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Aldo
Novarese published an Italian classification of typefaces which he presented at the “Ecole de Lure”. This classification defines ten basic styles, in which the many thousand faces of the western world may be grouped. This work, which deserved the favourable opinion of international criticism,
318:, a dry transfer producer; after that period, while keeping his close relationship with Reber R41 he started his career as a freelance type designer and worked all over the world for important companies such as Tygra, ITC, VCG, Mecanorma, Berthold.
357:
screen or aeroplane windows. It became very popular as a typeface that evokes technology (it can be seen on the speedometers on many cars and vehicles, particularly older models). This was an expansion and development of the earlier design
302:
At the Scuola
Tipografica in Turin, where he taught drawing from 1949 to 1953, he started a class for the study of typefaces, with the aim of intensifying research work about the ancient Italian tradition in typeface design.
353:, a geometric sans-serif design. It utilized shapes based on subtly curved rectangles with rounded corners, reflecting the modern designs that were gaining popularity at the time, influenced by the subtly curved shape of a
348:
in Turin -Italy, then for dry transfer companies such as Reber R41 and
Mecanorma, phototype industries and traditional Foundries such VCG, ITC Tygra, Berthold and more. One of his most famous designs is probably
291:
Born in 1920, he entered the G.B. Paravia
Typographic School in Turin, where he obtained a diploma. In 1935 he joined the Design Studio of The Nebiolo Foundry in Turin where he collaborated with
295:
on faces such as
Athenaeum, Quirinus, Normandia, Augustea, Microgramma, Fluidum and Rondine. In 1952, giorni in recognition of his uncommon talent he was appointed Director of
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299:. Since then he designed many new typefaces, among others Cigno, Egizio, Ritmo, Fontanesi, Juliet, Slogan, Garaldus and Recta.
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He also wrote two important didactic books: Alfabeta in 1964 and Il Segno
Alfabetico in 1971.
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Typography: an
Encyclopedic Survey of Type Design and Techniques Throughout History.
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846:"Forma, Dattilo, Modulo. Nebiolo's last effort to produce a 'universal' typeface"
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820:"Forma, Dattilo, Modulo: Nebiolo's last efforts to produce a universal typeface"
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385:(1945) with Alessandro Butti; calligraphy-influenced old-style serif font.
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Novarese designed more than a hundred typefaces, at the beginning for the
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illustrates the
Italian viewpoint on such a long-debated subject.
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in 1972 and spent almost two years as a consultant of
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Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
610:face with flaring at the ends, slightly similar to
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49:. Unsourced material may be challenged and removed.
275:(29 June 1920 – 16 September 1995) was an Italian
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471:(1962), basically Microgramma with a lowercase.
713:. Turin: Fonderia Nebiolo. 1965. pp. 5–6.
711:A B C notes on the Nebiolo type foundry -Turin
489:(1966-7); supervised by a larger design team.
8:
668:Black Dog & Levinthal Publishers: 1998.
872:"Forma: a typeface designed by a committee"
552:serif font oriented to display use with an
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109:Learn how and when to remove this message
1058:Italian typographers and type designers
702:
362:typeface (designed in a project led by
687:- A French website about Aldo Novarese
696:Identifont: Aldo Novarese (1920-1995)
7:
47:adding citations to reliable sources
691:tipografia: Aldo Novarese (1920-95)
653:Blandford Press Lts.: 1953, 1983.
566:font with a nearly upright italic.
14:
515:(1970), futuristic display font.
391:(1946-49) with Alessandro Butti.
379:(1939-43), variations on "Welt."
23:
651:The Encyclopedia of Type Faces.
325:Fonts designed by Aldo Novarese
279:who lived and worked mostly in
34:needs additional citations for
1:
680:Font Designer - Aldo Novarese
405:(1951) with Alessandro Butti.
397:(1951) with Alessandro Butti.
578:(1980), humanist sans-serif.
310:Aldo Novarese retired from
1074:
1053:Italian graphic designers
664:Friedl, Ott, and Stein,
370:Foundry Type for Nebiolo
366:), an all-caps design.
556:rather than an italic.
427:design with an italic.
341:
333:
850:ATypI conference 2013
844:Colizzi, Alessandro.
818:Colizzi, Alessandro.
792:Kupferschmid, Indra.
339:
332:
16:Italian type designer
43:improve this article
606:, 1984), an almost
493:sans influenced by
287:Training and career
882:on August 22, 2011
870:MiklavÄŤiÄŤ, Mitja.
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297:Nebiolo Art Studio
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159:16 September 1995
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1017:on 1 August 2016
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364:Alessandro Butti
355:cathode ray tube
346:Fonderia Nebiolo
293:Alessandro Butti
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794:"Finding Forma"
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725:"Aldo Novarese"
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163:(aged 75)
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618:faces. Not a
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491:Neo-grotesque
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277:type designer
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273:Aldo Novarese
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60: –
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54:Find sources:
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32:This article
30:
26:
21:
20:
1019:. Retrieved
1015:the original
1010:
1007:"ITC Symbol"
1001:
989:. Retrieved
985:
982:"ITC Mixage"
976:
964:. Retrieved
960:the original
955:
946:
934:. Retrieved
930:
927:"ITC Fenice"
921:
909:. Retrieved
905:
896:
884:. Retrieved
880:the original
875:
865:
853:. Retrieved
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839:
827:. Retrieved
824:academia.edu
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813:
801:. Retrieved
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750:. Retrieved
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377:Landi Linear
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198:Notable work
167:Turin, Italy
161:(1995-09-16)
141:29 June 1920
105:
99:January 2013
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
1048:1995 deaths
1043:1920 births
798:Font Bureau
768:"Egizio LT"
743:"Athenaeum"
620:symbol font
616:wedge-serif
564:wedge-serif
548:(1977-80),
402:Microgramma
360:Microgramma
340:Stop (1970)
203:Microgramma
174:Nationality
1037:Categories
644:References
626:ITC Mixage
608:sans-serif
600:ITC Symbol
521:Photo-Type
188:typography
145:Pontestura
137:1920-06-29
69:newspapers
729:Reber R41
495:Helvetica
468:Eurostile
457:(1958-61)
445:(1956-60)
425:Clarendon
415:Fontanesi
389:Normandia
383:Athenaeum
351:Eurostile
316:Reber R41
207:Eurostile
1011:Linotype
986:Linotype
956:Linotype
931:Linotype
906:Linotype
886:20 March
855:20 March
829:20 March
803:20 March
772:Linotype
747:Linotype
594:Colossal
562:(1978),
560:Novarese
501:Metropol
475:Magister
443:Garaldus
395:Augustea
247:Metropol
227:Magister
876:Mitja-M
636:Arbiter
632:, 1985)
570:Floreal
554:oblique
540:Lapidar
534:Dattilo
312:Nebiolo
239:Orbital
235:Equator
223:Dattilo
191:painter
178:Italian
83:scholar
1021:3 July
991:3 July
966:3 July
936:3 July
911:3 July
902:"Stop"
777:3 July
752:3 July
672:
657:
638:(1989)
612:Optima
596:(1984)
590:(1983)
588:Expert
584:(1982)
582:Symbol
576:Mixage
572:(1980)
550:Didone
546:Fenice
542:(1977)
536:(1974)
530:(1968)
509:(1968)
503:(1967)
483:(1966)
477:(1966)
463:(1961)
451:(1957)
449:Slogan
439:(1955)
433:(1955)
431:Juliet
421:Egizio
417:(1954)
411:(1954)
261:Awards
243:Egizio
231:Center
85:
78:
71:
64:
56:
528:Delta
507:Elite
487:Forma
481:Oscar
461:Estro
455:Recta
437:Ritmo
409:Cigno
281:Turin
255:Estro
251:Elite
219:Forma
211:Recta
149:Italy
90:JSTOR
76:books
1023:2016
993:2016
968:2016
938:2016
913:2016
888:2016
857:2016
831:2016
805:2016
779:2016
754:2016
670:ISBN
655:ISBN
513:Stop
215:Stop
156:Died
131:Born
62:news
630:ITC
614:or
604:ITC
45:by
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97:(
87:·
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39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
