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182:, the home of Aelbert Cuyp, is sometimes found in his pictures, and substantial evidence exists that there was friendship between the two men. At some period of their lives they laid their hands to the same canvases, on each of which they left their joint mark. On some it was the signature of the name, on others the more convincing signature of style. There are landscapes in the collections of the dukes of
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picture Cuyp signs his name on the pail of a milkmaid, whose figure and red skirt he has painted with light effectiveness near the edge of Van Der Neer's landscape. Again, a couple of fishermen with a dog, and a sportsman creeping up to surprise some ducks, are Cuyp's in a capital Van Der Neer at the
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The same feeling and similar subjects are found in Cuyp and Van Der Neer, before and after their partnership, but Cuyp was the leading genius. Van Der Neer got assistance from him; Cuyp expected none from Van Der Neer. He carefully enlivened his friend's pictures, when asked to do so, with figures
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Van der Neer was barely able to support his family by selling his landscapes, which were not highly valued. In 1659 it seemed necessary to supplement his income by keeping a wine tavern, but two years later he went broke. He died at
Kerkstraat in abject poverty, and his art was so little esteemed
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Van Der Neer's favourite subjects were the rivers and watercourses of his native country either at sunset or after dark. His peculiar skill is shown in realizing translucence which allows objects even distant to appear in the darkness with varieties of warm brown and steel greys. Another of his
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His pictures are not scarce. They are less valuable in the market than those of Cuyp or
Hobbema; but, possessing a charm peculiarly their own, they are much sought after by collectors. Out of about one hundred and fifty pictures accessible to the public, the choicest selection is in the
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fancies is to paint frozen water, and his daylight icescapes with golfers, sleighers, and fishermen are as numerous as his moonlights. But he always avoids the impression of frostiness, which is one of his great gifts.
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In 1652 Van Der Neer witnessed the fire which consumed the old town-hall of
Amsterdam. He made this accident the subject for two or three pictures, now in the galleries of
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and cattle. It is in pictures jointly produced by them that we discover Van Der Neer's presence at
Dordrecht. We are near Dordrecht in the landscape sunset of the
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The earliest pictures in which Van Der Neer coupled his monogram of A.V. and D.N. interlaced with a date are a winter landscape in the
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200:, one of Van Der Neer's "nocturnes" (night scenes) (1648-1650); oil on panel; 78.4 x 110.2 cm (30 7/8 x 43 3/8 in.); on display, the
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that the pictures left by him were valued at about five shillings apiece. His son Eglon became a portrait painter himself.
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Spring 2009 newsletter (in Dutch) of the
Stichting Gouden Eeuw Gorinchem (Gorinchem Golden Age Foundation).
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101:(~1635), Cornelia (1642), Elisabeth (1645), Pieter (1648), and Alida (1650). Five were baptized in the
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Moonlit
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paintings from his brush are to be found at the
National Gallery and
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at
Amsterdam (dated 1639), and another in the Martins collection at
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This article incorporates text from a publication now in the
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139:(1642) immature works both, of poor quality. Far better is the
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502:Works and literature on Aert van der Neer
492:65 artworks by or after Aert van der Neer
383:Dutch landscape in moonlight with figures
28:(1647-49); Oil on wood; 57.5 Ă— 89.9 cm,
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313:Winter Landscape with Figures
299:Winter Landscape with Skaters
198:Moonlit Landscape with Bridge
126:Winter Landscape with Skaters
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271:Night Landscape with a River
95:Joachim Govertsz Camphuysen
53:– 9 November 1677), was a
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548:Artists from South Holland
528:Dutch Golden Age painters
77:Van der Neer was born in
538:Dutch landscape painters
218:National Gallery, London
151:collection in Brussels.
462:Encyclopædia Britannica
285:Landscape with Windmill
202:National Gallery of Art
341:Frozen river at sunset
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487:at Wikimedia Commons
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355:Winter Skating Scene
533:Dutch male painters
453:Konody, Paul George
147:(1644) once in the
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485:Aert van der Neer
483:Media related to
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109:where he lived.
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55:landscape painter
36:Aert van der Neer
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143:(1643), and the
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523:1677 deaths
188:Westminster
133:Rijksmuseum
103:Nieuwe Kerk
51: 1603
512:Categories
504:at PubHist
390:References
160:Copenhagen
149:d'Arenberg
455:(1911). "
239:Hermitage
227:Frankfurt
180:Dordrecht
79:Gorinchem
73:Biography
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247:England
184:Bedford
164:Haarlem
87:steward
57:of the
40:Aernout
496:Art UK
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214:Louvre
168:Leiden
156:Berlin
117:Career
257:Works
245:. In
176:Rhine
172:Meuse
99:Eglon
91:Arkel
44:Artus
38:, or
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