31:
181:
is any pattern of musical decoration a musician or vocalist creates within or across tones, based on ancient musical theories or driven by personal creative choices, in a progression of
210:
The ancient and medieval music scholars of India state that there are unlimited creative possibilities available to a musician, but each scholar illustrated the concept with a set of
129:
521:
458:
431:
122:
516:
511:
115:
323:, a technique of singing notes in a fluid manner with one note merging into the next - there are many different kinds of
45:
256:, where the student systematically repeats a certain set of patterns over three octave registers, across various
157:
174:
22:
454:
427:
421:
148:
86:
222:, while mid medieval scholars presented numerous more. The Indian music tradition classifies
204:
248:, the father of modern Carnatic music, developed learning exercises for students based on
230:
being those that cannot be reduced to a fixed scale degree pattern. The Indian theory of
350:
192:
66:
40:
505:
299:
245:
392:
264:
91:
50:
450:
The
Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
496:
448:
333:
76:
98:
354:, a heavy to-and-fro oscillation involving two or three distinct notes
385:
364:
319:
183:
103:
71:
30:
368:, an even lighter and more subtle rendition of a cluster of notes
360:, a rapid rendition of a cluster of notes distinctly yet lightly
337:
258:
81:
481:, Chennai, India: The Indian Music Publishing House, p. 51
447:
Bruno Nettl; Ruth M. Stone; James Porter; et al. (1998).
242:
applies to both vocal and musical instrument performance.
162:
388:
group within a given octave, in ancient Indian music.
218:, Bharata Muni presented 33, Sarngadeva described 63
346:, a gentle swing on specific notes, used selectively
426:. University of Chicago Press. pp. 162–164.
415:
413:
411:
409:
276:
177:and literally means "ornament, decoration". An
226:as rational or irrational, wherein irrational
123:
8:
195:, while the same concept is referred to as
130:
116:
18:
472:
470:
423:Music and Musical Thought in Early India
336:- the use of grace-notes depends on the
497:Ornamentation in Indian Classical Music
405:
391:a type of exercise based on the 7 main
58:
21:
285:would be like a night without a moon,
7:
291:and a woman without any ornament.
14:
167:), also referred to as palta or
29:
234:covers the group of irrational
310:Here are some common types of
16:Term in Indian classical music
1:
477:Prof. P Sambamoorthy (2005),
305:Bharata Muni (200 BCE-200 CE)
522:Hindustani music terminology
314:used in classical music are
163:
538:
517:Carnatic music terminology
479:South Indian Music - Vol I
289:a vine without any flower,
152:
287:a river devoid of water,
214:. Datilla discussed 13
512:Indian classical music
294:
175:Indian classical music
23:Indian classical music
420:Lewis Rowell (2015).
395:and their variations.
279:A song without any
173:, is a concept in
460:978-0-8240-4946-1
433:978-0-226-73034-9
373:Other definitions
238:. The concept of
161:
140:
139:
529:
484:
482:
474:
465:
464:
444:
438:
437:
417:
380:also refers to:
306:
205:Hindustani music
166:
156:
154:
132:
125:
118:
46:Hindustani music
33:
19:
537:
536:
532:
531:
530:
528:
527:
526:
502:
501:
493:
488:
487:
476:
475:
468:
461:
453:. p. 216.
446:
445:
441:
434:
419:
418:
407:
402:
384:a pattern on a
375:
340:being performed
308:
304:
296:
293:
290:
288:
286:
284:
274:
191:is standard in
136:
17:
12:
11:
5:
535:
533:
525:
524:
519:
514:
504:
503:
500:
499:
492:
491:External links
489:
486:
485:
466:
459:
439:
432:
404:
403:
401:
398:
397:
396:
389:
374:
371:
370:
369:
361:
358:khatka/gitkari
355:
347:
341:
327:
277:
275:
273:
270:
246:Purandara Dasa
193:Carnatic music
138:
137:
135:
134:
127:
120:
112:
109:
108:
107:
106:
101:
95:
94:
89:
84:
79:
74:
69:
61:
60:
56:
55:
54:
53:
48:
43:
41:Carnatic music
35:
34:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
534:
523:
520:
518:
515:
513:
510:
509:
507:
498:
495:
494:
490:
480:
473:
471:
467:
462:
456:
452:
451:
443:
440:
435:
429:
425:
424:
416:
414:
412:
410:
406:
399:
394:
390:
387:
383:
382:
381:
379:
372:
367:
366:
362:
359:
356:
353:
352:
348:
345:
342:
339:
335:
331:
328:
326:
322:
321:
317:
316:
315:
313:
307:
303:
301:
300:Natya Shastra
292:
282:
271:
269:
267:
266:
261:
260:
255:
251:
247:
243:
241:
237:
233:
229:
225:
221:
217:
213:
208:
206:
202:
198:
194:
190:
186:
185:
180:
176:
172:
171:
165:
159:
150:
146:
145:
133:
128:
126:
121:
119:
114:
113:
111:
110:
105:
102:
100:
97:
96:
93:
90:
88:
85:
83:
80:
78:
75:
73:
70:
68:
65:
64:
63:
62:
57:
52:
49:
47:
44:
42:
39:
38:
37:
36:
32:
28:
27:
24:
20:
478:
449:
442:
422:
377:
376:
363:
357:
349:
343:
329:
324:
318:
311:
309:
298:
295:
280:
278:
263:
257:
253:
249:
244:
239:
235:
231:
227:
223:
219:
215:
211:
209:
200:
196:
188:
182:
178:
169:
168:
143:
142:
141:
51:Odissi music
334:grace notes
187:. The term
506:Categories
400:References
254:svaravali
220:alankaras
216:alankaras
170:alankaram
158:romanized
378:Alankara
330:kan-swar
312:alankara
281:alankara
250:alankara
240:alankara
236:alankara
228:alankara
224:alankara
212:alankara
201:alankara
189:alankara
179:alankara
164:Alaṃkāra
149:Sanskrit
144:Alankara
77:Alankara
59:Concepts
344:andolan
160::
99:Sangita
457:
430:
351:gamaka
232:gamaka
184:svaras
153:अलंकार
67:Shruti
393:talas
386:svara
365:murki
325:meend
320:meend
302:29.75
272:Types
265:talas
259:ragas
197:palta
104:Vadya
72:Svara
455:ISBN
428:ISBN
338:raga
262:and
252:and
92:Tala
87:Rasa
82:Raga
203:in
199:or
508::
469:^
408:^
332:,
268:.
207:.
155:,
151::
483:}
463:.
436:.
297:—
283:,
147:(
131:e
124:t
117:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
