268:
Gaunt, Simon, and Kay, Sarah. "Appendix I: Major
Troubadours" (pp. 279–291). The Troubadours: An Introduction. Simon Gaunt and Sarah Kay, edd. Cambridge: Cambridge University Press, 1999.
301:
Léglu, Catherine. "Moral and satirical poetry". The
Troubadours: An Introduction. Simon Gaunt and Sarah Kay, edd. Cambridge: Cambridge University Press, 1999.
353:
155:. In his typically moralising tone he accuses of Alegret of being a flatterer who cuckolds his lord. Alegret is implicitly compared to the
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94:(basically, vassal or liegeman). Pelligrini saw this passage as imitating Bernart de Ventadorn, considered the master of this metaphor:
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survive of his poems. Nonetheless, his reputation was high enough that he found his way into the poetry of
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348:
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Gaunt, Simon B. "Marginal men, Marcabru and orthodoxy: the early troubadours and adultery".
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163:(the white shirt symbolising a sexual relationship). In his own work Alegret criticses
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Gaunt, "Marginal men, Marcabru and orthodoxy: the early troubadours and adultery", 65.
342:
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71:. The work of Alegret is also intertextually and stylistically related to that of
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The World of the
Troubadours: Medieval Occitan Society, c. 1100–c. 1300
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168:
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Alegret was also one of the first troubadours to employ the
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Gaunt, Simon B. "Did
Marcabru Know the Tristan Legend?".
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Gaunt, "Did
Marcabru Know the Tristan Legend?", 110.
90:(lady) as that of vassalage by calling himself her
334:Berkeley: University of California Press, 1991.
316:. Cambridge: Cambridge University Press, 1993.
171:, because they encourage promiscuity in women.
147:Marcabru parodied the structure of Alegret's
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129:if I might come before her with hands joined
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330:Memory and Re-Creation in Troubadour Lyric
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167:(faithless husbands), but primarily, like
195:, translated by James H. Donalson (2005)
186:, translated by James H. Donalson (2005)
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86:. He describes his relationship to his
193:("Now all the trees appear dried up")
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103:De sol aitan mi tengr'ieu per pagatz
132:and show her, weeping, on my knees,
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354:12th-century French troubadours
108:Quel vengues, mas jontas, denan
287:(1986) pp. 108–113.
184:("Just as the one who's beat")
16:12th-century Gascon troubadour
1:
48:
298:(1990) pp. 55–72.
182:Aissi cum selh qu'es vencutz
153:Bel m'es quan la rana chanta
126:I should be satisfied simply
113:El mostres de ginolhs ploran
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191:Ara pareisson ll'aubre sec
149:Ara pareisson li'aubre sec
118:Cum suy sieus endomenjatz,
40:, and a contemporary of
159:of legend for he wears
29:, one of the earliest
327:Van Vleck, Amelia E.
82:metaphor to describe
175:Works in translation
65:Bernart de Ventadorn
312:Paterson, Linda M.
221:Gaunt and Kay, 279.
69:Raimbaut d'Aurenga
161:la blancha camiza
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151:in his own poem
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73:Peire d'Alvernhe
51:1145). Only one
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38:Occitan tongue
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165:marritz drutz
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135:how I am her
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292:Medium aevum
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281:Medium aevum
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84:courtly love
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137:endomenjatz
92:endomenjatz
343:Categories
212:Léglu, 48.
27:troubadour
54:sirventes
34:satirists
169:Cercamon
57:and one
42:Marcabru
349:Gascons
262:Sources
157:Tristan
36:in the
20:Alegret
320:
305:
272:
80:feudal
24:Gascon
22:was a
200:Notes
88:domna
60:canso
31:lyric
318:ISBN
303:ISBN
270:ISBN
67:and
46:fl.
345::
296:59
294:,
285:55
283:,
238:^
226:^
75:.
49:c.
332:.
324:.
309:.
276:.
139:,
44:(
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