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Albert Bitran

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448:, Tabuchi, at the Galerie Ariel, where Jean Pollack will show Bitran's work during the next forty years. Bitran also works on graphics: etching and lithography, first at Mourlot, then at Bellini and Leblanc's printing houses. In 1961, for the first time in Scandinavia, Boerge Birch presents a personal exhibition of Bitran in his Copenhagen gallery. Northern countries, that he visits often, are now showing a great interest in his work. In Holland, he exhibits regularly, first at Nova Spectra in The Hague, then, from 1971 on, in Amsterdam at the Gallery Martin de Boer. His major themes in the sixties are L 212: 117: 25: 327: 459:, writes the essay «Bitran, or the Question of the Eye Â» published by SMI in 1975 and in 1978 by Gallimard. As a conclusion to this pictural adventure, "Sextuor", a sequence of six paintings in a closed cycle, is exhibited according to a plan designed by architect Ricardo Porro, in museums and galleries in Norway, Denmark, Holland, France, and Austria, 66: 360:
In 1948, at seventeen, he arrives in Montparnasse, knowing already that he wants to become a painter, not an architect. Leaving the school after 8 months, he moves into a studio at the American pavillon of the Cité Universitaire, where he joins the circle of expatriated artists who had come to Paris
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In 1979 and 1980, Bitran chairs the seminar of the Salzburg Summer Academy, and Manès Sperber prefaces the catalogue of his exhibition at the Traklhauss. In the early eighties, Bitran sets up a studio in the Lot, where he experiments new techniques on paper and cardboard mixing oil, ink, fusain and
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Bitran begins to explore a strict, geometric language. Jean-Robert Arnaud, who just opened his gallery in Saint Germain des Prés the Avant-Garde “place to be", organizes in 1951, Bitran's first solo exhibition; he also publishes one of his graphic work in the first Cimaise magazine, and in 1954,
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During Bitran’s retrospective in the Campredon Museum at l’Isle-sur-la-Sorgue in 1991, an interview with art historian, Jean Paris, was filmed and later published in Coloquio Artes, review of the Gulbenkian’s Foundation in Lisbon. Revisiting souvenirs from his childhood and his many travels in
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organizes an exhibition in her famous gallery and Henry-Pierre Roché writes the preface of the catalogue. Yet, Bitran starts searching for a more personal expression: informal, gestual, architectural, the lyrical abstraction movement with which he would be associated for the next sixty years.
479:, he gives in his painting the « inside-outside Â» impression of the form without being figurative. For his large paintings and his sculptures, more space is needed. In 2000, Bitran builds his home and his studios on the ruins of an old cinema in Montrouge, south of Paris. 439:
In 1958, Albert Bitran becomes French citizen, marries Claude Ledoux, moves to a studio, rue des Plantes, Paris and buys an old farm in Rigny-le-Ferron, Aube, where he sets up a ceramic studio. In Paris, he joins the painters Marfaing, Doucet, Gillet,
419:, makes Bitran a generous offer: he will lease him a large room Boulevard Arago, providing him with the materials for painting in exchange of some works. There, Bitran experiments geometrical almost optical drawings on paper with coloured pencils. 353:
Albert Bitran was born in 1931, in a Jewish Sephardic family, in Istanbul, Turkey. After his studies at the French Collège Saint Michel, having both diplomas in French and Turkish, he is admitted in the Ecole Spéciale d’Architecture, in
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that Patrick Bongers chooses for his first exhibition at Galerie Louis Carré, Paris in 1987; these works will also be exhibited at the Boisserée Gallery in Köln, at Art Point in Tokyo, at
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Centre Pompidou, 2013, and holds personal exhibitions in galleries and museum in France, Turkey and in England at the London’s
1000: 233: 229: 142: 38: 276: 185: 975: 248: 157: 441: 920: 746: 455:"Doubles", an analytic interrogation of his painting becomes his major theme in the seventies. The French philosopher, 810: 740: 255: 164: 527:(To visualize works of Albert Bitran online refer to the section "External links - Bank of images of ADAGP" below). 597:"Bitran, ou l’élaboration d’un nouveau sentiment de la nature" by Denys Chevalier, XXème siècle, periodical, 1963. 416: 767: 752: 698: 262: 171: 773: 680: 222: 433: 428:
is an impressive example of his new freedom. This large collage of 1956 will be shown in the exhibition L’
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In 1968, he moves to rue Notre-Dame-des-Champs, in Montparnasse, where he will work and live until 2000.
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Albert Bitran had the distinction of "Officier des Arts et Lettres". He died 9 November 2018, aged 87.
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Turkey, Bitran’s new theme comes directly from the Mediterranean world. Fascinated by the form of the
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L'École de Paris 1945-1965, Dictionnaire des peintres by Lydia Harambourg, Ides et Calendes, 1993 (
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In the following years, Bitran participates in more than fifty exhibitions worldwide among others:
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he goes right into « what he always thought of as the major color : black Â». - from
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exposes one of his painting on the walls of the Theatre of Babylone, for the opening of
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Works of Albert Bitran are represented in the following public collections:
621:"Entretien avec Albert Bitran" by Jean Paris, Coloquio Artes, Lisbon, 1992. 326: 393:
from Romania, who had a most decisive influence on his debut as a painter.
667:"Peindre la peinture" by Frédérique le Graverend, AREA, N°21 Spring 2010. 655:"Dossier Albert Bitran" by Jean-Luc Chalumeau, Verseau, periodical, 1997. 594:"Bitran ou la chaleur des gris" by Charles Estienne, Ariel Gallery, 1956. 853: 541: 342: 338: 436:, Paris, in 2006 and is now in the Gandur Fondation for Art, in Geneva. 609:"Bitran ou la question de l’oeil" by Claude Lefort, édition SMI, 1975. 797:
Foundation Roi Baudoin, Thomas Neirynck Collection, Brussels, Belgium.
411:, prestigious art collector, future author of Jules et Jim, friend of 842: 606:"Epreuves", text by Jean-Louis Baudry, la Balance, Bruxelles, 1966. 494:, catalogue of the exhibition in 2017, galerie Convergences, Paris. 134: 889: 325: 450:
andscapes, The Studio, Inside-Outside, Laterals, and Verticals.
612:"Dessins, 1955-1975" text by Alain Bosquet, SMI, Paris, 1976. 600:"BITRAN" by Michel Courtois, Birch Gallery, Copenhague, 1961. 205: 110: 59: 18: 645:"Albert Bitran, Arcades", introduction by Pierre Daix, 1998. 725:, Grunwald Center for the Graphic Arts, Los Angeles, U.S.A. 947:
A large number of reproductions of Albert Bitran's works.
138: 83: 944: 888:, Convergences gallery and Gratadou-Intuiti gallery, 615:"Le Mirliton du Ciel" 1985, poems by Albert Memmi. 236:. Unsourced material may be challenged and removed. 828:MusĂ©e des Beaux-Arts H. Rigaud, Perpignan, France. 571:Bitran ou la Question de l'Oeil by Claude Lefort. 341:– 9 November 2018 in Paris, France) was a French 1016:Officiers of the Ordre des Arts et des Lettres 603:"L’Atelier", text by Georges Boudaille, 1964. 8: 902:, galerie Bertrand Trocmez, Clermont-Ferrand 743:, Donation Jacqueline Delubac, Lyon, France. 731:, Contemporary Art Museum, Istanbul, Turkey. 618:"Fleuve" 1986, poems by Jean-Dominique Rey. 143:introducing citations to additional sources 807:Museum der 20-Jahrunderts, Vienna, Austria. 507:20 Modern Turkish Artists of the XX century 53:Learn how and when to remove these messages 737:, Istanbul Resim ve Heykel MĂĽzesi, Turkey. 816:F.R.A.C. Midi-PyrĂ©nĂ©es, Toulouse, France. 749:, Donation Gildas Fardel, Nantes, France. 385:from Spain, and two young artists : 314:Learn how and when to remove this message 296:Learn how and when to remove this message 776:, Art Museum in the Hague, Netherlands. 758:Ny Carlsbergfondet, Copenhagen, Denmark. 687:MusĂ©e d'Art Moderne de la Ville de Paris 133:Relevant discussion may be found on the 912: 735:Ä°stanbul State Art and Sculpture Museum 16:French painter and sculptor (1931-2018) 921:"ĂśnlĂĽ ressam Bitran hayatını kaybetti" 825:MusĂ©e Municipal de Saint DiĂ©, France. 794:Gentofte RĂĄdhus, Copenhagen, Denmark. 785:Cuban State Collection, Havana, Cuba. 714:Rhodes Island School of Design Museum 7: 369:from the U.S, many South Americans, 234:adding citations to reliable sources 719:University Museum, Berkeley, U.S.A. 708:Fine Arts Museums of San Francisco 569:by Jean-Luc Chalumeau, including 14: 693:Fonds National d'Art Contemporain 34:This article has multiple issues. 996:20th-century French male artists 986:21st-century French male artists 875:Albert Bitran, huiles sur papier 813:, Rupertinum, Salzburg, Austria. 505:Academia 13, Mexico City, 2007. 210: 126:relies largely or entirely on a 115: 64: 23: 501:Galerie Schilling, Köln, 2001. 221:needs additional citations for 42:or discuss these issues on the 704:Lunds Konsthall, Lund, Sweden. 565:"Albert Bitran" Introduction, 1: 991:20th-century French sculptors 877:, galerie Convergences, Paris 465:Grandes Formes" (Great Forms) 981:21st-century French painters 971:20th-century French painters 866:, Grosvenor Gallery, Londres 822:, musĂ©e de Toulouse, France. 741:MusĂ©e des Beaux-Arts de Lyon 1006:Turkish emigrants to France 1032: 945:Banque d’images de l’ADAGP 567:A Journey through Painting 463:pastel... He creates the " 73:This biographical article 886:Affinities in major black 499:Kunst des 20 Jahnunderts, 345:, engraver and sculptor. 330:Albert Bitran, Paris 1963 768:Contemporary Art Society 753:Statens Museum for Kunst 699:Henie Onstad Kunstsenter 426:The Birth of a Landscape 780:Centraal Museum, Utrech 710:, San Francisco, U.S.A. 681:Centre Georges Pompidou 573:Lienart Editions 2019. 562:In French and English: 503:Lecciones de tinieblas, 492:AffinitĂ©s en noir major 804:, Geneva, Switzerland. 755:, Copenhagen, Denmark. 747:MusĂ©e d'Arts de Nantes 515:ModernitĂ©s Plurielles, 331: 1001:French male sculptors 852:, Institut Français, 679:MusĂ©e d'Art Moderne, 329: 86:by revising it to be 976:French male painters 521:, in 2010 and 2011. 230:improve this article 139:improve this article 764:, Randers, Denmark. 762:Randers Kunstmuseum 537:Lyrical Abstraction 482:With his new theme 434:MusĂ©e du Luxembourg 833:Recent exhibitions 811:Museum der Moderne 802:Jean-Claude Gandur 716:, New York, U.S.A. 671:Public collections 471:in Los Angeles …. 409:Henri-Pierre RochĂ© 332: 789:Landhuis Bloemhof 586:Grosvenor Gallery 519:Grosvenor Gallery 389:from Tunisia and 375:JesĂşs Rafael Soto 361:for inspiration: 324: 323: 316: 306: 305: 298: 280: 204: 203: 189: 109: 108: 57: 1023: 932: 931: 929: 928: 917: 377:from Venezuela, 339:Istanbul, Turkey 319: 312: 301: 294: 290: 287: 281: 279: 238: 214: 206: 199: 196: 190: 188: 147: 119: 111: 104: 101: 95: 68: 67: 60: 49: 27: 26: 19: 1031: 1030: 1026: 1025: 1024: 1022: 1021: 1020: 951: 950: 941: 936: 935: 926: 924: 919: 918: 914: 909: 835: 800:Art Foundation 774:Gemeente Museum 729:ISTANBUL MODERN 673: 560: 552:School of Paris 533: 511:SantralIstanbul 446:Bengt Lindström 430:EnvolĂ©e Lyrique 383:Pablo Palazuelo 379:Serge Poliakoff 367:Jack Youngerman 363:Ellsworth Kelly 351: 320: 309: 308: 307: 302: 291: 285: 282: 245:"Albert Bitran" 239: 237: 227: 215: 200: 194: 191: 154:"Albert Bitran" 148: 146: 132: 120: 105: 99: 96: 84:help improve it 81: 69: 65: 28: 24: 17: 12: 11: 5: 1029: 1027: 1019: 1018: 1013: 1008: 1003: 998: 993: 988: 983: 978: 973: 968: 963: 953: 952: 949: 948: 940: 939:External links 937: 934: 933: 911: 910: 908: 905: 904: 903: 893: 892: 879: 878: 868: 867: 857: 856: 846: 845: 834: 831: 830: 829: 826: 823: 817: 814: 808: 805: 798: 795: 792: 786: 783: 782:, Netherlands. 777: 771: 765: 759: 756: 750: 744: 738: 732: 726: 720: 717: 711: 705: 702: 701:, Oslo/Norway. 696: 690: 684: 672: 669: 559: 556: 555: 554: 549: 544: 539: 532: 529: 413:Marcel Duchamp 399:Samuel Beckett 387:Georges Koskas 350: 347: 322: 321: 304: 303: 218: 216: 209: 202: 201: 137:. Please help 123: 121: 114: 107: 106: 72: 70: 63: 58: 32: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1028: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 999: 997: 994: 992: 989: 987: 984: 982: 979: 977: 974: 972: 969: 967: 964: 962: 959: 958: 956: 946: 943: 942: 938: 922: 916: 913: 906: 901: 900:Albert Bitran 898: 897: 896: 891: 887: 884: 883: 882: 876: 873: 872: 871: 865: 862: 861: 860: 855: 851: 848: 847: 844: 841:Galerie Nev, 840: 839: 838: 832: 827: 824: 821: 820:Les Abattoirs 818: 815: 812: 809: 806: 803: 799: 796: 793: 790: 787: 784: 781: 778: 775: 772: 770:, London, UK. 769: 766: 763: 760: 757: 754: 751: 748: 745: 742: 739: 736: 733: 730: 727: 724: 723:Hammer Museum 721: 718: 715: 712: 709: 706: 703: 700: 697: 694: 691: 688: 685: 682: 678: 677: 676: 670: 668: 665: 662: 659: 656: 653: 652: 651:2-912380-06-5 648: 643: 642: 641:2-8258-0035-X 638: 633: 631: 630:2-8258-0048-1 627: 622: 619: 616: 613: 610: 607: 604: 601: 598: 595: 592: 589: 587: 582: 580: 576: 572: 568: 563: 557: 553: 550: 548: 545: 543: 540: 538: 535: 534: 530: 528: 525: 522: 520: 516: 512: 508: 504: 500: 495: 493: 489: 485: 480: 478: 472: 470: 466: 460: 458: 457:Claude Lefort 453: 451: 447: 443: 437: 435: 431: 427: 422: 418: 414: 410: 407: 404: 400: 394: 392: 388: 384: 381:from Russia, 380: 376: 372: 371:Ricardo Porro 368: 364: 358: 357: 348: 346: 344: 340: 336: 335:Albert Bitran 328: 318: 315: 300: 297: 289: 278: 275: 271: 268: 264: 261: 257: 254: 250: 247: â€“  246: 242: 241:Find sources: 235: 231: 225: 224: 219:This article 217: 213: 208: 207: 198: 187: 184: 180: 177: 173: 170: 166: 163: 159: 156: â€“  155: 151: 150:Find sources: 144: 140: 136: 130: 129: 128:single source 124:This article 122: 118: 113: 112: 103: 100:November 2018 93: 89: 85: 79: 78: 77:like a rĂ©sumĂ© 71: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 1011:Turkish Jews 925:. 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