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Aldine Press

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339:, meaning "handbook" (later misnamed "pocketbook"). The octavo was the first version of the editio minor. Although these new, portable books were not cheap, the books of the Aldine Press did not force upon their buyers a substantial investment comparable to that of large volumes of text and commentary during this era. These books consisted on an edited text issued without commentary, printed in a typeface mimicking chancery script (the cursive handwriting of the humanist), produced in a small book which could sit comfortably in the hand. The editio minor, in many ways, brought financial and logistical benefits to those interested in the classics. An individual no longer had to go to the book, but rather the book came along with them. 31: 42: 264: 197:
were already business partners, but the marriage combined the two partners' shares in the publishing business. After the marriage, Manutius lived at Torresani's house. Shrinking in popularity, in 1506 the Aldine Press was moved to Torresani's house in the parish of San Paternian. It was later demolished in 1873 and was covered by a bank building in the Venice square,
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in order to produce published books from the Aldine Press. This was also the location of the "New Academy", where a group of Manutius' friends, associates, and editors came together to translate Greek and Latin texts. In 1505, Manutius married Maria, the daughter of Torresani. Torresani and Manutius
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at the time, and the other half belonging to Torresani. Manutius owned one fifth of Torresani's share of the press. Manutius was mainly in charge of the scholarship and editing, leaving financial and operating concerns to Barbarigo and Torresani. In 1496, Manutius established his own location of the
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Manutius died on February 6, 1515. Following his death, the firm was run by Torresani and his daughter Maria, the widow of Manutius. The name of the press was changed in 1508 to "In the House of Aldus and Andrea Torresano," and kept this name until 1529. In 1533,
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is derived from early Italian versions of italic faces, which were designed primarily in order to save on the cost of paper. The Aldine Press first used italic type in a woodcut of Saint Catherine of Siena in 1500. Their 1501 edition of Virgil's
77:, from which were issued the celebrated Aldine editions of the classics (Latin and Greek masterpieces, plus a few more modern works). The first book that was dated and printed under his name appeared in 1495. 954: 259:
was one of the scholars learned in Greek with whom the Aldine Press partnered in order to provide accurately translated text. The Aldine Press also expanded into modern languages, mainly Italian and French.
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bearing an image of this device. The image of the dolphin and anchor on the coin came with the saying "Festina Lente", meaning "make haste slowly." This would later become the motto for the Aldine Press.
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Manutius also printed dictionaries and grammars to help people interpret the books, used by scholars wanting to learn Greek, who would employ learned Greeks in order to teach them directly. Historian
1567: 485: 96:, the press issued 132 books during twenty years of activity under Aldus Manutius. After Manutius' death in 1515, the press was continued by his wife Maria and her father Andrea Torresani ( 189:, historians regard them to be erroneously placed based on contemporaneous letters addressed to Manutius. The first erroneous plaque had been placed by Abbot don Vincenzo Zenier in 1828. 209:
The press was started by Manutius due to a combination of his love of classics and the need for preservation of Hellenic studies. During its initial era, the press printed new copies of
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Aldus Manutius, the founder of the Aldine Press, was originally a humanist scholar and a teacher. Manutius met Andrea Torresani, who had acquired publishing equipment from the widow of
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was the first book to be printed in italic type. The roman typeface and italic form created and pioneered by Manutius and Griffo were highly influential in typographic development.
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managed the firm, starting it up again and changing its name to "Heirs of Aldus and Andrea Torresano". In 1539, the imprint changed to "Sons of Aldo Manuzio". In 1567,
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in 1453 had placed under threat the importance and survival of Greek scholarship, but that publications such as those by the Aldine Press secured it once more.
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Bibliotheca Aldina: a collection of one hundred publications of Aldus Pius Manutius and the Aldine Press, including some valuable Aldine conterfeits
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Adapting this admired and influential roman-faced font, Manutius and Griffo went on to produce a cursive variant, the first of what is now known as
30: 1562: 128:, effectively giving it copyright protection. Protection outside the Republic was more problematic, however. The firm maintained an agency in 1472: 1007: 894: 808: 1522: 1341: 1148: 1123: 1062: 1037: 1481:
Massey, Stephen C. (2023). "Bibliotheca Brookeriana: A Renaissance Library. Magnificent Books and Bindings. The Aldine Collection."
1261: 1200: 860: 102: 793: 1027: 1557: 148:. The ownership of the press was originally split in two, with one half belonging to Pier Francesco Barbarigo, the nephew of 113:
then ran the firm until his death in 1597. Today, the antique books printed by the Aldine Press in Venice are referred to as
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scribes and notaries, had been in development from the time movable print arrived in Italy, notably by the French printer
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Nuovo, Angela. 2018. “Aldus Manutius and the World of Venetian Publishing.” Andreas Vesalius and the "Fabrica" in the
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In North America, the most substantial Aldine holdings can be found in the Ahmanson-Murphy Aldine Collection at the
588: 378: 110: 947:"The Palaeotypography of the French Renaissance (2 Vols.) : Selected Papers on Sixteenth-Century Typefaces" 280:
Manutius eventually took on a project to improve upon the Humanistic font designs of Jenson's typefaces, hiring
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The Venetian Printing Press: an historical study based upon documents for the most part hitherto unpublished
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size, similar to that of a modern paperback, and intended for portability and ease of reading. According to
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The most nearly complete collection of Aldine editions ever brought together was originally housed in the
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An Athenian Commentary on Plato's Republic: Poetry, science and textual engagement in Proclus' In Rem
797: 579: 570: 406: 289: 248: 812: 359:. Aldus told Erasmus six years later that Bembo had given him a silver coin minted under the Roman 268: 1482: 927: 597: 421: 296:
in 1470. Griffo developed his own further refinements of style, resulting in one of the earliest
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CuriositĂ  veneziane, ovvero origini delle denominazioni stradali di Venezia, fourth edition
1457:, Basil Blackwell, Oxford, 1979). II edizione, con aggiornamento bibliografico, Roma 2000. 674: 462:
of Greek texts, allowing these texts to escape the fragility of the manuscript tradition.
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Annales de l'imprimerie des Aldes, ou l'histoire des trois Manuce et de leurs Ă©ditions
1084:. London & New York: New York, G. P. Putnam's sons; London, J. C. Nimmo. pp.  1541: 931: 758: 89: 1371: 1189: 381:(grandson of Aldus Manutius) took over and maintained the business until his death. 333:
Beginning in 1505, Manutius produced plain texts in a portable form, using the term
132:, but its commercial success was affected by many counterfeit editions, produced in 561: 499: 356: 573:, 1496 (the first published work of the Aldine Press using the humanist typeface). 413:
Opusculum de Herone et Leandro, quod et in Latinam Linguam ad verbum tralatum est,
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The first edition of Plato's works (known as the Aldine edition) was dedicated to
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Catalogue of books and Manuscripts. Part II. Italian 16th Century Books. 2 vols
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Page from the Aldine Vergil of 1501, the first of the standard octavo Aldines.
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New Aldine Studies: documentary essays on the life and work of Aldus Manutius
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New Aldine studies: documentary essays on the life and work of Aldus Manutius
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to design and cut typefaces for his print editions of classical literature.
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The World of Aldus Manutius: Business and Scholarship in Renaissance Venice
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Il mondo di Aldo Manuzio – Affari e cultura della Venezia del Rinascimento
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La stampa in Venezia dalla sua origine alla morte di Aldo Manuzio senior
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BĂĽhler, Curt F. (1950). "Aldus Manutius: The First Five Hundred Years".
789: 348: 256: 103: 85: 355:. "The dolphin and anchor device owed its origins most immediately to 117:, as are the letterforms and typefaces pioneered by the Aldine Press. 767: 665: 625: 616: 607: 352: 181:. Though there are two commemorative plaques located on the building 166: 74: 415:
Musaeus, before November 1495 (Greek text) and 1497–98 (Latin text).
740: 725: 683: 523: 262: 233: 210: 129: 109:), until Manutius' son Paulus (1512–1574) took over. His grandson 40: 29: 980:
A Bibliographical Sketch of the Aldine Press at Venice: 3 Volumes
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A partial list of publications from the Aldine Press, cited from
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In 1501, Aldus used as his publisher's device the image of a
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Aldus Manutius: printer and publisher of Renaissance Venice
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Aldus Manutius, sometime between March 1487 and March 1491.
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Works published from the Greeks. Manutius printed thirty
1118:. San Francisco, CA: B.M. Rosenthal, Inc. pp. 1–8. 577:
Libellus de epidemia, quam vulgo morgum Gallicum vocant,
1281:. Cambridge: Belknap Press of Harvard University Press. 880: 878: 876: 874: 872: 512:
Herodoti libri novem quibus musarum indita sunt nomina,
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Harry Ransom Center: The University of Texas at Austin
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15th-century establishments in the Republic of Venice
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Florilegium diversorum epigrammatum in septem libros,
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The Papers of the Bibliographical Society of America
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De mysteriis Aegyptiorum, Chaldaeorum, Assyriorum...
1451:. Roma: Il Veltro, pp. 441 (Translated from: 1195:. Cambridge, England: Cambridge University Press. 1188: 1141:Delle inscrizioni veneziane raccolte ed illustrate 595:Epistole devotissime de Sancta Catharina da Siena, 1499:; 3ème Ă©dition. Paris (the standard bibliography) 1294:Aldus Manutius: A Legacy More Lasting than Bronze 734:Joannes Jovianus Pontanus, May & August 1505. 559:Petri Bembi de Aetna ad Angelum Chabrielem liber, 391:Aldus Manutius: A Legacy More Lasting than Bronze 1000:In Search of Aldus Manutius a campo Sant'Agostin 1402:Aldus and His Dream Book: An Illustrated Essay. 1143:. Venezia: presso G. Picotti. pp. 41–42. 637:Le cose volgari de Messer Francesco Petrarcha, 84:, among other things, for the introduction of 80:The Aldine Press is famous in the history of 45:The true first location of the Aldine Press, 8: 1256:. San Francisco: Bernard M. Rosenthal, Inc. 1242:(New York: Morgan Library, 1995), pp. 26–27. 708:Fastorum...libri, de tristibus..., de ponto, 1002:. Venice, Italy: Damocle. pp. 17–23. 855:. New York, New York: Italica Press, Inc. 446:Institutionum grammaticarum libri quatuor, 267:Aldus Manutius device commemorated in the 1578:Companies established in the 15th century 240:, who dedicated the work to the humanist 1191:The Printing Press as an Agent of Change 1292:George Fletcher, Scott Clemons (2015). 1057:. Venezia: F. Ongania. pp. 55–57. 836: 508:Angeloa Ambrogini Poliziano, July 1498. 756:Commentariorum de Bello Gallico libri, 476:Theophrastus de historia plantarum..., 434:Rudimenta grammatices latinae linguae, 217:, and other Greek and Latin classics. 1306:A Guide to Special Collections (1999) 1234: 1232: 1230: 1162: 1160: 1109: 1107: 1105: 1103: 1101: 1099: 1097: 1095: 809:University of California, Los Angeles 623:Rhetoricorum ad C. Herennium...libri, 404:Erotemata cum interpretatione Latina, 7: 1021: 1019: 993: 991: 989: 173:(house number) 2343 San Polo on the 1427:Febvre, L. & Martin, H. (2001) 1252:Fletcher III, Harry George (1988). 1139:Cigogna, Emmanuele Antonio (1830). 1032:. Venezia: F. Ongania. p. 10. 889:. Canada: Firefly Books Ltd. 2015. 690:Tragaediae septem cum commentariis, 1548:Book publishing companies of Italy 428:Institutiones Graecae grammatices, 25: 1523:Aldus Manutius exhibition at UCLA 1187:Eisenstein, Elizabeth L. (1979). 1026:Tassini, dottor Giuseppe (1887). 982:. Edinburgh: Privately Published. 728:, sometime after 31 October 1504. 192:Manutius lived and worked in the 124:of works printed in Greek in the 1221:exhibitions.library.columbia.edu 1114:Fletcher III, H. George (1988). 750:Gaius Plinius Caecilius Secundus 506:Omnia opera Angeli Politiani..., 957:from the original on 2021-09-23 719:Greek Anthology, November 1503. 626:Marcus Tullius Cicero, (Cicero) 550:Scriptores astronomici veteres, 157:press in a building called the 1467:(Hardback). New York: Viking. 1405:New York: Italica Press, 1992. 448:Aldus Manutius, December 1514. 430:Urban Valeriani, January 1497. 288:, based on the formal hand of 1: 1563:1494 establishments in Europe 1296:. New York: The Grolier Glub. 817:University of Texas at Austin 774:Sonetti et Canzoni. Triumphi, 497:Aristophanis Comoediae novem, 165:on the campo Sant'Agostin in 1528:1502, Venice: Aldus Manutius 1437:Fletcher, H. G., III (1988) 738:Vita, et Fabellae Aesopi..., 51:Calle della Chiesa, San Polo 1464:Venice : A New History 1240:In praise of Aldus Manutius 1594: 1485:74.no.4 (winter): 710-719. 1411:Stampa e cultura in Europa 1167:Pass, David Blair (2013). 1078:Brown, Horatio F. (1891). 1053:Castellani, Carlo (1889). 945:Vervliet, Hendrik (2008). 924:10.1086/pbsa.44.3.24298605 586:Hypnerotomachia Poliphili, 436:Aldus Manutius, June 1501. 379:Aldus Manutius the Younger 111:Aldus Manutius the Younger 1533:Rylands Aldine collection 1461:Madden, Thomas F (2012). 998:Knoops, Johannes (2018). 978:Goldsmid, Edmund (1887). 568:Diaria de Bello Carolino, 440:Poetae Christiani veteres 228:and the life of Plato by 224:and included the poem of 1502:Soave, Fiammetta (1991) 853:Aldus and His Dream Book 851:Barolini, Helen (1992). 825:Brigham Young University 779:(Petrarch), August 1514. 747:Epistolarum libri decem, 663:Epistolae ad familiares, 617:Quintus Horatius Flaccus 251:claims that the fall of 27:Venetian printing office 1495:Renouard, A. A. (1834) 1424:London: British Library 1376:Exhibits of BYU Library 1277:Mortimer, Ruth (1974). 732:Urania sive de stellis, 699:Tragoediae septendecim, 608:Vergilius Maro (Virgil) 1558:Printers of incunabula 1417:Davies, Martin (1995) 1173:(Thesis). UC Berkeley. 713:(Ovid), February 1503. 684:Marcus Annaeus Lucanus 642:(Petrarch), July 1501. 598:St. Catherina of Siena 272: 58: 38: 1512:]. Rome: F. Soave 1447:Lowry, Martin (1984) 887:The Evolution of Type 885:Seddon, Tony (2015). 821:Harold B. Lee Library 668:(Cicero), April 1502. 666:Marcus Tullius Cicero 521:Omnia Platonis opera, 419:Dictionarium Graecum, 266: 44: 33: 1573:Mass media in Venice 1430:La nascita del libro 1414:. Roma-Bari: Laterza 1238:H. George Fletcher, 798:John Rylands Library 796:, and is now in the 711:Publius Ovidius Naso 686:(Lucan), April 1502. 600:, 19 September 1500. 571:Alessandro Benedetti 467:Eclogae triginta..., 407:Constantine Lascaris 290:Renaissance humanist 249:Elizabeth Eisenstein 163:Sestiere di San Polo 120:The press enjoyed a 1553:Italian Renaissance 1352:on 27 February 2013 951:eds.a.ebscohost.com 813:Harry Ransom Center 759:Gaius Julius Caesar 632:Libelli Portatiles 619:(Horace), May 1501. 460:editiones principes 325:Portable books (or 269:Library of Congress 1483:The Book Collector 1434:Roma-Bari: Laterza 1408:Braida, L. (2003) 1372:"Aldine Checklist" 1254:New Aldine Studies 777:Francesco Petrarca 640:Francesco Petrarca 555:, 17 October 1499. 422:Johannes Crastonus 398:Musarum Panagyris, 351:wrapped around an 327:libelli portatiles 276:Humanist typefaces 273: 175:Calle della Chiesa 150:Agostino Barbarigo 126:Republic of Venice 69:office started by 59: 55:campo Sant'Agostin 39: 1474:978-0-670-02542-8 1399:Barolini, Helen. 1009:978-88-943223-2-3 896:978-1-77085-504-5 589:Francesco Colonna 580:Niccolò Leoniceno 553:Firmicus Maternus 517:, September 1502. 493:, September 1497. 361:Emperor Vespasian 343:Imprint and motto 271:, Washington D.C. 230:Diogenes Laertius 16:(Redirected from 1585: 1478: 1387: 1386: 1384: 1382: 1368: 1362: 1361: 1359: 1357: 1348:. 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Index

Aldine editions

British Library
First location of the Aldine Press
printing
Aldus Manutius
Venice
typography
italics
octavo
Curt F. BĂĽhler
Andrea Torresano
Wikidata
Aldus Manutius the Younger
monopoly
Republic of Venice
Paris
Lyon
Nicholas Jenson
Agostino Barbarigo
doge
Sestiere di San Polo
Venice
Plato
Aristotle
Pope Leo X
Musurus
Diogenes Laertius
Basel
Simon Grynaeus

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