
1286:
1285:
1281:
1274:
1259:
1258:
1254:
1245:
1243:
1236:
1221:
1220:
1213:
1204:
1202:
1190:
1189:
1185:
1178:
1163:
1162:
1153:
1144:
1142:
1135:
1120:
1119:
1115:
1108:
1093:
1092:
1088:
1076:
1075:
1064:
1059:
1055:
1048:
1033:
1032:
1028:
1019:
1017:
1004:
1003:
994:
987:
972:
971:
967:
958:
956:
943:
942:
938:
931:
916:
915:
902:
895:
880:
879:
872:
867:
830:
815:
799:
772:fashion designs
757:social statuses
714:
712:
696:
687:
681:
673:
661:
592:
498:
490:
479:
468:
455:printed textile
449:
438:
423:
404:
384:
292:from where the
277:
272:
259:
247:
235:
180:
148:
138:, glazing, and
120:
96:
17:
12:
11:
5:
2730:
2728:
2720:
2719:
2714:
2709:
2699:
2698:
2693:
2692:
2665:
2647:
2627:
2597:
2579:
2559:
2541:
2521:
2503:
2483:
2453:
2415:(2): 191–211.
2395:
2377:
2357:
2339:
2319:
2301:
2278:
2260:
2240:
2222:
2202:
2174:
2146:
2128:
2108:
2090:
2070:
2038:
2031:
2011:
1994:
1987:
1967:
1939:
1921:
1901:
1872:
1854:
1834:
1816:
1796:
1789:
1764:
1753:Chisholm, Hugh
1737:
1719:
1699:
1692:
1672:
1643:
1625:
1605:
1587:
1567:
1560:
1540:
1533:
1513:
1496:
1478:
1458:
1440:
1420:
1413:
1393:
1364:
1355:
1337:
1317:
1299:
1279:
1272:
1252:
1234:
1211:
1183:
1176:
1151:
1133:
1113:
1106:
1086:
1062:
1053:
1046:
1026:
992:
985:
965:
936:
929:
900:
893:
869:
868:
866:
863:
862:
861:
856:
851:
846:
841:
836:
829:
826:
814:
811:
798:
795:
787:Jackie Kennedy
783:power dressing
768:fashion design
711:
708:
695:
692:
674:
672:
669:
660:
657:
656:
655:
649:
639:
624:Parchmentising
621:
610:Silk surfacing
591:
588:
581:
580:
578:
572:
571:
569:
567:
561:
560:
555:
550:
544:
543:
540:
535:
529:
528:
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522:
497:
494:
489:
486:
478:
475:
467:
464:
448:
445:
437:
434:
422:
419:
403:
400:
383:
380:
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376:
373:
369:
368:
365:
361:
360:
357:
353:
352:
349:
345:
344:
341:
337:
336:
333:
329:
328:
325:
324:Oval or round
321:
320:
317:
276:
273:
271:
268:
258:
255:
246:
243:
234:
231:
219:natural fibers
179:
176:
147:
144:
119:
116:
95:
92:
84:optical fibres
15:
13:
10:
9:
6:
4:
3:
2:
2729:
2718:
2715:
2713:
2710:
2708:
2705:
2704:
2702:
2681:
2677:
2676:
2669:
2666:
2654:
2650:
2644:
2640:
2639:
2631:
2628:
2616:
2612:
2608:
2601:
2598:
2586:
2582:
2576:
2572:
2571:
2563:
2560:
2548:
2544:
2538:
2534:
2533:
2525:
2522:
2510:
2506:
2500:
2496:
2495:
2487:
2484:
2472:
2468:
2464:
2457:
2454:
2442:
2438:
2434:
2430:
2426:
2422:
2418:
2414:
2410:
2406:
2399:
2396:
2384:
2380:
2374:
2370:
2369:
2361:
2358:
2346:
2342:
2336:
2332:
2331:
2323:
2320:
2308:
2304:
2298:
2294:
2293:
2285:
2283:
2279:
2267:
2263:
2257:
2253:
2252:
2244:
2241:
2229:
2225:
2219:
2215:
2214:
2206:
2203:
2191:
2187:
2186:
2178:
2175:
2163:
2159:
2158:
2150:
2147:
2135:
2131:
2125:
2121:
2120:
2112:
2109:
2097:
2093:
2087:
2083:
2082:
2074:
2071:
2059:
2055:
2051:
2045:
2043:
2039:
2034:
2028:
2024:
2023:
2015:
2012:
2007:
2006:
1998:
1995:
1990:
1984:
1980:
1979:
1971:
1968:
1956:
1952:
1951:
1943:
1940:
1928:
1924:
1918:
1914:
1913:
1905:
1902:
1890:
1886:
1882:
1876:
1873:
1861:
1857:
1851:
1847:
1846:
1838:
1835:
1823:
1819:
1813:
1809:
1808:
1800:
1797:
1792:
1786:
1782:
1781:
1773:
1771:
1769:
1765:
1760:
1759:
1754:
1749:
1741:
1738:
1726:
1722:
1716:
1712:
1711:
1703:
1700:
1695:
1689:
1685:
1684:
1676:
1673:
1661:
1657:
1653:
1647:
1644:
1632:
1628:
1622:
1618:
1617:
1609:
1606:
1594:
1590:
1584:
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1579:
1571:
1568:
1563:
1557:
1553:
1552:
1544:
1541:
1536:
1530:
1526:
1525:
1517:
1514:
1509:
1508:
1500:
1497:
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1475:
1471:
1470:
1462:
1459:
1447:
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1437:
1433:
1432:
1424:
1421:
1416:
1410:
1406:
1405:
1397:
1394:
1382:
1378:
1374:
1368:
1365:
1359:
1356:
1344:
1340:
1334:
1330:
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1318:
1306:
1302:
1296:
1292:
1291:
1283:
1280:
1275:
1269:
1265:
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1256:
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1241:
1237:
1231:
1227:
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1218:
1216:
1212:
1200:
1196:
1195:
1187:
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1173:
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1126:
1125:
1117:
1114:
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1103:
1099:
1098:
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1073:
1071:
1069:
1067:
1063:
1057:
1054:
1049:
1043:
1039:
1038:
1030:
1027:
1015:
1011:
1007:
1001:
999:
997:
993:
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982:
978:
977:
969:
966:
954:
950:
946:
940:
937:
932:
926:
922:
921:
913:
911:
909:
907:
905:
901:
896:
890:
886:
885:
877:
875:
871:
864:
860:
857:
855:
854:Structuralism
852:
850:
847:
845:
842:
840:
837:
835:
832:
831:
827:
825:
823:
819:
812:
810:
808:
804:
796:
794:
792:
788:
784:
779:
777:
773:
769:
765:
760:
758:
754:
750:
741:
709:
707:
705:
701:
698:The study of
693:
691:
686:
684:
678:
670:
668:
666:
658:
653:
650:
647:
643:
640:
637:
633:
632:sheer fabrics
629:
625:
622:
619:
615:
611:
608:
607:
606:
604:
600:
596:
589:
587:
579:
577:
574:
573:
570:
568:
566:
563:
562:
559:
556:
554:
551:
549:
546:
545:
541:
539:
536:
534:
531:
530:
526:
523:
520:
519:
513:
511:
507:
503:
495:
493:
487:
485:
483:
476:
474:
472:
465:
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461:
453:
446:
444:
442:
435:
433:
431:
427:
420:
418:
416:
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408:
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399:
397:
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389:
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374:
371:
370:
366:
363:
362:
358:
355:
354:
350:
347:
346:
342:
339:
338:
334:
331:
330:
326:
323:
322:
318:
315:
314:
308:
306:
303:
299:
295:
291:
287:
283:
274:
269:
267:
264:
256:
254:
252:
244:
242:
240:
232:
230:
228:
224:
220:
216:
212:
208:
200:
192:
184:
177:
175:
173:
169:
165:
161:
157:
153:
145:
143:
141:
137:
133:
129:
124:
117:
115:
113:
108:
100:
93:
91:
89:
85:
81:
77:
73:
68:
66:
62:
58:
54:
50:
46:
42:
38:
30:
21:
2684:. Retrieved
2674:
2668:
2657:. Retrieved
2637:
2630:
2619:. Retrieved
2610:
2600:
2589:. Retrieved
2569:
2562:
2551:. Retrieved
2531:
2524:
2513:. Retrieved
2493:
2486:
2475:. Retrieved
2466:
2456:
2445:. Retrieved
2412:
2408:
2398:
2387:. Retrieved
2367:
2360:
2349:. Retrieved
2329:
2322:
2311:. Retrieved
2291:
2270:. Retrieved
2250:
2243:
2232:. Retrieved
2212:
2205:
2194:. Retrieved
2184:
2177:
2166:. Retrieved
2156:
2149:
2138:. Retrieved
2118:
2111:
2100:. Retrieved
2080:
2073:
2062:. Retrieved
2053:
2021:
2014:
2004:
1997:
1977:
1970:
1959:. Retrieved
1949:
1942:
1931:. Retrieved
1911:
1904:
1893:. Retrieved
1884:
1875:
1864:. Retrieved
1844:
1837:
1826:. Retrieved
1806:
1799:
1779:
1756:
1740:
1729:. Retrieved
1709:
1702:
1682:
1675:
1664:. Retrieved
1655:
1646:
1635:. Retrieved
1615:
1608:
1597:. Retrieved
1577:
1570:
1550:
1543:
1523:
1516:
1506:
1499:
1488:. Retrieved
1468:
1461:
1450:. Retrieved
1430:
1423:
1403:
1396:
1385:. Retrieved
1376:
1367:
1358:
1347:. Retrieved
1327:
1320:
1309:. Retrieved
1289:
1282:
1262:
1255:
1244:. Retrieved
1224:
1203:. Retrieved
1193:
1186:
1166:
1143:. Retrieved
1123:
1116:
1096:
1089:
1079:
1056:
1036:
1029:
1018:. Retrieved
1009:
975:
968:
957:. Retrieved
948:
939:
919:
883:
816:
800:
791:fashion icon
789:was a great
780:
766:is known as
761:
746:
697:
688:
680:
676:
671:Significance
662:
593:
584:
506:heat setting
499:
491:
480:
469:
458:
439:
424:
405:
385:
286:plant fibers
278:
260:
248:
236:
205:
149:
125:
121:
109:
105:
102:Infant's hat
76:applications
69:
36:
35:
2467:Fashionista
849:Texturizing
652:Deweighting
538:Calendering
510:sanforizing
372:Multilobal
356:Pentalobal
298:hair fibers
275:Texturising
2701:Categories
2686:2022-01-30
2659:2022-01-29
2621:2022-02-05
2591:2022-01-29
2553:2022-01-28
2515:2022-01-28
2477:2022-01-28
2447:2022-01-28
2389:2022-01-28
2351:2022-01-28
2313:2022-01-28
2272:2022-01-30
2234:2022-01-30
2196:2022-01-29
2168:2022-01-29
2140:2022-02-18
2102:2022-02-18
2064:2022-02-15
1961:2022-02-05
1933:2022-01-29
1895:2022-01-31
1866:2022-01-29
1828:2022-01-29
1731:2022-02-15
1666:2022-02-15
1637:2022-02-15
1599:2022-02-15
1490:2022-01-29
1452:2022-01-30
1387:2022-01-24
1349:2022-01-28
1311:2022-01-28
1246:2022-01-29
1205:2022-01-29
1145:2022-01-30
1020:2022-01-24
959:2022-01-24
865:References
781:The term "
747:Different
659:Evaluation
648:resistant.
628:cellulosic
542:Embossing
441:Embroidery
436:Embroidery
364:Octolobal
221:, such as
45:perception
37:Aesthetics
2437:144239853
2429:1035-0330
753:occasions
700:semiotics
447:Finishing
348:Trilobal
332:Dog bone
282:spinneret
263:hand feel
2712:Textiles
2680:Archived
2653:Archived
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