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406:). He even had one of these versions printed in the program book at the premiere in Dresden on 20 December 1901. In this programme, the first movement represents a funeral and asks questions such as "Is there life after death?"; the second movement is a remembrance of happy times in the life of the deceased; the third movement represents a view of life as meaningless activity; the fourth movement is a wish for release from life without meaning; and the fifth movement – after a return of the doubts of the third movement and the questions of the first – ends with a fervent hope for everlasting, transcendent renewal, a theme that Mahler would ultimately transfigure into the music of
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380:, "and everything was revealed to me clear and plain." Mahler used the first two verses of Klopstock's hymn, then added verses of his own that dealt more explicitly with redemption and resurrection. He finished the finale and revised the orchestration of the first movement in 1894, then inserted the song "Urlicht" (Primal Light) as the penultimate movement. This song was probably written in 1892 or 1893.
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439:, which released a second edition in 1910. A third edition was published in 1952, and a fourth, critical edition in 1970, both by Universal Edition. As part of the new complete critical edition of Mahler's symphonies being undertaken by the Gustav Mahler Society, a new critical edition of the Second Symphony was produced as a joint venture between Universal Edition and the
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The finale is the longest movement, typically lasting over half an hour. It is divided into two large parts, the second of which begins with the entry of the chorus and whose form is governed by the text of this movement. The first part is instrumental, and very episodic, containing a wide variety of
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A practical way of following Mahler's original indication is to have the two soloists and the chorus enter the stage only after the first movement. This creates a natural separation between the first movement and the rest of the symphony and also saves the singers more than twenty minutes of sitting
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below the bass clef occurs four times in the choral bass part: three at the chorus' hushed entrance and again on the words "Hör' auf zu beben". It is the lowest vocal note in standard classical repertoire. Mahler instructs basses incapable of singing the note remain silent rather than sing the note
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and resurrection themes and motives from the opening cry of despair, this section also states, episodically, a number of other themes, based on earlier material. The recapitulation overlaps with the march, and only brief statements of the first theme group are restated. The orchestral recitative is
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is in this ultimate key as well, and is accompanied by the tolling of deep bells. Mahler went so far as to purchase actual church bells for performances, finding all other means of achieving this sound unsatisfactory. Mahler wrote of this movement: "The increasing tension, working up to the final
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Following this movement, Mahler calls in the score for a gap of five minutes before the second movement. This pause is rarely observed today. Often conductors will meet Mahler half way, pausing for a few minutes while the audience takes a breather and settles down and the orchestra retunes in
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Tonally, this first large part, the instrumental half of the movement, is organized in F minor. After the introduction, which recalls two keys from earlier movements, the first theme group is presented wholly in F minor, and the second theme group in the subdominant,
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an octave higher.) Each of the first two verses is followed by an instrumental interlude; the alto and soprano solos, "O Glaube", based on the recitative melody, precede the fourth verse, sung by the chorus; and the fifth verse is a duet for the two soloists.
328:—both symphonies use a chorus as the centerpiece of a final movement which begins with references to and is much longer than those preceding it—Mahler knew he wanted a vocal final movement. Finding the right text for this movement proved long and perplexing.
1034:, where – due to the length of the piece – a real break after the first movement (as between two acts of an opera) is highly recommended, and indeed indicated by Mahler. As in the case of Symphony No. 2, this is not always observed nowadays.
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The movement opens with a long introduction, beginning with the "cry of despair" that was the climax of the third movement, followed by the quiet presentation of a theme which reappears as structural music in the choral section.
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the opening movement of a symphony, although his manuscript does label it as a symphony. In 1893, he composed the second and third movements. The finale was the problem. While thoroughly aware he was inviting comparison with
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This slow movement itself is contrasting to the two adjacent movements. Structurally, it is one of the simplest movements in Mahler's whole output. It is the remembrance of the joyful times in the life of the deceased.
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moods, tempi and keys, with much of the material based on what has been heard in the previous movements, although it also loosely follows sonata principles. New themes introduced are used repeatedly and altered.
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major, the relative major of the opening C minor, is achieved when the chorus picks up the words from the duet, "Mit FlĂĽgeln", although after eight measures the music gravitates to G major (but never
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The exposition concludes with a restatement of the first theme group. This long opening section serves to introduce a number of themes, which will become important in the choral part of the finale.
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suddenly reenters with the text "Sterben werd' ich um zu leben," and a proper cadence finally occurs on the downbeat of the final verse, with the entrance of the heretofore silent organ (marked
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minor — in which the Great
Summons is stated. The Epiphany comes in, played by the flute, in a high register, and featuring trumpets, that play offstage. The choral section begins in G
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339:, who was in charge of the city's symphony concerts. BĂĽlow, not known for his kindness, was impressed by Mahler. His support was not diminished by his failure to like or understand
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The development section is what Mahler calls the "march of the dead". It begins with two long drum rolls, which include the use of the gongs. In addition to developing the
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fully recapitulated, and is accompanied this time by offstage interruptions from a band of brass and percussion (which some had explained as the apocalypse's
269:. In this large work, the composer further developed the creativity of "sound of the distance" and creating a "world of its own", aspects already seen in his
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major). The eventual goal of the symphony, E-flat major, is briefly hinted at after rehearsal 17, with a theme in the trumpets that returns in the finale.
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symphony. As BĂĽlow's health worsened, Mahler substituted for him. BĂĽlow's death in 1894 greatly affected Mahler. At the funeral, Mahler heard a setting of
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was one of Mahler's most popular and successful works during his lifetime. It was his first major work that established his lifelong view of the beauty of
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of London for ÂŁ4.5 million, the highest price ever attained for an auctioned musical manuscript. The buyer was subsequently revealed to have been
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theme from the first movement and then introduces the "resurrection" theme to which the chorus will sing their first words, and finally a fanfare.
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Mahler initially devised a narrative programme (actually several variant versions) for the work, which he showed to a number of friends (including
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466:. The Kaplan Foundation published an extensive facsimile edition with additional materials in 1986. 1989 saw the publication of an arrangement by
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2563:"Cleveland Orchestra receives a virtually priceless gift: A one-of-a-kind manuscript of Mahler's Symphony No. 2 written in composer's own hand"
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873:(With complete gravity and solemnity of expression). It is written in C minor, but passes through a number of different moods and resembles a
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315:(Funeral Rites). Some sketches for the second movement also date from that year. Mahler wavered five years on whether to make
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key. The restatement of the introduction is thematically and tonally a transition to the second large part, moving from C
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major, and the parallel major, F major. Unlike the first movement, the second theme is recapitulated as expected in the
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to
English on a very literal and line-for-line basis, without regard for the preservation of meter or rhyming patterns.
273:. The work has a duration of 80 to 90 minutes, and is conventionally labelled as being in the key of C minor; the
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m/C chord in triple-forte which occurs near the end, sometimes a "cry of despair", and sometimes a "death shriek".
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The choral section is organized primarily by the text, using musical material from earlier in the movement. (The B
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2576:"Mahler’s Symphony No. 2 in C minor (Resurrection): Autograph Manuscript on Loan from the Cleveland Orchestra"
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major. It was voted the fifth-greatest symphony of all time in a survey of conductors carried out by the
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1850:. Mahler omitted the final four lines of this poem and wrote the rest himself (beginning at "O glaube").
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climax, is so tremendous that I don't know myself, now that it is over, how I ever came to write it."
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World premiere (first three movements only): 4 March 1895, Berlin, with the composer conducting the
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373:(The Resurrection), where the dictum calls out "Rise again, yes, you shall rise again / My dust".
2443:, trans. Dika Newlin, ed. Peter Franklin (New York: Cambridge University Press, 1980), pp. 43–44.
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It is followed by two softer strokes and then followed by even softer strokes that provide the
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presents several ideas that will be used later in the symphony, including a theme based on the
412:. As generally happened, Mahler later withdrew all versions of the programme from circulation.
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The movement is based on Mahler's setting of "Des
Antonius von Padua Fischpredigt" from
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The symphony is scored for large orchestra, consisting of the following instruments.
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1378:, which serves as an introduction to the Finale. The song, set in the remote key of
590:(5th and 6th used only in mvmt. 5, onstage. 7th–10th used only in mvmt. 5, offstage)
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on stage. One can get an idea of Mahler's intention through a comparison with his
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The statement in the recapitulation, coincidentally, is in the original E major (F
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received this instruction from Mahler personally, prior to a 1903 performance in
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Klopstock's poem "Die
Auferstehung" is not, as is commonly believed, one of his
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minor (the key in which the recitative was originally stated), and the duet in A
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Performed by
Barbara Schubert and the Dupage Symphony orchestra. Singer unknown.
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Mahler uses a somewhat modified tonal framework for the movement. The secondary
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World premiere (complete): 13 December 1895, Berlin, conducted by the composer.
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2355:
Gustav Mahler: Symphony No. 2 (C minor): A Historical
Background and Analysis.
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The chorus comes in quietly a little past the halfway point of the movement.
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Note: The first eight lines were taken from the poem "Die
Auferstehung" by
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2471:"1895 Concert Berlin 04-03-1895 – Symphony No. 2 – movement 1, 2 and 3"
2125:. It was bought from the Mengelberg Foundation in 1984 by entrepreneur
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The original manuscript score was given by Mahler's widow to conductor
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Note: This text has been translated from the original German text from
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257:, was written between 1888 and 1894, and first performed in 1895. This
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443:. Its world premiere performance was given on 18 October 2005 at the
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548:(2nd doubling 4th clarinet, doubling when fortissimo where possible)
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when Mahler played it for him on the piano. BĂĽlow told Mahler that
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to this movement, which includes references to Jewish folk music.
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376:"It struck me like lightning, this thing," he wrote to conductor
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Performed by
Barbara Schubert and the Dupage Symphony orchestra
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Performed by
Barbara Schubert and the Dupage Symphony orchestra
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Performed by
Barbara Schubert and the Dupage Symphony orchestra
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Performed by Barbara Schubert and the Dupage Symphony orchestra
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minor. The restatement of the first theme group occurs in the
2493:"1895 Concert Berlin 13-12-1895 – Symphony No. 2 (Premiere)"
2129:, who specialised in conducting the symphony as an amateur.
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627:(2nd with a cymbal attached, used only in mvmt. 5, offstage)
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in 1891, he found the other important conductor there to be
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Gustav Mahler's orchestration of Beethoven's Symphony No. 9
2535:"Gustav Mahler ÂŁ4.5m manuscript breaks record at Sotheby's"
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of works from throughout the Western classical tradition.
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It has two contrasting sections of slightly darker music.
618:(a third player is required but only in mvmt. 5, offstage)
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2195:"Beethoven's Eroica voted greatest symphony of all time"
1366:
The fourth movement, "Urlicht" (Primal Light) is marked
1246:
Mahler called the climax of the movement, a blistering B
458:
Reproductions of earlier editions have been released by
3097:
Repertory of the Vienna Court Opera under Gustav Mahler
2524:, Oxford: Oxford University Press, 1995, pp. 85–86
2368:"San Francisco Symphony – Program Notes & Articles"
1309:, where it is used as the framework for constructing a
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at a 1920 Mahler festival given by Mengelberg and the
561:, 4th used only in mvmt. 5 and doubling contrabassoon)
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Which will light me into that eternal blissful life!
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Thesis (D.Mus. Arts) University of Washington, 1985.
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when came a little angel and wanted to turn me away.
1726:, full organ) and with the choir instructed to sing
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1486:This is followed by a call in the offstage horns.
2053:. This was the first performance outside Germany.
514:, 4th used only in mvmt. 5, doubling cor anglais)
2669:"Mahler's Second: The Story within the Symphony"
2607:. New York and Oxford: Oxford University Press.
2339:Symphony No. 2 – Arrangements and transcriptions
1091:(Very leisurely. Never rush.) It is a delicate
2264:John F. Kennedy Center for the Performing Arts
2082:, Amsterdam, with the composer conducting the
1797:wird leuchten mir bis in das ewig selig Leben!
1296:was himself drunk as he preached to the fish.
2694:
2147:, an Austrian businessman and trustee of the
2093:, New York, with the composer conducting the
1830:Ah no! I would not let myself be turned away!
1789:Da kam ein Engelein und wollt' mich abweisen.
951:, first presented in E major (enharmonic of F
871:Mit durchaus ernstem und feierlichem Ausdruck
307:of the symphony in 1888 as a single-movement
303:Mahler completed what would become the first
8:
2160:List of most expensive books and manuscripts
1834:The loving God will grant me a little light,
1795:Der liebe Gott wird mir ein Lichtchen geben,
897:The movement's formal structure is modified
3077:Composing hut of Gustav Mahler (Wörthersee)
2060:, Vienna, with the composer conducting the
331:When Mahler took up his appointment at the
276:New Grove Dictionary of Music and Musicians
2701:
2687:
2679:
2631:Beauty and Sadness: Mahler's 11 Symphonies
2522:Vienna: The Years of Challenge (1897–1904)
2260:"Symphony No. 2 in C minor (Resurrection)"
2104:, Paris, with the composer conducting the
2071:, Basel, with the composer conducting the
1674:major, the solos and the fourth verse in B
1277:St. Anthony of Padua Preaching to the Fish
42:
18:
3072:Composing hut of Gustav Mahler (Attersee)
2659:International Music Score Library Project
2343:International Music Score Library Project
2246:
2234:
2222:
2089:United States premiere: 8 December 1908,
2013:To the light which no eye has penetrated!
1793:Ich bin von Gott und will wieder zu Gott!
1668:The opening two verses are presented in G
2312:
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420:The work was first published in 1897 by
3140:
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2007:With wings which I have won for myself,
1791:Ach nein! Ich lieĂź mich nicht abweisen!
1730:(with highest power). The instrumental
1018:preparation for the rest of the piece.
787:The work in its finished form has five
2456:, but rather from the 1758 collection
1948:Will you, my dust, after a brief rest!
1924:zum Licht, zu dem kein Aug' gedrungen!
1832:I am from God and shall return to God!
1451:
1356:
1192:
1077:
859:
2473:. Mahler Foundation. 28 February 2016
2291:. classicalsource.com. Archived from
2002:O Death, you conqueror of all things,
1971:Yours, yes yours, is what you desired
1855:Aufersteh'n, ja aufersteh'n wirst du,
1506:The first theme group reiterates the
1299:In 1967–68, the movement was used by
577:(7th–10th used only in mvmt. 5, both
7:
3206:Music based on Des Knaben Wunderhorn
3201:Choral compositions by Gustav Mahler
3082:Gustav Mahler Conducting Competition
2049:, 'Nouveaux Concerts', conducted by
1930:Aufersteh'n, ja aufersteh'n wirst du
1859:Unsterblich Leben! Unsterblich Leben
1784:Je lieber möcht' ich im Himmel sein.
649:(2nd used only in mvmt. 5, offstage)
387:Autograph manuscript of the symphony
2132:In 2016 the score was auctioned at
1370:(Very solemn, but simple). It is a
905:is repeated in a varied form (from
435:shortly thereafter, and finally to
2394:"Monthly Calendar – November 2016"
2021:Will you, my heart, in an instant!
1998:O Pain, you piercer of all things,
1918:Mit FlĂĽgeln, die ich mir errungen,
1882:Dein ist, ja dein, was du gesehnt,
1864:Wieder aufzublüh'n wirst du gesät!
1686:major. The goal of the symphony, E
1210:. It opens with two strong, short
838:"Totenfeier" – I. Allegro maestoso
716:solo (used only in mvmts. 4 and 5)
14:
2495:. Mahler Foundation. 5 March 2016
2078:Dutch premiere: 26 October 1904,
1952:Will he who called you, give you.
1787:Da kam ich auf einen breiten Weg:
1782:Der Mensch liegt in größter Pein!
1171:III. In ruhig flieĂźender Bewegung
424:. The rights were transferred to
3143:
3118:
3117:
2791:
2758:
2370:. sfsymphony.org. Archived from
2100:French premiere: 10 April 1910,
2056:Austrian premiere: 4 June 1899,
2045:Belgian premiere: 6 March 1898,
1823:How I would rather be in heaven.
1780:Der Mensch liegt in größter Not!
1760:
1452:Problems playing this file? See
1434:
1357:Problems playing this file? See
1339:
1193:Problems playing this file? See
1175:
1078:Problems playing this file? See
1060:
860:Problems playing this file? See
842:
125:Friedrich Hofmeister Musikverlag
2861:Lieder eines fahrenden Gesellen
2633:. Edinburgh: Candle Row Press.
1967:O believe, my heart, O believe:
1927:Sterben werd' ich, um zu leben!
1891:du warst nicht umsonst geboren!
805:(With quietly flowing movement)
2441:Recollections of Gustav Mahler
2000:From you, I have been wrested!
1980:You were not born for nothing!
1909:O Schmerz! Du Alldurchdringer!
1878:O glaube, mein Herz, o glaube:
1826:There came I upon a broad path
1303:for the third movement of his
1087:The second movement is marked
1:
3176:Music for orchestra and organ
2899:Gustav Mahler Jugendorchester
2067:Swiss premiere: 6 June 1903,
2016:I shall die in order to live.
1861:will der dich rief dir geben!
1857:mein Staub, nach kurzer Ruh'!
1368:Sehr feierlich, aber schlicht
869:The first movement is marked
814:(In the tempo of the scherzo)
232:Berlin Philharmonic Orchestra
2318:"Gilbert Kaplan (1941–2016)"
2193:Mark Brown (4 August 2016).
2019:Rise again, yes, rise again,
1957:The lord of the harvest goes
1955:You are sown to bloom again!
1950:Immortal life! Immortal life
1946:Rise again, yes, rise again,
1936:zu Gott wird es dich tragen!
1880:es geht dir nichts verloren!
1848:Friedrich Gottlieb Klopstock
1702:
1654:
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1152:In ruhig flieĂźender Bewegung
1131:
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803:In ruhig flieĂźender Bewegung
453:Royal Philharmonic Orchestra
359:Friedrich Gottlieb Klopstock
148:Berlin State Opera Orchestra
3171:Symphonies by Gustav Mahler
2919:Médiathèque Musicale Mahler
2025:To God shall it carry you!
1982:Have not lived for nothing,
1902:Was vergangen, aufersteh’n!
1530:The second theme is a long
1089:Sehr gemächlich. Nie eilen.
770:(several with low C string)
710:solo (used only in mvmt. 5)
176:2 voices (Soprano and Alto)
3222:
2157:
2009:In love's fierce striving,
1991:What perished, rise again!
1973:Yours, what you have loved
1893:Hast nicht umsonst gelebt,
1821:Man lies in greatest pain!
1819:Man lies in greatest need!
198:13 December 1895
3113:
2716:
1995:Prepare yourself to live!
1975:What you have fought for!
1606:major — the dominant of F
41:
33:
26:
16:Symphony by Gustav Mahler
3026:Henry-Louis de La Grange
2909:Mahler Chamber Orchestra
2514:Henry-Louis de La Grange
2023:What you have conquered,
1920:in heiĂźem Liebesstreben,
1853:
1769:
1430:V. Im Tempo des Scherzos
1202:The third movement is a
808:"Urlicht" (Primal light)
740:parts (several per part)
3196:Compositions in C minor
3191:Stefan Zweig Collection
2675:Radio, 18 February 2012
2580:Cleveland Museum of Art
2416:"Des Knaben Wunderhorn"
2353:Schram, Albert-George.
2153:Cleveland Museum of Art
2123:Concertgebouw Orchestra
2073:Sinfonieorchester Basel
2004:Now, are you conquered!
1969:Nothing is lost to you!
1932:mein Herz, in einem Nu!
1913:O Tod! Du Allbezwinger!
1866:Der Herr der Ernte geht
1707:download the audio file
1659:download the audio file
1632:download the audio file
1600:minor to the parallel D
1545:download the audio file
1521:download the audio file
1497:download the audio file
1477:download the audio file
1399:download the audio file
1263:download the audio file
1237:download the audio file
1136:download the audio file
1116:download the audio file
1008:download the audio file
982:download the audio file
938:download the audio file
888:download the audio file
3062:Bernstein–Mahler cycle
2787:Symphony of a Thousand
2629:Vernon, David (2022).
1915:Nun bist du bezwungen!
1911:Dir bin ich entrungen!
1906:Bereite dich zu leben!
1423:
1328:
1283:
1164:
1049:
831:
722:(used only in mvmt. 5)
697:(used only in mvmt. 5)
671:(used only in mvmt. 5)
663:(used only in mvmt. 3)
635:(used only in mvmt. 5)
470:for piano four hands.
388:
82:"Die Auferstehung" by
2868:Des Knaben Wunderhorn
2800:Das Lied von der Erde
2437:Natalie Bauer-Lechner
2095:New York Philharmonic
1993:Cease from trembling!
1939:
1922:werd' ich entschweben
1884:dein, was du geliebt,
1870:uns ein, die starben!
1811:
1804:Des Knaben Wunderhorn
1772:
1746:Des Knaben Wunderhorn
1532:orchestral recitative
1422:
1411:Im Tempo des Scherzos
1327:
1289:Des Knaben Wunderhorn
1275:
1163:
1048:
830:
812:Im Tempo des Scherzos
409:Das Lied von der Erde
393:Natalie Bauer-Lechner
386:
254:Resurrection Symphony
77:Des Knaben Wunderhorn
28:Resurrection Symphony
2719:List of compositions
2565:. 27 September 2022.
2418:. kennedy-center.org
2396:. kennedy-center.org
2177:"Gustav Mahler", in
2084:Concertgebouw Orkest
2011:I shall soar upwards
1959:And gathers sheaves,
1875:—Friedrich Klopstock
1294:St. Anthony of Padua
1056:II. Andante moderato
1038:II. Andante moderato
915:late string quartets
911:Ludwig van Beethoven
422:Friedrich Hofmeister
353:sound to him like a
3067:Colorado MahlerFest
2952:Mahler on the Couch
2928:Cultural depictions
2374:on 24 February 2012
2270:on October 19, 2008
2237:, pp. 290–291.
2149:Cleveland Orchestra
2102:Théâtre du Châtelet
2062:Vienna Philharmonic
2037:Berlin Philharmonic
1898:Was entstanden ist,
820:I. Allegro maestoso
464:Boosey & Hawkes
2854:Lieder und Gesänge
2597:Steinberg, Michael
2543:. 29 November 2016
2460:(Spiritual Songs).
2320:. gustav-mahler.eu
1961:Us, who have died.
1904:Hör' auf zu beben!
1900:das muss vergehen!
1886:was du gestritten!
1868:und sammelt Garben
1817:O little red rose!
1728:mit höchster Kraft
1424:
1329:
1284:
1281:Victor Wolfvoet II
1165:
1050:
832:
389:
350:Tristan und Isolde
292:BBC Music Magazine
279:labels the work's
179:mixed choir (SATB)
3181:1894 compositions
3166:Choral symphonies
3131:
3130:
3103:Song of the Earth
2990:(father's cousin)
2944:Bride of the Wind
2882:Kindertotenlieder
2847:Das klagende Lied
2815:
2458:Geistliche Lieder
2295:on 27 August 2016
2289:"Mahler Premiere"
2183:, Macmillan, 1980
2119:Willem Mengelberg
2106:Orchestre Colonne
2030:Notable premieres
1934:Was du geschlagen
1851:
1749:
1711:
1663:
1636:
1549:
1525:
1501:
1481:
1439:
1403:
1374:song, sung by an
1344:
1267:
1241:
1180:
1140:
1120:
1065:
1012:
986:
942:
913:often did in his
909:4 through 15, as
892:
847:
779:
778:
445:Royal Albert Hall
441:Kaplan Foundation
437:Universal Edition
237:
236:
3213:
3148:
3147:
3146:
3139:
3121:
3120:
3050:Related articles
2892:Named for Mahler
2813:
2795:
2762:
2726:Orchestral music
2703:
2696:
2689:
2680:
2657:: Scores at the
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2341:: Scores at the
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2266:. Archived from
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1987:What was created
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907:rehearsal number
849:
848:
829:
799:Andante moderato
796:Allegro maestoso
667:3 deep, untuned
545:
544:
524:
523:
482:
434:
426:Josef Weinberger
405:
372:
363:Die Auferstehung
288:
287:
205:
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142:
140:
122:
120:
46:
19:
3221:
3220:
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3210:
3156:
3155:
3154:
3150:Classical music
3144:
3142:
3134:
3132:
3127:
3109:
3092:Neo-romanticism
3045:
3031:Donald Mitchell
2999:
2958:
2923:
2904:Mahler (crater)
2887:
2834:
2818:
2721:
2712:
2707:
2664:Classical Notes
2651:
2641:
2628:
2625:
2623:Further reading
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2138:Herbert Kloiber
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1941:—Gustav Mahler
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1753:Fourth movement
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1311:musical collage
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591:
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541:
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476:
474:Instrumentation
451:conducting the
447:in London with
428:
418:
399:
366:
301:
285:
284:
251:, known as the
201:
199:
185:
138:
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118:
116:
91:
74:"Urlicht" from
49:
17:
12:
11:
5:
3219:
3217:
3209:
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3198:
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3188:
3186:Death in music
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2895:
2893:
2889:
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2886:
2885:
2878:
2875:RĂĽckert-Lieder
2871:
2864:
2857:
2850:
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2840:
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2655:Symphony No. 2
2650:
2649:External links
2647:
2646:
2645:
2640:978-1739659905
2639:
2624:
2621:
2620:
2619:
2613:
2585:
2584:
2582:, October 2023
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2251:
2249:, p. 291.
2247:Steinberg 1995
2239:
2235:Steinberg 1995
2227:
2225:, p. 285.
2223:Steinberg 1995
2212:
2185:
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2168:
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2127:Gilbert Kaplan
2114:
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2051:Sylvain Dupuis
2043:
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1944:
1873:
1842:
1841:Fifth movement
1839:
1814:Primeval Light
1808:
1800:
1778:O Röschen rot!
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1032:Symphony No. 3
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969:recapitulation
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510:(3rd doubling
505:
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497:(all doubling
492:
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475:
472:
449:Gilbert Kaplan
417:
414:
337:Hans von BĂĽlow
326:Symphony No. 9
309:symphonic poem
300:
297:
271:First Symphony
241:Symphony No. 2
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48:Mahler in 1892
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22:Symphony No. 2
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3016:Jonathan Carr
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3011:Kurt Blaukopf
3009:
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2989:
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2982:Arthur Mahler
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2830:Piano Quartet
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2823:Chamber music
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2710:Gustav Mahler
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1984:Nor suffered!
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1335:IV. "Urlicht"
1317:IV. "Urlicht"
1316:
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1301:Luciano Berio
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36:Gustav Mahler
32:
29:
25:
20:
3102:
3057:Alma Problem
3021:Deryck Cooke
2988:Fritz Mahler
2950:
2942:
2934:
2880:
2873:
2866:
2859:
2852:
2845:
2814:(unfinished)
2799:
2786:
2772:
2744:Resurrection
2743:
2741:
2734:
2630:
2603:The Symphony
2602:
2589:
2588:
2571:
2557:
2545:. Retrieved
2538:
2529:
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2517:
2509:
2497:. Retrieved
2487:
2475:. Retrieved
2465:
2457:
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2448:
2440:
2432:
2420:. Retrieved
2410:
2398:. Retrieved
2388:
2376:. Retrieved
2372:the original
2362:
2354:
2349:
2334:
2322:. Retrieved
2297:. Retrieved
2293:the original
2283:
2272:. Retrieved
2268:the original
2254:
2242:
2230:
2204:. Retrieved
2200:The Guardian
2198:
2188:
2178:
2173:
2131:
2116:
1989:Must perish;
1945:
1854:
1844:
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1020:Julius Buths
1016:
990:
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927:plainchant.
922:
896:
870:
868:
811:
802:
786:
773:
720:mixed chorus
680:
676:glockenspiel
581:and onstage)
477:
468:Bruno Walter
457:
419:
407:
390:
375:
348:
344:
340:
330:
316:
312:
302:
290:
283:as C minor–E
274:
267:resurrection
253:
252:
240:
238:
75:
62:E-flat major
27:
3041:Paul Stefan
2994:Otto Mahler
2976:Anna Mahler
2970:Alma Mahler
2955:(2010 film)
2947:(2001 film)
2939:(1974 film)
2914:Mahler Spur
2839:Vocal music
2547:29 November
2499:12 November
2477:12 November
2422:20 December
2400:29 November
2378:29 November
2324:20 December
2299:29 November
2141: [
2058:Musikverein
1724:volles Werk
919:development
899:sonata form
633:snare drums
512:cor anglais
429: [
416:Publication
400: [
378:Anton Seidl
367: [
144:Oskar Fried
3160:Categories
3036:Erwin Ratz
2978:(daughter)
2520:, vol. 2:
2274:2008-06-24
2206:2020-05-01
2165:References
2158:See also:
1978:O believe,
1454:media help
1372:Wunderhorn
1359:media help
1195:media help
1080:media help
1024:DĂĽsseldorf
959:Neapolitan
903:exposition
862:media help
625:bass drums
614:2 sets of
609:Percussion
345:Totenfeier
341:Totenfeier
317:Totenfeier
313:Totenfeier
228:Performers
202:1895-12-13
157:80–90 min.
2996:(brother)
2180:New Grove
2134:Sotheby's
1895:gelitten!
1889:O glaube,
1559:Dies irae
1508:Dies irae
1214:strokes.
924:Dies irae
789:movements
688:Keyboards
647:triangles
596:trombones
546:clarinets
527:clarinets
488:Woodwinds
361:'s poem "
322:Beethoven
263:afterlife
218:Conductor
182:orchestra
162:Movements
112:Published
107:1888–1894
84:Klopstock
3123:Category
3106:(ballet)
3004:Scholars
2984:(cousin)
2599:(1995).
2540:BBC News
1719:♭
1696:on it).
1694:cadences
1689:♭
1683:♭
1677:♭
1671:♭
1644:♭
1615:♭
1609:♯
1603:♭
1597:♯
1587:♭
1578:dominant
1573:♭
1383:♭
1306:Sinfonia
1249:♭
1100:♭
994:♭
964:♭
954:♭
655:tam-tams
638:pair of
631:several
588:trumpets
579:offstage
555:bassoons
543:♭
522:♭
499:piccolos
305:movement
286:♭
281:tonality
259:symphony
210:Location
190:Premiere
154:Duration
132:Recorded
104:Composed
96:Language
2785:No. 8 (
2771:No. 6 (
2742:No. 2 (
2733:No. 1 (
2590:Sources
1775:Urlicht
1618:major.
1582:mediant
1212:timpani
1208:C minor
1204:scherzo
1093:Ländler
957:major,
917:). The
753:violins
747:violins
728:Strings
708:soprano
640:cymbals
616:timpani
525:, A, C
462:and by
311:called
245:C minor
200: (
170:Scoring
137: (
117: (
58:C minor
3136:Portal
2972:(wife)
2963:Family
2936:Mahler
2811:No. 10
2780:No. 7
2773:Tragic
2637:
2611:
1965:
1963:
901:. The
774:
763:cellos
758:violas
701:Voices
495:flutes
299:Origin
213:Berlin
99:German
2806:No. 9
2766:No. 5
2756:No. 4
2751:No. 3
2735:Titan
2145:]
2113:Score
2047:Liège
1592:tonic
1386:major
1279:, by
1224:tempo
1150:III.
1103:major
949:theme
695:organ
669:bells
575:horns
568:Brass
508:oboes
460:Dover
433:]
404:]
371:]
355:Haydn
347:made
2673:WQXR
2635:ISBN
2609:ISBN
2549:2016
2501:2021
2479:2021
2454:Oden
2424:2018
2402:2016
2380:2016
2326:2018
2301:2016
1739:Text
1732:coda
1376:alto
961:of E
783:Form
751:2nd
745:1st
738:harp
714:alto
661:rute
602:tuba
395:and
265:and
239:The
195:Date
139:1924
135:1924
119:1897
115:1897
68:Text
1584:, A
1409:V.
1206:in
1095:in
586:10
573:10
519:3 B
324:'s
247:by
243:in
54:Key
34:by
3162::
2671:,
2578:,
2537:.
2516:,
2439:,
2309:^
2262:.
2215:^
2197:.
2155:.
2143:de
1105:.
971:.
877:.
791:.
736:2
653:2
645:2
623:2
600:1
594:4
553:4
538:2
506:4
493:4
455:.
431:de
402:de
369:de
295:.
146:,
60:–
3138::
2789:)
2775:)
2746:)
2737:)
2702:e
2695:t
2688:v
2643:.
2617:.
2551:.
2503:.
2481:.
2426:.
2404:.
2382:.
2328:.
2303:.
2277:.
2209:.
2108:.
2097:.
2086:.
2075:.
2064:.
2039:.
1802:—
1716:E
1709:.
1661:.
1634:.
1570:B
1547:.
1523:.
1499:.
1479:.
1456:.
1401:.
1380:D
1361:.
1265:.
1239:.
1197:.
1138:.
1118:.
1097:A
1082:.
1010:.
984:.
940:.
890:.
864:.
540:E
533:)
501:)
365:"
204:)
165:5
141:)
127:)
123:(
121:)
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