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Agnes Stavenhagen

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392: 44: 291: 176: 910: 898: 350:, with the composer conducting the Kaim Orchestra with additional players from the court orchestra, with contralto Elise Feinhals, the Porgesçher Choral Society and the Lehrergesangverein. This performance was regarded there as Mahler's breakthrough as a composer. The Munich 345:
in Weimar. In 1898, the couple moved to Munich. There, she continued her success as a concert singer and from there toured many cities in Germany. Stavenhagen appeared in 1900 in the first performance in Munich of Gustav Mahler's
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and had access to their salon, a meeting place for artists, industrialists and politicians of the Berlin society. She also made closer acquaintance with members of the Wagner family from Bayreuth and with leading
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in Berlin in October 1879, in a class of 16 trained by Anna Schultzen-van Asten. From her second year, Brahms helped secretly to finance her studies, but she was unable to complete them because of her parents'
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On 1 March 1908, Stavenhagen probably appeared last on stage at the Hoftheater Kassel, as Elsa. The same year saw the divorce of the childless marriage with Bernhard Stavenhagen. In 1911, she moved to
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in Weimar. From 1891, she travelled through Europe as a celebrated soprano, performing in London, Glasgow, Edinburgh, Vienna and in St. Petersburg in 1898. In 1893, Grand Duke
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in 1886, where she sang at the court theatre for 12 years, performing under the stage name Agnes Denis. There she made her debut on 8 September as Margarethe in Gounod's
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of 23 October 1900 noted how "her bright, sympathetic soprano literally hovered above the choir's harmonies, which were sung in extreme calm".
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at the request of her niece Eva Maria Ludwig. During the last days of the war, she had to flee from the approaching front, partly on foot, to
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The last three years of her life were marked by World War II. Because of the continued bombing of Berlin, she was forcibly evacuated to
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From 1900 onwards, numerous song recitals found great resonance in the public, which was organised by the Stavenhagen couple. Their
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and achieved great popularity during her lifetime. She was soprano soloist in the first performance in Munich of Mahler's
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In 1894, she received offers from New York City, but she turned them down in favour of her husband who was to become
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praised Stavenhagen's "exceedingly beautiful sounding and musically confident soprano" on 22 October 1900 and the
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Correspondence betweens Giesemann's daughter Elise Denninghoff and Brahms from the 1880s, in Gerhard Kohlweyer:
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Cemetery chapel on the levelled Heimfriedhof on Salzenforster StraĂźe in Bautzen-Seidau before demolition in 2000
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where she worked as a voice teacher. During this time, she cultivated a friendship with the piano manufacturer
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Agnes Stavenhagen, Weimarer Primadonna zwischen Johannes Brahms and Richard Strauss
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in the summer of 1945 and was subsequently placed in a diaconal nursing home in
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At the age of 18, Denninghoff began training as a concert singer at the
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in August 1943. At the beginning of 1944, she found a place to stay in
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awarded her the title "Großherzoglich Sächsische Kammersängerin".
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in Winsen. In 1866, Agnes and her family left Winsen and moved to
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and in concerts throughout Europe, she was a highly esteemed
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She was born Agnes Caroline Elise Franzisca Denninghoff in
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who had appeared as Elisabeth in the world premiere of his
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in 1889. In 1890, she married the pianist and composer
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Agnes Stavenhagen in Kulturverein Winsen (Luhe) e.V.
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She left Berlin with a diploma ( 478: 476: 474: 893: 539:Geschichte der Stadt Winsen an der Luhe 533: 531: 470: 383:, who generously supported their art. 377:Heinrich VII, Prince Reuss of Köstritz 7: 951:Berlin University of the Arts alumni 211:, and only a short time later on to 162:in 1900, conducted by the composer. 48:Agnes Denis in 1889, lithography by 822:Agnes Denis-Stavenhagen (1862–1945) 371:Iduna Walter-Choinanus and pianist 517:Vol. 13, Hans Schneider, Tutzing, 25: 908: 896: 322:. She also worked together with 295:The Weimar court theatre in 1899 1: 387:End of career and later years 358:MĂĽnchner Neueste Nachrichten 946:Musicians from Lower Saxony 849:Kohlweyer, Gerhard (2007). 967: 150:. Through her work at the 379:and his wife, the Weimar 365:Lieder- und Duettenabende 41: 931:German operatic sopranos 268:Grand Duchy of Oldenburg 230:on 29 March 1875 in the 146:, was a German operatic 881:German National Library 824:on mahlerfoundation.org 276:Johanna Jachmann-Wagner 180:Johannes Brahms in 1853 27:German operatic soprano 398: 297: 182: 695:Stavenhagen, Bernhard 394: 316:and Elsa in Wagner's 293: 178: 541:. 2007, p. 192. 422:Last years and death 332:Bernhard Stavenhagen 326:, who became second 300:Denninghoff went to 171:Childhood and family 132:Bernhard Stavenhagen 485:busoni-nachlass.org 152:Weimarer Hoftheater 399: 353:Allgemeine Zeitung 298: 183: 725:Mahler Foundation 483:Agnes Stavenhagen 140:Agnes Stavenhagen 137: 136: 85:30 September 1945 36:Agnes Stavenhagen 18:Agnes Denninghoff 16:(Redirected from 958: 913: 912: 911: 901: 900: 892: 866: 836: 831: 825: 819: 813: 803: 790: 780: 774: 764: 758: 748: 742: 732: 726: 720: 714: 704: 698: 692: 686: 676: 670: 660: 654: 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Index

Agnes Denninghoff

Ignaz Eigner
Winsen
Bautzen
soprano
Bernhard Stavenhagen
soprano
Weimarer Hoftheater
Kammersängerin
Second Symphony

Winsen
Johannes Brahms
Marienkirche
de
Bremerhaven
Heppens
de
Wilhelmshaven
confirmed
Garnisonkirche
de
Königlich Akademische Hochschule für Musik
insolvency
Grand Duchy of Oldenburg
Richard Wagner
Johanna Jachmann-Wagner
Tannhäuser

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